312:
heart attack while climbing the stairs to his Moscow apartment. His works were not republished in Russia until the mid-1990s. Edward J. Brown summed his career up thus: "He wrote little, but his articles on poetic form ... are brilliant formalist analyses of poetic language... and he was probably the most articulate exponent in Lef of the theories of 'social demand' and 'literature of fact.' A man of surpassing intelligence, he was apparently not strong either in performance or in principle."
299:, who often visited the Briks, had said to him: "Still, it's become rather terrifying. You come in, and Lili says: 'Wait a while, we'll have dinner as soon as Osja comes back from the Cheka.'" At the end of 1922 I met the Briks in Berlin. Osja said to me: "Now there's an institution where a man loses his sentimentality," and began relating to me several rather bloody episodes. This was the first time he made a rather repulsive impression on me. Working in the Cheka had ruined him.
235:
manner" – a reference to one of nineteenth-century Russia's most famous radical thinkers, who was an early advocate of "open marriages." Living at the heart of an artistic bohemia and receiving the intelligentsia in the salon of his delectable wife, Osip Brik, true to his promise, calmly accepted his
311:
methods and initiated a campaign to stamp out all culture the
Communist Party perceived as dangerous. Most avant garde artists and thinkers suffered persecution, and Brik did not escape this fate. In the 1930s he eked out a living writing articles on Mayakovsky and book reviews; he died in 1945 of a
230:
The daughter of a prosperous Jewish jurist, the handsome, erotically obsessed, highly cultivated Lili grew up with an overwhelming ambition prevalent among women of the
Russian intelligentsia: to be perpetuated in human memory by being the muse of a famous poet. ... The two made a pact to love each
154:
wrote: "For his doctoral thesis he wanted to write about the sociology and juridical status of prostitutes and would frequent the boulevards. All the prostitutes there knew him, and he always defended them, for free, in all their affairs, in their confrontations with the police and so on." But he
244:
Mayakovsky's sexual relationship with Lili lasted from 1917 to 1923, and afterwards he continued to have a close friendship with the couple: "For the rest of his life, 'Osia' Brik remained the poet's most trusted adviser, his most fervent proselytizer, and also a co-founder with him of the most
40:
240:, Brik exclaimed "How could you refuse anything to that man?" ... In 1918, when Mayakovsky and the Briks became inseparable, he simply moved in with them. Throughout the rest of his life, he made his home at a succession of flats that the Briks occupied.
188:, somebody else would have; he wrote that "there are no poets or literary figures, there is poetry and literature." He was also interested in photography and film: "In 1918, Brik was a member of IZO
171:
544:
164:
260:
Brik was not only a literary modernist, he was strongly left-wing in politics. In
December 1918 Brik was involved with Mayakovsky in discussions with the
288:
265:
1814:
1799:
1654:
1291:
1819:
196:
and did much to make his photographic work known." He was also active in films and wrote several screenplays, including one for
1347:
1340:
1333:
236:
wife's infidelities from the start. In fact, upon hearing his wife confess that she had gone to bed with the famous young poet
1744:
261:
535:
150:
Brik was born and grew up in Moscow, the son of a wealthy Jewish jeweler. In the university, Brik studied law; his friend
1809:
1789:
1784:
1445:
1779:
658:
1759:
611:
590:
495:
461:
436:
411:
387:
363:
1284:
1804:
1754:
1389:
1326:
1396:
685:
272:
the organisation was formally founded in
January 1919, but was swiftly dissolved following the intervention of
1774:
1466:
123:
1794:
1764:
1739:
1703:
1319:
1431:
1417:
1305:
1122:
1676:
1573:
1195:
1127:
756:
428:
253:, which was also an official publication for the group with the same name, and a platform for Russian
1368:
1361:
872:
731:
473:Литературная Сибирь / Сост. Трушкин В., Волкова В. – Иркутск: Вост.-Сиб. кн. изд-во, 1986. – С. 262.
