Orchestral Manoeuvres in the Dark

2636: 872: 1261: 10021: 40: 1034: 1569: 2100: 516: 839:, was released in the UK and Europe in November 1981, becoming their most commercially successful studio album. The group went into the studio with Richard Manwaring producing. Cooper then temporarily dropped out and was replaced by Mike Douglas, but this change was reversed by the time the album was released and a tour followed. The album's sound saw OMD's original synth-pop sound augmented by the use of the 1852: 596:

band. Given that OMD intended to play only one gig, the duo considered their moniker to be inconsequential. McCluskey has since expressed regret over choosing "such a very silly name". The contrasting personalities of Humphreys and McCluskey established the band's dynamic, with the former saying that

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was also released. The 40th anniversary collection includes the band's forty singles, including a new release titled "Don't Go". It also contains 22 previously unreleased recordings from the group's archive, selected and mixed by Paul Humphreys. Two audio live shows (one from 2011 and one from 2013)

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in their entirety, along with other songs from before 1983. The only song post-1983 played was "History of Modern Part 1". The concert was recorded and made available on double CD right after the show, with a triple LP vinyl recording of the concert also being made available. The band collaborated

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OMD were indifferent to celebrity status, and avoided the calculated fashion stylings of many of their 1980s peers. During live performances, McCluskey developed a frenetic dancing style that has been dubbed the "Trainee Teacher Dance"; he explains that it stemmed "from the perception that were

1431:, was released on 25 March 2013. The album was released in the UK on 8 April, and entered the UK album chart at No. 12 and the German chart at No. 10. Reviews for both the album and their concerts were generally positive. "The Future Will Be Silent", a 500-copy limited edition 10-inch 591:

as lead vocalist, but quit in September. Later in the month, he rejoined Humphreys and their VCL XI project was renamed Orchestral Manoeuvres in the Dark. The name was gleaned from a list of song lyrics and ideas that were written on McCluskey's bedroom wall; and was chosen so they would not be

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McCluskey recalled, "Once we had toured again... there was only one dangerous but logical next step: to be crazy enough to dare to make new music. The process took about three years as we were conscious that a poor album would undermine all of the positive effects that we had achieved in the

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youngsters, OMD had a limited budget, using second-hand "junk-shop" instruments including a left-handed bass guitar (which McCluskey would play upside-down). The pair also created their own devices, with Humphreys "making things out of his aunt's radios cannibalised for the

1146:. To release the track as an OMD single, however, McCluskey had to agree that the single release would remove the actual "Love's Theme" sample, but still be officially titled "Dream of Me (Based on Love's Theme)", and furthermore would still give a writing credit to White. 801:

on Hiroshima. The song was intended to be included on the debut studio album, but was left out at the final selection. The tour for this album had a four-piece band line-up, with Martin Cooper recruited for keyboard duties and enlisted as an official group member. The

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recording studio, called the Gramophone Suite. They predicted that they would be dropped by the label due to disappointing sales, but would at least own a studio. The album showcased the band's live set at the time, and included some guest drums from former Id drummer

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remastered CD was re-released together with a DVD featuring the Drury Lane concert from 1981 that had previously been available on VHS. The band toured throughout May and June, beginning their set with a re-ordered but otherwise complete re-staging of the

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readers named them the eighth-best band (as well as the 10th-best "new artist") and the third-best live act of the year. The group came close to breaking up in 1982, with McCluskey later saying, "We had never expected the success, we were exhausted."

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As OMD appeared poised to consolidate their US success, the band continued to fracture. Humphreys departed in 1989 amid personal and creative dissension with McCluskey. Cooper and Holmes then left OMD to join Humphreys in founding a new band called

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and he asked us to go on tour with him... we went from the small clubs to playing huge arenas. Gary was very good to us." Along with Numan, OMD became key figures in the rise of synth-pop. Numan later supported OMD on a 1993 UK arena tour.

7626: 2043:(1993); the latter has since been dismissed by McCluskey. Ian Peel wrote that the band "defied expectations by updating their sound and becoming, if only briefly, relevant in the 90s". The group disbanded shortly after the release of 2621:, who has worked in varied genres. Wilson dubbed OMD a "wonderful collision of ideas", whose albums "stand up very, very well as experimental pop records with the most enjoyable kind of songwriting". The group were inducted into the 5984: 1665:

with different applications of dance beats, keyboards, melodies, and sulks", rejecting the genre's "sonic trappings but not its intellectual freedom". The group found commercial success with a style of synth-pop described as

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imposed in March 2020, McCluskey "rediscovered the creative power of boredom" and began writing material for OMD's next studio album. In October, the band returned to live performance with a limited-capacity gig at London's

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and short wave radio tape collages. Its relative commercial failure caused a crisis of confidence for Humphreys and McCluskey, and brought about a deliberate move towards the mainstream. Their following studio album, 1984's

2446:. Mercer affirmed, "OMD are an integral thread in my musical history. You can hear them in my melodic sensibilities and at times in our production... I'll always love them." The group have also influenced pop acts such as 2082:

wrote that the group's 21st century work represents "one of the more successful second acts in modern pop history". The band are noted for their diverse contributions to the electronic, new wave, experimental, dance and

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of the reasons why? Absolutely... then there were these other bands emerging, like Orchestral Manoeuvres in the Dark, Depeche Mode, of course, Human League. And then we were into an entirely different area of

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show led the group to reunite. On 1 January 2006, McCluskey announced plans to reform OMD with the "classic" line-up of McCluskey, Humphreys, Holmes, and Cooper. The original plan was to tour the studio album

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Murphy guides you through his new New York dance-punk troupe's new album." ... "I was constantly listening to the 'Sweet Dreams'-era Eurythmics stuff and Bronski Beat and the first couple of OMD records.

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and Genie Queen, and trying to develop new Merseyside artists from his Motor Museum recording studio. With McCluskey focusing his talents elsewhere, Humphreys decided to work with his new musical partner

1067:; writing credits carefully distinguished between songs written by OMD (i.e., McCluskey) and songs written by OMD/Kershaw/Massett. This iteration of the group was initially successful, with hits such as " 1502:, which is a first-person "autobiography" about the band. It mixed fan-submitted memories with commentary from McCluskey, Humphreys, Cooper, Holmes, and Kershaw. For people who pre-ordered the book on 8601:

It wasn't all ear-splitting mega-wattage, though. Reznor also highlights the influence of the invading English synthpoppers – Gary Numan, Soft Cell, OMD – who permeated the airwaves during his youth.

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Was your early sound influenced by new wave? It was more a question of the new synthesizer bands, people like Orchestral Manoeuvres in the Dark, Depeche Mode, Human League – all those guys, really.

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In 1985, the band expanded to a sextet with the addition of brothers Graham Weir (guitar, keyboards, trombone) and Neil Weir (keyboards, trumpet, bass guitar), and released their sixth studio album,

3056: 781:), followed later that year, recorded as a three-piece with Humphreys, McCluskey and Holmes. It was again produced by Howlett, and had a darker, moodier feel largely inspired by the passing of 1721:

stated that "their music, even with its occasionally cerebral themes, has always been defined by warmth, heart and soul: the sound of machinery manipulated by a tender human touch." Musician

4713: 597:"two Pauls wouldn't get anything done and two Andys would kill each other." They have further described their creative roles as "The Surgeon" (Humphreys) and "The Butcher" (McCluskey). As 3816: 651:

produced by their friend, owner of Winston and soon to be manager, Paul Collister, under the pseudonym Chester Valentino (taken from a nightclub called Valentino's in the nearby city of

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area, performing original material (largely written by McCluskey and Humphreys). They had quite a following on the scene, and one of their tracks ("Julia's Song") was included on a

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band for an automated age. OMD proposed an honest rendering of the tension, fascination, and occasional terror they felt about how ghosts and machines would get along. It was more

10604: 578:(1979). Meanwhile, Humphreys and McCluskey collaborated on a side project called VCL XI, whose name was adapted from a diagram on the back cover of Kraftwerk's fifth studio album 1621:, was released on 27 October 2023; it was preceded by a single, the title track, on 22 August. The record debuted at no. 2 on the UK Albums Chart, matching the peak achieved by 6343: 855:" (which became the biggest-selling single of 1982 in Germany) were on the album. Both songs were originally titled "Joan of Arc"; the name of the latter single was changed to 7000: 8737: 551:. After Equinox, McCluskey joined Pegasus, and, later, the short-lived Hitlerz Underpantz, alongside Humphreys. McCluskey would usually sing and play bass guitar; roadie and 8614: 7858: 5015: 3173: 2158:. Clarke recognised OMD as being "ahead of their time", and credited their "really great tunes and ideas" with directly inspiring him to become an electronic musician. The 9504: 8813: 10057: 1517:

As part of OMD's 40th-anniversary celebrations, they embarked on a UK and European tour in 2019. The band won "Group of the Year" and "Live Act of the Year" in the 2019

404:" as OMD's debut single in 1979. Weathering an "uncool" image and a degree of hostility from music critics, the band achieved popularity throughout Europe with the 1980 7092: 1929:

observed "two brilliant, but very different, bands. Orchestral Manoeuvres in the Dark, the early 80s Factory descendents... and OMD, the late 80s stadium pop act." The

833:", co-written by Cooper and Humphreys. It ushered in a lush choral electronic sound. The song also became OMD's biggest UK hit to date. The band's third studio album, 8148:

the synthesizer Orchestral Manoeuvres in the Dark, bands like Depeche Mode, bands that didn't have a drummer, bands that used to work mainly in the studio... became

6755: 3512: 3468: 2490:(1983): "Those records, they really changed me when I was a kid. I'd never heard anything quite like it... this really scary, futuristic landscape." The experimental 1803:

noted that the group were perceived as "oddballs, freaks" on the Liverpool scene, while McCluskey has identified himself and Humphreys as "synth punks" and "complete

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In 2006, OMD reformed with McCluskey and Humphreys revisiting the more experimental territory of their early work. The band have achieved 14 top-20 entries on the

8898:: OMD is one of the leading bands in the 80s and 90s regarding electronic music/production and therefore influenced a lot of DJ/Producers who are successful now . 7361: 1873:(1983) was a critical and commercial disappointment upon release. Facing potential excision from Virgin Records, OMD moved towards a more accessible sound on the 2087:

genres. OMD have undertaken regular UK and international gigs since they reformed, staging their own tours and also embracing '80s revival festivals such as the

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wrote that the band remained, "in essence, the songwriting/recording duo of Andy McCluskey and Paul Humphreys". OMD continues to be termed a "duo" in the media.

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One of new wave's original invaders. What always has separated OMD from the majority of the second British invasion was their talent for memorable melodies.

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felt the group were responsible for educating mainstream audiences that electronic music could have emotion. Michael Grace Jr., founder of indie pop outfit

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festival in December 2006 in Germany, renewing the experience again in Belgium and the Netherlands that year. They were the headline act at Britain's first

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reflected on OMD's stylistic journey by the late 1980s, saying that "their music has been colored by continual exploration... which has run the gamut from

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In September 1977, McCluskey and Humphreys put together the seven-piece (three vocalists, two guitarists, bassist, drummer, and keyboardist) Wirral band

9393: 9206: 385:; McCluskey and Humphreys also introduced the "synth duo" format to British popular music. In the United States, the band were an early presence in the 10544: 1911:

founder John Doran, who was supportive of the band's reinvention, told how it became "quite popular to see OMD as nose-diving into the effluence after

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Only McCluskey was left to carry on, essentially becoming a solo artist working under the OMD banner. McCluskey's first album from the new OMD was the

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is likely to be the band's final album. Their latest 2024 tour runs from March to October including gigs in the UK, South Africa, Canada and the US.

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In March 2022, a pair of concerts with a heavy emphasis on the group's more experimental work (rescheduled from September 2020), took place at the

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The true populist musical movement of the Nineties was the post-acid house scene coming out of clubland, the music that helped bring to fruition.

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was played in Liverpool; a recording of this concert was released on DVD in December. The band toured arenas in November and December, supporting

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movies, and they were good at it and I'm glad that they had success with it, but it wasn't nearly as creatively inspiring." Conversely, bassist

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OMD have been recognised as the first of Britain's many "synth duo" acts. Although the two original members enlisted other musicians over time,

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We weren't trying to be pop stars and weren't terribly interested in presenting ourselves as sexy or colourful... we were just about the music.

5408: 2942: 2406:, who cited the band as "synth heroes" and a critical factor in his career choice. Among rock-oriented artists, OMD have inspired the likes of 1293: 1371:. In March 2011, the band played their first North American tour as the "classic" line-up since 1988. In September, they appeared at the 2011 10707: 10621: 9742: 7567: 2766: 122: 2253:, drew inspiration from the group's "minimal" synthesizer melodies, in which "every note means something new". OMD were also influential on 659:, whose distinctive graphics contributed to OMD's public image into the 1980s. "Electricity" became a seminal release within the burgeoning 502:. Described as one of the most influential synth-pop acts in history, OMD have inspired many artists across diverse genres and disciplines. 10727: 6795: 6333: 1491:, which was released on 1 September 2017 and charted at no. 4 in the UK. OMD toured Europe and North America in support of the album, with 5624: 5483: 1883:(1984); the band also donned more vibrant garments on the album's accompanying tour. The group continued to incorporate elements of sonic 10697: 4965: 1601:

with a UK tour, and released a triple-vinyl set of the album's singles containing associated B-sides, demo recordings, and live tracks.

9151: 4109: 1674:" and "edgy". OMD often eschewed choruses, replacing them with synthesizer lines, and opted for unconventional lyrical subjects such as 10692: 10043: 7422:

The very earliest incarnation of OMD... found a happy halfway point between avant-garde experimentalism and chart-friendly pop. 2010's

4377: 3847: 1305:, including six bonus tracks. To tie-in with the re-release, the band made the brief "Messages 78-08 30th Anniversary Tour", featuring 693:"Musically, we were pushing boundaries as far as we could. At one Virgin meeting, the head of A&R asked us, 'Come on guys, are you 9808: 7901: 7484: 3788: 1982:

referred to "the complexity and mastery in OMD's later pop material", calling himself "a fan of OMD albums from all of their phases".

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credited the group for "some of the best pop songs ever written". Frontman McCluskey has gained the admiration of musicians such as

1196:", over which McCluskey said he "sweated blood", considering it "about as good a song as I could write". However, the track was not 10732: 10677: 10667: 2130:

noted how OMD's work "gave credibility to ambitious pop" and led to "the emergence of a generation of electronic bands", including

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We found ourselves right at the beginning of the electronic explosion, and I found myself – although I'm a guitarist – absolutely

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popular among their friends at the time. By 1975, McCluskey had formed Equinox as bassist and lead vocalist, alongside schoolmate

10722: 10712: 10376: 7511: 5949:"Taylor Takeover! Taylor Swift dominates the UK's Official Singles and Albums Chart with the biggest opening week of 2023 so far" 1581: 852: 8646: 4494: 2295:

recalled, "I was more than instantly charmed by ... they had somehow arrived almost fully formed and with a talent for spitfire

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in Paris and New York. Sessions were strained, with Humphreys briefly quitting the group. OMD had been an early presence in the

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did not stock it. McCluskey said, "I just thought: 'Screw this, I'm not going to bang my head against a brick wall'." A second

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in the early 1960s, and in the mid-1970s, as teenagers, they were involved in different local groups but shared a distaste for

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M-500 Micro Preset synthesizer, purchased via McCluskey's mother's mail-order catalogue for £7.76 a week, paid over 36 weeks.

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in Liverpool. Finding themselves on the cusp of an electronic new wave in British pop music, they released a one-off single,

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Hall of Fame in 2014, being described as "leader in the synthpop movement" and one of rock's most "underappreciated" bands.

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OMD have sold over 40 million records, and are considered one of synth-pop's most influential acts. They were identified by

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encouraged their return to the studio, declaring that "the world needs more OMD records". The band's eleventh studio album,

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in May 1991, which charted at No. 3 in the UK. McCluskey recruited Liverpool musicians Raw Unlimited (Lloyd Massett,

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argued that the success of "If You Leave" has concealed from US audiences the group's history of making innovative music.

