245:
281:
269:
33:
471:
418:
of the physical structure of the human. He represented bodies as architectural forms, reducing the figure to a rhythmic play between convex, concave and flat surfaces. And not just of its form, he was fascinated by every movement the body could make—trying to capture it in his work. As well as leaving a large body of work behind, Schlemmer's art theories have also been published. A comprehensive book of his letters and diary entries from 1910 to 1943 is also available.
257:
405:, run by the philanthropist Kurt Herbert. The factory offered Schlemmer the opportunity to paint without the fear of persecution. His series of eighteen small, mystical paintings entitled "Fensterbilder" ("Window Pictures," 1942) were painted while looking out the window of his house and observing neighbors engaged in their domestic tasks. These were Schlemmer's final works before his death of a heart attack in the hospital at
171:, Germany, Oskar Schlemmer was the youngest of six children. His parents, Carl Leonhard Schlemmer and Mina Neuhaus, both died around 1900 and the young Oskar lived with his sister and learned at an early age to provide for himself. By 1903 he was completely independent and supporting himself as an apprentice in an
417:
Schlemmer's ideas on art were complex and challenging even for the progressive
Bauhaus movement. His work, nevertheless, was widely exhibited in both Germany and outside the country—a rejection of pure abstraction, instead retaining a sense of the human, though not in the emotional sense but in view
337:
as a springboard for his structural studies, Schlemmer's work became intrigued with the possibilities of figures and their relationship to the space around them, for example 'Egocentric Space Lines' (1924). Schlemmer's characteristic forms can be seen in his sculptures as well as his paintings. Yet
332:
Schlemmer became known internationally with the première of his 'Triadisches
Ballett' in Stuttgart in 1922. His work for the Bauhaus and his preoccupation with the theatre are an important factor in his work, which deals mainly with the problem of the figure in space. People, typically stylised
333:
faceless female figures, continued to be the predominant subject in his painting. While at
Bauhaus, he developed the multidisciplinary course "Der Mensch (The human being)." In the human form he saw a measure that could provide a foothold in the disunity of his time. After using
320:
in 1923. His complex ideas were influential, making him one of the most important teachers working at the school at that time. However, due to the heightened political atmosphere in
Germany at the end of the 1920s, and in particular with the appointment of the Marxist architect
457:
cemented its place in history as one of the first examples of multimedia performance. Schlemmer even created his costumes first, and then designed the choreography around them". On 4 September 2018, to commemorate what would have been his 130th birthday, Google released a
358:, where he painted his most celebrated work, the 'Bauhaustreppe', ('Bauhaus Stairway') (1932; Museum of Modern Art, New York). He was obliged to leave the Breslau Academy when it was closed down in the wake of the financial crisis following the
244:
236:, where he resided until returning to work under Hölzel in 1918. The doll-like figures he created in this period may have been a reaction to the wounded soldiers he saw in military hospitals during the war.
338:
he also turned his attention to stage design, first getting involved with this in 1929, executing settings for the opera 'Nightingale' and the ballet 'Renard' by Igor
Stravinsky.
366:(United State School for Fine and Applied Art) in 1932, which he held until 1933 when he was forced to resign due to pressure from the Nazis. The Schlemmers then moved to
205:
starting in 1906. In 1910 Schlemmer moved to Berlin where he painted some of his first important works before returning to
Stuttgart in 1912 as the master pupil of
1290:
367:
817:
Volker
Straebel's essay on 'The Mutual Influence of Europe and North America in the History of Musikperformance' / Oskar Schlemmer's Triadisches Ballett
781:
1285:
300:. At the same time he helped to update the curriculum at the Stuttgart Academy of Fine Art with the appointment of new faculty and exhibitions of
545:
1260:
144:
In 1923, he was hired as Master of Form at the
Bauhaus theatre workshop, after working at the workshop of sculpture. His most famous work is
371:
1225:
1205:
1220:
1200:
871:
752:
1245:
1215:
1195:
191:
316:
to run the mural-painting and sculpture departments at the
Bauhaus School before taking over the stagecraft workshop from
709:
386:, in his obituary of Schlemmer, wrote that it was 'as if a curtain of silence' had descended over him during this time.
