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Ornette Coleman

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In Thomas Pynchon's 1963 novel 'V.', a thinly veiled character named McClintic Sphere appears, playing a 'white ivory' saxophone at the 'V Spot.' Pynchon's wonderfully terse parody of the portentous debate around Coleman's music is as follows: 'He plays all the notes Bird missed,' somebody whispered
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Of all the ink spilled on Coleman's impact, perhaps the most memorable came from Thomas Pynchon's 1963 debut novel, V., in which the character McClintic Sphere (with a last name nodding to Thelonious Monk's middle name) sets the jazz world on end at a club called the
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called him "one of the most beloved and polarizing figures in jazz history," noting that while "now celebrated as a fearless innovator and a genius, he was initially regarded by peers and critics as rebellious, disruptive, and even a fraud."
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Coleman subsequently switched to alto saxophone, first playing it in New Orleans after the Baton Rouge incident; the alto would remain his primary instrument for the rest of his life. He then joined the band of
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In Thomas Pynchon's novel V. there is a character named McClintic Sphere, who plays an alto saxophone of hand-carved ivory (Coleman's was made of white plastic) at a club called the V Note.
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on bass clarinet, Haden and LaFaro on bass, and both Higgins and Blackwell on drums. The album was recorded in stereo, with a reed/brass/bass/drums quartet isolated in each stereo channel.
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was, at 37 minutes, the longest recorded continuous jazz performance at the time and was one of Coleman's most controversial albums. In the January 18, 1962, issue of
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in Manhattan on June 11, 2015, aged 85. His funeral was a three-hour event with performances and speeches by several of his collaborators and contemporaries.
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in front of Fu. Fu went silently through the motions of breaking a beer bottle on the edge of the table, jamming it into the speaker's back and twisting.
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regarded Denardo's appearance on the album as an ill-advised piece of publicity. Denardo later became his father's primary drummer in the late 1970s.
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and traveled with them to Los Angeles. He worked at various jobs in Los Angeles, including as an elevator operator, while pursuing his music career.
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were impressed and offered encouragement. Hampton asked to perform with the quartet; Bernstein helped Haden obtain a composition grant from the
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influenced his development on trumpet and violin. Charlie Haden sometimes joined this trio to form a two-bass quartet.
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said that Coleman was "all screwed up inside", although he later became a proponent of Coleman's innovations;
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joined the group, usually on tenor saxophone. On February 29, 1968, Coleman's quartet performed live with
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which had developed in part around his innovations. After his quartet disbanded, he formed a trio with
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Coleman, like Miles Davis before him, soon took to playing with electric instruments. The 1976 album
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on drums, and began playing trumpet and violin in addition to the saxophone. His friendship with
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saxophonist, trumpeter, violinist, and composer. He is best known as a principal founder of the
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Palmer, Robert (December 1972). "Ornette Coleman and the Circle with a Hole in the Middle".
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in Fort Worth, where he participated in band until he was dismissed for improvising during
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to play the saxophone when he was a teenager. He began his musical career playing in local
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magazine, Pete Welding gave the album five stars while John A. Tynan rated it zero stars.
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listed it at number three on their list of the 100 best jazz albums of all time in 2017.
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Two 1972 Coleman recordings, "Happy House" and "Foreigner in a Free Land", were used in
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groups, and eventually formed his own group in Los Angeles, featuring members such as
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After the Atlantic period, Coleman's music became more angular and engaged with the
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on drums. Coleman's complete recordings for the label were collected on the box set
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Coleman's quartet received a long and sometimes controversial engagement at the
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on stage in 1993 during "Space" and stayed for "The Other One", "Stella Blue",
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remarked of Coleman that “I don’t know what he’s playing, but it’s not jazz."
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was soon considered a new genre; Coleman expressed discomfort with the term.
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traveling show and then with touring rhythm and blues shows. After a show in
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Ornette Coleman since March 19, 1930, when he was born in Fort Worth, Texas
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Africana: The Encyclopedia of the African and African American Experience
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On his Atlantic recordings, Coleman's sidemen were Cherry on cornet or
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Coleman was born Randolph Denard Ornette Coleman on March 9, 1930, in
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Welding, Pete (January 18, 1962). "Double View of a Double Quartet".