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had no reservations about the moniker, labelling OMD a "thoroughly sparkling pop group" with "more hooks than a chain of

9449: 7254: 6698: 3092: 9675: 9178: 8913: 8531: 8390: 7813: 4478: 424:(1983) was seen as overly experimental, and eroded European support. The group embraced a more radio-friendly sound on 7958: 5380: 3946: 802:

McCluskey/Humphreys/Cooper/Holmes unit came to be regarded as the band's "classic" line-up. In early 1981, readers of

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In August 1978, the Id broke up due to musical differences. Also in August, McCluskey joined Wirral electronic outfit

10682: 9977: 9959: 7729: 7627:"The Guide: Rhiannon Giddens, OMD, Diversity and more events to see, shows to book and ones to catch before they end" 4625: 3555: 3132: 1205: 883:

In 1983, the band lost commercial momentum somewhat, with the release of their more experimental fourth studio album

9709: 9564: 9001: 5132: 999:, but the band began to see their critical and public popularity wane notably in the UK. The album's first single, " 978:(1986). They offered "Goddess of Love", although the ending of the film was re-shot due to a negative response from 10687: 10233: 6891: 5975:"OMD's Andy McCluskey: 'I'm really happy that I don't have to pander to a TikTok generation to get my songs heard'" 3817:"Q&A: OMD's Paul Humphreys Talks Reformation, The Return of Intelligent Music and Being in Hitler's Underpants" 3300: 2874: 2574: 1729:, said in 2018, "The thing that strikes me now when I return to OMD is how remarkably human they sound. They are a 1487: 1339: 1151: 656: 5682: 5576: 4868: 1993:

features some strong material despite being hastily written and excessively produced. They concede, however, that

10717: 10537: 6399: 2174: 1193: 1170: 1046:. McCluskey recalled, "We were all in agreement that something was wrong. How to fix it was where we disagreed." 5919: 4248: 2225:'s introduction of electronic instruments and onstage dancing in the early 1980s. The group were influential on 2019:

bands that could navigate the genre's spectrum of sound and mood as well as Orchestral Manoeuvres in the Dark."

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told how his band experimented with OMD-esque "John Hughes prom-scene movie moment kind of songs", adding that "

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bands), adding atmospheric swatches of string, choir, and other sounds to their palette. Two more hit singles, "

491:, as well as global sales of 40 million records. Their 20th century output yielded 18 top-40 appearances on the 447:, leaving McCluskey as the only remaining member of OMD. The group returned with a new line-up and explored the 10737: 9941: 9894: 6207: 3689: 2344: 1003:", was a top 10 hit across Europe and entered the top 20 in both the UK and US. On 18 June 1988, OMD supported 1807:". OMD weathered an "uncool" image, and faced hostility from sections of the music press in the 1980s. Critic 9264: 8511: 8334: 7886: 7783: 7654: 7389: 6846: 6189: 6059: 5292: 5043: 4612: 3875: 3540: 3350: 3205: 552: 8738:"The Men of Orchestral Manoeuvres in the Dark (OMD): 'You Suddenly Find Yourself Between Swift and Sheeran'" 7933: 7538: 4431: 1823:

of the electronic world". The press began to describe the duo as "the Lennon–McCartney of synth-pop", which

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described as "the enviable position of at once being creative innovators and radio-friendly pop giants".

1556: 584:(1975), reading "VCL 11". This project allowed them to pursue their more obscure electronic experiments. 9123: 8430: 7162: 5839: 4534: 4512: 457:(1991) and its initial singles were hits in Europe. OMD then began to flounder amid the guitar-oriented 10565: 10383: 10163: 9569: 8485: 7835: 4610:

Evans, Paul (2004). "Orchestral Manoeuvres in the Dark". In Brackett, Nathan; Hoard, Christian (eds.).

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on his first major British tour. Humphreys noted, " gave us our first big break. He saw us opening for

547:. During that time, McCluskey and Humphreys discovered their electronic style, inspired by German band 414: 9536: 8960:

Speaking of inspirations, I recently got to rework OMD, which is a thrill for any electronic musician.

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and other pre-1983 material, then record a new studio album set for release in 2007. In May 2007, the

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produced minor hits, McCluskey retired OMD in late 1996, having faced waning public interest amid the

10488: 9737: 8281:"Interview: Canadian New Wave Electro-Pop Pioneers Men Without Hats Release New EP, 'Again (Part 1)'" 8163: 8086: 7022:

and makes the case that OMD's later, more commercial records are just as good as these two classics .

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The linked page features Wilson's introduction. Move to page (i.e. slide) 6 for his comment on OMD:

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OMD's mid-1980s reinvention alienated some listeners, but was embraced by others, including bassist

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saw as "a weighty mantle that has as much to do with their hailing from Liverpool as anything". The

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on the OMD song "Thrill Me", co-written by Barlow and McCluskey for the soundtrack of the 2015 film

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remarked, "Their earlier records were just phenomenal... a few years on they were making music for

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Experimentation with the new music technologies still at the heart of the duo's creative process.

4367: 1608:, with a live album based on the shows released through the OMD store. Another re-issue of 1983's 986:" in less than 24 hours, and it became a top 5 hit in the US, Canada, and New Zealand. Journalist 10597: 10286: 10107: 9043: 8942: 8492:. 9 November 2023. Event occurs at 9:36 minutes. Archived from the original on 26 September 2024 8168: 7599:"OMD forced to postpone benefit gig for roadies after Andy McCluskey tests positive for Covid-19" 7289: 6124: 5952: 5257: 4798: 3592: 3245: 2701: 2435: 1963: 969: 946: 749: 390: 288: 8055: 7131: 5866: 5679:"Souvenir – New Greatest Hits & Deluxe Boxset Announced – Orchestral Manoeuvres In The Dark" 4741: 1989:

as an enjoyable "collection of songs" as opposed to a "deep, conceptual" record, and argue that

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Since OMD's 2006 reformation, their material has been seen as more akin to their early output.

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enthusiast Humphreys, who shared McCluskey's love of electronic music, graduated to keyboards.

430:(1984); this change in direction led to greater success in the US, and spawned hits including " 405: 9868: 8201: 6264: 4772: 10341: 10007: 9951: 9426: 8257: 8252: 7830: 7127: 6896: 6454: 5235: 3890: 3271: 3219: 2635: 2614: 2364: 2336: 2246: 1926: 1831: 1269: 871: 694: 603: 9072:"The Killers' Dave Keuning drops 'A Mild Case of Everything', looks on the 'Mr. Brightside'" 6945: 6592: 6098: 4273: 4216: 826:, they were voted both the fifth-best band of 1980 and the eighth-hottest new act for 1981. 472:, for whom he served as a principal songwriter and producer, while Humphreys formed the duo 10170: 10156: 9792: 8978: 8411: 8014:"Howard Jones on performing Human Lib and Dream Into Action in their entirety on this tour" 7863: 7672: 6427: 6303: 5710: 4331: 2802: 2786: 2511: 2486: 2459: 2006: 1869: 1835:

remarked that the label "might be a bit hyperbolic, but OMD was indeed ahead of its time".

1820: 1778: 1675: 1589:, with proceeds going to their road crew; the event was also streamed online. In 2021, the 1012: 885: 765: 627: 566:

and McCluskey's girlfriend Julia Kneale on vocals. The group began to gig regularly in the

420: 6509: 5456: 5266: 4513:"(forever) live and die | full Official Chart History | Official Charts Company" 2170:

named the group as "pioneers of electronic music"—a viewpoint shared by multiple outlets.

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alleged that McCluskey would "give up" following that album. Conversely, music journalist

1646:"It's kind of like, 'less is more'. We consciously tried to minimise what we were doing." 1169:

sessions, co-written by Bartos. The record spawned OMD's first Top 20 hit in five years, "

752:(another Dalek I Love You alumnus), who joined OMD in 1980, is featured in the "Messages" 8: 10446: 9541: 8158: 6756:"Andy McCluskey on Enola Gay, making a comeback and why pop music goes around in circles" 6290:

band to the still-inventive but commercially calculating act that found American success.

6234: 5924: 5765: 5385: 5173: 4927: 4617: 4036: 3017: 2623: 2566: 2507: 2467: 2270: 1533: 1260: 1008: 983: 770: 431: 10020: 5789:"OMD celebrate 40 years of 'Architecture & Morality' with 12" vinyl singles box set" 4894: 1444: 1440: 1165:(1996), which featured two songs co-written by Humphreys as well as a holdover from the 993:

In September 1986, the same six piece line-up also released their seventh studio album,

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In 1989, creative differences led Humphreys and other members to form the spin-off band

10636: 10502: 9646: 7383: 7285: 7158: 7067:"Not just for John Hughes films: OMD were a much better group than they get credit for" 4563: 4327: 3612: 3199: 2979: 2542: 2308: 1951: 1884: 1667: 1364:

and being followed by a European tour. Reviews of the album were generally favourable.

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readers named the group the eighth and 10th best new act of the year, respectively. In

664: 444: 374: 198: 104: 8678:"Rhys Fulber of Front Line Assembly Brings Live Show to Tri-Lakes Center for the Arts" 8407: 7802:

Anatomy of 55 More Songs: The Oral History of Top Hits That Changed Rock, Pop and Soul

7447:"OMD examines the complications of progress on the sparkling The Punishment of Luxury" 6727: 4854: 1425:, on 14 and 21 April. "Metroland", the first single from the forthcoming studio album 1288:

album. The second half of each concert featured a selection of their best known hits.

1233: 1227:

Post-1996, McCluskey decided to focus on songwriting for such Liverpool-based acts as

477: 10558: 10439: 10240: 10219: 10205: 10198: 10030: 9973: 9955: 9937: 9899: 9453: 9258: 8951: 8716: 8592: 8561: 8527: 8505: 8386: 8328: 8231: 7809: 7777: 7648: 7337: 6183: 6053: 5818: 5308: 5148: 5037: 4621: 4561:

Pendras, Peter (4 October 1991). "Former Blasters' guitarist finds his own success".

4474: 4114: 3869: 3534: 3316: 3136: 3128: 2882: 2858: 2842: 2834: 2586: 2198: 2162:

found common ground in their affection for OMD, drawing particular inspiration from "

2139: 2039: 2033: 1998: 1617: 1605: 1455: 1422: 1393:. In August, OMD performed to South African audiences in Cape Town and Johannesburg. 1379:. In November 2011, OMD returned to the studio and started work on their next album, 1356: 1241: 1192:

movements. A particular source of frustration was the modest commercial response to "

1098: 1055: 950: 816: 774: 571: 496: 481: 453: 10035: 9224:

Jason Mercer, the Honolulu-born singer-songwriter for the Shins and Broken Bells...

1528:

are also included, together with two DVDs bringing together two more live concerts (

10631: 10390: 10355: 9513: 9241: 8858:"Theartsdesk Q&A: Musician Andy McCluskey of Orchestral Manoeuvres in the Dark" 8119: 7963: 7136: 6979:

Muretich, James (4 October 1986). "Pop Develops the Blahs When Teamed with Bowie".

6954: 6920: 6851: 6732: 6597: 6432: 6128: 6036: 5201: 4372: 4058: 3655: 2582: 2419: 2324: 2254: 2194: 2178: 2072: 2060: 2059:

asserted that the band "covered in a single career that same territory explored by

2049:(1996), on which they strained for a more organic and acoustic sound. In reviewing 1745: 1612:, featuring previously unheard recordings, was announced for a March 2023 release. 1386: 1131: 1111: 844: 794: 729: 614: 588: 492: 409: 350: 346: 229: 94: 9766:"Deftones Talk 'Ohms' Album of the Year Nod, 'Black Stallion,' Fave Music of 2020" 8486:"OMD's Andy McCluskey on their 40 year career, iconic intros, and brand new album" 5332: 1715:, OMD are "known as the band that managed to wring emotion from synthesizer pop". 1451:

was made available, which includes an exclusive non-album track titled "10 to 1".

10583: 10418: 10362: 10272: 10265: 10258: 10191: 9474: 9156: 9128: 8918: 8651: 7990: 7631: 7342: 7231: 7062: 6338: 6079: 5270: 5090: 4718: 4440: 4139: 4086: 4005: 3821: 3474: 3047:"Mad World: An Oral History of New Wave Artists and Songs That Defined the 1980s" 2826: 2431: 2312: 2278: 2258: 2250: 2182: 2163: 2088: 2051: 2002: 1935:

asserted that "even their poppiest records of that postexperimental era, such as

1931: 1916: 1899: 1799:

making boring robotic intellectual music that you couldn't dance to". Journalist

1769: 1711: 1683: 1657: 1623: 1544: 1372: 1361: 1209: 1135: 1103: 1021: 995: 965: 830: 716: 640: 488: 167: 4684: 4649: 1586: 924:. The album was a success, reassuring the group about their new direction. The " 613:

OMD began to gig regularly as a duo, performing to backing tracks played from a

10551: 10516: 10112: 10099: 10085: 10078: 10003: 8489: 8462: 6981: 6625: 6166: 6027: 5358: 4415: 3932: 3793: 3789:"Gary Barlow didn't just meet his '80s heroes, he made a retro album with them" 3716: 3409:

Rexroat, Dee Ann (13 May 1988). "OMD maneuvering its way to American success".

2692: 2676: 2658: 2649: 2602: 2515: 2471: 2399: 2387: 2352: 2332: 2016: 1811:

asserted, however, that the band would eventually "become cool" to the public.

1734: 1492: 1252:. He also undertook a US live tour under the banner "Paul Humphreys from OMD". 1118:", charting at no. 24. Paul Humphreys was credited as co-writer of the single " 1107: 1060: 1015:

where they played to over 60,000 people. They also released the top 20 US hit "

979: 974: 757: 736:. It had a raw, poppy, melodic synth-pop sound. Dindisc arranged for the song " 725: 644: 632: 580: 563: 540: 528: 524: 436: 370: 362: 358: 283: 263: 253: 248: 177: 172: 157: 109: 49: 45: 7471:, in that it's a gentle upgrade of that sculpted-from-marble early '80s sound. 7035: 6647:

McCluskey, Andy (24 November 2010). "The Future, the Past and Forever After".

5543:(liner notes). Orchestral Manoeuvres in the Dark. 100% Records. 2017. 100CD66. 5381:"OMD debuts new track "Night Café", announces 10-inch EP for Record Store Day" 3739: 3650: 1447:, a 1000-copy limited edition 10-inch EP of "Julia's Song (Dub Version)" from 778: 10661: 10646: 10641: 10626: 10129: 9969: 9651: 9211: 8955: 8862: 8712: 8704: 8596: 8557: 7677: 7603: 7543: 7451: 7442: 7097: 6875: 6821: 6212: 5897: 4539: 4351: 4311: 4172: 3435: 3169: 3097: 2916:

OMD have been recognised by multiple outlets as pioneers of electronic music.

2734: 2618: 2610: 2594: 2523: 2320: 2282: 2159: 2155: 2116: 2064: 1921: 1888: 1825: 1815: 1800: 1690:

said that the band "were always more intellectual" than "contemporaries like

1671: 1594: 1485:. Work began in October 2015 on what was to be their thirteenth studio album 1472: 1367:

On 28 September, OMD performed as a special guest at the "first ever gig" of

1347: 1249: 1228: 1213: 1084: 987: 942: 921: 917: 804: 622: 598: 559: 473: 469: 397: 378: 293: 224: 208: 203: 4596:. Vol. 13, no. 21. 30 October 1981 – 12 November 1991. p. 12. 1159:. McCluskey returned with a rotating cast of musicians for the more organic 1087:(keyboards), Phil Coxon (keyboards), and Abe Juckes (drums) from late 1990. 10177: 9701: 9591: 9366:"Orchestral Manoeuvres & Homoerotica: Owen Pallett Opens His Heartland" 9342: 9311: 8840: 8742: 8382: 7594: 7572: 7485:"Rewind Festival 2015: 80s legends OMD gearing up for headline performance" 7430:, echoes that golden period, even down to its Peter Saville-designed cover. 6703: 6649: 6375: 5920:"OMD debuts title track off upcoming 14th studio album 'Bauhaus Staircase'" 5625:"UK & Europe 40th Anniversary Tour – Orchestral Manoeuvres In The Dark" 4993: 4746: 4278: 3769: 2810: 2639:

Stuart Kershaw (pictured) replaced longtime drummer Malcolm Holmes in 2015.

2546: 2499: 2443: 2395: 2391: 2372: 2340: 2328: 2296: 2288: 2277:, who observed an "amazing" combination of "art, experimentation and pop". 2262: 2238: 2202: 2167: 2151: 2147: 2143: 2107: 2103: 2068: 1979: 1879: 1773: 1722: 1717: 1699: 1495:

replacing Holmes as the band's drummer, due to the latter's health issues.

1476: 1432: 1327: 1306: 1004: 908: 890: 782: 745: 679: 648: 426: 182: 7902:"Tiny Magnetic Pets set to join Orchestral Manoeuvres in the Dark on tour" 7512:"Soft Cell bring magnetic Soho sleaze to a stately home for Heritage Live" 5484:"Orchestral Manoeuvres in the Dark Return with 'The Punishment of Luxury'" 4298:. Vol. 3, no. 26. 24 December 1981 – 6 January 1982. p. 15. 3556:"OMD Singer Champions Unsung North Staffordshire Artist in New Exhibition" 1102:, which ventured further into dance territory. It peaked at No. 14 on the 10411: 9398: 9370: 9006: 8882: 8769: 8624: 7805: 7705: 7259: 7227:"No Doubt Explain OMD, EDM, and Peter Hook Basslines on 'Push and Shove'" 7199: 7040: 7005: 6819:

Ludgate, Simon (1 March 1980). "Orchestral Manoeuvres in the Dark: OMD".