1275:
1159:
137:; 4 September 1888 – 13 April 1943) was a German painter, sculptor, designer and choreographer associated with the
1280:
1230:
1210:
325:
as
Gropius's successor, in 1929 Schlemmer resigned his position and moved to take up a job at the Art Academy in
1250:
280:
202:
1255:
1144:
839:
830:
864:
786:
816:
1240:
681:
221:
653:
1265:
1139:
1048:
1270:
1235:
894:
375:
453:
the 23rd best work of performance art in history, writing, "A major signal of the Bauhaus movement,
1164:
580:
133:
857:
734:
437:
429:
have given valuable insight on what happened at the Bauhaus, especially his writings of how the
899:
268:
198:
835:(1932) in The Burlington Magazine (July 2009; second part September 2010) by John-Paul Stonard
1118:
1008:
958:
488:
In 2000, the artist's daughter Ute Jaina Schlemmer, who asserted that she owns the painting
1190:
1185:
998:
748:
501:
497:
481:
8:
843:
273:
146:
154:
representations of the human body in what he described as a "party of form and colour".
32:
1154:
1149:
973:
757:
666:
470:
444:
292:
In 1919 Schlemmer turned to sculpture and had an exhibition of his work at the gallery
195:
183:
605:
1113:
1038:
1003:
686:
359:
1023:
1098:
475:
426:
422:
398:
379:
309:
312:. After his marriage to Helena Tutein in 1920, Schlemmer was invited to Weimar by
1123:
1073:
1033:
1018:
963:
347:
317:
209:
1068:
1063:
1043:
968:
880:
782:"Price Is Right for Signature, Size and Subject: The Market Gets a Second Wind"
313:
821:
354:. After leaving the Bauhaus in 1929, Schlemmer took a post at the Akademie in
1179:
1093:
1088:
943:
928:
496:
to hold it for further investigation while it was on temporary loan from the
459:
213:
64:
378:
in Munich in 1937. The last ten years of his life were spent in a state of '
1103:
1078:
1053:
1028:
988:
983:
978:
938:
933:
923:
825:
550:
525:
433:
and students responded to the many changes and developments at the school.
390:
322:
206:
86:
38:
918:
493:
406:
402:
229:
225:
82:
436:
Schlemmer's first retrospective in the United States was mounted by the
252:-cast "Tut Schlemmer" (1919), Museum für Angewandte Kunst Köln, Germany.
1083:
1058:
993:
505:
430:
301:
285:
326:
1013:
953:
394:
346:
From 1928 to 1930, Schlemmer worked on nine murals for a room in the
305:
187:
176:
60:
948:
383:
190:
and won a scholarship to attend the Akademie der Bildenden Künste (
151:
106:
629:
849:
355:
261:
256:
138:
117:
16:
German painter, sculptor, designer and choreographer (1888–1943)
840:
Quem foi Oskar Schlemmer e porque a Google lhe dedica um Doodle
334:
297:
249:
233:
228:
until he was wounded and moved to a position with the military
217:
168:
351:
172:
150:(Triadic Ballet), which saw costumed actors transformed into
811:
220:
in his work. In 1914 Schlemmer was enlisted to fight on the
624:
622:
667:"Oskar Schlemmer | German artist | Britannica"
575:
573:
571:
569:
364:
Vereinigte Staatsschulen für freie und angewandete Kunst
619:
341:
566:
421:
Along with Schlemmer's diary, his private letters to
546:"Oskar Schlemmer's ballet of geometry – in pictures"
393:, Schlemmer worked at the Institut für Malstoffe in
753:"Modern Is Focus Of a New Dispute Over a Painting"
512:had already been packed and shipped to New York.
288:in a compact case, designed by Schlemmer in 1928.
175:workshop, moving on to another apprenticeship in
1177:
710:"The 25 Best Performance Art Pieces of All Time"
630:"Oskar Schlemmer Biography – Infos – Art Market"
162:
865:
524:(1928) was sold for $ 1.487 million at
1291:State Academy of Fine Arts Stuttgart alumni
264:emblem, designed by Oskar Schlemmer (1922).
872:
858:
747:
374:before his pictures were displayed at the
362:, and took up a professorship at Berlin's
194:), where he studied under the tutelage of
31:
647:
779:
707:
508:was served on the Neue Nationalgalerie,
469:
279:
267:
255:
243:
1178:
679:
853:
682:"Oskar Schlemmer: Bauhaus' Mr. Clean"
680:Wilson, William (14 September 1986).