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that performed at a club in New York City (that band is recorded on
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continued to use rock and funk rhythms in a style sometimes called
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Jazz Theory and Practice: For Performers, Arrangers and Composers
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While Coleman had intended "free jazz" as simply an album title,
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on drums. He explored symphonic compositions with his 1972 album
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jazz club in New York City and he released the influential album
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Let Freedom Swing: Collected Writings on Jazz, Blues, and Gospel
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for music, making Coleman only the second jazz musician (after
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Ornette Coleman, born in Fort Worth, Texas, on March 19, 1930
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Berendt, Joachim-Ernst; Huesmann, Günther (August 1, 2009).
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Coleman found like-minded musicians in Los Angeles, such as
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DeadBase XI: The Complete Guide to Grateful Dead Song Lists
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In the mid 1960s, Coleman left Atlantic for labels such as
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in 1954. The couple divorced in 1964. They had one son,
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music. In 1995, Coleman and his son Denardo founded the
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that Coleman mentored her and gave her music lessons.
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Coleman's early sound was due in part to his use of a
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Eager to leave town, he accepted a job in 1949 with a
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Scott, John W.; Dolgushkin, Mike; Nixon, Stu (1999).
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Coleman formed another quartet. Haden, Garrison, and
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by Ethan Iverson about early Coleman and Harmolodics
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Coleman playing his signature alto saxophone in 1971
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Members of the American Academy of Arts and Letters
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In 1991, Coleman played on the soundtrack of 846:Coleman's 1980s albums with Prime Time such as 759:He explored his interest in string textures on 16:American jazz musician and composer (1930–2015) 2644: 2635: 2489: 1675:"Ornette Coleman: Decades of Jazz on the Edge" 1519:"Something Else: The Music of Ornette Coleman" 1233: 1179:"Ornette Coleman, Jazz Iconoclast, Dies At 85" 961:In September 2006, Coleman released the album 532:was recorded soon after with Cherry, bassists 3157: 2717: 2432: 1867:"Good Old Days: Ornette Coleman On Blue Note" 1759:"Ornette Coleman: the godfather of free jazz" 1342: 1209: 1207: 1205: 1203: 1201: 3047:Friends and Neighbors: Live at Prince Street 2520: 1837: 2191: 2189: 1376: 1374: 1372: 1318: 1239: 779:1970s–1990s: Harmolodic funk and Prime Time 278:. His pioneering works often abandoned the 3164: 3150: 2724: 2710: 1571:"The 100 Jazz Albums That Shook The World" 1198: 367:, and began performing with his young son 272:genre, a term derived from his 1960 album 31: 3495:Grammy Lifetime Achievement Award winners 1965: 1831: 1791:Bailey, C. Michael (September 30, 2011). 