1167:
1137:
487:
453:
375:
1769:
1242:
1157:
1152:
484:
Literary
Structure, Evolution, and Value: Russian Formalism and Czech Structuralism Reconsidered
338:
192:(Visual Arts Section of the People's Committee for Education). ... Brik was especially close to
1502:
651:
1749:
1698:
1687:
1382:
1312:
1210:
1200:
892:
355:
1734:
1729:
1553:
1459:
862:
771:
254:
8:
1681:
1403:
1017:
987:
947:
887:
721:
273:
237:
193:
127:
1277:
1142:
1022:
962:
937:
922:
829:
1522:
1693:
1410:
1256:
1096:
1051:
982:
972:
917:
912:
691:
644:
607:
586:
491:
457:
432:
407:
383:
359:
308:
208:
135:
1603:
1568:
1563:
1512:
1507:
1424:
1354:
1215:
1205:
1147:
1132:
1071:
1061:
977:
957:
902:
849:
824:
746:
726:
696:
334:
139:
1634:
1578:
1527:
1438:
1263:
1086:
1076:
1056:
992:
932:
819:
804:
781:
761:
716:
706:
701:
296:
131:
1480:
1298:
1270:
1027:
952:
907:
839:
399:
151:
68:
711:
450:
Beyond Memory: Soviet
Nonconformist Photography and Photo-related Works of Art
163:
and writing one of the first important formalist studies of sounds in poetry,
1723:
1517:
1452:
1185:
1046:
1012:
1002:
997:
897:
867:
854:
814:
799:
776:
766:
681:
304:
250:
232:
218:, when he was 17 and she 14; they were married on 26 March 1912. (Her sister
184:
295:
in
December 1921, that I learned Brik was in the Cheka. And he told me that
1593:
1497:
1249:
1190:
1112:
1066:
967:
809:
791:
741:
223:
219:
203:
90:
87:
268:(RKP(b)) to set up a Futurist organisation affiliated to the party. Named
178:
He had a strongly anti-author stance, once going so far as to say that if
1708:
1671:
1666:
1649:
1608:
1588:
1220:
1162:
1091:
1038:
834:
736:
1548:
942:
927:
877:
751:
215:
189:
1660:
1618:
1007:
307:'s rise to power, the Communist regime openly encouraged exclusively
1081:
1613:
1598:
1543:
1117:
667:
1639:
1558:
1473:
1375:
179:
156:
425:
The Last Soviet Avant-Garde: OBERIU – Fact, Fiction, Metafiction
159:
and devoted all his time to it, becoming one of the founders of
1644:
1583:
292:
269:
160:
64:
280:
39:
1225:
636:
170:
138:
school, though he also identified himself as one of the
245:
dynamic avant-garde journal of the early Soviet era,
155:
soon found himself far more interested in poetry and
126:
16 January] 1888 – 22 February 1945) was a
543:. Stockholm: Almqvist & Wiksell International.
134:, who was one of the most important members of the
1721:
352:The YIVO Encyclopedia of Jews in Eastern Europe
652:
222:was a notable French writer and married to
16:Russian, writer, lawyer and literary critic
659:
645:
38:
1655:Estorick Collection of Modern Italian Art
533:
527:
339:10.1093/gao/9781884446054.article.t011338
602:Edward J. Brown in Victor Terras (ed.),
169:
207:) (with Ivan Novokshonov), directed by
1722:
1348:Futurist Painting: Technical Manifesto
1292:Drama in the Futurists' Cabaret No. 13
328:
1341:Dynamism of a Speeding Horse + Houses
640:
550:from the original on 23 December 2018
329:Howard, Jeremy (2003), "Brik, Osip",
279:Later, on 8 June 1920, he joined the
1446:Unique Forms of Continuity in Space
13:
145:
14:
1831:
1815:Imperial Moscow University alumni
1800:20th-century Russian male writers
1285:Development of a Bottle in Space
537:Majakovskij and Futurism 1917–21
283:. Jakobson wrote of this period:
1820:Burials at Novodevichy Cemetery
1390:Manifesto of Futurist Musicians
1327:Dynamism of a Human Body: Boxer
621:
596:
575:
562:
514:
167:("Sound repetitions," 1917).