6094: 3843: 3764: 2606: 2519: 2495: 2463: 2447: 2411: 2368: 2360: 2316: 2304: 2274: 2218: 2206: 1907: 1874: 1761: 1726: 1691: 1679: 1503: 1468: 1443:, and included a then-exclusive non-album track titled "Time Burns". For 1390: 1368: 1310: 1237: 1201: 1156: 1143: 753: 741: 1385:. On 12 March 2012, the band played a concert in the Philippines at the 643:. The track was supposed to be produced by the Factory Records producer 357:, in 1978. The group consists of founding duo and principal songwriters 10026: 9998: 9835: 9284: 8583: 7797: 6543: 6482: 6404: 6400:"Synthpop King Vince Clarke on Erasure's 18th Studio Album, 'The Neon'" 6269: 5738: 5518: 4960: 4928:"If They Left... and Came Back: OMD Returns with '80s Pop Synth Intact" 4872: 4592: 4294: 4198: 3508: 3051: 2984: 2947: 2578: 2570: 2562: 2558: 2427: 2376: 2348: 2266: 2135: 2126: 2110:(bottom left) said that the band would never have happened without OMD. 1967: 1856: 1819:

pondered in 1980 whether McCluskey and Humphreys were emerging as "the

1791: 1765: 1738: 1730: 1695: 1507: 1403:"Being in Orchestral Manoeuvres in the Dark right now is just the most 1376: 1351: 1245: 1149:

Also in 1993, McCluskey made contributions to the Elektric Music album

1089: 901:. The record mixed melancholy synth ballads and uptempo synth-pop with 894: 859:

at the insistence of the publishers and to avoid confusion. Readers of

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ethos with pop sensibilities, becoming key figures in the emergence of

354: 80: 10012: 7312: 4908: 1033: 1025:. Graham and Neil Weir left the group at the end of the 1988 US tour. 8914:"Orbital – Interview – Green & Brown Albums Re-Releases and Tour" 8808: 8435: 7937: 7906: 7366: 7171: 5979: 5599:"OMD to release 40th anniversary book 'Pretending to see the future'" 5020: 4828: 4467:

A New and Concise History of Rock and R&B through the Early 1990s

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absorbed". OMD have garnered praise from other 1980s peers including

2300: 2214: 2131: 2121: 2120:

as "one of the earliest synthesizer-driven bands to break out of the

2084: 2011: 1753: 1749: 1662: 1573: 1568: 1418: 1407:

thing... it's like being 19 again. We can do what the hell we want."

1050: 898: 840: 798: 760:, and Dave Hughes played synthesizers. Hughes left OMD in late 1980. 720: 660: 548: 544: 536: 448: 382: 99: 9002:"Melancholy Euphoria: A Heterotic Interview & Full Album Stream" 7001:"Low Culture Podcast: An Orchestral Manoeuvres in the Dark Special!" 5513:"Official Charts Analysis: The Script debut at No.1 on albums chart" 5109: 2943:"'It's been a remarkable journey': OMD toast their 40th anniversary" 2213:" (1979) was an early influence. The band were cited as "heroes" by 2099: 400:, a precursor group, from 1977 to 1978 and re-recorded their track " 9280:"'Being an oddball is part of it': The Divine Comedy's Neil Hannon" 9048: 8682: 8647:"5 Albums I Can't Live Without: oGre and cEvin Key of Skinny Puppy" 8615:"Orchestral Manoeuvres in the Dark Played Its First Show as a Dare" 8467: 8159:"Tears for Fears' "Mad World": The Story Behind the Unexpected Hit" 8135: 8018: 6505: 6311: 6136: 5488: 5443: 5091:"The Buggles and OMD, Supperclub, London England 28 September 2010" 4932: 4802: 4776: 4688: 4082:"Even in the '80s sometimes you pray history doesn't repeat itself" 3983: 3898: 3608:"OMD: 'Our whole raison d'etre is to try to ask musical questions'" 2590: 2554: 2531: 2527: 2407: 2292: 2056: 1971: 1919:

refused to "stick up for anything they recorded" afterwards, while

1860: 1703: 1197: 912:, was a shift to a more pop-style sound, and the band used digital 829:

Howlett then presided over the recording of a further hit single, "

373:(drums). Regarded as pioneers of electronic music, OMD combined an 6073:

Hunter, James (January 1999). "Orchestral Manoeuvres in the Dark:

4714:"Orchestral Manoeuvres in the Dark Pioneered Millennial Pop Music" 4495:"OMD (Orchestral Manoeuvres In The Dark) - (Forever) Live And Die" 3394:

Rock Formations: Categorical Answers to How Band Names Were Formed

773:

which preceded Kraftwerk, founded by Kraftwerk's original members

465:

movements, eventually disbanding in 1996. McCluskey later founded

10016: 8415: 6287: 6006: 5024:. 2 November 2010. Archived from the original on 21 November 2022 4956:"OMD co-founder Paul Humphreys reflects on the band's resurgence" 4335: 3440: 2455: 1840: 1189: 808:

voted OMD the fourth-best band and eighth-best live act of 1980;

668: 652: 515: 462: 162: 10605:

Electricity: OMD with the Royal Liverpool Philharmonic Orchestra

8664:

These are some the vinyl records that changed my perceptions...

7568:"OMD review – clap-along electropop sounds even better with age" 6539:"Orchestral Manoeuvres in the Dark's 'Bauhaus Staircase' Shines" 1597:. Also that year, OMD celebrated the 40th anniversary of 1981's 9813: 8408:"Ahh.. just had a lovely chat with @OfficialOMD Andy McCluskey" 5893:"OMD announce new album 'Bauhaus Staircase,' share title track" 4368:"OMD: British Synth Band Maneuvers Its Way Onto American Radio" 2475: 2415: 2222: 1255: 1185: 1028: 458: 8838:

Sullivan, Caroline (18 June 1993). "Dark's Dancing Melodies".

2755: 2386:

scene. They became an early influence on performers including

2124:

scene and lead the charge toward the defining sound of the ."

1360:, was released in September 2010, reaching No. 28 in the 1319:(2008), marking OMD's first new studio recording in 12 years. 1301:

in London. Also released was a 25th anniversary re-release of

1297:, was released in the spring of 2008; it was recorded at the 756:. A tour followed; Winston was augmented with live drums from 418:(1981) and its three hit singles. Although later reappraised, 9936:(expanded paperback edition). This Day in Music Books. 2019. 8850:

Much of today's dance-pop is descended from OMD's early sound

8350:"Concert Review: China Crisis, Ludlow Garage, Cincinnati, OH" 7093:"Permanent Records: Albums from the A.V. Club's Hall of Fame" 6788:"Steven Wilson: my top 5 not-so-guilty pleasures of all time" 6032:"For four decades, OMD has cast a wary eye toward the future" 5761:"Grammy Nominations 2021: See the Full List of Nominees Here" 2451: 1217: 968:. Later in 1985, the band were asked to write a song for the 748:) and released as a single—it gave the band their first hit. 532: 76: 9733:"Interview: Sharon Van Etten on taking charge in the studio" 9245:. 18 March 2009. Archived from the original on 22 March 2009 7286:"OMD interview - Andy McCluskey and Paul Humphreys (part 3)" 5457:"Exploring OMD's Next Studio Album The Punishment Of Luxury" 3303:. Omd.uk.com. Archived from the original on 11 February 2001 2307:

lauded the band's "magnificent melodies", likening them to "

1851: 1313:" (which had been co-written by McCluskey), was included on 9422:"Death Cab for Cutie: The Concepts Behind Codes & Keys" 9307:"Interview: Stevie Jackson - Belle and Sebastian guitarist" 8619: 8519: 8063: 2907:

recorded sales of 15 million albums and 25 million singles.

2537:

Elsewhere, "Electricity" directly inspired the creation of

2423: 2403: 2230: 2190: 1959: 1887:, although their sound became increasingly polished on the 1804: 1757: 1221: 1037:

Keyboardist and co-founder Paul Humphreys departed in 1989.

698: 607: 19:

This article is about the band. For their debut album, see

9991: 5016:"Orchestral Manoeuvres in the Dark, Colston Hall, Bristol" 3301:"OMD | Orchestral Manoeuvres in the Dark | home" 1698:". Despite the group's experimentation, they employed pop 1563: 9596: 9187: 8804:"On this day in 1956: Joy Division's Ian Curtis was born" 8139: 7362:"Three Acts To See This Week: OMD, SSION, and Moon Hooch" 6676: 6570: 5840:"OMD announce live album from London's Royal Albert Hall" 5706:"OMD discuss their upcoming tour, Covid-19 and Enola Gay" 4909:"Vintage computers inspire next generation of scientists" 4823:"Electropop (no. 5: Orchestral Manoeuvres in the Dark)". 3513:"OMD Interview: 'Stockhausen or ABBA? Can't We Be Both?'" 3469:"Our Friends Electric: Orchestral Manoeuvres in the Dark" 3444: 1687: 1593:

box set was nominated for "Best Historical Album" at the

1458:, London on 9 May 2016 to a sell-out crowd, playing both 810: 386: 7701:"Oh L'Amour: Vince Clarke of Erasure's Favourite Albums" 6265:"Orchestral Manoeuvres in the Dark: Dazzle Ships Review" 6162:"OMD: Of All the Thing We've Made: 'Dazzle Ships' At 30" 5331:. Official OMD website. 11 February 2013. Archived from 3848:"Things That Dreams Are Made Of: The Birth of Synth-Pop" 1958:, and did not invest in the group again for many years. 1309:

as a support act. A cover of Atomic Kitten's 2001 hit, "

1093:

readers voted OMD the sixth-best British group of 1991.

6987:

once bold musical strokes are now merely pretty colors.

6672:"Does Rock 'N' Roll Kill Braincells?! – Andy McCluskey" 6334:"OMD Resumes the Search for the Soul of Electronic Pop" 4249:"Architecture & Morality Interview: Andy McCluskey" 4202:. Vol. 3, no. 5. 5–18 March 1981. p. 20. 3947:"Orchestral Manoeuvres In The Dark: Strange Directions" 2226: 711:

Rather than hire studio time to record their eponymous

7255:"No Barrier Fun: Angus Andrew of Liars' Favourite LPs" 5569:"Pretending To See The Future – 40th Anniversary Book" 4144:"On the Road Again: Orchestral Manoeuvres in the Dark" 3688:. Season 2. Episode 2. 5 March 2021. 6–9 minutes in. 1330:

on their Graffiti Soul Tour. OMD had performed at the

1063:, Nathalie Loates) as collaborators for the making of 663:

movement, and led to the band receiving a seven-album

10065: 9809:"Scott Aukerman Talks Music And 'Comedy Bang! Bang!'" 9394:"Souvenirs: Andy McCluskey of OMD's Favourite Albums" 9152:"AFI: 'We Wanted to Do Rock but Keep It Interesting'" 8709:

Ministry: The Lost Gospels According to Al Jourgensen

6873:

Hall, Philip (15 November 1980). "On the Carpettes".

3093:"Paul Humphreys of Orchestral Manoeuvres in the Dark" 1523:

Reader Awards. A retrospective deluxe box set titled

8703: 6567:"OMD: The Kings of Synth-Pop Meet the Queen of Soul" 932:

readers named OMD the eighth-best live act of 1984.

325: 9790:Wood, Mikael (9 October 2010). "In a Big Country". 8379:

In the Pleasure Groove: Love, Death and Duran Duran

6371:"Music review: OMD, Kelvingrove Bandstand, Glasgow" 5734:"OMD announce special show to support touring crew" 2005:-inspired anthems of love to a union of Orchestral- 1997:"n't work" and marks their "musical nadir". Critic 701:?' Andy and I said together, 'Can't we be both?'" 519:

Lead vocalist and co-founder Andy McCluskey in 2011

510: 7340:(July 1988). "Orchestral Manoeuvres in the Dark". 5511: 4211: 4209: 3582: 3580: 3578: 3467: 2569:" (2005) as a "shout-out" to the band. Pop singer 2299:that permeated right through their songs." Former 2233:, adorned his bedroom wall with a poster of their 1396: 1122:" (a No. 59 UK chart entry). The fifth track from 928:" single returned them to the top five in the UK. 631:). Their debut performance was in October 1978 at 617:4-track tape-recorder christened "Winston" (after 8315:. Archived from the original on 23 September 2020 7959:"Seven Tracks: Orchestral Manoeuvres in the Dark" 2379:, who labelled him a "really underrated" talent. 10659: 10591:OMD Live: Architecture & Morality & More 10317:OMD Live: Architecture & Morality & More 7635:. Archived from the original on 24 February 2024 7355: 7353: 7220: 7218: 6258: 6256: 5313:: CS1 maint: bot: original URL status unknown ( 5153:: CS1 maint: bot: original URL status unknown ( 4842:OMD Live: Architecture & Morality & More 4399: 4397: 4395: 3782: 3780: 3428: 3426: 3321:: CS1 maint: bot: original URL status unknown ( 2903:OMD have sold over 40 million records. In 2019, 1294:OMD Live: Architecture & Morality & More 1075:", with lesser success on fellow chart entries " 893:, perhaps best known for his previous work with 863:voted OMD the seventh-best group of 1981, while 9341:. 3 January 2023. 1 minutes in. Archived from 8581:Olson, Jack (18 July 1990). "Nine Inch Tales". 7195:"Corrupting Sonic DNA: Moby's Favourite Albums" 6532: 6530: 6170:. Archived from the original on 26 January 2016 6040:. Archived from the original on 18 January 2022 5553:: CS1 maint: others in cite AV media (notes) ( 5439:Fly: Songs Inspired by the Film Eddie the Eagle 5409:"OMD: Live at Royal Albert Hall on PledgeMusic" 5135:. Archived from the original on 6 December 2011 4739: 4206: 3856:. Archived from the original on 20 October 2022 3575: 3013:"Goldmine's Hall of Fame Inductees - Volume 43" 1639: 7800:(2022). "54: 'Being Boring' – Pet Shop Boys". 6778: 6776: 6365: 6363: 6361: 6022: 6020: 4134: 4132: 3980:"Biography: Orchestral Manoeuvres in the Dark" 3712:"Why 80s music group OMD are no museum pieces" 3404: 3402: 3086: 3084: 3082: 3080: 3078: 3076: 3074: 3041: 3039: 3037: 3035: 2980:"OMD at 40: Making Sense of a Synthpop Legacy" 1083:". McCluskey's live band was then composed of 647:. However, the A-side was the band's original 10051: 9895:"Noah Baumbach Shares His Musical Obsessions" 8230:. This Day in Music Books. pp. 33, 294. 8130:"Tears for Fears: Songs from the Big Chair". 7867:. Archived from the original on 25 April 2021 7764:. Archived from the original on 22 April 2024 7370:. Archived from the original on 22 March 2018 7350: 7215: 6485:(November–December 2023). "Final Messages?". 6253: 4989:"OMD announce first studio album in 14 years" 4528: 4526: 4392: 3777: 3423: 3377: 3375: 3373: 2767:Orchestral Manoeuvres in the Dark discography 2241:later contributed to the official biography, 1322:In June 2009, an orchestral concert with the 686: 123:Orchestral Manoeuvres in the Dark discography 9565:"Nation of Language: Introduction, Presence" 9505:"OMD: Watch 'Genetic Engineering' Live from 8946:. No. 254. October 1998. p. 3 (of 8554:Fornication: The Red Hot Chili Peppers Story 6665: 6663: 6527: 6155: 6153: 4605: 4603: 4292:"Smash Hits 1981 Poll Winners: Best Group". 4110:"80s hitmakers OMD – Coming out of the dark" 4032:"Synthesized Past: 'History of Modern,' OMD" 3521:. Archived from the original on 28 July 2020 3503: 3501: 3499: 3497: 3351:"Classic Album: Architecture & Morality" 2936: 2934: 2932: 1256:2006–2012: Reformation and comeback releases 1029:1989–1996: McCluskey-led OMD and disbandment 785:lead vocalist and former Factory label-mate 9948:Orchestral Manoeuvres in the Dark: Messages 9121: 9037: 9035: 9033: 7899: 7753: 7624: 7402: 6918:Thomson, Graeme (May 2023). "Radio Waves". 6773: 6358: 6017: 5481: 4707: 4705: 4325: 4274:How to lose 3 million fans in one easy step 4129: 3399: 3344: 3342: 3340: 3338: 3336: 3334: 3332: 3186:. Archived from the original on 15 May 2013 3071: 3032: 2973: 2971: 2969: 2967: 2965: 2577:" (2017). The group's influence extends to 2221:. Within rock music, OMD directly inspired 1744:McCluskey and Humphreys were influenced by 715:(1980), McCluskey and Humphreys used their 495:, along with four top-40 entries on the US 10058: 10044: 10019: 9840:"An Interview with Anna Smaill, Author of 8405: 7666: 7664: 7359: 7163:"Michael Lerner (Telekinesis) talks OMD's 7122: 7120: 7090: 6500: 6498: 6201: 6199: 5295:. Archived from the original on 1 May 2013 5273:. 19 September 2019. 19–20; 30 minutes in 4766: 4764: 4523: 4268: 4266: 3679: 3677: 3675: 3673: 3370: 3164: 3162: 3160: 3158: 3156: 3154: 3152: 3150: 3148: 3090: 3006: 3004: 3002: 2722:Neil Weir – brass, keyboards, bass guitar 2557:paid "homage" to OMD in their work, while 2494:has influenced various artists, including 2022: 1264:McCluskey and Humphreys performing in 2011 843:(an instrument previously associated with 9673: 9594:(1 March 2014). "Soundtrack of My Life". 9069: 8304: 8050: 8048: 8046: 8044: 8042: 8040: 8038: 8036: 7509: 7467:follows in the sonic footsteps of 2013's 7336: 6660: 6646: 6536: 6262: 6150: 5946: 5169:"OMD to Perform at The Big Dome March 12" 5055: 5053: 4600: 4138: 4030:Porter, Christopher (28 September 2010). 3494: 3461: 3459: 3457: 2929: 2652:– vocals, bass guitar, keyboards, guitar 1943:, were clever and beautifully arranged." 1846: 1510:containing a previously unheard demo of " 1096:The group's next studio album was 1993's 21:Orchestral Manoeuvres in the Dark (album) 9892: 9473: 9450:"The Past and Present of Future Islands" 9277: 9030: 8837: 8612: 7536: 7426:, the group's first record since 1986's 7280: 7278: 7224: 6978: 6331: 6026: 5864: 5703: 5061:"OMD to support The Buggles on 28.09.10" 4986: 4925: 4711: 4702: 4328:"Yes. We had never expected the success" 4196:"The Smash Hits Readers' Poll Results". 3973: 3971: 3969: 3967: 3348: 3329: 3168: 2962: 2634: 2098: 1850: 1567: 1268:An unexpected request to perform from a 1259: 1032: 1019:" and a successful greatest hits album, 870: 537:guitar-driven rock with a macho attitude 514: 10377:Maid of Orleans (The Waltz Joan of Arc) 9730: 9562: 9537:"Lushlife: Plateau Vision Album Review" 9534: 9419: 9204: 9122:Fitzmaurice, Larry (18 February 2018). 8971: 8762: 8644: 8461: 8428: 8278: 8199: 7859:"The Script Land Fourth UK No. 1 Album" 7756:"Complete Guide – Pet Shop Boys albums" 7661: 7593: 7565: 7441: 7117: 7061: 6937: 6917: 6844: 6818: 6725: 6495: 6196: 5972: 4761: 4560: 4282:. 7 March 2008. Retrieved 13 June 2013. 4263: 4107: 3888: 3786: 3670: 3644: 3642: 3640: 3638: 3636: 3634: 3632: 3630: 3408: 3295: 3293: 3291: 3289: 3145: 2999: 2716:Graham Weir – guitar, brass, keyboards 2094: 2015:said, "It's hard to think of any 1980s 1946:Musicians have commented on OMD's post- 1760:, as well as more mainstream acts like 1564:2020–present: Continued acknowledgement 1542:, and various BBC TV performances from 1454:OMD performed a one-off concert at the 1155:, a project by former Kraftwerk member 857:Maid of Orleans (The Waltz Joan of Arc) 655:). The single's sleeve was designed by 10660: 9920:Houghton, p. 4 (foreword by Brian Cox) 9763: 9590: 9502: 9363: 9237:"Peter Bjorn and John - Clash Q&A" 9177: 8880: 8675: 8373: 8347: 8181:You transitioned , and Gary Numan was 8056:"OMD's 'Pretending to See the Future'" 8033: 8011: 7856: 7698: 7625:Clayton-Lea, Tony (24 February 2024). 7346:. Vol. 4, no. 4. p. 14. 7252: 7192: 7157: 6998: 6889: 6753: 6564: 6425: 6093: 6072: 5890: 5731: 5050: 4953: 4532: 4464: 4429: 4246: 4079: 4029: 4003: 3944: 3842: 3814: 3763: 3737: 3709: 3648: 3605: 3454: 3105:from the original on 27 September 2022 3010: 2940: 1661:wrote that "OMD set about reinventing 412:", and gained further recognition via 10703:Musical groups disestablished in 1996 10039: 9712:from the original on 25 December 2021 9619: 9447: 9149: 9041: 8999: 8855: 8778:Electronically Yours with Martyn Ware 8750:from the original on 13 February 2024 8580: 8551: 8526:. Hutchinson Heinemann. p. 130. 8305:McPherson, Douglas (September 2019). 7828: 7796: 7310: 7275: 7225:Marchese, David (24 September 2012). 7033: 6785: 6590: 6481: 6397: 5947:Griffiths, George (3 November 2023). 5704:Marshall, Olivia (14 November 2020). 5509: 4712:Cárdenas, Patricia (27 August 2019). 4682: 4609: 4365: 3964: 3553: 3507: 3433:"Orchestral Manoeuvres in the Dark". 2977: 2573:said he wished he had written OMD's " 1634: 1498:In 2018, OMD published a book titled 799:the plane that dropped an atomic bomb 606:". Eventually, they acquired a basic 10708:Musical groups reestablished in 2006 9893:Charlton, Lauretta (27 March 2015). 9834: 9806: 9789: 9731:Ramirez, Ramon (26 September 2016). 9708:. 10 December 2020. 81 minutes in. 9674:Heemskerk, Joris (21 January 2005). 9391: 9278:Cummings, Damien (18 October 2019). 8911: 8768: 8736:Heck, Jean-Paul (13 February 2024). 8735: 8518: 8250: 8225: 8134:. 14 February 2020. 15 minutes in. 7727: 7670: 7537:Niasseri, Sassan (2 November 2019). 7292:from the original on 3 December 2021 6943: 6872: 6669: 6504: 6346:from the original on 27 October 2023 6205: 6159: 6123: 5267:"Pete Price chats to Andy McCluskey" 4796: 4740:Alexis Petridis (23 November 2001). 4590:"The Smash Hits Readers Poll 1991". 3891:"Orchestral Manoeuvres in the Dark: 3627: 3465: 3286: 3059:from the original on 27 October 2021 2285:found inspiration in "Electricity". 1782:(1980). The group also recorded two 1776:, particularly during the making of 1291:A live CD and DVD of the 2007 tour, 1216:of remixed material by such acts as 1212:was released in 1998, along with an 949:of the US, but achieved their first 576:Street to Street – A Liverpool Album 10728:English experimental musical groups 10524:Dream of Me (Based on Love's Theme) 9205:Walters, Barry (6 September 2017). 9150:Rosen, Steven (28 September 2009). 9044:"Orchestral Manoeuvres in the Dark" 8856:Green, Thomas H (23 October 2010). 8613:Magnotta, Andrew (14 August 2017). 8465:(1–15 July 1982). "Over the Top!". 8279:Patania, Matthew (8 October 2021). 8087:"Max Dax interviews Bernard Sumner" 8084: 7831:"Pet Shop Boys: Always Fascinating" 6621:"OMD Announce Irish Shows for 2024" 6618: 6537:Bergstrom, John (6 November 2023). 6301: 5815:"Orchestral Manoeuvres in the Dark" 5732:Hanley, James (17 September 2020). 5649: 5105:"Electric Picnic line-up announced" 4926:Chattman, Jon (13 September 2011). 4770: 4413:"A Discographical History of OMD". 3977: 1768:. OMD drew inspiration from former 674:In 1979, OMD were asked to support 13: 10698:Musical groups established in 1978 9124:"MGMT Are Still Perfectly Strange" 8171:from the original on 11 March 2022 7900:O'Toole, Lucy (5 September 2019). 7857:Sexton, Paul (10 September 2017). 7539:"OMD in Portrait: Back to Orléans" 7193:Turner, Luke (24 September 2013). 6565:Silver, Marc (13 September 2010). 5865:Sinclair, Paul (2 February 2023). 5482:Slingerland, Calum (15 May 2017). 5067:. 8 September 2010. Archived from 4954:Wilson, P.F. (21 September 2011). 4673:liner notes. 1993. Virgin Records. 4580:liner notes. 1991. Virgin Records. 4430:Riccio, Richard (23 August 1991). 4380:from the original on 27 April 2021 3649:Wilson, Lois (30 September 2019). 3606:Seaman, Duncan (17 October 2019). 2643: 1506:, they received a limited-edition 14: 10749: 10693:British synth-pop new wave groups 10150:Orchestral Manoeuvres in the Dark 10067:Orchestral Manoeuvres in the Dark 10027:Orchestral Manoeuvres in the Dark 10013:Orchestral Manoeuvres in the Dark 10004:Orchestral Manoeuvres in the Dark 9983: 9966:Orchestral Manoeuvres in the Dark 9946:Waller, Johnny; Humphreys, Mike. 9934:OMD: Pretending to See the Future 9764:Madden, Emma (11 December 2020). 9620:Stone, Jools (10 November 2016). 9420:Harward, Randy (18 August 2011). 9181:(22 May 2010). "LCD Soundsystem: 9097:"Kevin Hearn of Barenaked Ladies" 8816:from the original on 15 July 2021 8784:from the original on 5 April 2023 8443:from the original on 28 July 2021 7699:Turner, Luke (19 December 2013). 7671:Shey, Brittanie (23 March 2011). 7566:Simpson, Dave (28 October 2019). 7360:Casagrande, Tim (21 March 2018). 7313:"Talking with the Listening Pool" 7091:O'Neal, Sean (26 December 2006). 7034:Doran, John (25 September 2008). 6426:Wilson, Lois (26 November 2019). 6332:Vollaard, Jan (27 October 2023). 6286:, OMD morphed from a risk-taking 6263:Bergstrom, John (17 April 2008). 