1380: 1144: 1142: 1140: 592:John Simon Guggenheim Memorial Foundation 2186: 2066: 1697: 1695: 1597: 1405: 1399: 1369: 893: 881:In December 1985, Coleman and guitarist 829: 817: 790: 782: 381:. In the mid-1970s, he formed the group 3565:21st-century African-American musicians 3560:20th-century African-American musicians 2647:Miles, Ornette, Cecil: Jazz Beyond Jazz 2463: 2457: 2299: 2293: 2117:"Ornette Coleman: Quartet Reunion 1990" 1945: 1939: 1864: 1858: 1818: 1812: 1644: 1638: 1430: 1298: 1148: 707:and released the two-volume live album 563:released Coleman's third studio album, 3382: 2638:Free Jazz (Studies in Jazz Research 4) 2302:"Ornette Coleman and a Joyful Funeral" 2247: 1790: 1755: 1623:Miles Davis, quoted in John Litwiler, 1447: 1445: 1324: 1292: 1137: 37:Coleman at the Enjoy Jazz Festival in 3145: 3023:At the "Golden Circle" Vol. 1 & 2 2705: 2276:"Jayne Cortez, Jazz Poet, Dies at 78" 1971: 1910: 1772:from the original on January 12, 2022 1721: 1692: 1645:Roberts, Randall (January 11, 2015). 1593: 1591: 1568: 1562: 1510: 1469: 1106: 653:Free Jazz: A Collective Improvisation 275:Free Jazz: A Collective Improvisation 3550:21st-century American male musicians 3545:20th-century American male musicians 3515:Recipients of the Praemium Imperiale 2407: 2396:Montreal Jazz Festival official page 2221: 2215: 2077:. Cornish, New Hampshire: DeadBase. 1948:"Ornette Coleman: The Empty Foxhole" 1890: 1672: 1666: 1536: 1383:Ornette Coleman: the harmolodic life 1075:Montreal International Jazz Festival 1016: 2731: 2686:"Ornette Coleman interview, 1996", 2273: 2267: 1865:Freeman, Phil (December 18, 2012). 1838:Howard Reich (September 30, 2010). 1442: 1385:. London: Quartet. pp. 21–31. 1176: 834:Coleman playing the trumpet at the 424:, where he was raised. He attended 13: 3415:21st-century American saxophonists 3405:20th-century American saxophonists 2677:Interviewed by Michael Jarrett in 2553:Bynum, Taylor Ho (June 12, 2015). 2351:The Dorothy and Lillian Gish Prize 2248:Rubien, David (October 26, 2007). 1673:Kahn, Ashley (November 13, 2006). 1625:Ornette Coleman: A Harmolodic Life 1588: 1438:. Da Capo Press. pp. 235–236. 1336: 795:Coleman playing the violin in 1978 14: 3576: 2664: 2490:Davis, Francis (September 1985). 2274:Fox, Margalit (January 3, 2013). 2141: 1946:Spencer, Robert (April 1, 1997). 1916: 1891:Chow, Andrew R. (June 28, 2015). 1701: 1516: 1213: 1062:Grammy Lifetime Achievement Award 928:; the orchestra was conducted by 866:played guitar on three tracks on 582:in Manhattan. Leonard Bernstein, 3525:Musicians from Fort Worth, Texas 3505:Pulitzer Prize for Music winners 3410:20th-century American violinists 3292: 2492:"Ornette's Permanent Revolution" 2300:Remnick, David (June 27, 2015). 1542: 1408:Four Lives in the Bebop Business 982: 765:, culminating in the 1972 album 710:At the "Golden Circle" Stockholm 246: 3465:American jazz alto saxophonists 3400:20th-century American composers 2546: 2521:Yaffe, David (April 26, 2007). 