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Padagotti

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506:(1960) which was rejected by the director of that film and later it was used in this film. Velumani felt the song "nicely captured MGR's characteristics" through the lyrics "Koduthadellam koduthan, Avan yaarukaaga koduthaan, Orutharukka koduthaan illai oorukaaga koduthaan" which translate to "He gave all that he gave, to whom did he give? Did he give for just one? No, he gave for everyone". The song "Naanoru Kuzhandhai" is based on 1473: 303:
the mansion. For doing so, she is killed by Neelamagam. He begins to chase Muthazhagi, but is cornered by Manickam and a fight ensues between the duo. Shortly after, the local police arrive and arrest Neelamagam for murdering his wife. With both the communities reconciling, Alaiyappan agrees for Muthazhagi and Manickam to be married.
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Neelamagam wants to marry Muthazhagi, and Alaiyappan reluctantly agrees due to lack of funds, but Muthazhagi is unwilling. She is kept at Neelamagam's mansion and is unable to escape, as even Manickam (in a new disguise) fails to save her. Neelamagam's wife Meenvizhi secretly helps Muthazhagi out of
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to seek peace, he is beaten to his apparent death. Because of this, his men nearly kill Alaiyappan, who is then saved by a mysterious old man. Thankful to the old man, Alaiyappan allows him to stay for the night at his home. Muthazhagi later realises the old man is actually Manickam in disguise, but
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wrote on 14 November 1964, "A bright piece of acting by Ramadas and P. L. Rai's excellent outdoor photography which bares the bountiful beauty of the backwaters of Kerala are the only two redeeming features of the film. But they are as much a consolation as having enjoyed the cool breeze during a
31: 277:(Shark fishermen). While Manickam is honest, compassionate and principled, Alaiyappan is the opposite, driven mainly by greed. Manickam's father wishes to see the enmity between the two groups end, and he persuades them to be friends. The 426:
journalist D. B. S. Jeyaraj wrote that Ramachandran portrayed different roles in his films "so that different segments of the population could relate to and identify with him", citing his role of a
245:, based on a story by Nannu, and cinematography was handled by P. L. Roy, while editing was handled by C. P. Jambulingam. The film was shot predominantly on locations near the seashore, including 966: 1046: 1115: 1310: 281:
refuse, and beat him to death. Manickam promises to fulfill his father's wish, and works hard to end the enmity. The person responsible for fuelling this enmity is the village
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Manickam falls in love with Alaiyappan's daughter Muthazhagi, and she reciprocates. However, their romance is disapproved of by their communities. When Manickam goes to
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was cast as Ponvandu, a comical character who beats people whenever a gramophone plays a certain music. This subplot was adapted from an episode of
1494: 1036: 1320: 1069: 1548: 1105: 775: 1277: 1245: 1223: 840: 375:, based on an original story by Nannu, and cinematography was handled by P. L. Roy, while C. P. Jambulingam was chosen as editor. While 367:, and produced by G. N. Velumani under the banner of Saravana Films. It was the company's first colour film, being colourised through 1558: 1137: 818: 740: 295:
conceals it from everyone. Even when there is a boat race between the two communities, the disguised Manickam chooses to go with
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in supporting roles. It deals with the enmity between two fishing communities in a village, which is fuelled by the village's
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that deals with groupism among fishermen, the problems of fishermen in general, and moneylenders bleeding the poor.
299:, and they win. However, his cover is blown soon after, and an enraged Alaiyappan forces him to leave Muthazhagi. 1553: 1543: 1191: 1538: 704:, N. Ramakrishna gave the film a mixed review, calling the photography one of its few redeeming features. 1528: 467: 110: 1079: 287:
Neelamagam, who stands to gain the most from it all. Alaiyappan's blind allegiance is to Neelamagam.
