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the lovers’ difficulties. As
Angelica is about the throw herself into the sea in despair, Alcina's magic transports her to Medoro's presence and they re-affirm their love. They are on the point of seeking a new refuge when Orlando appears, but Alcina intervenes again to allow the lovers to escape. Orlando is distracted by the sudden appearance of two sea-monsters.
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Angelica is delirious, believing that Medoro is dead. Alcina assures her that this is not so, but that he is healed of his wounds. Rodomonte and
Orlando enter together, now comrades. The waters of Lethe have blanked from Orlando's mind both his love for Angelica and his hatred of Medoro. Angelica and
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Angelica's fearful premonitions are interrupted by
Pasquale and Eurilla, who warn her of Orlando's approach. Rodomonte joins them, still eager to fight Orlando, and then the peace-loving Medoro, in fear of Orlando's prowess enters. Alcina appears and reassures the lovers, while warning Rodomonte that
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Medoro seeks refuge by the sea, and at
Eurilla's suggestion, conceals himself in a grotto, asking her to tell Angelica of his unhappy fate. Eurilla and Pasquale discover their love for one another as she invites him to follow her to a castle. Angelica laments her suffering. Alcina plans to resolve
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Medoro swears his fidelity to
Angelica but despite her protests suggests that for her own safety he should leave her for a time. When they have gone, Orlando appears, cursing the obsession that drives him on, convinced that Medoro is the only obstacle to the fulfilment of his love. He sees that
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The shepherdess
Eurilla and her father Licone are alarmed by the appearance of a threatening knight, searching for Angelica and Medoro. Eurilla tells him of their love and that they have taken refuge in the nearby castle. The knight reveals himself as Rodomonte, King of Barbary, infatuated with
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Orlando and
Pasquale arrive in search of Alcina, and the paladin furiously insults the sorceress for protecting Medoro. She responds by turning him to stone. Angelica, Medoro, Eurilla and Rodomonte enter, marvelling at this sight. Alcina restores Orlando to his human state, but his frenzy is
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Angelica laments that she has to live in hiding to avoid
Orlando's mad frenzy. She summons the sorceress Alcina, who offers her protection. Medoro now enters with the unwelcome news that Orlando and his squire Pasquale have been sighted nearby but is unsure whether to stay or escape.
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Pasquale is discovered by
Rodomonte, who proceeds to challenge him, but is distracted by Eurilla, who says that Orlando is nearby looking for him. Alone with Eurilla, Pasquale explains that his life of adventure is blighted by a constant lack of food (and love).
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Orlando has been freed from the cage, but not from his madness. Rodomonte is once more about to attack him, but when
Eurilla brings news that Medoro and Angelica have fled, Orlando dashes off in pursuit.
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The braggart Rodomonte is still in pursuit of Orlando and narrowly misses him when he arrives to interrogate Eurilla, on the whereabouts of Medoro.
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Medoro can now love one another without fear, Pasquale and Eurilla are united, and Orlando may go in search of fresh deeds of valour.
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Angelica is pursued by wild savages. Medoro rushes to her assistance but is wounded. Rodomonte and Orlando engage in a duel.
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he cannot defeat Orlando. Orlando bursts in raving, but Alcina magically immobilises him and imprisons him in an iron cage.
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and the plot mixes heroic and comic elements. It was Haydn's most popular opera during his lifetime. While in Prague,
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Pasquale and Eurilla exchange more endearments. Rodomonte enters with Alcina, who invites all to her magic grotto.
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recorded Rodomonte's aria, "Mille lampi d'accese faville", and Caronte's aria, "Ombre insepolte" on his album,
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424:(Even a castrato cannot sing as well as me). The same aria is also notable for requiring the tenor to go into
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While discussing their marriage, Eurilla and Pasquale are interrupted by Orlando, seeking his squire's aid.
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unabated. As Alcina retires to the back of the cave Orlando pursues her and the rock closes in behind him.