2514: 2483: 2389: 2363: 2344: 2319: 2241: 2224:"Joanne Brackeen On Piano Jazz" 2161: 2135: 2109: 2091: 2032: 1991: 1919:"Making Knowledge Out of Sound" 1784: 1749: 1617: 1598:Shteamer, Hank (May 22, 2019). 1463: 1424: 1299:Fordham, John (June 11, 2015). 1246:. Alfred Music. pp. 234–. 902:alto saxophone (with low A) at 290:rooted in ensemble playing and 262:Randolph Denard Ornette Coleman 242: 57:Randolph Denard Ornette Coleman 3210:On the Transmigration of Souls 2222:Lyon, David (March 14, 2014). 1756:Hewett, Ivan (June 11, 2015). 1267: 1170: 1149:Ratliff, Ben (June 11, 2015). 1095: 1049:Dorothy and Lillian Gish Prize 523:Live at the Hilcrest Club 1958 508:(1958), with Cherry, Higgins, 1: 3450:Avant-garde jazz saxophonists 3420:African-American saxophonists 3263:The Little Match Girl Passion 3231:Second Concerto for Orchestra 3063:Opening the Caravan of Dreams 2581: 2464:Mergner, Lee (June 3, 2010). 1569:Flynn, Mike (July 18, 2017). 1498:: CS1 maint: date and year ( 1087:Honorary doctorate of music, 1054:Honorary doctorate of music, 703:In 1966, Coleman signed with 415: 397:record label. His 2006 album 3530:American male jazz musicians 1793:"Ornette Coleman: Free Jazz" 1348:"Coleman, Ornette (b. 1930)" 1124:, is modeled on Coleman and 991:stated in an interview with 457:Silas Green from New Orleans 410: 7: 2523:"The Art of the Improviser" 2011:. Oxford University Press. 1974:"Yoko Ono/Plastic Ono Band" 1627:(NY: W. Morrow, 1992), 82. 1545:"The Shape of Jazz to Come" 1102:Ornette Coleman discography 10: 3581: 3540:Black Lion Records artists 3435:American male saxophonists 3430:American jazz saxophonists 2980:To Whom Who Keeps a Record 2964:The Art of the Improvisers 1301:"Ornette Coleman obituary" 1099: 719:with his ten year-old son 650:In 1960, Coleman recorded 3555:Prime Time (band) members 3520:Jazz musicians from Texas 3485:Blue Note Records artists 3301: 3290: 3180: 3097: 3079:Colors: Live from Leipzig 3006: 2955: 2945:Sound Museum: Three Women 2777:The Shape of Jazz to Come 2769:Tomorrow Is the Question! 2752: 2739: 2440:"CUNY 2008 Commencements" 836:Great American Music Hall 773:London Symphony Orchestra 753:Yoko Ono/Plastic Ono Band 566:The Shape of Jazz to Come 554:The Shape of Jazz to Come 529:Tomorrow Is the Question! 379:London Symphony Orchestra 341:The Shape of Jazz to Come 222: 196: 186: 155: 138: 102: 81: 61: 51: 46: 30: 23: 3535:Orchestra U.S.A. members 3480:Atlantic Records artists 3475:Antilles Records artists 3445:American male violinists 3440:American jazz violinists 3173:Pulitzer Prize for Music 3071:Prime Design/Time Design 2937:Sound Museum: Hidden Man 2604:. "A Question of Scale" 2555:"Seeing Ornette Coleman" 2356:October 6, 2013, at the 2045:. Chicago Review Press. 1575:www.jazzwisemagazine.com 1381:Litweiler, John (1992). 1131: 1056:Berklee College of Music 943: 628:on bass; and Higgins or 426:I.M. Terrell High School 405:Pulitzer Prize for Music 294:phrasing. Thom Jurek of 2645:Mandel, Howard (2007). 2636:Jost, Ekkehard (1975). 1502:) CS1 maint: location ( 1406:Spellman, A.B. (1985). 