785: 273:(Turbot fisherman). In the same area lives Alaiyappan, the leader of the opposing fishing community 1483: 458:, like the titles of many other Ramachandran films, was "sober, occupation-oriented and positive". 372: 342: 242: 219: 54: 1406: 1347: 502: 1402: 681: 1213: 1372: 8: 1523: 1390: 1295: 1263: 858: 808: 585: 419: 191: 1282: 1250: 875:(motion picture) (in Tamil). Saravana Films. 1964. Opening credits, from 0:00 to 3:09. 845: 813: 693: 470:, while the lyrics were written by Vaali. The song "Thottal Poo Malarum" is set in the 376: 348: 312: 223: 199: 80: 1461: 1435: 1410: 1376: 1353: 388: 1490: 1315: 957:"Kandy-born actor-politico "MGR" reigned supreme in Tamil Nadu cinema and politics" 700: 482:, this song "changed the outlook of this raga in films". It was later re-tuned by 1425: 1366: 1032: 780: 497: 493: 479: 423: 475: 380: 364: 318: 203: 195: 187: 84: 44: 1517: 1394: 1357: 687: 471: 446: 391:. Most of the film was shot on actual locations near the seashore, including 330: 324: 211: 207: 1427:
Popular Cinema and Politics in South India: The Films of MGR and Rajinikanth
691:, it became commercially successful, running for over 100 days in theatres. 452:
Popular Cinema and Politics in South India: The Films of MGR and Rajinikanth
1142: 483: 400: 368: 1005: 809:"எம்ஜிஆர் 100: 16 – அர்ப்பணிப்புடன் கூடிய உழைப்புக்கு சொந்தக்காரர்!" 555: 507: 1455: 500:. The song "Koduthadellam Koduthan" was originally written by Vaali for 257:. Despite facing competition from other films released on the same day, 1101: 892: 736: 488: 253:. It was released on 3 November 1964, coinciding with the festival of 1431: 1218: 1186: 1110: 1074: 1041: 745: 515: 392: 261:
became a commercial success, with a theatrical run of over 100 days.
246: 1181: 961: 441: 436: 427: 283: 228: 182: 936: 1472: 679:. Despite facing competition from other Diwali releases such as 676: 396: 384: 336: 254: 250: 215: 924: 30: 981: 450:(1971) as examples. S. Rajanayagam, author of the book 778:[1964 – Padagotti – Saravana Films (colour)]. 1497:
to it so that it can be listed with similar articles.
1140:[Vaali's first song in film: Susheela sang]. 1138:"சினிமாவுக்கு வாலியின் முதல் பாட்டு: சுசீலா பாடினார்" 1389: 1214:"Interactive graphic: Best of Vaali: From 1964–2013" 1162: 942: 675:
was released on 3 November 1964, during that year's
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Manickam is the leader of a fishing community named
912: 1515: 1037:"A Raga's Journey – Soulful Suddhadhanyasi" 1001:"Padagotti (Original Motion Picture Soundtrack)" 770: 768: 1345: 930: 492:. The song "Tharaimel Pirakka" was composed in 198:and produced by G. N. Velumani. The film stars 765: 1423: 1308: 987: 806: 232:, who stands to gain the most from it all. 1067: 466:The soundtrack was composed by the duo of 29: 886:Warrier, Sreejith K. (15 December 2017). 776:"1964 – படகோட்டி – சரவணா பிலிம்ஸ் (கலர்)" 667: 1564:Films scored by Viswanathan–Ramamoorthy 954: 888:"Alappuzha cherishes its date with MGR" 885: 1516: 1364: 1319:(in Tamil). p. 30. Archived from 1309:ராமகிருஷ்ணா, என். (29 November 1964). 