109:Author, literary critic, lawyer
1397:Mercury Passing Before the Sun
606:(Yale University Press, 1990:
604:Handbook of Russian Literature
501:
476:
467:
442:
417:
393:
369:
344:
322:
1:
631:Two Essays on Poetic Language
315:
1704:Verbovka Village Folk Centre
1320:Dynamism of a Dog on a Leash
666:
406:(Marsilio Publishers, 1997:
7:
1745:People from Moskovsky Uyezd
1418:The Street Enters the House
1334:Dynamism of a Soccer Player
333:, Oxford University Press,
10:
1836:
1810:20th-century screenwriters
1790:Soviet literary historians
1785:Russian male screenwriters
1196:Italian futurism in cinema
757:Francesco Balilla Pratella
520:Francine du Plessix Gray,
507:Francine du Plessix Gray,
429:Cambridge University Press
1780:Soviet male screenwriters
1627:
1536:
1490:
1369:The Hand of the Violinist
1362:Girl Running on a Balcony
1234:
1176:
1105:
1037:
873:Vladimir Baranoff-Rossine
848:
790:
674:
534:Jangfeldt, Bengt (1976).
119:
105:
97:
75:
46:
37:
30:
23:
1760:Russian literary critics
1138:Valentine de Saint-Point
1123:José de Almada Negreiros
488:Harvard University Press
454:Rutgers University Press
376:Francine du Plessix Gray
214:He met his future wife,
31:
1158:Frances Simpson Stevens
1153:Amadeo de Souza Cardoso
350:Gershon David Hundert,
266:Russian Communist Party
122:; 28 January [
1805:20th-century essayists
1755:Russian male essayists
1498:Luisa, Marchesa Casati
1243:Abstract Speed + Sound
1177:Techniques, sub-genres
301:
242:
175:
1699:Ukrainian avant-garde
1677:Robert René Meyer-Sée
1383:Manifesto of Futurism
1313:Dynamism of a Cyclist
1201:Futurist architecture
893:Kseniya Boguslavskaya
581:Vahan D. Barooshian,
356:Yale University Press
285:
228:
173:
116:Osip Maksimovich Brik
1775:Soviet screenwriters
1460:Victory over the Sun
863:Alexander Archipenko
291:, who visited me in
264:party school of the
198:Potomok Cingis-khana
120:Осип Максимович Брик
1795:Soviet male writers
1765:Russian avant-garde
1740:Writers from Moscow
1682:Russian avant-garde
1503:Gabriele D'Annunzio
1467:Vladimir Mayakovsky
1404:The Poem of the End
1211:Futurist literature
1018:Vadim Shershenevich
988:Vladimir Mayakovsky
948:Aleksei Kruchyonykh
888:Alexander Bogomazov
722:Nikolay Diulgheroff
583:Brik and Mayakovsky
274:Anatoly Lunacharsky
238:Vladimir Mayakovsky
194:Alexander Rodchenko
174:Osip and Lilya Brik
128:Russian avant garde
51:Osip Meerovich Brik
1143:Jules Schmalzigaug
1023:Nadezhda Udaltsova
963:Aristarkh Lentulov
938:Velimir Khlebnikov
923:Natalia Goncharova
830:Konstantin Olimpov
202:The Descendant of
176:
1717:
1716:
1694:Sackville Gallery
1537:Groups influenced
1491:Associated people
1306:Dynamism of a Car
1257:The Art of Noises
1186:Anti-neutral suit
1128:C. R. W. Nevinson
1097:Enrico Prampolini
983:Mikhail Matyushin