1033:Jazz Hall of Fame, 1969 436:". He began performing 3460:Free jazz saxophonists 3455:Free funk saxophonists 2996:Beauty Is a Rare Thing 2681:magazine, October 1995 1275:"2007 Pulitzer Prizes" 1089:University of Michigan 907: 843: 827: 796: 788: 635:Beauty Is a Rare Thing 461:Baton Rouge, Louisiana 385:and explored electric 47:Background information 2785:Change of the Century 2401:May 16, 2010, at the 2003:Henry Louis Gates Jr. 1999:Appiah, Kwame Anthony 1926:stopsmilingonline.com 1470:Golia, Maria (2020). 1023:Guggenheim Fellowship 998:Coleman married poet 910:In 1990, the city of 897: 833: 821: 794: 786: 3055:The Belgrade Concert 2873:Dancing in Your Head 2640:. Universal Edition. 2615:Broecking, Christian 2105:. February 23, 1993. 1327:The Atlantic Monthly 1082:CUNY Graduate Center 1080:Honorary doctorate, 1037:MacArthur Fellowship 979:) to win the prize. 822:Coleman performs in 802:Dancing in Your Head 756:as the track "AOS". 500:Contemporary Records 282:-based composition, 245: 1954; 3470:ABC Records artists 2698:, December 19, 2005 2360:, official website. 1737:. December 21, 2015 1073:Miles Davis Award, 967:. Recorded live in 588:Modern Jazz Quartet 434:The Washington Post 389:and his concept of 302:Born and raised in 2956:Compilation albums 2889:Soapsuds, Soapsuds 2761:Something Else!!!! 2671:"Forms and Sounds" 2280:The New York Times 2123:. January 10, 2011 2005:(March 16, 2005). 1972:Chrispell, James. 1897:The New York Times 1476:Reaktion Books Ltd 1156:The New York Times 1107:In popular culture 1043:Praemium Imperiale 908: 898:Coleman plays his 844: 828: 797: 789: 505:Something Else!!!! 344:, his debut LP on 3500:MacArthur Fellows 3425:Age controversies 3377: 3376: 3139: 3138: 2897:Of Human Feelings 2833:The Empty Foxhole 2793:This Is Our Music 2695:New York Observer 2656:978-0-415-96714-3 2377:on April 19, 2017 1871:Blue Note Records 1851:978-0-8101-2705-0 1704:"Ornette Coleman" 1652:Los Angeles Times 1344:Wishart, David J. 1253:978-1-4574-1068-0 1216:"Ornette Coleman" 1177:Mandell, Howard. 1114:, a character in 1017:Awards and honors 993:Marian McPartland 955:Finding Forrester 855:Of Human Feelings 748:Royal Albert Hall 716:The Empty Foxhole 620:; Charlie Haden, 611:plastic saxophone 546:Leonard Bernstein 430:John Philip Sousa 422:Fort Worth, Texas 304:Fort Worth, Texas 256: 255: 75:Fort Worth, Texas 3572: 3490:ESP-Disk artists 3296: 3166: 3159: 3152: 3143: 3142: 3098:Related articles 2913:In All Languages 2865:Skies of America 2841:New York Is Now! 2817:Ornette on Tenor 2726: 2719: 2712: 2703: 2702: 2660: 2641: 2632: 2576: 2575: 2569: 2567: 2550: 2544: 2543: 2537: 2535: 2518: 2512: 2511: 2506: 2504: 2487: 2481: 2480: 2478: 2476: 2461: 2455: 2454: 2452: 2450: 2436: 2430: 2429: 2427: 2425: 2411: 2405: 2393: 2387: 2386: 2384: 2382: 2373:. 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Archived from 1449: 1440: 1439: 1428: 1422: 1421: 1403: 1397: 1396: 1378: 1367: 1366: 1361: 1359: 1340: 1334: 1333: 1322: 1316: 1315: 1313: 1311: 1296: 1290: 1289: 1287: 1285: 1271: 1265: 1264: 1262: 1260: 1237: 1231: 1230: 1228: 1226: 1211: 1196: 1195: 1193: 1191: 1174: 1168: 1167: 1165: 1163: 1146: 1112:McClintic Sphere 1009:Coleman died of 1006:, born in 1956. 