5987:from the original on 4 April 2023 4613:The New Rolling Stone Album Guide 4108:Meagher, John (15 October 2017). 4080:Wuench, Kevin (4 November 2016). 3945:Browne, Paul (22 February 2020). 3929:Orchestral Manoeuvres in the Dark 3738:Browne, Paul (15 November 2011). 2941:Hanley, James (24 October 2019). 2779:Orchestral Manoeuvres in the Dark 2686: 2545:, as well as the radio career of 2522:. Its content was sampled by the 2243:OMD: Pretending to See the Future 2027:The McCluskey-led OMD explored a 1954:was unable to "sink teeth into" 1316:Liverpool – The Number Ones Album 1142:, a song written and produced by 740:" to be re-recorded (produced by 562:, whose line-up included drummer 339:Orchestral Manoeuvres in the Dark 32:Orchestral Manoeuvres in the Dark 9914: 9886: 9869:"Greta Gerwig: Mistress America" 9861: 9828: 9807:Ross, Danny (30 November 2017). 9800: 9783: 9757: 9724: 9694: 9667: 9639: 9613: 9604: 9584: 9556: 9528: 9503:Travis, Ben (1 September 2015). 9496: 9467: 9441: 9413: 9385: 9357: 9327: 9299: 9271: 9229: 9198: 9171: 9143: 9115: 9089: 9070:Argyrakis, Andy (25 June 2021). 9063: 9021: 8993: 8974:"20 Questions With Paul van Dyk" 8965: 8933: 8905: 8828: 8796: 8729: 8697: 8669: 8638: 8606: 8574: 8545: 8475: 8455: 8431:"ZZ Top's Dusty Hill Dead At 72" 8422: 8399: 8367: 8341: 8307:"Godfathers of Pop: Marian Gold" 8298: 8272: 8244: 8219: 8193: 8140:British Broadcasting Corporation 8104: 8078: 8005: 7979: 7951: 7934:"BBC Music Day 2017 Ambassadors" 7926: 7914:from the original on 21 May 2023 7893: 7850: 7822: 7790: 7747: 7721: 7692: 7618: 7587: 7559: 7530: 7503: 7482: 7476: 7435: 7396: 7330: 7304: 7246: 7186: 7151: 7126: 7084: 7055: 7027: 6992: 6972: 6928: 6911: 6890:Hardee, Howard (14 March 2018). 6883: 6866: 6838: 6829: 6812: 6786:Bosso, Joe (17 September 2012). 6747: 6719: 6691: 6640: 6619:Roy, David (18 September 2023). 6612: 6584: 6558: 6475: 6447: 6419: 6391: 6325: 6295: 6227: 6117: 6087: 6066: 5999: 5966: 5940: 5912: 5884: 5858: 5832: 5807: 5781: 5753: 5725: 5697: 5671: 5643: 5617: 5591: 5510:Jones, Alan (8 September 2017). 3815:Smyers, Darryl (18 March 2011). 3710:Wright, Jade (10 October 2014). 3482:from the original on 24 May 2022 3449:We were trying to have no image. 3445:British Broadcasting Corporation 3349:Lindores, Mark (1 August 2019). 2910: 2897: 1627:(1988). McCluskey has said that 1340:The National Museum of Computing 960:". This led to some success for 763:The band's second studio album, 719:from Dindisc to build their own 511:1975–1979: Roots and early years 365:(keyboards, vocals), along with 38: 10733:Second British Invasion artists 10678:English new wave musical groups 10668:English electronic music groups 9926: 9702:"Instagram video by Boy George" 9535:Ashurst, Hari (16 April 2012). 8972:Moayeri, Lily (21 April 2020). 8645:Lentini, Liza (31 March 2023). 8012:Murphy, Tom (12 October 2011). 7728:Ilic, Vel (14 September 2023). 6944:Mark, Elliott (25 March 2015). 6892:"Live Music Picks: March 15–21" 6726:Watkins, Jack (21 April 2013). 5891:Pearis, Bill (22 August 2023). 5561: 5533: 5503: 5475: 5449: 5431: 5401: 5373: 5347: 5321: 5285: 5250: 5217: 5189: 5161: 5125: 5097: 5083: 5008: 4980: 4947: 4919: 4901: 4887: 4861: 4847: 4835: 4816: 4790: 4733: 4676: 4664: 4634: 4583: 4571: 4554: 4505: 4487: 4458: 4423: 4406: 4366:Righi, Len (14 December 1985). 4359: 4342: 4319: 4302: 4285: 4240: 4231: 4189: 4180: 4163: 4101: 4073: 4051: 4023: 3997: 3938: 3931:(2003 remaster). Sleeve notes. 3921: 3912: 3882: 3836: 3808: 3757: 3731: 3703: 3599: 3547: 3387: 3264: 3011:Marder, Phill (13 March 2014). 2382:OMD helped to inform the 1990s 1702:in their music, attaining what 1615:OMD's fourteenth studio album, 1397:2013–2019: Return to prominence 10723:1978 establishments in England 10713:Musical groups from Merseyside 9676:"Low: Het Geluid van Ontwaken" 9364:Turner, Luke (24 March 2010). 9207:"OMD on the Dawn of Synth Pop" 8881:Browne, Paul (7 August 2015). 8676:Murphy, Tom (6 October 2016). 8524:Surrender: 40 Songs, One Story 8406:@Wildericky (19 August 2018). 8253:"The 10 Best Reissues of 2015" 8200:Upchuck, Matt (19 June 2017). 7730:"Vince Clarke: Game of Drones" 7403:O'Brien, Steve (3 June 2021). 7288:. FaceCulture. 29 April 2013. 7253:Turner, Luke (16 April 2014). 6999:Turner, Luke (7 August 2023). 6934:Waller; Humphreys, pp. 132–133 6845:Jackson, Josh (21 June 2021). 6754:Morgan, David (10 July 2015). 6670:Ryan, Gary (14 October 2019). 6591:Smith, Mat (25 October 2023). 6491:. No. 84. pp. 40–45. 6398:Shand, Max (12 October 2020). 5973:Brayden, Kate (4 April 2023). 5575:. 14 June 2018. Archived from 4987:Michaels, Sean (21 May 2010). 4403:Waller; Humphreys, pp. 148–149 4349:"Readers Poll Winners: 1984". 4326:@OfficialOMD (14 April 2020). 4247:Browne, Paul (12 March 2003). 4176:. 10 January 1981. p. 16. 3787:Mettler, Mike (17 June 2016). 3554:Hiles, Hannah (9 March 2022). 3382:Pete Frame's Rock Family Trees 3238: 3212: 3117: 2978:Shand, Max (8 November 2019). 2760: 1985:The group themselves describe 543:on drums, while Humphreys was 1: 10673:English electronic music duos 9563:Bullock, Paul (22 May 2020). 9479:"OMD / Dazzle Ships reviewed" 9042:Ranta, Alan (23 April 2013). 9000:Doran, John (11 March 2013). 8912:Carr, Nigel (17 March 2024). 8540:Houghton, pp. 91–92 (Clayton) 8429:Breihan, Tom (28 July 2021). 8085:Dax, Max (2 September 2012). 8062:. 17 May 2020. Archived from 7754:O'Brien, Jon (7 March 2024). 6699:"Orchestral Leap in the Dark" 6206:Awbi, Anita (19 March 2013). 6160:Ware, Gareth (4 March 2013). 6103:Electronics & Music Maker 5446:. Retrieved 11 November 2016. 5355:"OMD News – Record Store Day" 5238:. July–August 2012. p. 8 5197:"OMD to Perform in Cape Town" 4533:Fisher, Kyle (8 April 2013). 4355:. 5 January 1985. p. 15. 4315:. 23 January 1982. p. 9. 4217:"Architecture & Morality" 4004:Browne, Paul (26 June 2019). 3686:Britain's Favourite 80s Songs 3091:O'Neal, Sean (30 July 2008). 2923: 1576:City Hall during 2024 UK Tour 9448:Stamp, Tony (6 April 2017). 8774:"Andy McCluskey: Show Notes" 8251:Hart, Ron (5 January 2016). 7829:Lucas, Dan (19 April 2013). 5867:"OMD / Dazzle Ships reissue" 4237:Waller; Humphreys, pp. 92–96 3589:Neil McCormick's Needle Time 3466:Bray, Elisa (5 April 2013). 2710:Michael Douglas – keyboards 1952:Michael "Telekinesis" Lerner 1640:Early ethos and presentation 1500:Pretending to See the Future 1324:Royal Liverpool Philharmonic 1114:, with a follow-up single, " 396:McCluskey and Humphreys led 7: 10280:Navigation: The OMD B-Sides 10164:Architecture & Morality 9335:"Instagram video by Anohni" 8348:Wilson, PF (20 July 2022). 3767:(6 November 1981). "Rock". 3179:The New York Times Magazine 2795:Architecture & Morality 2750: 2481:Architecture & Morality 1978:is great". Angus Andrew of 1599:Architecture & Morality 1557:Later... with Jools Holland 1460:Architecture & Morality 1286:Architecture & Morality 1281:Architecture & Morality 1276:Architecture & Morality 956:hit with the no. 26 entry " 836:Architecture & Morality 415:Architecture & Morality 369:(keyboards, saxophone) and 10: 10754: 10566:History of Modern (Part I) 9622:"Scott Simon 'Lawnchairs'" 9392:Wade, Ian (8 April 2013). 8780:. Episode 113. Anchor.fm. 8707:; Wiederhorn, Jon (2013). 7036:"Messages – Greatest Hits" 4564:North County Blade-Citizen 3396:, Dave Wilson, 2004, p. 58 3184:The New York Times Company 2764: 2630: 2173:OMD impacted the likes of 1417:In 2013, OMD performed at 1110:" peaked at no. 21 on the 728:and saxophone from former 687:1980–1988: Classic line-up 505: 361:(vocals, bass guitar) and 18: 10614: 10575: 10489:Sailing on the Seven Seas 10326: 10301: 10250: 10141: 10073: 9263:: CS1 maint: unfit URL ( 8510:: CS1 maint: unfit URL ( 8471:. No. 19. p. 6. 8333:: CS1 maint: unfit URL ( 7885:: CS1 maint: unfit URL ( 7782:: CS1 maint: unfit URL ( 7653:: CS1 maint: unfit URL ( 7388:: CS1 maint: unfit URL ( 7132:"Messages: Greatest Hits" 6847:"The Best Albums of 1981" 6835:Waller; Humphreys, p. 173 6593:"OMD - Bauhaus Staircase" 6188:: CS1 maint: unfit URL ( 6058:: CS1 maint: unfit URL ( 5042:: CS1 maint: unfit URL ( 4869:"OMD News: December 2009" 4471:Wesleyan University Press 4419:. No. 34. July 1993. 3874:: CS1 maint: unfit URL ( 3539:: CS1 maint: unfit URL ( 3204:: CS1 maint: unfit URL ( 2672:(1980–1989; 2006–present) 2663:(1978–1989; 2006–present) 2654:(1978–1996; 2006–present) 2187:Frankie Goes to Hollywood 1551:The Old Grey Whistle Test 1439:, was made available for 1336:Vintage Computer Festival 1069:Sailing on the Seven Seas 875:Longtime instrumentalist 789:. The album included the 775:Florian Schneider-Esleben 639:, with independent label 531:met at primary school in 320: 316: 275: 271: 242: 238: 217: 191: 147: 128: 118: 87: 72: 62: 57: 37: 30: 10683:English synth-pop groups 10538:Walking on the Milky Way 10234:The Punishment of Luxury 9999:Official YouTube channel 9647:"27 New Songs Out Today" 8228:a-ha: Down to the Tracks 7465:The Punishment of Luxury 6125:Erlewine, Stephen Thomas 6007:"Bauhaus Staircase Tour" 5541:The Punishment of Luxury 3125:Popular Music Since 1955 2890: 2875:The Punishment of Luxury 2617:, and musician/producer 1891:-produced studio albums 1488:The Punishment of Luxury 1194:Walking on the Milky Way 1171:Walking on the Milky Way 1140:Love Unlimited Orchestra 476:alongside lead vocalist 10688:Factory Records artists 10598:Messages: Greatest Hits 10310:Peel Sessions 1979–1983 10287:Messages: Greatest Hits 9076:Chicago Concert Reviews 7518:. Telegraph Media Group 7405:"Top 20 Reunion Albums" 5953:Official Charts Company 4685:"Esperanto > Review" 4535:"OMD, English Electric" 4436:Is Sprinkled with Gems" 3174:"The Plot Against Rock" 2728:Phil Coxon – keyboards 2670:– keyboards, saxophone 2023:Subsequent reinventions 947:Second British Invasion 671:, worth over £250,000. 391:Second British Invasion 10718:Virgin Records artists 10482:Brides of Frankenstein 10454:(Forever) Live and Die 10405:Talking Loud and Clear 9952:Sidgwick & Jackson 8711:(hardcover ed.). 8202:"Brian Nash Interview" 5133:"OMD Blog: Next Album" 4844:. 2008. Eagle Records. 4742:"The power behind pop" 3698:at the ethereal sound. 3127:. Mansell Pub., 1985. 2697:(1980–1989; 2006–2015) 2640: 2551:Our Daughter's Wedding 2166:" (1981). Lead singer 2111: 2031:-oriented approach on 1864: 1847:Mid-1980s style change 1648: 1577: 1409: 1265: 1130:", was built around a 1038: 1001:(Forever) Live and Die 916:keyboards such as the 880: 703: 574:of local bands called 520: 434:" (from the 1986 film 58:Background information 10738:Live Here Now artists 10342:Red Frame/White Light 9427:Salt Lake City Weekly 9027:Houghton, pp. 370–371 8258:The New York Observer 8118:. 25 September 1995. 7987:"Classic Artist: OMD" 7510:French-Morris, Kate. 6897:Salt Lake City Weekly 6455:"The Pop of Lou Reed" 6428:"My Favourite Record" 6282:Starting with 1984's 6208:"Andy McCluskey, OMD" 5329:"Metroland Pre-Order" 4465:Charry, Eric (2020). 4309:"1981 Poll Results". 4170:"1980 Poll Results". 3439:. 13 September 2010. 2638: 2549:. The synth-pop acts 2365:The Teardrop Explodes 2247:Red Hot Chili Peppers 2217:songwriter/producer, 2102: 1854: 1832:Salt Lake City Weekly 1644: 1571: 1445:Record Store Day 2015 1441:Record Store Day 2013 1401: 1263: 1036: 874: 691: 518: 8560:. pp. 320–321. 8556:(updated ed.). 8552:Apter, Jeff (2010). 8385:. pp. 104–105. 8285:Pulse Music Magazine 8226:Page, Barry (2020). 7311:Marsh, Phil (1994). 7065:(23 February 2016). 6099:"King of Techno Pop" 5871:Super Deluxe Edition 5685:on 18 September 2019 5652:"2019 Reader Awards" 4897:. Dream Giver Redux. 4895:"Graffiti Soul Tour" 4618:Simon & Schuster 4473:. pp. 159–160. 4441:St. Petersburg Times 3591:. 21 February 2017. 2695:– drums, percussion 2681:(1993; 2015–present) 2661:– keyboards, vocals 2460:Peter Bjorn and John 2106:in 1981; co-founder 2095:Legacy and influence 1821:Lennon and McCartney 1676:industrial processes 1013:Pasadena, California 964:, which entered the 628:Nineteen Eighty-Four 10384:Genetic Engineering 9932:Houghton, Richard. 9655:. 25 September 2020 9610:Houghton, pp. 69–72 8948:120 Seconds With... 8792:– via Podbay. 8772:(4 November 2022). 8587:. pp. 3–4 (of 8114:"Tears for Fears". 7597:(16 October 2020). 6985:. p. 71 (F7). 6510:"OMD – Electricity" 6508:(28 October 2009). 6241:. 20 September 2010 5925:Slicing Up Eyeballs 5549:cite AV media notes 5386:Slicing Up Eyeballs 5174:The Philippine Star 5093:. Release Magazine. 5071:on 13 December 2010 4567:. p. 64 (13A). 4037:The Washington Post 3918:Houghton, pp. 81–82 3846:(20 October 2022). 