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Oskar Schlemmer

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of the physical structure of the human. He represented bodies as architectural forms, reducing the figure to a rhythmic play between convex, concave and flat surfaces. And not just of its form, he was fascinated by every movement the body could make—trying to capture it in his work. As well as leaving a large body of work behind, Schlemmer's art theories have also been published. A comprehensive book of his letters and diary entries from 1910 to 1943 is also available.
257: 405:, run by the philanthropist Kurt Herbert. The factory offered Schlemmer the opportunity to paint without the fear of persecution. His series of eighteen small, mystical paintings entitled "Fensterbilder" ("Window Pictures," 1942) were painted while looking out the window of his house and observing neighbors engaged in their domestic tasks. These were Schlemmer's final works before his death of a heart attack in the hospital at 171:, Germany, Oskar Schlemmer was the youngest of six children. His parents, Carl Leonhard Schlemmer and Mina Neuhaus, both died around 1900 and the young Oskar lived with his sister and learned at an early age to provide for himself. By 1903 he was completely independent and supporting himself as an apprentice in an 417:
Schlemmer's ideas on art were complex and challenging even for the progressive Bauhaus movement. His work, nevertheless, was widely exhibited in both Germany and outside the country—a rejection of pure abstraction, instead retaining a sense of the human, though not in the emotional sense but in view
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as a springboard for his structural studies, Schlemmer's work became intrigued with the possibilities of figures and their relationship to the space around them, for example 'Egocentric Space Lines' (1924). Schlemmer's characteristic forms can be seen in his sculptures as well as his paintings. Yet
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Schlemmer became known internationally with the première of his 'Triadisches Ballett' in Stuttgart in 1922. His work for the Bauhaus and his preoccupation with the theatre are an important factor in his work, which deals mainly with the problem of the figure in space. People, typically stylised
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faceless female figures, continued to be the predominant subject in his painting. While at Bauhaus, he developed the multidisciplinary course "Der Mensch (The human being)." In the human form he saw a measure that could provide a foothold in the disunity of his time. After using
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in 1923. His complex ideas were influential, making him one of the most important teachers working at the school at that time. However, due to the heightened political atmosphere in Germany at the end of the 1920s, and in particular with the appointment of the Marxist architect
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cemented its place in history as one of the first examples of multimedia performance. Schlemmer even created his costumes first, and then designed the choreography around them". On 4 September 2018, to commemorate what would have been his 130th birthday, Google released a
358:, where he painted his most celebrated work, the 'Bauhaustreppe', ('Bauhaus Stairway') (1932; Museum of Modern Art, New York). He was obliged to leave the Breslau Academy when it was closed down in the wake of the financial crisis following the 244: 236:, where he resided until returning to work under Hölzel in 1918. The doll-like figures he created in this period may have been a reaction to the wounded soldiers he saw in military hospitals during the war. 338:
he also turned his attention to stage design, first getting involved with this in 1929, executing settings for the opera 'Nightingale' and the ballet 'Renard' by Igor Stravinsky.
366:(United State School for Fine and Applied Art) in 1932, which he held until 1933 when he was forced to resign due to pressure from the Nazis. The Schlemmers then moved to 205:
starting in 1906. In 1910 Schlemmer moved to Berlin where he painted some of his first important works before returning to Stuttgart in 1912 as the master pupil of
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Volker Straebel's essay on 'The Mutual Influence of Europe and North America in the History of Musikperformance' / Oskar Schlemmer's Triadisches Ballett
781: 1285: 300:. At the same time he helped to update the curriculum at the Stuttgart Academy of Fine Art with the appointment of new faculty and exhibitions of 545: 1260: 144:
In 1923, he was hired as Master of Form at the Bauhaus theatre workshop, after working at the workshop of sculpture. His most famous work is
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to run the mural-painting and sculpture departments at the Bauhaus School before taking over the stagecraft workshop from
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as Gropius's successor, in 1929 Schlemmer resigned his position and moved to take up a job at the Art Academy in
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the 23rd best work of performance art in history, writing, "A major signal of the Bauhaus movement,
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have given valuable insight on what happened at the Bauhaus, especially his writings of how the
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In 2000, the artist's daughter Ute Jaina Schlemmer, who asserted that she owns the painting