920:David Cronenberg 916:Skies of America 768:Skies of America 686:avant-garde jazz 561:Atlantic Records 377:, featuring the 374:Skies of America 365:Columbia Records 346:Atlantic Records 250: 248: 244: 225: 189: 110:Avant-garde jazz 88: 71: 69: 54: 35: 21: 20: 3580: 3579: 3575: 3574: 3573: 3571: 3570: 3569: 3380: 3379: 3378: 3373: 3297: 3288: 3284:Violin Concerto 3280:Jennifer Higdon 3247:Ornette Coleman 3221:Tempest Fantasy 3185:John Corigliano 3176: 3170: 3140: 3135: 3132:" (composition) 3125:" (composition) 3111:Denardo Coleman 3093: 3015:Town Hall, 1962 3002: 2951: 2857:Science Fiction 2825:Chappaqua Suite 2748: 2735: 2733:Ornette Coleman 2730: 2667: 2657: 2629: 2600:Interview with 2587:Interview with 2584: 2579: 2565: 2563: 2551: 2547: 2533: 2531: 2519: 2515: 2502: 2500: 2488: 2484: 2474: 2472: 2462: 2458: 2448: 2446: 2438: 2437: 2433: 2423: 2421: 2419:www.gc.cuny.edu 2413: 2412: 2408: 2403:Wayback Machine 2394: 2390: 2380: 2378: 2369: 2368: 2364: 2358:Wayback Machine 2349: 2345: 2335: 2333: 2325: 2324: 2320: 2310: 2308: 2298: 2294: 2284: 2282: 2272: 2268: 2258: 2256: 2246: 2242: 2232: 2230: 2220: 2216: 2206: 2204: 2203:. 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By the time 496:Charles Moffett 469:Pee Wee Crayton 450:Charles Moffett 418: 413: 369:Denardo Coleman 259: 252: 249: 1964) 240: 236: 233: 223: 218: 187: 182: 168:tenor saxophone 151: 134: 90: 86: 73: 67: 65: 52: 42: 26: 25:Ornette Coleman 17: 12: 11: 5: 3578: 3568: 3567: 3562: 3557: 3552: 3547: 3542: 3537: 3532: 3527: 3522: 3517: 3512: 3507: 3502: 3497: 3492: 3487: 3482: 3477: 3472: 3467: 3462: 3457: 3452: 3447: 3442: 3437: 3432: 3427: 3422: 3417: 3412: 3407: 3402: 3397: 3392: 3375: 3374: 3372: 3371: 3364: 3357: 3350: 3343: 3336: 3329: 3322: 3315: 3308: 3302: 3299: 3298: 3291: 3289: 3287: 3286: 3277: 3266: 3255: 3244: 3241:Chiavi in Mano 3233: 3224: 3213: 3202: 3191: 3189:Symphony No. 2 3181: 3178: 3177: 3169: 3168: 3161: 3154: 3146: 3137: 3136: 3134: 3133: 3126: 3123:Broadway Blues 3119: 3114: 3108: 3101: 3099: 3095: 3094: 3092: 3091: 3083: 3075: 3067: 3059: 3051: 3043: 3035: 3027: 3019: 3010: 3008: 3004: 3003: 3001: 3000: 2992: 2988:Broken Shadows 2984: 2976: 2968: 2959: 2957: 2953: 2952: 2950: 2949: 2941: 2933: 2925: 2917: 2909: 2901: 2893: 2885: 2877: 2869: 2861: 2853: 2845: 2837: 2829: 2821: 2813: 2805: 2797: 2789: 2781: 2773: 2765: 2756: 2754: 2750: 2749: 2747: 2746: 2740: 2737: 2736: 2729: 2728: 2721: 2714: 2706: 2700: 2699: 2691: 2683: 2674: 2666: 2665:External links 2663: 2662: 2661: 2655: 2642: 2633: 2627: 2621:. Verbrecher. 2611: 2598: 2583: 2580: 2578: 2577: 2560:The New Yorker 2545: 2513: 2482: 2456: 2431: 2406: 2388: 2362: 2343: 2318: 2306:The New Yorker 2292: 2266: 2240: 2214: 2201:HeraldScotland 2185: 2160: 2134: 2108: 2090: 2083: 2065: 2051: 2031: 2017: 1990: 1964: 1952:All About Jazz 1938: 1909: 1883: 1857: 1850: 1830: 1811: 1798:All About Jazz 1783: 1748: 1720: 1702:Yanow, Scott. 1691: 1665: 1637: 1616: 1587: 1561: 1535: 1509: 1484: 1462: 1441: 1423: 1416: 1398: 1391: 1368: 1335: 1317: 1291: 1266: 1252: 1232: 1197: 1169: 1135: 1133: 1130: 1118:'s 1963 novel 1116:Thomas Pynchon 1108: 1105: 1100:Main article: 1097: 1094: 1093: 1092: 1085: 1078: 1071: 1068:Pulitzer Prize 1065: 1059: 1052: 1046: 1040: 1034: 1026: 1018: 1015: 1011:cardiac arrest 984: 981: 973:Pulitzer Prize 945: 942: 780: 777: 738:appeared, and 647: 640: 626:Jimmy Garrison 618:pocket trumpet 584:Lionel Hampton 580:Five Spot Café 556: 550: 540:, and drummer 480:Bobby Bradford 417: 414: 412: 409: 354:Broadway Blues 308:taught himself 258:Musical artist 257: 254: 253: 238: 234: 229: 228: 226: 220: 219: 217: 216: 211: 206: 200: 198: 194: 193: 190: 184: 183: 181: 180: 175: 170: 165: 163:Alto