132:
1286:Photographers from Baden-Württemberg
1261:German Army personnel of World War I
492:or is owed money for it, obtained a
342:Life and death under the Third Reich
239:
192:State Academy of Fine Arts Stuttgart
370:near the Swiss border, and then to
37:Oskar Schlemmer in a photograph by
13:
879:
735:"Oskar Schlemmer's 130th Birthday"
14:
1302:
1226:20th-century German photographers
1206:19th-century German photographers
812:Oskar Schlemmer The Official Site
805:
654:Bauhaus100. Workshops. Stagecraft
1221:20th-century German male artists
1201:19th-century German male artists
780:Melikian, Souren (16 May 1998).
490:Bauhaus Stairway (Bauhaustreppe)
773:
741:
708:Eisinger, Dale (9 April 2013).
182:Oskar Schlemmer studied at the
727:
701:
673:
659:
598:
538:
465:
1:
1246:Academic staff of the Bauhaus
1145:Racial policy of Nazi Germany
531:
515:
163:Childhood and apprenticeships
1216:20th-century German painters
1196:19th-century German painters
787:International Herald Tribune
304:. Among those involved were
186:(School of Applied Arts) in
157:
7:
656:. Retrieved 6 December 2018
10:
1307:
1140:Censorship in Nazi Germany
443:In 2013, Dale Eisinger of
272:Costumes from Schlemmer's
167:Born in September 1888 in
1132:
911:
895:Degenerate Art Exhibition
887:
412:
376:Degenerate Art Exhibition
113:
101:
93:
71:
46:
30:
23:
1276:German theatre directors
1165:Museum of Fine Arts Bern
1049:Elfriede Lohse-Wächtler
438:Baltimore Museum of Art
1281:Artists from Stuttgart
1231:20th-century sculptors
1211:19th-century sculptors
900:Degenerate Art auction
504:in Berlin. Before the
485:
289:
277:
265:
253:
199:Christian Landenberger
134:[ˈɔskaʁˈʃlɛmɐ]
1251:German male sculptors
1119:Karl Schmidt-Rottluff
1009:Ernst Ludwig Kirchner
749:Dobrzynski, Judith H.
520:In 1998, Schlemmer's
473:
283:
271:
259:
247:
130:German pronunciation:
105:Painting, sculpture,
1256:German male painters
999:Alexej von Jawlensky
751:(10 February 2000).
522:Idealistic Encounter
502:Neue Nationalgalerie
498:Museum of Modern Art
482:Museum of Modern Art
203:Friedrich von Keller
737:. 4 September 2018.
634:oskar-schlemmer.com
500:in New York to the
478:(Bauhaus Stairway),
274:Triadisches Ballett
179:from 1905 to 1909.
147:Triadisches Ballett
1241:Ballet librettists
1155:Hildebrand Gurlitt
1150:Gurlitt Collection
974:Ludwig Godenschweg
959:Conrad Felixmüller
758:The New York Times
554:. 24 November 2016
486:
290:
278:
266:
254:
216:and moving toward
196:landscape painters
184:Kunstgewerbeschule
1266:German puppeteers
1173:
1172:
1160:Cornelius Gurlitt
1114:Rudolf Schlichter
1039:Wilhelm Lehmbruck
1004:Wassily Kandinsky
687:Los Angeles Times
606:"Oskar Schlemmer"
462:celebrating him.