3561:Stoke-on-Trent Live 2743:Abe Juckes – drums 2508:Death Cab for Cutie 2468:Belle and Sebastian 2271:Front Line Assembly 2091:and Heritage Live. 1534:Sheffield City Hall 1377:Stradbally, Ireland 1106:. The lead single " 10637:The Listening Pool 10503:Then You Turn Away 10251:Compilation albums 9796:. pp. 18, 20. 9509:Show in Liverpool" 9483:SuperDeluxeEdition 9315:. 22 November 2011 8834:Multiple sources: 8481:Multiple sources: 8110:Multiple sources: 7445:(31 August 2017). 7338:Bendinger, Jessica 7018:John talks about 5795:. 2 September 2021 5769:. 24 November 2020 5631:on 4 December 2020 5461:OMD-Messages.co.uk 5293:"Coachella Lineup" 5177:. 28 February 2012 4875:on 9 December 2009 4517:Officialcharts.com 3613:The Yorkshire Post 3587:"Paul Humphreys". 3274:. link2wales.co.uk 2641: 2575:The View from Here 2543:Nation of Language 2498:(and orchestrator 2309:Italian folk music 2229:, whose frontman, 2112: 1865: 1784:Velvet Underground 1635:Artistry and image 1578: 1332:Night of the Proms 1299:Hammersmith Apollo 1266: 1081:Then You Turn Away 1044:the Listening Pool 1039: 982:. OMD then wrote " 881: 665:recording contract 521: 445:the Listening Pool 199:The Listening Pool 10655: 10654: 10559:Sister Marie Says 10440:La Femme Accident 10241:Bauhaus Staircase 10220:History of Modern 9454:Radio New Zealand 9345:on 4 January 2023 9183:This Is Happening 8722:978-0-30682-218-6 8567:978-1-84449-829-1 8354:Pop Culture Beast 8237:978-1-9162582-4-2 7993:. 8 December 2019 7967:. 14 October 2019 7424:History of Modern 7161:(23 April 2013). 6924:. pp. 74–78. 6707:. 3 February 2007 5819:Royal Albert Hall 5579:on 15 August 2020 5463:. 22 January 2017 4799:"The OMD Remixes" 4797:Jeffries, David. 4773:"The OMD Singles" 4683:Henderson, Alex. 4115:Irish Independent 4006:"The New Recruit" 3511:(February 2020). 3252:. 7 February 2016 3226:. 7 February 2016 3141:978-0-7201-1727-1 2883:Bauhaus Staircase 2859:History of Modern 2746: 2740: 2731: 2725: 2719: 2713: 2707: 2698: 2682: 2673: 2664: 2655: 2587:alternative metal 2311:, the very music 1999:Jessica Bendinger 1867:The experimental 1709:According to the 1629:Bauhaus Staircase 1618:Bauhaus Staircase 1606:Royal Albert Hall 1582:COVID-19 lockdown 1539:Crush – The Movie 1456:Royal Albert Hall 1423:Indio, California 1357:History of Modern 1270:German television 572:compilation album 345:) are an English 336: 335: 10745: 10632:Dalek I Love You 10615:Related articles 10227:English Electric 10060: 10053: 10046: 10037: 10036: 10023: 9995: 9994: 9992:Official website 9921: 9918: 9912: 9911: 9909: 9907: 9890: 9884: 9883: 9881: 9879: 9865: 9859: 9858: 9856: 9854: 9832: 9826: 9825: 9823: 9821: 9804: 9798: 9797: 9787: 9781: 9780: 9778: 9776: 9761: 9755: 9754: 9752: 9750: 9741:. Archived from 9728: 9722: 9721: 9719: 9717: 9698: 9692: 9691: 9689: 9687: 9671: 9665: 9664: 9662: 9660: 9643: 9637: 9636: 9634: 9632: 9626:Electronic Sound 9617: 9611: 9608: 9602: 9601: 9588: 9582: 9581: 9579: 9577: 9560: 9554: 9553: 9551: 9549: 9532: 9526: 9525: 9523: 9521: 9514:Evening Standard 9500: 9494: 9493: 9491: 9489: 9477:(3 April 2023). 9475:Petridis, Alexis 9471: 9465: 9464: 9462: 9460: 9445: 9439: 9438: 9436: 9434: 9417: 9411: 9410: 9408: 9406: 9389: 9383: 9382: 9380: 9378: 9361: 9355: 9354: 9352: 9350: 9331: 9325: 9324: 9322: 9320: 9303: 9297: 9296: 9294: 9292: 9275: 9269: 9268: 9262: 9254: 9252: 9250: 9233: 9227: 9226: 9221: 9219: 9202: 9196: 9195: 9175: 9169: 9168: 9166: 9164: 9147: 9141: 9140: 9138: 9136: 9119: 9113: 9112: 9110: 9108: 9093: 9087: 9086: 9084: 9082: 9067: 9061: 9060: 9058: 9056: 9039: 9028: 9025: 9019: 9018: 9016: 9014: 8997: 8991: 8990: 8988: 8986: 8969: 8963: 8962: 8940:"David Guetta". 8937: 8931: 8930: 8928: 8926: 8909: 8903: 8900: 8895: 8893: 8877: 8872: 8870: 8852: 8832: 8826: 8825: 8823: 8821: 8812:. 15 July 2021. 8800: 8794: 8793: 8791: 8789: 8766: 8760: 8759: 8757: 8755: 8733: 8727: 8726: 8701: 8695: 8694: 8692: 8690: 8673: 8667: 8666: 8661: 8659: 8642: 8636: 8635: 8633: 8631: 8610: 8604: 8603: 8578: 8572: 8571: 8549: 8543: 8537: 8515: 8509: 8501: 8499: 8497: 8479: 8473: 8472: 8459: 8453: 8452: 8450: 8448: 8426: 8420: 8419: 8403: 8397: 8396: 8371: 8365: 8364: 8362: 8360: 8345: 8339: 8338: 8332: 8324: 8322: 8320: 8302: 8296: 8295: 8293: 8291: 8276: 8270: 8269: 8267: 8265: 8248: 8242: 8241: 8223: 8217: 8216: 8214: 8212: 8197: 8191: 8188: 8178: 8176: 8167:. 1 March 2022. 8154: 8126: 8108: 8102: 8101: 8099: 8097: 8091:Electronic Beats 8082: 8076: 8075: 8073: 8071: 8052: 8031: 8030: 8028: 8026: 8009: 8003: 8002: 8000: 7998: 7983: 7977: 7976: 7974: 7972: 7955: 7949: 7948: 7946: 7944: 7930: 7924: 7923: 7921: 7919: 7897: 7891: 7890: 7884: 7876: 7874: 7872: 7854: 7848: 7847: 7845: 7843: 7826: 7820: 7819: 7794: 7788: 7787: 7781: 7773: 7771: 7769: 7751: 7745: 7744: 7742: 7740: 7734:Electronic Sound 7725: 7719: 7718: 7716: 7714: 7696: 7690: 7689: 7687: 7685: 7668: 7659: 7658: 7652: 7644: 7642: 7640: 7622: 7616: 7615: 7613: 7611: 7591: 7585: 7584: 7582: 7580: 7563: 7557: 7556: 7554: 7552: 7534: 7528: 7527: 7525: 7523: 7507: 7501: 7500: 7498: 7496: 7480: 7474: 7473: 7469:English Electric 7461: 7459: 7439: 7433: 7432: 7419: 7417: 7400: 7394: 7393: 7387: 7379: 7377: 7375: 7357: 7348: 7347: 7334: 7328: 7327: 7325: 7323: 7308: 7302: 7301: 7299: 7297: 7282: 7273: 7272: 7270: 7268: 7250: 7244: 7243: 7241: 7239: 7222: 7213: 7212: 7210: 7208: 7190: 7184: 7183: 7181: 7179: 7165:English Electric 7155: 7149: 7148: 7146: 7144: 7137:Record Collector 7124: 7115: 7114: 7112: 7110: 7101:. Archived from 7088: 7082: 7081: 7079: 7077: 7063:Metzger, Richard 7059: 7053: 7052: 7050: 7048: 7031: 7025: 7024: 7015: 7013: 6996: 6990: 6989: 6976: 6970: 6969: 6964: 6962: 6955:Record Collector 6941: 6935: 6932: 6926: 6925: 6915: 6909: 6908: 6906: 6904: 6887: 6881: 6880: 6870: 6864: 6863: 6861: 6859: 6842: 6836: 6833: 6827: 6826: 6816: 6810: 6807: 6805: 6803: 6794:. Archived from 6780: 6771: 6770: 6768: 6766: 6751: 6745: 6744: 6742: 6740: 6733:Record Collector 6723: 6717: 6716: 6714: 6712: 6695: 6689: 6688: 6686: 6684: 6667: 6658: 6657: 6644: 6638: 6637: 6635: 6633: 6616: 6610: 6609: 6607: 6605: 6588: 6582: 6581: 6579: 6577: 6562: 6556: 6555: 6553: 6551: 6534: 6525: 6524: 6522: 6520: 6502: 6493: 6492: 6479: 6473: 6472: 6470: 6468: 6451: 6445: 6444: 6442: 6440: 6433:Record Collector 6423: 6417: 6416: 6414: 6412: 6395: 6389: 6388: 6386: 6384: 6367: 6356: 6355: 6353: 6351: 6329: 6323: 6322: 6320: 6318: 6299: 6293: 6292: 6279: 6277: 6260: 6251: 6250: 6248: 6246: 6231: 6225: 6224: 6222: 6220: 6203: 6194: 6193: 6187: 6179: 6177: 6175: 6157: 6148: 6147: 6145: 6143: 6121: 6115: 6114: 6112: 6110: 6105:. pp. 75–77 6091: 6085: 6084: 6070: 6064: 6063: 6057: 6049: 6047: 6045: 6037:The Boston Globe 6030:(8 March 2018). 6024: 6015: 6014: 6003: 5997: 5996: 5994: 5992: 5970: 5964: 5963: 5961: 5959: 5944: 5938: 5937: 5935: 5933: 5928:. 22 August 2023 5916: 5910: 5909: 5907: 5905: 5888: 5882: 5881: 5879: 5877: 5862: 5856: 5855: 5853: 5851: 5836: 5830: 5829: 5827: 5825: 5811: 5805: 5804: 5802: 5800: 5785: 5779: 5778: 5776: 5774: 5757: 5751: 5750: 5748: 5746: 5729: 5723: 5722: 5720: 5718: 5701: 5695: 5694: 5692: 5690: 5681:. Archived from 5675: 5669: 5668: 5666: 5664: 5650:Harnell, Steve. 5647: 5641: 5640: 5638: 5636: 5627:. Archived from 5621: 5615: 5614: 5612: 5610: 5595: 5589: 5588: 5586: 5584: 5565: 5559: 5558: 5552: 5544: 5537: 5531: 5530: 5528: 5526: 5515: 5507: 5501: 5500: 5498: 5496: 5479: 5473: 5472: 5470: 5468: 5453: 5447: 5435: 5429: 5428: 5426: 5424: 5415:. Archived from 5405: 5399: 5398: 5396: 5394: 5377: 5371: 5370: 5368: 5366: 5361:on 18 April 2013 5357:. Archived from 5351: 5345: 5344: 5342: 5340: 5335:on 26 March 2014 5325: 5319: 5318: 5312: 5304: 5302: 5300: 5289: 5283: 5282: 5280: 5278: 5254: 5248: 5247: 5245: 5243: 5229: 5225:"OMD Live in SA" 5221: 5215: 5214: 5212: 5210: 5193: 5187: 5186: 5184: 5182: 5165: 5159: 5158: 5152: 5144: 5142: 5140: 5129: 5123: 5122: 5120: 5118: 5101: 5095: 5094: 5087: 5081: 5080: 5078: 5076: 5057: 5048: 5047: 5041: 5033: 5031: 5029: 5012: 5006: 5005: 5003: 5001: 4984: 4978: 4977: 4975: 4973: 4968:on 31 March 2020 4964:. Archived from 4951: 4945: 4944: 4942: 4940: 4923: 4917: 4916: 4905: 4899: 4898: 4891: 4885: 4884: 4882: 4880: 4871:. Archived from 4865: 4859: 4858: 4855:"OMD Gigography" 4851: 4845: 4839: 4833: 4832: 4827:. 7 April 2001. 4820: 4814: 4813: 4811: 4809: 4794: 4788: 4787: 4785: 4783: 4768: 4759: 4758: 4756: 4754: 4737: 4731: 4730: 4728: 4726: 4709: 4700: 4699: 4697: 4695: 4680: 4674: 4668: 4662: 4661: 4659: 4657: 4648:. Archived from 4638: 4632: 4631: 4616:(4th ed.). 4607: 4598: 4597: 4587: 4581: 4575: 4569: 4568: 4558: 4552: 4551: 4549: 4547: 4530: 4521: 4520: 4509: 4503: 4502: 4491: 4485: 4484: 4462: 4456: 4455: 4450: 4448: 4427: 4421: 4420: 4410: 4404: 4401: 4390: 4389: 4387: 4385: 4373:The Morning Call 4363: 4357: 4356: 4346: 4340: 4339: 4323: 4317: 4316: 4306: 4300: 4299: 4289: 4283: 4270: 4261: 4260: 4258: 4256: 4244: 4238: 4235: 4229: 4228: 4226: 4224: 4213: 4204: 4203: 4193: 4187: 4184: 4178: 4177: 4167: 4161: 4160: 4158: 4156: 4142:(4 April 2013). 4140:Mansfield, Brian 4136: 4127: 4126: 4124: 4122: 4105: 4099: 4098: 4096: 4094: 4077: 4071: 4070: 4068: 4066: 4055: 4049: 4048: 4046: 4044: 4027: 4021: 4020: 4018: 4016: 4001: 3995: 3994: 3992: 3990: 3975: 3962: 3961: 3959: 3957: 3942: 3936: 3925: 3919: 3916: 3910: 3909: 3907: 3905: 3886: 3880: 3879: 3873: 3865: 3863: 3861: 3840: 3834: 3833: 3831: 3829: 3812: 3806: 3805: 3803: 3801: 3784: 3775: 3774: 3761: 3755: 3754: 3752: 3750: 3735: 3729: 3728: 3726: 3724: 3707: 3701: 3700: 3681: 3668: 3667: 3665: 3663: 3656:Record Collector 3646: 3625: 3624: 3622: 3620: 3603: 3597: 3596: 3584: 3573: 3572: 3570: 3568: 3551: 3545: 3544: 3538: 3530: 3528: 3526: 3505: 3492: 3491: 3489: 3487: 3471: 3463: 3452: 3451: 3430: 3421: 3420: 3406: 3397: 3391: 3385: 3379: 3368: 3367: 3365: 3363: 3346: 3327: 3326: 3320: 3312: 3310: 3308: 3297: 3284: 3283: 3281: 3279: 3268: 3262: 3261: 3259: 3257: 3250:Link2wales.co.uk 3246:"Liverpool: P Q" 3242: 3236: 3235: 3233: 3231: 3224:Link2wales.co.uk 3216: 3210: 3209: 3203: 3195: 3193: 3191: 3166: 3143: 3121: 3115: 3114: 3112: 3110: 3088: 3069: 3068: 3066: 3064: 3043: 3030: 3029: 3027: 3025: 3008: 2997: 2996: 2994: 2992: 2975: 2960: 2959: 2957: 2955: 2938: 2917: 2914: 2908: 2901: 2867:English Electric 2744: 2738: 2729: 2723: 2717: 2711: 2705: 2696: 2680: 2671: 2662: 2653: 2583:Sharon Van Etten 2420:Barenaked Ladies 2325:the Human League 2257:artists such as 2237:cover; bandmate 2195:Men Without Hats 2061:the Human League 1748:artists such as 1652: 1587:indigo at The O2 1437:English Electric 1428:English Electric 1421:, a festival in 1413: 1387:Araneta Coliseum 1382:English Electric 1112:UK Singles Chart 903:musique concrète 845:progressive rock 769:(a reference to 730:Dalek I Love You 707: 589:Dalek I Love You 493:UK Singles Chart 332: 329: 327: 278: 230:Dalek I Love You 131: 65: 42: 28: 27: 10753: 10752: 10748: 10747: 10746: 10744: 10743: 10742: 10658: 10657: 10656: 10651: 10610: 10584:The Best of OMD 10571: 10419:Never Turn Away 10327:Singles and EPs 10322: 10297: 10273:The OMD Remixes 10266:The OMD Singles 10259:The Best of OMD 10246: 10192:The Pacific Age 10137: 10117:Michael Douglas 10069: 10064: 10015:discography at 9990: 9989: 9986: 9929: 9924: 9919: 9915: 9905: 9903: 9891: 9887: 9877: 9875: 9867: 9866: 9862: 9852: 9850: 9838:(27 May 2015). 9833: 9829: 9819: 9817: 9805: 9801: 9788: 9784: 9774: 9772: 9762: 9758: 9748: 9746: 9745:on 1 March 2021 9729: 9725: 9715: 9713: 9700: 9699: 9695: 9685: 9683: 9672: 9668: 9658: 9656: 9645: 9644: 9640: 9630: 9628: 9618: 9614: 9609: 9605: 9589: 9585: 9575: 9573: 9570:Under the Radar 9561: 9557: 9547: 9545: 9533: 9529: 9519: 9517: 9501: 9497: 9487: 9485: 9472: 9468: 9458: 9456: 9446: 9442: 9432: 9430: 9418: 9414: 9404: 9402: 9390: 9386: 9376: 9374: 9362: 9358: 9348: 9346: 9333: 9332: 9328: 9318: 9316: 9305: 9304: 9300: 9290: 9288: 9276: 9272: 9256: 9255: 9248: 9246: 9235: 9234: 9230: 9217: 9215: 9203: 9199: 9176: 9172: 9162: 9160: 9157:Ultimate Guitar 9148: 9144: 9134: 9132: 9120: 9116: 9106: 9104: 9103:. 