saxophone 159: 157: 153: 152: 150: 149: 146: 142: 140: 136: 135: 133: 132: 127: 122: 117: 112: 106: 104: 100: 99: 89:(aged 85) 83: 79: 78: 63: 59: 58: 55: 49: 48: 44: 43: 36: 28: 27: 24: 15: 9: 6: 4: 3: 2: 3577: 3566: 3563: 3561: 3558: 3556: 3553: 3551: 3548: 3546: 3543: 3541: 3538: 3536: 3533: 3531: 3528: 3526: 3523: 3521: 3518: 3516: 3513: 3511: 3508: 3506: 3503: 3501: 3498: 3496: 3493: 3491: 3488: 3486: 3483: 3481: 3478: 3476: 3473: 3471: 3468: 3466: 3463: 3461: 3458: 3456: 3453: 3451: 3448: 3446: 3443: 3441: 3438: 3436: 3433: 3431: 3428: 3426: 3423: 3421: 3418: 3416: 3413: 3411: 3408: 3406: 3403: 3401: 3398: 3396: 3393: 3391: 3388: 3387: 3385: 3369: 3365: 3362: 3358: 3355: 3351: 3348: 3344: 3341: 3337: 3334: 3330: 3327: 3323: 3320: 3316: 3313: 3309: 3307: 3306:Complete list 3304: 3303: 3300: 3295: 3285: 3281: 3278: 3276: 3275: 3274:Double Sextet 3270: 3267: 3265: 3264: 3259: 3256: 3254: 3253: 3252:Sound Grammar 3248: 3245: 3243: 3242: 3237: 3234: 3232: 3228: 3227:Steven Stucky 3225: 3223: 3222: 3217: 3214: 3212: 3211: 3206: 3203: 3201: 3200: 3195: 3192: 3190: 3186: 3183: 3182: 3179: 3174: 3167: 3162: 3160: 3155: 3153: 3148: 3147: 3144: 3131: 3127: 3124: 3120: 3118: 3115: 3112: 3109: 3106: 3103: 3102: 3100: 3096: 3089: 3088: 3087:Sound Grammar 3084: 3081: 3080: 3076: 3073: 3072: 3068: 3065: 3064: 3060: 3057: 3056: 3052: 3049: 3048: 3044: 3041: 3040: 3036: 3033: 3032: 3031:Ornette at 12 3028: 3025: 3024: 3020: 3017: 3016: 3012: 3011: 3009: 3005: 2998: 2997: 2993: 2990: 2989: 2985: 2982: 2981: 2977: 2974: 2973: 2969: 2966: 2965: 2961: 2960: 2958: 2954: 2947: 2946: 2942: 2939: 2938: 2934: 2931: 2930: 2926: 2923: 2922: 2921:Virgin Beauty 2918: 2915: 2914: 2910: 2907: 2906: 2902: 2899: 2898: 2894: 2891: 2890: 2886: 2883: 2882: 2878: 2875: 2874: 2870: 2867: 2866: 2862: 2859: 2858: 2854: 2851: 2850: 2846: 2843: 2842: 2838: 2835: 2834: 2830: 2827: 2826: 2822: 2819: 2818: 2814: 2811: 2810: 2806: 2803: 2802: 2798: 2795: 2794: 2790: 2787: 2786: 2782: 2779: 2778: 2774: 2771: 2770: 2766: 2763: 2762: 2758: 2757: 2755: 2753:Studio albums 2751: 2745: 2742: 2741: 2738: 2734: 2727: 2722: 2720: 2715: 2713: 2708: 2707: 2704: 2697: 2696: 2692: 2690: 2689: 2684: 2682: 2680: 2675: 2672: 2669: 2668: 2658: 2652: 2649:. Routledge. 2648: 2643: 2639: 2634: 2630: 2628:3-935843-38-0 2624: 2620: 2616: 2612: 2609: 2608: 2603: 2602:Andy Hamilton 2599: 2596: 2595: 2590: 2586: 2585: 2574: 2562: 2561: 2556: 2549: 2542: 2530: 2529: 2524: 2517: 2510: 2499: 2498: 2493: 2486: 2471: 2467: 2460: 2445: 2441: 2435: 2420: 2416: 2410: 2404: 2400: 2397: 2392: 2376: 2372: 2366: 2359: 2355: 2352: 2347: 2332: 2328: 2322: 2307: 2303: 2296: 2281: 2277: 2270: 2255: 2251: 2244: 2229: 2225: 2218: 2202: 2198: 2192: 2190: 2174: 2170: 2164: 2149: 2145: 2138: 2122: 2118: 2112: 2104: 2100: 2094: 2086: 2084:1-877657-22-0 2080: 2076: 2069: 2054: 2052:9781613746042 2048: 2044: 2043: 2035: 2020: 2018:9780195170559 2014: 2010: 2009: 2004: 2000: 1994: 1979: 1975: 1968: 1953: 1949: 1942: 1927: 1920: 1917:Gabel, J. C. 1913: 1898: 1894: 1887: 1872: 1868: 1861: 1853: 1847: 1843: 1842: 1834: 1826: 1822: 1815: 1800: 1799: 1794: 1787: 1771: 1767: 1766: 1765:The Telegraph 1760: 1752: 1736: 1735: 1734:Rhino Records 1730: 1724: 1709: 1705: 1698: 1696: 1680: 1676: 1669: 1654: 1653: 1648: 1641: 1634: 1630: 1626: 1620: 1605: 1604:Rolling Stone 1601: 1594: 1592: 1576: 1572: 1565: 1550: 1546: 1543:Huey, Steve. 