360:Wall Street Crash
240:The Bauhaus years
123:
122:
1298:
1271:German sculptors
1236:Ballet designers
1099:Christian Rohlfs
874:
867:
860:
851:
850:
799:
798:
796:
794:
777:
771:
770:
768:
766:
745:
739:
738:
731:
725:
724:
722:
720:
705:
699:
698:
696:
694:
677:
671:
670:
663:
657:
651:
645:
644:
642:
640:
626:
617:
616:
614:
612:
602:
596:
595:
593:
591:
577:
564:
563:
561:
559:
542:
510:Bauhaus Stairway
427:Willi Baumeister
399:Willi Baumeister
380:inner emigration
310:Willi Baumeister
136:
131:
109:, theatre, dance
78:
57:4 September 1888
56:
54:
35:
21:
20:
1306:
1305:
1301:
1300:
1299:
1297:
1296:
1295:
1176:
1175:
1174:
1169:
1128:
1124:Lothar Schreyer
1109:Oskar Schlemmer
1074:Wilhelm Morgner
1034:Wilhelm Lachnit
1019:Oskar Kokoschka
964:Otto Freundlich
907:
906:
883:
878:
822:Oskar Schlemmer
808:
803:
802:
792:
790:
778:
774:
764:
762:
746:
742:
733:
732:
728:
718:
716:
706:
702:
692:
690:
678:
674:
665:
664:
660:
652:
648:
638:
636:
628:
627:
620:
610:
608:
604:
603:
599:
589:
587:
585:artrepublic.com
579:
578:
567:
557:
555:
544:
543:
539:
534:
518:
468:
415:
348:Folkwang Museum
344:
318:Lothar Schreyer
242:
207:abstract artist
165:
160:
129:
126:Oskar Schlemmer
89:
80:
76:
67:
58:
52:
50:
42:
26:
25:Oskar Schlemmer
17:
12:
11:
5:
1304:
1294:
1293:
1288:
1283:
1278:
1273:
1268:
1263:
1258:
1253:
1248:
1243:
1238:
1233:
1228:
1223:
1218:
1213:
1208:
1203:
1198:
1193:
1188:
1171:
1170:
1168:
1167:
1162:
1157:
1152:
1147:
1142:
1136:
1134:
1130:
1129:
1127:
1126:
1121:
1116:
1111:
1106:
1101:
1096:
1091:
1086:
1081:
1076:
1071:
1069:Jean Metzinger
1066:
1064:Ludwig Meidner
1061:
1056:
1051:
1046:
1044:Max Liebermann
1041:
1036:
1031:
1026:
1024:Käthe Kollwitz
1021:
1016:
1011:
1006:
1001:
996:
991:
986:
981:
976:
971:
969:Albert Gleizes
966:
961:
956:
951:
946:
941:
936:
931:
926:
921:
915:
913:
909:
908:
905:
904:
903:
902:
897:
889:
888:
885:
884:
881:Degenerate art
877:
876:
869:
862:
854:
848:
847:
837:
828:
819:
814:
807:
806:External links
804:
801:
800:
772:
740:
726:
700:
672:
658:
646:
618:
597:
565:
536:
535:
533:
530:
517:
514:
467:
464:
455:Triadic Ballet
451:Triadic Ballet
414:
411:
343:
340:
314:Walter Gropius
241:
238:
164:
161:
159:
156:
121:
120:
115:
111:
110:
103:
102:Known for
99:
98:
95:
91:
90:
81:
79:(aged 54)
73:
69:
68:
59:
48:
44:
43:
36:
28:
27:
24:
15:
9:
6:
4:
3:
2:
1303:
1292:
1289:
1287:
1284:
1282:
1279:
1277:
1274:
1272:
1269:
1267:
1264:
1262:
1259:
1257:
1254:
1252:
1249:
1247:
1244:
1242:
1239:
1237:
1234:
1232:
1229:
1227:
1224:
1222:
1219:
1217:
1214:
1212:
1209:
1207:
1204:
1202:
1199:
1197:
1194:
1192:
1189:
1187:
1184:
1183:
1181:
1166:
1163:
1161:
1158:
1156:
1153:
1151:
1148:
1146:
1143:
1141:
1138:
1137:
1135:
1131:
1125:
1122:
1120:
1117:
1115:
1112:
1110:
1107:
1105:
1102:
1100:
1097:
1095:
1094:Pablo Picasso
1092:
1090:
1089:Max Pechstein
1087:
1085:
1082:
1080:
1077:
1075:
1072:
1070:
1067:
1065:
1062:
1060:
1057:
1055:
1052:
1050:
1047:
1045:
1042:
1040:
1037:
1035:
1032:
1030:
1027:
1025:
1022:
1020:
1017:
1015:
1012:
1010:
1007:
1005:
1002:
1000:
997:
995:
992:
990:
987:
985:
982:
980:
977:
975:
972:
970:
967:
965:
962:
960:
957:
955:
952:
950:
947:
945:
944:Lovis Corinth
942:
940:
937:
935:
932:
930:
929:Ernst Barlach
927:
925:
922:
920:
917:
916:
914:
910:
901:
898:
896:
893:
892:
891:
890:
886:
882:
875:
870:
868:
863:
861:
856:
855:
852:
845:
841:
838:
836:
834:
833:Bauhaustreppe
829:
827:
823:
820:
818:
815:
813:
810:
809:
789:
788:
783:
776:
760:
759:
754:
750:
744:
736:
730:
715:
711:
704:
689:
688:
683:
676:
668:
662:
655:
650:
635:
631:
625:
623:
607:
601:
586:
582:
581:"Artrepublic"
576:
574:
572:
570:
553:
552:
547:
541:
537:
529:
528:in New York.