12 April 2017 9095: 9094: 9090: 9080: 9078: 9068: 9064: 9054: 9052: 9040: 9031: 9026: 9022: 9012: 9010: 8998: 8994: 8984: 8982: 8970: 8966: 8939: 8938: 8934: 8924: 8922: 8919:Louder Than War 8910: 8906: 8891: 8889: 8883:"Sash! Q&A" 8868: 8866: 8833: 8829: 8819: 8817: 8802: 8801: 8797: 8787: 8785: 8767: 8763: 8753: 8751: 8734: 8730: 8723: 8702: 8698: 8688: 8686: 8674: 8670: 8657: 8655: 8643: 8639: 8629: 8627: 8611: 8607: 8579: 8575: 8568: 8550: 8546: 8534: 8503: 8502: 8495: 8493: 8484: 8480: 8476: 8463:Simmons, Sylvie 8460: 8456: 8446: 8444: 8427: 8423: 8404: 8400: 8393: 8372: 8368: 8358: 8356: 8346: 8342: 8326: 8325: 8318: 8316: 8303: 8299: 8289: 8287: 8277: 8273: 8263: 8261: 8249: 8245: 8238: 8224: 8220: 8210: 8208: 8206:Brighton Source 8198: 8194: 8174: 8172: 8157: 8129: 8113: 8109: 8105: 8095: 8093: 8083: 8079: 8069: 8067: 8054: 8053: 8034: 8024: 8022: 8010: 8006: 7996: 7994: 7991:Virgin Radio UK 7985: 7984: 7980: 7970: 7968: 7957: 7956: 7952: 7942: 7940: 7932: 7931: 7927: 7917: 7915: 7898: 7894: 7878: 7877: 7870: 7868: 7855: 7851: 7841: 7839: 7836:Under the Radar 7827: 7823: 7816: 7795: 7791: 7775: 7774: 7767: 7765: 7752: 7748: 7738: 7736: 7726: 7722: 7712: 7710: 7697: 7693: 7683: 7681: 7673:"March Madness" 7669: 7662: 7646: 7645: 7638: 7636: 7632:The Irish Times 7623: 7619: 7609: 7607: 7592: 7588: 7578: 7576: 7564: 7560: 7550: 7548: 7535: 7531: 7521: 7519: 7516:Daily Telegraph 7508: 7504: 7494: 7492: 7481: 7477: 7457: 7455: 7440: 7436: 7428:The Pacific Age 7415: 7413: 7401: 7397: 7381: 7380: 7373: 7371: 7358: 7351: 7335: 7331: 7321: 7319: 7309: 7305: 7295: 7293: 7284: 7283: 7276: 7266: 7264: 7251: 7247: 7237: 7235: 7223: 7216: 7206: 7204: 7191: 7187: 7177: 7175: 7159:Lerner, Michael 7156: 7152: 7142: 7140: 7125: 7118: 7108: 7106: 7089: 7085: 7075: 7073: 7071:Dangerous Minds 7060: 7056: 7046: 7044: 7032: 7028: 7011: 7009: 6997: 6993: 6977: 6973: 6960: 6958: 6942: 6938: 6933: 6929: 6916: 6912: 6902: 6900: 6888: 6884: 6871: 6867: 6857: 6855: 6843: 6839: 6834: 6830: 6817: 6813: 6801: 6799: 6798:on 2 March 2021 6781: 6774: 6764: 6762: 6752: 6748: 6738: 6736: 6724: 6720: 6710: 6708: 6697: 6696: 6692: 6682: 6680: 6668: 6661: 6645: 6641: 6631: 6629: 6617: 6613: 6603: 6601: 6589: 6585: 6575: 6573: 6563: 6559: 6549: 6547: 6535: 6528: 6518: 6516: 6514:SimpleMinds.com 6503: 6496: 6480: 6476: 6466: 6464: 6453: 6452: 6448: 6438: 6436: 6424: 6420: 6410: 6408: 6396: 6392: 6382: 6380: 6379:. 6 August 2018 6369: 6368: 6359: 6349: 6347: 6330: 6326: 6316: 6314: 6300: 6296: 6275: 6273: 6261: 6254: 6244: 6242: 6233: 6232: 6228: 6218: 6216: 6204: 6197: 6181: 6180: 6173: 6171: 6158: 6151: 6141: 6139: 6122: 6118: 6108: 6106: 6092: 6088: 6075:The OMD Singles 6071: 6067: 6051: 6050: 6043: 6041: 6028:Johnston, Maura 6025: 6018: 6005: 6004: 6000: 5990: 5988: 5971: 5967: 5957: 5955: 5945: 5941: 5931: 5929: 5918: 5917: 5913: 5903: 5901: 5889: 5885: 5875: 5873: 5863: 5859: 5849: 5847: 5838: 5837: 5833: 5823: 5821: 5813: 5812: 5808: 5798: 5796: 5787: 5786: 5782: 5772: 5770: 5759: 5758: 5754: 5744: 5742: 5730: 5726: 5716: 5714: 5702: 5698: 5688: 5686: 5677: 5676: 5672: 5662: 5660: 5648: 5644: 5634: 5632: 5623: 5622: 5618: 5608: 5606: 5597: 5596: 5592: 5582: 5580: 5567: 5566: 5562: 5546: 5545: 5539: 5538: 5534: 5524: 5522: 5508: 5504: 5494: 5492: 5480: 5476: 5466: 5464: 5455: 5454: 5450: 5436: 5432: 5422: 5420: 5419:on 3 April 2016 5413:Pledgemusic.com 5407: 5406: 5402: 5392: 5390: 5389:. 18 March 2013 5379: 5378: 5374: 5364: 5362: 5353: 5352: 5348: 5338: 5336: 5327: 5326: 5322: 5306: 5305: 5298: 5296: 5291: 5290: 5286: 5276: 5274: 5271:Radio City Talk 5265: 5262:Wayback Machine 5255: 5251: 5241: 5239: 5227: 5223: 5222: 5218: 5208: 5206: 5195: 5194: 5190: 5180: 5178: 5167: 5166: 5162: 5146: 5145: 5138: 5136: 5131: 5130: 5126: 5116: 5114: 5113:. 10 March 2011 5103: 5102: 5098: 5089: 5088: 5084: 5074: 5072: 5059: 5058: 5051: 5035: 5034: 5027: 5025: 5014: 5013: 5009: 4999: 4997: 4985: 4981: 4971: 4969: 4952: 4948: 4938: 4936: 4924: 4920: 4915:. 21 June 2010. 4907: 4906: 4902: 4893: 4892: 4888: 4878: 4876: 4867: 4866: 4862: 4853: 4852: 4848: 4840: 4836: 4822: 4821: 4817: 4807: 4805: 4795: 4791: 4781: 4779: 4769: 4762: 4752: 4750: 4738: 4734: 4724: 4722: 4719:Miami New Times 4710: 4703: 4693: 4691: 4681: 4677: 4669: 4665: 4655: 4653: 4652:on 26 July 2017 4640: 4639: 4635: 4628: 4620:. p. 607. 4608: 4601: 4589: 4588: 4584: 4576: 4572: 4559: 4555: 4545: 4543: 4531: 4524: 4511: 4510: 4506: 4493: 4492: 4488: 4481: 4463: 4459: 4446: 4444: 4428: 4424: 4412: 4411: 4407: 4402: 4393: 4383: 4381: 4364: 4360: 4348: 4347: 4343: 4324: 4320: 4308: 4307: 4303: 4291: 4290: 4286: 4271: 4264: 4254: 4252: 4245: 4241: 4236: 4232: 4222: 4220: 4215: 4214: 4207: 4195: 4194: 4190: 4185: 4181: 4169: 4168: 4164: 4154: 4152: 4137: 4130: 4120: 4118: 4106: 4102: 4092: 4090: 4087:Tampa Bay Times 4078: 4074: 4064: 4062: 4057: 4056: 4052: 4042: 4040: 4028: 4024: 4014: 4012: 4002: 3998: 3988: 3986: 3978:Kellman, Andy. 3976: 3965: 3955: 3953: 3943: 3939: 3926: 3922: 3917: 3913: 3903: 3901: 3887: 3883: 3867: 3866: 3859: 3857: 3841: 3837: 3827: 3825: 3822:Dallas Observer 3813: 3809: 3799: 3797: 3785: 3778: 3762: 3758: 3748: 3746: 3736: 3732: 3722: 3720: 3708: 3704: 3683: 3682: 3671: 3661: 3659: 3647: 3628: 3618: 3616: 3604: 3600: 3586: 3585: 3576: 3566: 3564: 3552: 3548: 3532: 3531: 3524: 3522: 3506: 3495: 3485: 3483: 3475:The Independent 3464: 3455: 3432: 3431: 3424: 3407: 3400: 3392: 3388: 3380: 3371: 3361: 3359: 3347: 3330: 3314: 3313: 3306: 3304: 3299: 3298: 3287: 3277: 3275: 3270: 3269: 3265: 3255: 3253: 3244: 3243: 3239: 3229: 3227: 3218: 3217: 3213: 3197: 3196: 3189: 3187: 3172:(10 May 2013). 3167: 3146: 3122: 3118: 3108: 3106: 3089: 3072: 3062: 3060: 3055:. 15 May 2014. 3045: 3044: 3033: 3023: 3021: 3009: 3000: 2990: 2988: 2976: 2963: 2953: 2951: 2939: 2930: 2926: 2921: 2920: 2915: 2911: 2902: 2898: 2893: 2827:The Pacific Age 2769: 2763: 2758: 2756: 2753: 2689: 2646: 2644:Current members 2633: 2601:, actor/writer 2567:Cue the Strings 2518:, and producer 2432:LCD Soundsystem 2259:Nine Inch Nails 2251:John Frusciante 2183:Tears for Fears 2097: 2089:Rewind Festival 2075:, and beyond." 2052:The OMD Singles 2025: 2003:Gregorian-chant 1995:The Pacific Age 1932:Miami New Times 1917:Richard Metzger 1900:The Pacific Age 1885:experimentation 1849: 1770:Factory Records 1684:telephone boxes 1654: 1650: 1642: 1637: 1624:The Best of OMD 1566: 1545:Top of the Pops 1482:Eddie the Eagle 1415: 1411: 1399: 1373:Electric Picnic 1362:UK Albums Chart 1258: 1234:Claudia Brücken 1104:UK Albums Chart 1031: 1022:The Best of OMD 996:The Pacific Age 966:American Top 40 853:Maid of Orleans 797:", named after 717:advance payment 709: 705: 689: 641:Factory Records 592:mistaken for a 513: 508: 489:UK Albums Chart 478:Claudia Brücken 349:band formed on 324: 298:Michael Douglas 276: 234: 213: 187: 143: 129: 114: 63: 53: 33: 24: 17: 12: 11: 5: 10751: 10741: 10740: 10735: 10730: 10725: 10720: 10715: 10710: 10705: 10700: 10695: 10690: 10685: 10680: 10675: 10670: 10653: 10652: 10650: 10649: 10644: 10639: 10634: 10629: 10624: 10618: 10616: 10612: 10611: 10609: 10608: 10601: 10594: 10587: 10579: 10577: 10573: 10572: 10570: 10569: 10562: 10555: 10552:If You Want It 10548: 10541: 10534: 10527: 10520: 10517:Stand Above Me 10513: 10506: 10499: 10492: 10485: 10478: 10471: 10464: 10457: 10450: 10443: 10436: 10429: 10422: 10415: 10408: 10401: 10394: 10387: 10380: 10373: 10366: 10359: 10352: 10345: 10338: 10330: 10328: 10324: 10323: 10321: 10320: 10313: 10305: 10303: 10299: 10298: 10296: 10295: 10290: 10283: 10276: 10269: 10262: 10254: 10252: 10248: 10247: 10245: 10244: 10237: 10230: 10223: 10216: 10209: 10202: 10195: 10188: 10181: 10174: 10167: 10160: 10153: 10145: 10143: 10139: 10138: 10136: 10135: 10132: 10127: 10124: 10121: 10118: 10115: 10113:Malcolm Holmes 10110: 10104: 10103: 10100:Stuart Kershaw 10096: 10089: 10086:Paul Humphreys 10082: 10079:Andy McCluskey 10074: 10071: 10070: 10063: 10062: 10055: 10048: 10040: 10034: 10033: 10024: 10010: 10001: 9996: 9985: 9984:External links 9982: 9981: 9980: 9962: 9944: 9928: 9925: 9923: 9922: 9913: 9885: 9860: 9848:HelenLowe.info 9827: 9799: 9782: 9756: 9723: 9693: 9666: 9638: 9612: 9603: 9583: 9555: 9527: 9495: 9466: 9440: 9412: 9384: 9356: 9326: 9298: 9270: 9228: 9197: 9191:. p. 13. 9170: 9142: 9114: 9088: 9062: 9029: 9020: 8992: 8964: 8932: 8904: 8902: 8901: 8878: 8853: 8844:. p. 31 ( 8827: 8795: 8761: 8728: 8721: 8715:. p. 49. 8705:Jourgensen, Al 8696: 8668: 8637: 8605: 8573: 8566: 8544: 8542: 8541: 8538: 8533:978-1529151787 8532: 8516: 8490:Radio Caroline 8474: 8454: 8421: 8414:) – via 8398: 8392:978-0525958000 8391: 8366: 8340: 8297: 8271: 8243: 8236: 8218: 8192: 8190: 8189: 8155: 8132:Classic Albums 8127: 8103: 8077: 8066:on 17 May 2020 8032: 8004: 7978: 7950: 7925: 7892: 7849: 7821: 7815:978-1611856583 7814: 7789: 7746: 7720: 7691: 7660: 7617: 7586: 7558: 7529: 7502: 7489:Berkshire Live 7475: 7443:Zaleski, Annie 7434: 7395: 7349: 7329: 7303: 7274: 7245: 7214: 7185: 7150: 7116: 7105:on 13 May 2011 7083: 7054: 7026: 7020:Pretty in Pink 6991: 6982:Calgary Herald 6971: 6936: 6927: 6910: 6882: 6865: 6837: 6828: 6811: 6809: 6808: 6772: 6746: 6718: 6690: 6659: 6639: 6626:The Irish News 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October 2013 6446: 6418: 6390: 6357: 6324: 6302:Raggett, Ned. 6294: 6252: 6235:"OMG its OMD!" 6226: 6195: 6149: 6116: 6097:(April 1986). 6086: 6083:. p. 116. 6065: 6016: 5998: 5965: 5939: 5911: 5883: 5857: 5846:. 5 March 2022 5831: 5806: 5780: 5752: 5724: 5696: 5670: 5642: 5616: 5605:. 14 June 2018 5590: 5560: 5532: 5502: 5474: 5448: 5430: 5400: 5372: 5346: 5320: 5284: 5249: 5216: 5205:. 26 June 2012 5188: 5160: 5124: 5096: 5082: 5065:TrevorHorn.com 5049: 5007: 4979: 4946: 4918: 4900: 4886: 4860: 4846: 4834: 4815: 4789: 4771:Schulte, Tom. 4760: 4732: 4701: 4675: 4663: 4633: 4626: 4599: 4582: 4570: 4553: 4522: 4504: 4486: 4480:978-0819578952 4479: 4457: 4422: 4405: 4391: 4358: 4341: 4334:) – via 4318: 4301: 4284: 4272:Stanley, Bob. 4262: 4239: 4230: 4205: 4188: 4179: 4162: 4128: 4100: 4072: 4059:"Organisation" 4050: 4022: 3996: 3963: 3937: 3933:Virgin Records 3927:Browne, Paul. 3920: 3911: 3893:Live in Berlin 3889:O'Brien, Jon. 3881: 3835: 3807: 3794:Digital Trends 3776: 3756: 3730: 3717:Liverpool Echo 3702: 3669: 3626: 3598: 3574: 3546: 3493: 3453: 3422: 3415:. p. 36 ( 3398: 3386: 3369: 3328: 3285: 3272:"Liverpool: H" 3263: 3237: 3220:"Liverpool: E" 3211: 3170:Lindgren, Hugo 3144: 3123:Taylor, Paul. 3116: 3070: 3031: 2998: 2961: 2927: 2925: 2922: 2919: 2918: 2909: 2895: 2894: 2892: 2889: 2888: 2887: 2879: 2871: 2863: 2855: 2847: 2839: 2831: 2823: 2815: 2807: 2799: 2791: 2783: 2765:Main article: 2762: 2759: 2754: 2752: 2749: 2748: 2747: 2741: 2732: 2726: 2720: 2714: 2708: 2699: 2693:Malcolm Holmes 2688: 2687:Former members 2685: 2684: 2683: 2677:Stuart Kershaw 2674: 2665: 2659:Paul Humphreys 2656: 2650:Andy McCluskey 2645: 2642: 2632: 2629: 2603:Scott Aukerman 2516:Future Islands 2472:Stevie Jackson 2400:Mike Paradinas 2353:Paul McCartney 2333:Thompson Twins 2096: 2093: 2024: 2021: 1848: 1845: 1809:Andrew Collins 1735:Philip K. Dick 1651:Andy McCluskey 1643: 1641: 1638: 1636: 1633: 1565: 1562: 1536:in 1985) plus 1493:Stuart Kershaw 1412:Andy McCluskey 1400: 1398: 1395: 1342:in June 2010. 1257: 1254: 1176:Although both 1108:Stand Above Me 1061:Stuart Kershaw 1030: 1027: 980:test audiences 975:Pretty in Pink 941:, produced by 889:, produced by 758:Malcolm Holmes 726:Malcolm Holmes 706:Paul Humphreys 690: 688: 685: 645:Martin Hannett 604:circuit boards 581:Radio-Activity 564:Malcolm Holmes 541:Malcolm Holmes 533:Meols, England 529:Paul Humphreys 525:Andy McCluskey 512: 509: 507: 504: 437:Pretty in Pink 371:Stuart Kershaw 363:Paul Humphreys 359:Andy McCluskey 334: 333: 322: 318: 317: 314: 313: 312: 311: 308: 305: 302: 299: 296: 291: 286: 284:Malcolm Holmes 279: 273: 272: 269: 268: 267: 266: 264:Stuart Kershaw 261: 256: 254:Paul Humphreys 251: 249:Andy McCluskey 244: 240: 239: 236: 235: 233: 232: 227: 221: 219: 215: 214: 212: 211: 206: 201: 195: 193: 189: 188: 186: 185: 180: 175: 173:Bright Antenna 170: 165: 160: 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9179:Murphy, James 9174: 9159: 9158: 9153: 9146: 9131: 9130: 9125: 9118: 9102: 9098: 9092: 9077: 9073: 9066: 9051: 9050: 9045: 9038: 9036: 9034: 9024: 9009: 9008: 9003: 8996: 8981: 8980: 8975: 8968: 8961: 8957: 8953: 8950:supplement). 8949: 8945: 8944: 8936: 8921: 8920: 8915: 8908: 8899: 8888: 8884: 8879: 8876: 8865: 8864: 8863:The Arts Desk 8859: 8854: 8851: 8847: 8843: 8842: 8836: 8835: 8831: 8815: 8811: 8810: 8805: 8799: 8783: 8779: 8775: 8771: 8765: 8749: 8745: 8744: 8739: 8732: 8724: 8718: 8714: 8713:Da Capo Press 8710: 8706: 8700: 8685: 8684: 8679: 8672: 8665: 8654: 8653: 8648: 8641: 8626: 8622: 8621: 8616: 8609: 8602: 8598: 8594: 8591:supplement). 