1539: 1524: 1520: 1517:Jurek, Thom. 1513: 1505: 1501: 1495: 1487: 1485:9781789142235 1481: 1477: 1473: 1466: 1458: 1454: 1448: 1446: 1437: 1436:The Jazz Life 1433: 1427: 1419: 1417:0-87910-042-7 1413: 1409: 1402: 1394: 1392:0-7043-2516-0 1388: 1384: 1377: 1375: 1373: 1365: 1353: 1349: 1345: 1339: 1332: 1328: 1321: 1306: 1302: 1295: 1280: 1276: 1270: 1255: 1249: 1245: 1244: 1236: 1221: 1217: 1214:Jurek, Thom. 1210: 1208: 1206: 1204: 1202: 1186: 1185: 1180: 1173: 1158: 1157: 1152: 1145: 1143: 1141: 1136: 1129: 1127: 1123: 1122: 1117: 1113: 1103: 1090: 1086: 1083: 1079: 1076: 1072: 1069: 1066: 1063: 1060: 1057: 1053: 1050: 1047: 1044: 1041: 1038: 1035: 1032: 1031: 1027: 1024: 1021: 1020: 1014: 1012: 1007: 1005: 1001: 996: 994: 990: 987:Jazz pianist 983:Personal life 980: 978: 974: 970: 966: 965: 964:Sound Grammar 959: 957: 956: 951: 941: 939: 935: 931: 927: 926: 921: 917: 913: 912:Reggio Emilia 905: 901: 896: 892: 891: 889: 884: 879: 877: 873: 872:Grateful Dead 869: 868:Virgin Beauty 865: 861: 857: 856: 851: 850: 849:Virgin Beauty 841: 840:San Francisco 837: 832: 825: 820: 816: 815: 812: 808: 804: 803: 793: 785: 776: 774: 770: 769: 764: 763: 757: 755: 754: 749: 745: 741: 737: 732: 730: 726: 722: 718: 717: 712: 711: 706: 701: 699: 695: 691: 690:David Izenzon 687: 682: 680: 675: 673: 672: 667: 663: 659: 655: 654: 646:and Blue Note 645: 639: 637: 636: 631: 627: 623: 619: 614: 612: 607: 605: 601: 597: 593: 589: 585: 581: 576: 574: 573: 568: 567: 562: 555: 549: 548:praised him. 547: 543: 539: 535: 531: 530: 525: 524: 519: 515: 511: 510:Walter Norris 507: 506: 501: 497: 493: 492:Billy Higgins 489: 488:Charlie Haden 485: 481: 477: 472: 470: 464: 462: 458: 453: 451: 447: 443: 439: 435: 431: 427: 423: 408: 406: 403:received the 402: 401: 400:Sound Grammar 396: 392: 388: 384: 380: 376: 375: 370: 366: 362: 357: 355: 351: 347: 343: 342: 337: 333: 332:Billy Higgins 329: 328:Charlie Haden 325: 321: 317: 313: 309: 305: 300: 297: 293: 289: 288:improvisation 285: 281: 277: 276: 271: 267: 263: 232: 227: 221: 215: 212: 210: 207: 205: 202: 201: 199: 195: 191: 185: 179: 176: 174: 171: 169: 166: 164: 161: 160: 158: 154: 147: 144: 143: 141: 137: 131: 128: 126: 123: 121: 118: 116: 113: 111: 108: 107: 105: 101: 97: 96:New York City 93: 85:June 11, 2015 84: 80: 76: 72:March 9, 1930 64: 60: 56: 50: 45: 40: 34: 29: 22: 19: 3272: 3261: 3250: 3246: 3239: 3236:Yehudi Wyner 3219: 3216:Paul Moravec 3208: 3197: 3130:Lonely Woman 3105:Jayne Cortez 3085: 3077: 3069: 3061: 3053: 3045: 3037: 3029: 3021: 3013: 2994: 2986: 2978: 2970: 2962: 2943: 2935: 2929:Tone Dialing 2927: 2919: 2911: 2903: 2895: 2887: 2879: 2871: 2863: 2855: 2847: 2839: 2831: 2823: 2815: 2807: 2799: 2791: 2783: 2775: 2767: 2759: 2732: 2694: 2687: 2678: 2646: 2637: 2618: 2605: 2592: 2589:Roy Eldridge 2571: 2564:. 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Index

Coleman at the Enjoy Jazz Festival in Heidelberg, 2008
Heidelberg
Fort Worth, Texas
Manhattan
New York City
Avant-garde jazz
free jazz
free funk
jazz fusion
third stream
Alto saxophone
tenor saxophone
trumpet
violin
Atlantic
Blue Note
Verve
Jayne Cortez
jazz
free jazz
Free Jazz: A Collective Improvisation
harmony
tonality
improvisation
blues
AllMusic
Fort Worth, Texas
taught himself
R&B
bebop

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