527:
523:
513:
511:
507:
503:
499:
495:
491:
483:
479:
477:
476:Bauhaustreppe
472:
463:
461:
460:Google Doodle
456:
452:
448:
447:
441:
439:
434:
432:
428:
424:
419:
410:
408:
404:
400:
397:, along with
396:
392:
387:
385:
381:
377:
373:
369:
365:
361:
357:
353:
349:
339:
336:
330:
328:
324:
319:
315:
311:
307:
303:
299:
295:
287:
282:
275:
270:
263:
258:
251:
246:
237:
235:
231:
227:
223:
222:Western Front
219:
215:
214:impressionism
212:, abandoning
211:
208:
204:
200:
197:
193:
189:
185:
180:
178:
174:
170:
155:
153:
149:
148:
142:
140:
135:
127:
119:
116:
112:
108:
104:
100:
96:
92:
88:
84:
75:13 April 1943
74:
70:
66:
65:German Empire
62:
49:
45:
40:
34:
29:
22:
19:
1108:
1104:Egon Schiele
1079:Otto Mueller
1054:August Macke
1029:Alfred Kubin
989:Erich Heckel
984:George Grosz
979:Otto Griebel
939:Marc Chagall
934:Max Beckmann
924:Jankel Adler
832:
831:Articles on
826:Find a Grave
791:. Retrieved
785:
775:
763:. Retrieved
756:
743:
729:
717:. Retrieved
713:
703:
691:. Retrieved
685:
675:
661:
649:
637:. Retrieved
633:
609:. Retrieved
600:
588:. Retrieved
584:
556:. Retrieved
551:The Guardian
549:
540:
521:
519:
509:
489:
487:
474:
454:
450:
445:
442:
435:
420:
416:
391:World War II
388:
363:
345:
331:
323:Hannes Meyer
293:
291:
248:Schlemmer's
210:Adolf Hölzel
181:
166:
145:
143:
125:
124:
87:Nazi Germany
77:(1943-04-13)
39:Hugo Erfurth
18:
1191:1943 deaths
1186:1888 births
919:Jussuf Abbo
793:4 September
765:4 September
761:. p. 3
719:28 February
693:4 September
639:4 September
590:4 September
558:4 September
494:court order
466:Controversy
407:Baden-Baden
403:Georg Muche
230:cartography
226:World War I
152:geometrical
94:Nationality
83:Baden-Baden
1180:Categories
1084:Emil Nolde
1059:Franz Marc
994:Karl Hofer
844:Portuguese
532:References
516:Art market
506:injunction
484:, New York
423:Otto Meyer
302:modern art
286:gramophone
53:1888-09-04
1014:Paul Klee
954:Max Ernst
526:Sotheby's
440:in 1986.
409:in 1943.
395:Wuppertal
372:Sehringen
306:Paul Klee
294:Der Sturm
284:Portable
188:Stuttgart
177:marquetry
158:Biography
61:Stuttgart
949:Otto Dix
384:Max Bill
368:Eichberg
232:unit in
141:school.
114:Movement
107:puppetry
1133:Related
912:Artists
714:Complex
611:31 July
449:ranked
446:Complex
389:During
356:Breslau
327:Breslau
276:(1922).
262:Bauhaus
139:Bauhaus
118:Bauhaus
480:1932,
413:Legacy
335:Cubism
298:Berlin
250:nickel
234:Colmar
218:cubism
169:Swabia
97:German
41:(1920)
431:staff
352:Essen
173:inlay
795:2018
767:2018
721:2021
695:2018
641:2018
613:2022
592:2018
560:2018
425:and
401:and
308:and
260:The
201:and
72:Died
47:Born
824:at
382:'.
350:in
296:in
224:in
1182::
784:.
755:.
712:.
684:.
632:.
621:^
583:.
568:^
548:.
329:.
85:,
63:,
873:e
866:t
859:v
846:)
842:(
797:.
769:.
723:.
697:.
669:.
643:.
615:.
594:.
562:.
128:(
55:)
51:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.