973:Benedikt Livshits
918:Nina Genke-Meller
913:Aleksandra Ekster
850:Russian Futurists
772:Antonio Sant'Elia
675:Italian Futurists
633:, Ann Arbor, 1964
570:My Futurist Years
482:Jurij Striedter,
404:My Futurist Years
331:Oxford Art Online
309:socialist realism
247:Left Front of Art
209:Vsevolod Pudovkin
136:Russian formalist
113:
112:
79:February 22, 1945
1827:
1604:Soyuz Molodyozhi
1574:Jack of Diamonds
1569:Grosvenor School
1513:Benito Mussolini
1508:Sergei Diaghilev
1425:The Street Light
1355:The Knifegrinder
1206:Futurist cooking
1148:Mykhaylo Semenko
1133:Emilio Pettoruti
1072:Fortunato Depero
1062:Giuseppe Caselli
978:Kazimir Malevich
958:Mikhail Larionov
903:Vladimir Burliuk
825:Dmitri Kryuchkov
747:Aldo Palazzeschi
727:Luigi De Giudici
697:Umberto Boccioni
661:
654:
647:
638:
637:
615:
600:
594:
579:
573:
568:Roman Jakobson,
566:
560:
559:
557:
555:
549:
542:
531:
525:
518:
512:
505:
499:
480:
474:
471:
465:
448:Diane Neumaier,
446:
440:
423:Graham Roberts,
421:
415:
397:
391:
382:(Penguin, 2006:
373:
367:
348:
342:
341:
326:
182:had not written
165:Zvukovye povtory
121:
82:
61:January 28, 1888
60:
58:
42:
21:
20:
1835:
1834:
1830:
1829:
1828:
1826:
1825:
1824:
1720:
1719:
1718:
1713:
1635:0,10 Exhibition
1623:
1579:Neo-Primitivism
1532:
1528:Igor Stravinsky
1523:Léonide Massine
1486:
1439:Tango with Cows
1235:Selected output
1230:
1178:
1172:
1106:Other Futurists
1101:
1087:Sante Monachesi
1077:Gerardo Dottori
1057:Benedetta Cappa
1033:
993:Boris Pasternak
933:Vasily Kamensky
853:
844:
820:Igor Severyanin
805:Vasilisk Gnedov
786:
782:Ardengo Soffici
762:Antonio Russolo
732:F. T. Marinetti
717:Franco Casavola
707:Benedetta Cappa
702:Anton Bragaglia
670:
665:
624:
619:
618:
601:
597:
585:(Mouton, 1978:
580:
576:
567:
563:
553:
551:
547:
540:
532:
528:
519:
515:
506:
502:
481:
477:
472:
468:
447:
443:
422:
418:
398:
394:
374:
370:
349:
345:
327:
323:
318:
262:Vyborg District
148:
146:Life and career
132:literary critic
93:
84:
80:
71:
62:
56:
54:
53:
52:
33:
26:
17:
12:
11:
5:
1833:
1823:
1822:
1817:
1812:
1807:
1802:
1797:
1792:
1787:
1782:
1777:
1772:
1770:Jewish writers
1767:
1762:
1757:
1752:
1747:
1742:
1737:
1732:
1715:
1714:
1712:
1711:
1706:
1701:
1696:
1691:
1688:Russian Ballet
1684:
1679:
1674:
1669:
1664:
1657:
1652:
1647:
1642:
1637:
1631:
1629:
1625:
1624:
1622:
1621:
1616:
1611:
1606:
1601:
1596:
1591:
1586:
1581:
1576:
1571:
1566:
1561:
1556:
1554:Constructivism
1551:
1546:
1540:
1538:
1534:
1533:
1531:
1530:
1525:
1520:
1515:
1510:
1505:
1500:
1494:
1492:
1488:
1487:
1485:
1484:
1481:Zang Tumb Tumb
1477:
1470:
1463:
1456:
1449:
1442:
1435:
1428:
1421:
1414:
1407:
1400:
1393:
1386:
1379:
1372:
1365:
1358:
1351:
1344:
1337:
1330:
1323:
1316:
1309:
1302:
1299:Dyr bul shchyl
1295:
1288:
1281:
1274:
1271:The City Rises
1267:
1260:
1253:
1246:
1238:
1236:
1232:
1231:
1229:
1228:
1223:
1218:
1216:Futurist music
1213:
1208:
1203:
1198:
1193:
1188:
1182:
1180:
1179:and inventions
1174:
1173:
1171:
1170:
1168:Růžena Zátková
1165:
1160:
1155:
1150:
1145:
1140:
1135:
1130:
1125:
1120:
1115:
1109:
1107:
1103:
1102:
1100:
1099:
1094:
1089:
1084:
1079:
1074:
1069:
1064:
1059:
1054:
1049:
1043:
1041:
1035:
1034:
1032:
1031:
1028:Ilia Zdanevich
1025:
1020:
1015:
1010:
1005:
1000:
995:
990:
985:
980:
975:
970:
965:
960:
955:
953:Nikolai Kulbin
950:
945:
940:
935:
930:
925:
920:
915:
910:
908:Joseph Chaikov
905:
900:
895:
890:
885:
880:
875:
870:
865:
859:
857:
855:Cubo-Futurists
846:
845:
843:
842:
840:Pavel Shirokov
837:
832:
827:
822:
817:
812:
807:
802:
796:
794:
788:
787:
785:
784:
779:
774:
769:
764:
759:
754:
749:
744:
739:
734:
729:
724:
719:
714:
709:
704:
699:
694:
689:
678:
676:
672:
671:
664:
663:
656:
649:
641:
635:
634:
623:
620:
617:
616:
595:
574:
561:
526:
513:
500:
475:
466:
441:
416:
400:Roman Jakobson
392:
368:
343:
320:
319:
317:
314:
255:Constructivist
231:other "in the
152:Roman Jakobson
147:
144:
111:
110:
107:
103:
102:
99:
95:
94:
85:
83:(aged 57)
77:
73:
72:
69:Russian Empire
63:
50:
48:
44:
43:
35:
34:
28:
27:
24:
15:
9:
6:
4:
3:
2:
1832:
1821:
1818:
1816:
1813:
1811:
1808:
1806:
1803:
1801:
1798:
1796:
1793:
1791:
1788:
1786:
1783:
1781:
1778:
1776:
1773:
1771:
1768:
1766:
1763:
1761:
1758:
1756:
1753:
1751:
1748:
1746:
1743:
1741:
1738:
1736:
1733:
1731:
1728:
1727:
1725:
1710:
1707:
1705:
1702:
1700:
1697:
1695:
1692:
1690:
1689:
1685:
1683:
1680:
1678:
1675:
1673:
1670:
1668:
1665:
1663:
1662:
1658:
1656:
1653:
1651:
1648:
1646:
1643:
1641:
1638:
1636:
1633:
1632:
1630:
1626:
1620:
1617:
1615:
1612:
1610:
1607:
1605:
1602:
1600:
1597:
1595:
1592:
1590:
1587:
1585:
1582:
1580:
1577:
1575:
1572:
1570:
1567:
1565:
1564:Donkey's Tail
1562:
1560:
1557:
1555:
1552:
1550:
1547:
1545:
1542:
1541:
1539:
1535:
1529:
1526:
1524:
1521:
1519:
1518:Wyndham Lewis
1516:
1514:
1511:
1509:
1506:
1504:
1501:
1499:
1496:
1495:
1493:
1489:
1483:
1482:
1478:
1476:
1475:
1471:
1469:
1468:
1464:
1462:
1461:
1457:
1455:
1454:
1453:Universal War
1450:
1448:
1447:
1443:
1441:
1440:
1436:
1434:
1433:
1429:
1427:
1426:
1422:
1420:
1419:
1415:
1413:
1412:
1408:
1406:
1405:
1401:
1399:
1398:
1394:
1392:
1391:
1387:
1385:
1384:
1380:
1378:
1377:
1373:
1371:
1370:
1366:
1364:
1363:
1359:
1357:
1356:
1352:
1350:
1349:
1345:
1343:
1342:
1338:
1336:
1335:
1331:
1329:
1328:
1324:
1322:
1321:
1317:
1315:
1314:
1310:
1308:
1307:
1303:
1301:
1300:
1296:
1294:
1293:
1289:
1287:
1286:
1282:
1280:
1279:
1275:
1273:
1272:
1268:
1266:
1265:
1261:
1259:
1258:
1254:
1252:
1251:
1247:
1245:
1244:
1240:
1239:
1237:
1233:
1227:
1224:
1222:
1219:
1217:
1214:
1212:
1209:
1207:
1204:
1202:
1199:
1197:
1194:
1192:
1189:
1187:
1184:
1183:
1181:
1175:
1169:
1166:
1164:
1161:
1159:
1156:
1154:
1151:
1149:
1146:
1144:
1141:
1139:
1136:
1134:
1131:
1129:
1126:
1124:
1121:
1119:
1116:
1114:
1111:
1110:
1108:
1104:
1098:
1095:
1093:
1090:
1088:
1085:
1083:
1080:
1078:
1075:
1073:
1070:
1068:
1065:
1063:
1060:
1058:
1055:
1053:
1050:
1048:
1047:Giacomo Balla
1045:
1044:
1042:
1040:
1036:
1029:
1026:
1024:
1021:
1019:
1016:
1014:
1013:Olga Rozanova
1011:
1009:
1006:
1004:
1003:Lyubov Popova
1001:
999:
998:Victor Palmov
996:
994:
991:
989:
986:
984:
981:
979:
976:
974:
971:
969:
966:
964:
961:
959:
956:
954:
951:
949:
946:
944:
941:
939:
936:
934:
931:
929:
926:
924:
921:
919:
916:
914:
911:
909:
906:
904:
901:
899:
898:David Burliuk
896:
894:
891:
889:
886:
884:
881:
879:
876:
874:
871:
869:
868:Nikolai Aseev
866:
864:
861:
860:
858:
856:
851:
847:
841:
838:
836:
833:
831:
828:
826:
823:
821:
818:
816:
815:Georgy Ivanov
813:
811:
808:
806:
803:
801:
800:Graal Arelsky
798:
797:
795:
793:
792:Ego-Futurists
789:
783:
780:
778:
777:Gino Severini
775:
773:
770:
768:
767:Luigi Russolo
765:
763:
760:
758:
755:
753:
750:
748:
745:
743:
740:
738:
735:
733:
730:
728:
725:
723:
720:
718:
715:
713:
710:
708:
705:
703:
700:
698:
695:
693:
690:
687:
686:list of works
683:
682:Giacomo Balla
680:
679:
677:
673:
669:
662:
657:
655:
650:
648:
643:
642:
639:
632:
629:
628:
627:
626:(in English)
613:
612:0-300-04868-8
609:
605:
599:
592:
591:90-279-7826-3
588:
584:
578:
571:
565:
546:
539:
538:
530:
523:
517:
510:
504:
497:
496:0-674-53653-3
493:
489:
485:
479:
470:
463:
462:0-8135-3454-2
459:
455:
451:
445:
438:
437:0-521-02834-5
434:
430:
426:
420:
413:
412:1-56886-049-8
409:
405:
401:
396:
389:
388:0-14-303719-6
385:
381:
377:
372:
365:
364:0-300-11903-8
361:
357:
353:
347:
340:
336:
332:
325:
321:
313:
310:
306:
305:Joseph Stalin
300:
298:
294:
290:
284:
282:
277:
275:
271:
267:
263:
258:
256:
252:
248:
241:
239:
234:
233:Chernyshevsky
227:
225:
221:
217:
212:
210:
206:
205:
199:
195:
191:
187:
186:
185:Eugene Onegin
181:
172:
168:
166:
162:
158:
153:
143:
141:
137:
133:
129:
125:
117:
108:
106:Occupation(s)
104:
100:
96:
92:
89:
78:
74:
70:
66:
49:
45:
41:
36:
29:
22:
19:
1750:Russian Jews
1686:
1659:
1594:Precisionism
1479:
1472:
1465:
1458:
1451:
1444:
1437:
1430:
1423:
1416:
1409:
1402:
1395:
1388:
1381:
1374:
1367:
1360:
1353:
1346:
1339:
1332:
1325:
1318:
1311:
1304:
1297:
1290:
1283:
1276:
1269:
1262:
1255:
1250:Antigrazioso
1248:
1241:
1191:Intonarumori
1113:Alice Bailly
1067:Tullio Crali
968:El Lissitzky
882:
810:Boris Gusman
742:Bruno Munari
630:
625:
622:Bibliography
603:
598:
582:
577:
569:
564:
552:. Retrieved
536:
529:
521:
516:
511:, pp. 51–52.