1168: 955:Jeyaraj, D. B. S. (20 February 2016). 918: 731: 729: 727: 725: 723: 721: 719: 717: 698:day-long futile angling." Writing for 513:"Thottal Poo Malarum" was included by 1118:from the original on 17 November 2018 1013:from the original on 10 December 2021 807:சுவாமிநாதன், ஸ்ரீதர் (8 March 2016). 650: 636: 622: 608: 594: 578: 564: 548: 1466: 1068:Rangarajan, Malathi (15 July 2004). 1031: 900:from the original on 19 January 2023 821:from the original on 17 October 2019 1100: 969:from the original on 30 August 2018 735: 714: 177: 13: 1549:Films about social issues in India 1482:needs additional or more specific 14: 1580: 1449: 1226:from the original on 31 July 2017 1194:from the original on 26 June 2020 1150:from the original on 31 July 2017 1049:from the original on 31 July 2017 753:from the original on 1 March 2016 1559:Films directed by T. Prakash Rao 1471: 943:Rajadhyaksha & Willemen 1998 657:T. M. Soundararajan, P. Susheela 629:T. M. Soundararajan, P. Susheela 371:. The screenplay was written by 1339: 1302: 1270: 1238: 1206: 1174: 1130: 1094: 1061: 1025: 993: 948: 1399:Encyclopaedia of Indian Cinema 1106:"More on MSV's favourite raag" 879: 865: 833: 800: 533: 1: 1286:. 14 November 1964. p. 3 849:. 3 November 1964. p. 12 707: 521:Best of Vaali: From 1964–2013 461: 355: 1346:Jagathrakshakan, S. (1984). 1254:. 25 October 1964. p. 3 1182:"ஏழிசை எம்எஸ்வி | பயோகிராபி" 383:were cast as the lead pair, 241:s screenplay was written by 7: 1569:Tamil-language Indian films 16:1964 film by T. Prakash Rao 10: 1585: 1534:1960s Tamil-language films 1146:(in Tamil). 2 April 2017. 784:(in Tamil). Archived from 478:, and according to singer 543: 540: 537: 532: 410: 161: 153: 139:3 November 1964 130: 116: 106: 98: 90: 76: 68: 60: 50: 40: 35:Theatrical release poster 28: 23: 1424:Rajanayagam, S. (2015). 1349:Dr. M.G.R., a Phenomenon 373:Sakthi T. K. Krishnasamy 243:Sakthi T. K. Krishnasamy 55:Sakthi T. K. Krishnasamy 1407:Oxford University Press 1352:. Apollo Veliyeetagam. 598:"Koduthellam Koduthaan" 503:Paadhai Theriyudhu Paar 468:Viswanathan–Ramamoorthy 306: 264: 111:Viswanathan–Ramamoorthy 1403:British Film Institute 626:"Paattukku Patteduthu" 434:, an agriculturist in 1554:Films about uxoricide 1544:Films about landlords 668:Release and reception 654:"Thottal Poo Malarum" 612:"Naan Oru Kuzhandhai" 271:Thirukaai Meenavargal 1391:Rajadhyaksha, Ashish 1373:Penguin Random House 1246:"Deepavali releases" 931:Jagathrakshakan 1984 739:(28 February 2016). 403:who chose the title 1539:Films about fishers 1365:Kannan, R. (2017). 1296:Google News Archive 1264:Google News Archive 1035:(9 December 2011). 1009:. 1 December 1964. 