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Medoro has carved Angelica's name on every tree in the garden and smashes down the trees and fountain.
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as sung by Anna Morichelli and Giovanni Morelli (in performances beginning 17 May 1794 at
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in the title role. More recently, staged performances have been given in 2009 at the
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during Pasquale's aria from act two, "Ecco spiano", during which he sings
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First page of the insertion duet, "Quel cor umano e tenero", composed by
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Shepherds, shepherdesses, spectres, savages and Saracens – chorus
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Angelica and intent on protecting her from Orlando's jealousy.
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Haydn-Klamauk: "Orlando Paladino" an der Lindenoper - WELT
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presented the United States premiere of the work at the
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710:recorded "Ad un sguardo, a un cenno solo" on her
422:Ah, che un musico castrato come me non canta affé
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191:conducted a few performances of the opera. The
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448:. The caption indicates it was performed in
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1634:Operas based on works by Ludovico Ariosto
967:International Music Score Library Project
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215:conducted by Gianluca Capuano. In 2023,
745:, 2009) Naxos 2057788. DVD and Blu-ray.
567:Scene 1 – The Underworld, by the river
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768:"Opera: PennsylvaniansI Give Haydn's
925:. L'Almanacco di Gherardo Casaglia
500:Scene 4 – A garden with a fountain.
199:, Philadelphia, in March 1982 with
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554:Scene 4 – Alcina's enchanted cave.
475:Scene 1 – A mountainous landscape.
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538:Scene 2 – A wide plain by the sea
253:Roles, voice types, premiere cast
223:gave concert performances at the
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696:(Deutsche Harmonia Mundi, 2006)
428:to hit some of the high notes.
416:The opera makes a reference to
267:Premiere cast, 6 December 1782
211:conducting, and in 2016 at the
183:. The opera was described as a
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582:Scene 2 – A room in the castle
547:Scene 3 – A room in the castle
515:Scene 6 – A delightful garden.
165:is based on another libretto,
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173:in 1771), itself inspired by
146:which was first performed at
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484:Scene 2 – Angelica's tower.
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171:Pietro Alessandro Guglielmi
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1400:La liberazione di Ruggiero
913:Casaglia, Gherardo (2005).
324:ferryman to the underworld
193:Pennsylvania Opera Theater
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823:Archiv: Orlando paladino
606:The opera is scored for
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455:Il burbero di buon cuore
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150:on 6 December 1782. The
1614:Italian-language operas
347:Maria Antonia Specioli
1619:Operas by Joseph Haydn
1539:Roger Freeing Angelica
943:The Viking Opera Guide
690:Concentus Musicus Wien
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460:King's Theatre, London
450:Vicente MartĂn y Soler
231:, with cast including
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1062:L'incontro improvviso
598:Scene 4 – A courtyard
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304:in love with Angelica
283:Costanza Valdesturla
225:Gran Teatre del Liceu
48:Portrait of Haydn by
16:Opera by Joseph Haydn
1408:Il palazzo incantato
1350:Matteo Maria Boiardo
1126:L'anima del filosofo
721:"Orlando Paladino",
708:Anne Sofie von Otter
694:Nikolaus Harnoncourt
686:Elisabeth von Magnus
217:Il Giardino Armonico
1297:Renaud de Montauban
1212:Angelica and Medoro
1102:La fedeltĂ premiata
1078:Il mondo della luna
1070:Philemon und Baucis
704:Haydn Italian Arias
313:Prospero Braghetti
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167:Le pazzie d'Orlando
132:The paladin Orlando
64:The paladin Orlando
1565:The Song of Roland
1558:The Castle of Iron
1345:Orlando Innamorato
1316:Historical figures
1094:L'isola disabitata
1054:L'infedeltĂ delusa
830:ZĂĽrich Opera House
777:The New York Times
766:(March 18, 1982).
743:Berlin State Opera
712:Mozart-Haydn-Gluck
678:Christian Gerhaher
590:Scene 3 – A forest
529:Scene 1 – A grove.