8590: 8589:Breaking Muse 8586: 8585: 8577: 8569: 8563: 8559: 8558:Omnibus Press 8555: 8548: 8539: 8535: 8529: 8525: 8521: 8517: 8513: 8507: 8491: 8487: 8483: 8482: 8478: 8470: 8469: 8464: 8458: 8442: 8438: 8437: 8432: 8425: 8417: 8413: 8409: 8402: 8394: 8388: 8384: 8380: 8376: 8370: 8355: 8351: 8344: 8336: 8330: 8314: 8313: 8308: 8301: 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Club 7448: 7444: 7438: 7431: 7429: 7425: 7412: 7411: 7406: 7399: 7391: 7385: 7369: 7368: 7363: 7356: 7354: 7345: 7344: 7339: 7333: 7318: 7314: 7307: 7291: 7287: 7281: 7279: 7262: 7261: 7256: 7249: 7234: 7233: 7228: 7221: 7219: 7202: 7201: 7196: 7189: 7174: 7173: 7168: 7166: 7160: 7154: 7139: 7138: 7133: 7129: 7123: 7121: 7104: 7100: 7099: 7098:The A.V. Club 7094: 7087: 7072: 7068: 7064: 7058: 7043: 7042: 7037: 7030: 7023: 7021: 7008: 7007: 7002: 6995: 6988: 6984: 6983: 6975: 6968: 6957: 6956: 6951: 6949: 6940: 6931: 6923: 6922: 6914: 6899: 6898: 6893: 6886: 6879:. p. 21. 6878: 6877: 6876:Record Mirror 6869: 6854: 6853: 6848: 6841: 6832: 6825:. p. 15. 6824: 6823: 6822:Record Mirror 6815: 6797: 6793: 6789: 6784: 6783: 6779: 6777: 6761: 6757: 6750: 6735: 6734: 6729: 6728:"Mute Record" 6722: 6706: 6705: 6700: 6694: 6679: 6678: 6673: 6666: 6664: 6656: 6652: 6651: 6643: 6628: 6627: 6622: 6615: 6600: 6599: 6594: 6587: 6572: 6568: 6561: 6546: 6545: 6540: 6533: 6531: 6515: 6511: 6507: 6501: 6499: 6490: 6489: 6484: 6478: 6462: 6461: 6456: 6450: 6435: 6434: 6429: 6422: 6407: 6406: 6401: 6394: 6378: 6377: 6372: 6366: 6364: 6362: 6345: 6341: 6340: 6335: 6328: 6313: 6309: 6307: 6298: 6291: 6289: 6285: 6272: 6271: 6266: 6259: 6257: 6240: 6236: 6230: 6215: 6214: 6213:PRS for Music 6209: 6202: 6200: 6191: 6185: 6169: 6168: 6163: 6156: 6154: 6138: 6134: 6132: 6126: 6120: 6104: 6100: 6096: 6090: 6082: 6081: 6076: 6069: 6061: 6055: 6039: 6038: 6033: 6029: 6023: 6021: 6012: 6008: 6002: 5986: 5982: 5981: 5976: 5969: 5954: 5950: 5943: 5927: 5926: 5921: 5915: 5900: 5899: 5898:BrooklynVegan 5894: 5887: 5872: 5868: 5861: 5845: 5841: 5835: 5820: 5816: 5810: 5794: 5790: 5784: 5768: 5767: 5762: 5756: 5741: 5740: 5735: 5728: 5713: 5712: 5707: 5700: 5684: 5680: 5674: 5659: 5658: 5653: 5646: 5630: 5626: 5620: 5604: 5600: 5594: 5578: 5574: 5570: 5564: 5556: 5550: 5542: 5536: 5521: 5520: 5514: 5506: 5491: 5490: 5485: 5478: 5462: 5458: 5452: 5445: 5441: 5440: 5434: 5418: 5414: 5410: 5404: 5388: 5387: 5382: 5376: 5360: 5356: 5350: 5334: 5330: 5324: 5316: 5310: 5294: 5288: 5272: 5268: 5263: 5259: 5253: 5237: 5233: 5226: 5220: 5204: 5203: 5198: 5192: 5176: 5175: 5170: 5164: 5156: 5150: 5134: 5128: 5112: 5111: 5106: 5100: 5092: 5086: 5070: 5066: 5062: 5056: 5054: 5045: 5039: 5023: 5022: 5017: 5011: 4996: 4995: 4990: 4983: 4967: 4963: 4962: 4957: 4950: 4935: 4934: 4929: 4922: 4914: 4910: 4904: 4896: 4890: 4874: 4870: 4864: 4856: 4850: 4843: 4838: 4830: 4826: 4819: 4804: 4800: 4793: 4778: 4774: 4767: 4765: 4749: 4748: 4743: 4736: 4721: 4720: 4715: 4708: 4706: 4690: 4686: 4679: 4672: 4667: 4651: 4647: 4643: 4637: 4629: 4627:0-7432-0169-8 4623: 4619: 4615: 4614: 4606: 4604: 4595: 4594: 4586: 4579: 4574: 4566: 4565: 4557: 4542: 4541: 4540:PRS for Music 4536: 4529: 4527: 4518: 4514: 4508: 4500: 4496: 4490: 4482: 4476: 4472: 4468: 4461: 4454: 4443: 4442: 4437: 4435: 4426: 4418: 4417: 4409: 4400: 4398: 4396: 4379: 4375: 4374: 4369: 4362: 4354: 4353: 4352:Record Mirror 4345: 4337: 4333: 4329: 4322: 4314: 4313: 4312:Record Mirror 4305: 4297: 4296: 4288: 4281: 4280: 4275: 4269: 4267: 4250: 4243: 4234: 4218: 4212: 4210: 4201: 4200: 4192: 4183: 4175: 4174: 4173:Record Mirror 4166: 4151: 4150: 4145: 4141: 4135: 4133: 4117: 4116: 4111: 4104: 4089: 4088: 4083: 4076: 4060: 4054: 4039: 4038: 4033: 4026: 4011: 4007: 4000: 3985: 3981: 3974: 3972: 3970: 3968: 3952: 3948: 3941: 3934: 3930: 3924: 3915: 3900: 3896: 3894: 3885: 3877: 3871: 3855: 3854: 3849: 3845: 3839: 3824: 3823: 3818: 3811: 3796: 3795: 3790: 3783: 3781: 3773:. p. 11. 3772: 3771: 3766: 3760: 3745: 3741: 3740:"Electricity" 3734: 3719: 3718: 3713: 3706: 3699: 3697: 3691: 3687: 3680: 3678: 3676: 3674: 3658: 3657: 3652: 3645: 3643: 3641: 3639: 3637: 3635: 3633: 3631: 3615: 3614: 3609: 3602: 3594: 3590: 3583: 3581: 3579: 3563: 3562: 3557: 3550: 3542: 3536: 3520: 3519: 3514: 3510: 3504: 3502: 3500: 3498: 3481: 3477: 3476: 3470: 3462: 3460: 3458: 3450: 3446: 3442: 3438: 3437: 3436:BBC Breakfast 3429: 3427: 3418: 3414: 3413: 3405: 3403: 3395: 3390: 3383: 3378: 3376: 3374: 3358: 3357: 3352: 3345: 3343: 3341: 3339: 3337: 3335: 3333: 3324: 3318: 3302: 3296: 3294: 3292: 3290: 3273: 3267: 3251: 3247: 3241: 3225: 3221: 3215: 3207: 3201: 3185: 3181: 3180: 3175: 3171: 3165: 3163: 3161: 3159: 3157: 3155: 3153: 3151: 3149: 3142: 3138: 3134: 3133:0-7201-1727-5 3130: 3126: 3120: 3104: 3100: 3099: 3098:The A.V. Club 3094: 3087: 3085: 3083: 3081: 3079: 3077: 3075: 3058: 3054: 3053: 3048: 3042: 3040: 3038: 3036: 3020: 3019: 3014: 3007: 3005: 3003: 2987: 2986: 2981: 2974: 2972: 2970: 2968: 2966: 2950: 2949: 2944: 2937: 2935: 2933: 2928: 2913: 2906: 2900: 2896: 2885: 2884: 2880: 2877: 2876: 2872: 2869: 2868: 2864: 2861: 2860: 2856: 2853: 2852: 2848: 2845: 2844: 2840: 2837: 2836: 2832: 2829: 2828: 2824: 2821: 2820: 2816: 2813: 2812: 2808: 2805: 2804: 2800: 2797: 2796: 2792: 2789: 2788: 2784: 2781: 2780: 2776: 2775: 2774: 2773: 2772:Studio albums 2768: 2742: 2736: 2735:Nigel Ipinson 2733: 2727: 2721: 2715: 2709: 2703: 2700: 2694: 2691: 2690: 2678: 2675: 2669: 2668:Martin Cooper 2666: 2660: 2657: 2651: 2648: 2647: 2637: 2628: 2626: 2625: 2620: 2619:Steven Wilson 2616: 2612: 2611:Noah Baumbach 2608: 2604: 2600: 2596: 2592: 2588: 2584: 2580: 2576: 2572: 2568: 2564: 2560: 2556: 2552: 2548: 2544: 2540: 2535: 2533: 2529: 2525: 2521: 2517: 2513: 2512:Saint Etienne 2509: 2505: 2501: 2497: 2493: 2489: 2488: 2483: 2482: 2477: 2473: 2469: 2465: 2461: 2457: 2453: 2449: 2445: 2441: 2437: 2433: 2429: 2425: 2421: 2417: 2413: 2409: 2405: 2401: 2397: 2393: 2389: 2385: 2380: 2378: 2374: 2370: 2366: 2362: 2358: 2354: 2350: 2346: 2345:Daniel Miller 2342: 2338: 2334: 2330: 2326: 2322: 2321:Toyah Willcox 2318: 2314: 2310: 2306: 2302: 2298: 2294: 2290: 2286: 2284: 2283:Al Jourgensen 2280: 2276: 2272: 2268: 2264: 2260: 2256: 2252: 2248: 2244: 2240: 2236: 2232: 2228: 2224: 2220: 2216: 2212: 2208: 2204: 2200: 2196: 2192: 2188: 2184: 2180: 2176: 2171: 2169: 2165: 2161: 2160:Pet Shop Boys 2157: 2153: 2149: 2145: 2141: 2137: 2133: 2129: 2128: 2123: 2119: 2118: 2117:the A.V. Club 2109: 2105: 2101: 2092: 2090: 2086: 2081: 2076: 2074: 2070: 2066: 2062: 2058: 2054: 2053: 2048: 2047: 2042: 2041: 2036: 2035: 2030: 2020: 2018: 2014: 2013: 2008: 2004: 2000: 1996: 1992: 1988: 1983: 1981: 1977: 1973: 1969: 1965: 1961: 1957: 1953: 1949: 1944: 1942: 1938: 1934: 1933: 1928: 1924: 1923: 1922:the A.V. Club 1918: 1914: 1910: 1909: 1904: 1902: 1901: 1896: 1895: 1890: 1889:Stephen Hague 1886: 1882: 1881: 1876: 1872: 1871: 1862: 1858: 1853: 1844: 1843:megastores". 1842: 1838: 1834: 1833: 1828: 1827: 1826:the A.V. Club 1822: 1818: 1817: 1816:Record Mirror 1812: 1810: 1806: 1802: 1801:Hugo Lindgren 1796: 1794: 1793: 1787: 1785: 1781: 1780: 1775: 1771: 1767: 1763: 1759: 1755: 1751: 1747: 1742: 1740: 1736: 1732: 1728: 1724: 1720: 1719: 1714: 1713: 1707: 1705: 1701: 1697: 1693: 1689: 1685: 1681: 1677: 1673: 1669: 1664: 1660: 1659: 1653: 1647: 1632: 1630: 1626: 1625: 1620: 1619: 1613: 1611: 1607: 1602: 1600: 1596: 1595:Grammy Awards 1592: 1588: 1583: 1575: 1570: 1561: 1559: 1558: 1553: 1552: 1547: 1546: 1541: 1540: 1535: 1531: 1526: 1522: 1521: 1515: 1514:" from 1978. 1513: 1509: 1505: 1501: 1496: 1494: 1490: 1489: 1484: 1483: 1478: 1474: 1473:Taron Egerton 1470: 1465: 1461: 1457: 1452: 1450: 1446: 1442: 1438: 1434: 1430: 1429: 1424: 1420: 1414: 1408: 1406: 1394: 1392: 1388: 1384: 1383: 1378: 1374: 1370: 1365: 1363: 1359: 1358: 1353: 1349: 1348:Pet Shop Boys 1343: 1341: 1337: 1333: 1329: 1325: 1320: 1318: 1317: 1312: 1308: 1304: 1300: 1296: 1295: 1289: 1287: 1282: 1278: 1277: 1271: 1262: 1253: 1251: 1247: 1243: 1239: 1235: 1230: 1229:Atomic Kitten 1225: 1223: 1219: 1215: 1211: 1210:singles album 1207: 1203: 1199: 1195: 1191: 1187: 1183: 1179: 1174: 1172: 1168: 1164: 1163: 1158: 1154: 1153: 1147: 1145: 1141: 1137: 1133: 1129: 1125: 1121: 1117: 1113: 1109: 1105: 1101: 1100: 1094: 1092: 1091: 1086: 1085:Nigel Ipinson 1082: 1078: 1074: 1073:Pandora's Box 1070: 1066: 1062: 1058: 1057: 1053:studio album 1052: 1047: 1045: 1035: 1026: 1024: 1023: 1018: 1014: 1010: 1006: 1002: 998: 997: 991: 989: 988:Hugo Lindgren 985: 981: 977: 976: 971: 967: 963: 959: 955: 953: 948: 944: 943:Stephen Hague 940: 939: 933: 931: 930:Record Mirror 927: 923: 922:E-mu Emulator 919: 918:Fairlight CMI 915: 911: 910: 904: 900: 896: 892: 888: 887: 878: 877:Martin Cooper 873: 869: 866: 865:Record Mirror 862: 858: 854: 850: 846: 842: 838: 837: 832: 827: 825: 824: 819: 818: 813: 812: 807: 806: 805:Record Mirror 800: 796: 792: 788: 784: 780: 776: 772: 768: 767: 761: 759: 755: 751: 747: 743: 739: 735: 734:Martin Cooper 731: 727: 722: 718: 714: 708: 702: 700: 696: 684: 681: 677: 672: 670: 666: 662: 658: 657:Peter Saville 654: 650: 646: 642: 638: 637:"Electricity" 634: 630: 629: 624: 623:George Orwell 620: 616: 611: 609: 605: 600: 599:working class 595: 590: 585: 583: 582: 577: 573: 569: 565: 561: 556: 554: 550: 546: 542: 538: 534: 530: 526: 517: 503: 501: 499: 494: 490: 485: 483: 479: 475: 471: 470:Atomic Kitten 468: 464: 460: 456: 455: 450: 446: 441: 439: 438: 433: 429: 428: 423: 422: 417: 416: 411: 407: 406:anti-war song 403: 399: 394: 392: 388: 384: 380: 376: 372: 368: 367:Martin Cooper 364: 360: 356: 352: 348: 344: 340: 331: 323: 319: 315: 309: 306: 303: 300: 297: 295: 294:Nigel Ipinson 292: 290: 287: 285: 282: 281: 280: 274: 270: 265: 262: 260: 259:Martin Cooper 257: 255: 252: 250: 247: 246: 245: 241: 237: 231: 228: 226: 223: 222: 220: 216: 210: 207: 205: 204:Atomic Kitten 202: 200: 197: 196: 194: 190: 184: 181: 179: 176: 174: 171: 169: 166: 164: 161: 159: 156: 153: 152: 150: 146: 139: 136: 135: 133: 127: 124: 121: 117: 111: 108: 106: 103: 101: 98: 96: 93: 92: 90: 86: 82: 78: 75: 71: 67: 64:Also known as 61: 56: 51: 47: 41: 36: 29: 26: 22: 10603: 10596: 10589: 10582: 10510:Call My Name 10447:If You Leave 10315: 10308: 10292: 10285: 10278: 10271: 10264: 10257: 10239: 10232: 10225: 10218: 10211: 10204: 10197: 10190: 10183: 10178:Junk Culture 10176: 10171:Dazzle Ships 10169: 10162: 10157:Organisation 10155: 10148: 10098: 10091: 10084: 10077: 10066: 9965: 9964:West, Mike. 9947: 9933: 9927:Bibliography 9916: 9904:. Retrieved 9898: 9888: 9876:. Retrieved 9872: 9863: 9851:. Retrieved 9847: 9841: 9830: 9818:. Retrieved 9812: 9802: 9791: 9785: 9773:. Retrieved 9769: 9759: 9747:. Retrieved 9743:the original 9736: 9726: 9714:. Retrieved 9705: 9696: 9684:. Retrieved 9679: 9669: 9657:. Retrieved 9650: 9641: 9629:. Retrieved 9625: 9615: 9606: 9595: 9586: 9574:. Retrieved 9568: 9558: 9546:. Retrieved 9540: 9530: 9518:. Retrieved 9512: 9507:Dazzle Ships 9506: 9498: 9486:. Retrieved 9482: 9469: 9457:. Retrieved 9443: 9431:. Retrieved 9425: 9415: 9403:. Retrieved 9397: 9387: 9375:. Retrieved 9369: 9359: 9347:. Retrieved 9343:the original 9338: 9329: 9317:. Retrieved 9312:The Scotsman 9310: 9301: 9289:. Retrieved 9283: 9273: 9247:. Retrieved 9240: 9231: 9223: 9216:. Retrieved 9210: 9200: 9192: 9186: 9182: 9173: 9161:. Retrieved 9155: 9145: 9133:. Retrieved 9127: 9117: 9105:. Retrieved 9101:Cryptic Rock 9100: 9091: 9079:. Retrieved 9075: 9065: 9053:. Retrieved 9047: 9023: 9011:. Retrieved 9005: 8995: 8983:. 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Retrieved 6953: 6948:Junk Culture 6947: 6939: 6930: 6919: 6913: 6901:. Retrieved 6895: 6885: 6874: 6868: 6856:. Retrieved 6850: 6840: 6831: 6820: 6814: 6800:. Retrieved 6796:the original 6791: 6763:. Retrieved 6760:Wirral Globe 6759: 6749: 6737:. Retrieved 6731: 6721: 6709:. Retrieved 6704:The Scotsman 6702: 6693: 6681:. Retrieved 6675: 6654: 6650:Athens Voice 6648: 6642: 6630:. Retrieved 6624: 6614: 6602:. Retrieved 6596: 6586: 6574:. Retrieved 6560: 6548:. Retrieved 6542: 6517:. Retrieved 6513: 6486: 6477: 6465:. Retrieved 6458: 6449: 6437:. Retrieved 6431: 6421: 6409:. Retrieved 6403: 6393: 6381:. Retrieved 6376:The Scotsman 6374: 6348:. Retrieved 6342:(in Dutch). 6337: 6327: 6315:. Retrieved 6306:Organisation 6305: 6297: 6284:Junk Culture 6283: 6281: 6274:. Retrieved 6268: 6243:. Retrieved 6238: 6229: 6217:. Retrieved 6211: 6172:. Retrieved 6165: 6142:12 September 6140:. Retrieved 6130: 6119: 6107:. Retrieved 6102: 6095:Tingen, Paul 6089: 6078: 6074: 6068: 6042:. 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