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representations of the human body in what he described as a "party of form and colour".
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In 1919 Schlemmer turned to sculpture and had an exhibition of his work at the gallery
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to hold it for further investigation while it was on temporary loan from the
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in Munich in 1937. The last ten years of his life were spent in a state of '
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and students responded to the many changes and developments at the school.
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Schlemmer's first retrospective in the United States was mounted by the
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From 1928 to 1930, Schlemmer worked on nine murals for a room in the
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and won a scholarship to attend the Akademie der Bildenden Künste (
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German painter, sculptor, designer and choreographer (1888–1943)
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Quem foi Oskar Schlemmer e porque a Google lhe dedica um Doodle
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until he was wounded and moved to a position with the military
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in his work. In 1914 Schlemmer was enlisted to fight on the
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Vereinigte Staatsschulen für freie und angewandete Kunst
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Along with Schlemmer's diary, his private letters to
546:"Oskar Schlemmer's ballet of geometry – in pictures" 393:, Schlemmer worked at the Institut für Malstoffe in 753:"Modern Is Focus Of a New Dispute Over a Painting" 512:had already been packed and shipped to New York. 288:in a compact case, designed by Schlemmer in 1928. 175:workshop, moving on to another apprenticeship in 1177: 710:"The 25 Best Performance Art Pieces of All Time" 630:"Oskar Schlemmer Biography – Infos – Art Market" 162: 865: 524:(1928) was sold for $ 1.487 million at 1291:State Academy of Fine Arts Stuttgart alumni 264:emblem, designed by Oskar Schlemmer (1922). 872: 858: 747: 374:before his pictures were displayed at the 362:, and took up a professorship at Berlin's 194:), where he studied under the tutelage of 31: 647: 779: 707: 508:was served on the Neue Nationalgalerie, 469: 279: 267: 255: 243: 1178: 679: 853: 682:"Oskar Schlemmer: Bauhaus' Mr. Clean" 680:Wilson, William (14 September 1986). 132: 1286:Photographers from Baden-Württemberg 1261:German Army personnel of World War I 492:or is owed money for it, obtained a 342:Life and death under the Third Reich 239: 192:State Academy of Fine Arts Stuttgart 370:near the Swiss border, and then to 37:Oskar Schlemmer in a photograph by 13: 879: 735:"Oskar Schlemmer's 130th Birthday" 14: 1302: 1226:20th-century German photographers 1206:19th-century German photographers 812:Oskar Schlemmer The Official Site 805: 654:Bauhaus100. Workshops. Stagecraft 1221:20th-century German male artists 1201:19th-century German male artists 780:Melikian, Souren (16 May 1998). 490:Bauhaus Stairway (Bauhaustreppe) 773: 741: 708:Eisinger, Dale (9 April 2013). 182:Oskar Schlemmer studied at the 727: 701: 673: 659: 598: 538: 465: 1: 1246:Academic staff of the Bauhaus 1145:Racial policy of Nazi Germany 531: 515: 163:Childhood and apprenticeships 1216:20th-century German painters 1196:19th-century German painters 787:International Herald Tribune 304:. Among those involved were 186:(School of Applied Arts) in 157: 7: 656:. Retrieved 6 December 2018 10: 1307: 1140:Censorship in Nazi Germany 443:In 2013, Dale Eisinger of 272:Costumes from Schlemmer's 167:Born in September 1888 in 1132: 911: 895:Degenerate Art Exhibition 887: 412: 376:Degenerate Art Exhibition 113: 101: 93: 71: 46: 30: 23: 1276:German theatre directors 1165:Museum of Fine Arts Bern 1049:Elfriede Lohse-Wächtler 438:Baltimore Museum of Art 1281:Artists from Stuttgart 1231:20th-century sculptors 1211:19th-century sculptors 900:Degenerate Art auction 504:in Berlin. Before the 485: 289: 277: 265: 253: 199:Christian Landenberger 134:[ˈɔskaʁˈʃlɛmɐ] 1251:German male sculptors 1119:Karl Schmidt-Rottluff 1009:Ernst Ludwig Kirchner 749:Dobrzynski, Judith H. 520:In 1998, Schlemmer's 473: 283: 271: 259: 247: 130:German pronunciation: 105:Painting, sculpture, 1256:German male painters 999:Alexej von Jawlensky 751:(10 February 2000). 522:Idealistic Encounter 502:Neue Nationalgalerie 498:Museum of Modern Art 482:Museum of Modern Art 203:Friedrich von Keller 737:. 4 September 2018. 634:oskar-schlemmer.com 500:in New York to the 478:(Bauhaus Stairway), 274:Triadisches Ballett 179:from 1905 to 1909. 147:Triadisches Ballett 1241:Ballet librettists 1155:Hildebrand Gurlitt 1150:Gurlitt Collection 974:Ludwig Godenschweg 959:Conrad Felixmüller 758:The New York Times 554:. 24 November 2016 486: 290: 278: 266: 254: 216:and moving toward 196:landscape painters 184:Kunstgewerbeschule 1266:German puppeteers 1173: 1172: 1160:Cornelius Gurlitt 1114:Rudolf Schlichter 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Index


Hugo Erfurth
Stuttgart
German Empire
Baden-Baden
Nazi Germany
puppetry
Bauhaus
[ˈɔskaʁˈʃlɛmɐ]
Bauhaus
Triadisches Ballett
geometrical
Swabia
inlay
marquetry
Kunstgewerbeschule
Stuttgart
State Academy of Fine Arts Stuttgart
landscape painters
Christian Landenberger
Friedrich von Keller
abstract artist
Adolf Hölzel
impressionism
cubism
Western Front
World War I
cartography
Colmar

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