508:
503:
483:
478:
469:
449:
444:
424:
419:
403:
395:
379:
371:
351:
346:
330:
324:
302:
287:It was from
286:
278:
259:
246:
243:
229:
224:Louis Aragon
213:
204:Genghis Khan
201:
197:
183:
177:
149:
115:
114:
91:Soviet Union
88:Russian SFSR
81:(1945-02-22)
18:
1735:1945 deaths
1730:1888 births
1709:Zveno (art)
1672:Primitivism
1667:Pointillism
1650:Divisionism
1609:Suprematism
1589:Panfuturism
1221:Noise music
1163:Mary Swanzy
1092:Marisa Mori
1039:Aeropittura
835:Rurik Ivnev
737:Marisa Mori
712:Carlo Carrà
554:23 December
216:Lilya Kagan
130:writer and
98:Citizenship
1724:Categories
1549:Agit-train
943:Ivan Kliun
928:Elena Guro
878:Lilya Brik
752:Ugo Piatti
614:), p. 278.
593:), p. 122.
498:), p. 266.
464:), p. 172.
354:, vol. 1 (
316:References
190:Narkompros
118:(Russian:
57:1888-01-28
1661:Le Chahut
1619:Vorticism
1264:BÏF§ZF+18
1052:"Barbara"
1008:Ivan Puni
883:Osip Brik
692:"Barbara"
439:), p. 28.
414:), p. 43.
390:), p. 51.
366:), p. 237
297:Pasternak
289:Bogatyrev
140:Futurists
32:Осип Брик
25:Osip Brik
1628:See also
1614:Supremus
1599:Rayonism
1544:Agitprop
1118:Mina Loy
1030:(Iliazd)
668:Futurism
572:, p. 45.
545:Archived
524:, p. 51.
490:, 1989:
456:, 2004:
431:, 2006:
358:, 2008:
211:(1928).
86:Moscow,
1559:Dadaism
1474:Zangezi
1376:Lacerba
1278:Cyclist
180:Pushkin
157:poetics
1645:Cubism
1640:5x5=25
1584:Oberiu
1411:Poesia
1082:Fillìa
610:
589:
494:
460:
435:
410:
386:
362:
303:After
293:Prague
270:Komfut
249:," or
161:OPOJAZ
101:Soviet
65:Moscow
1432:Thaïs
548:(PDF)
541:(PDF)
281:Cheka
257:art.
1226:Zaum
608:ISBN
587:ISBN
556:2018
522:Them
509:Them
492:ISBN
458:ISBN
433:ISBN
408:ISBN
384:ISBN
380:Them
360:ISBN
220:Elsa
124:O.S.
76:Died
47:Born
852:and
335:doi
251:LEF
1726::
402:,
378:,
276:.
142:.
67:,
688:)
684:(
660:e
653:t
646:v
558:.
486:(
452:(
427:(
337::
226:)
200:(
59:)
55:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