509:Scene 5 – A grove.
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213:Zurich Opera House
205:Berlin State Opera
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1520:Bombastes Furioso
1512:Ginevra di Scozia
1381:Hearts and Armour
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1022:Der krumme Teufel
864:. 29 October 2023
493:Scene 3 – A wood.
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389:Vincenzo Moratti
375:Antonio Specioli
368:Paladin of France
361:Leopold Dichtler
333:Leopold Dichtler
243:and Josh Lovell.
221:Giovanni Antonini
197:Trocadero Theatre
185:dramma eroicomico
142:in three acts by
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1496:Orlando paladino
1491:(Piccinni, 1778)
1427:(Steffani, 1691)
1424:Orlando Generoso
1363:Entrée d'Espagne
1170:Ludovico Ariosto
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1086:La vera costanza
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446:Lorenzo Da Ponte
396:King of Barbaria
382:Orlando's squire
297:Matilde Bologna
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1542:(1873 painting)
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1440:Orlando furioso
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803:. Retrieved
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664:Antal Doráti
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652:Arleen Auger
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63:
51:Thomas Hardy
36:Joseph Haydn
1624:1782 operas
1328:Charlemagne
1307:Brigliadoro
1222:Mandricardo
1202:Brandimarte
1038:Lo speziale
893:Teatro Real
739:René Jacobs
714:album with
706:(2009) and
444:, words by
394:Rodomonte,
274:a sorceress
229:Teatro Real
209:René Jacobs
159: [
60:Translation
1608:Categories
1432:Bradamante
1257:Duke Aymon
1247:Sacripante
1197:Bradamante
1185:characters
899:5 November
868:5 November
836:5 November
805:5 November
750:References
642:Recordings
380:Pasquale,
354:a shepherd
288:Angelica,
263:Voice type
237:Nuria Rial
148:Eszterháza
114:Eszterháza
107:1782-12-06
89:Ariosto's
70:Librettist
1464:Ariodante
1356:La Spagna
1217:Rodomonte
1183:Fictional
731:Sunhae Im
452:'s opera
366:Orlando,
338:Eurilla,
318:Caronte (
1504:Ariodant
1242:Ferragut
1237:Brunello
1232:Atlantes
1207:Ruggiero
1192:Angelica
636:continuo
624:trumpets
616:bassoons
432:Synopsis
426:falsetto
418:castrati
352:Licone,
344:soprano
294:soprano
272:Alcina,
227:and the
152:libretto
99:Premiere
86:Based on
78:Language
1571:Paladin
1550:Related
1456:Orlando
1448:Orlando
1302:Zerbino
1292:Pinabel
1277:Melissa
1272:Maugris
1267:Marfisa
1262:Ganelon
1252:Agolant
1227:Astolfo
963:(Haydn)
632:strings
628:timpani
302:Medoro,
279:soprano
175:Ariosto
105: (
81:Italian
1629:Operas
1584:Portal
1488:Roland
1472:Alcina
1416:Roland
1384:(1983)
1337:Source
1323:Roland
1287:Oliver
1282:Naimon
1129:(1791)
1121:(1784)
1118:Armida
1113:(1782)
1105:(1781)
1097:(1779)
1089:(1779)
1081:(1777)
1073:(1776)
1065:(1775)
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1049:(1770)
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1014:Operas
1003:Operas
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945:, ed.
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614:, two
610:, two
576:Charon
386:tenor
372:tenor
358:tenor
320:Charon
189:Mozart
54:, 1791
1598:Opera
1392:Opera
1373:Films
861:Liceu
620:horns
612:oboes
608:flute
569:Lethe
562:Act 3
524:Act 2
470:Act 1
400:bass
309:tenor
259:Role
247:Roles
207:with
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140:opera
32:Opera
901:2023
870:2023
838:2023
807:2023
800:Welt
329:bass
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