859:Google News Archive 643:T. M. Soundararajan 640:"Tharaimel Pirakka" 615:T. M. Soundararajan 601:T. M. Soundararajan 586:T. M. Soundararajan 529: 420:social problem film 192:social problem film 186:) is a 1964 Indian 1529:1960s Indian films 1283:The Indian Express 1251:The Indian Express 846:The Indian Express 814:Hindu Tamil Thisai 741:"Padagotti (1964)" 694:The Indian Express 552:"Azhagu Oru Ragam" 527: 486:for the 2004 film 377:M. G. Ramachandran 313:M. G. Ramachandran 200:M. G. Ramachandran 81:M. G. Ramachandran 1512: 1511: 1495:adding categories 1441:978-1-138-82203-0 1382:978-0-14-342934-0 664: 663: 454:, felt the title 389:The Three Stooges 169: 168: 102:C. P. Jambulingam 1576: 1507: 1504: 1498: 1475: 1467: 1445: 1420: 1386: 1361: 1333: 1332: 1330: 1328: 1306: 1300: 1299: 1293: 1291: 1274: 1268: 1267: 1261: 1259: 1242: 1236: 1235: 1233: 1231: 1222:. 19 July 2013. 1210: 1204: 1203: 1201: 1199: 1178: 1172: 1166: 1160: 1159: 1157: 1155: 1134: 1128: 1127: 1125: 1123: 1104:(30 July 2015). 1098: 1092: 1091: 1089: 1087: 1078:. Archived from 1065: 1059: 1058: 1056: 1054: 1033:Mani, Charulatha 1029: 1023: 1022: 1020: 1018: 997: 991: 988:Rajanayagam 2015 985: 979: 978: 976: 974: 952: 946: 940: 934: 928: 922: 916: 910: 909: 907: 905: 883: 877: 876: 869: 863: 862: 856: 854: 837: 831: 830: 828: 826: 804: 798: 797: 795: 793: 772: 763: 762: 760: 758: 733: 535: 530: 526: 363:was directed by 297:Sura Meenavargal 292:Sura Meenavargal 279:Sura Meenavargal 275:Sura Meenavargal 240: 185: 179: 146: 144: 33: 21: 20: 1584: 1583: 1579: 1578: 1577: 1575: 1574: 1573: 1514: 1513: 1508: 1502: 1499: 1488: 1476: 1452: 1442: 1417: 1383: 1342: 1337: 1336: 1326: 1324: 1323:on 24 July 2022 1307: 1303: 1289: 1287: 1276: 1275: 1271: 1257: 1255: 1244: 1243: 1239: 1229: 1227: 1212: 1211: 1207: 1197: 1195: 1180: 1179: 1175: 1167: 1163: 1153: 1151: 1136: 1135: 1131: 1121: 1119: 1099: 1095: 1085: 1083: 1082:on 31 July 2017 1066: 1062: 1052: 1050: 1030: 1026: 1016: 1014: 999: 998: 994: 986: 982: 972: 970: 953: 949: 941: 937: 929: 925: 917: 913: 903: 901: 884: 880: 871: 870: 866: 852: 850: 839: 838: 834: 824: 822: 805: 801: 791: 789: 788:on 31 July 2017 781:Lakshman Sruthi 774: 773: 766: 756: 754: 734: 715: 710: 670: 665: 582:"Kalyana Ponnu" 498:Hindustani raga 494:Bilaskhani Todi 480:Charulatha Mani 464: 413: 407:for this film. 358: 309: 267: 238: 180: 149: 142: 140: 133: 126: 121: 119: 83: 36: 17: 12: 11: 5: 1582: 1572: 1571: 1566: 1561: 1556: 1551: 1546: 1541: 1536: 1531: 1526: 1510: 1509: 1479: 1477: 1470: 1465: 1464: 1451: 1450:External links 1448: 1447: 1446: 1440: 1421: 1415: 1395:Willemen, Paul 1387: 1381: 1362: 1341: 1338: 1335: 1334: 1301: 1269: 1237: 1205: 1173: 1161: 1129: 1093: 1060: 1024: 992: 990:, p. 129. 980: 947: 945:, p. 188. 935: 923: 911: 878: 864: 832: 799: 764: 712: 711: 709: 706: 669: 666: 662: 661: 658: 655: 652: 648: 647: 644: 641: 638: 634: 633: 630: 627: 624: 620: 619: 616: 613: 610: 606: 605: 602: 599: 596: 592: 591: 588: 583: 580: 576: 575: 572: 569: 568:"Ennai Eduthu" 566: 562: 561: 558: 553: 550: 546: 545: 542: 539: 536: 525: 519:in their list 476:Suddhadhanyasi 463: 460: 440:(1967), and a 424:Tamil Canadian 412: 409: 399:. It was poet 381:B. Saroja Devi 365:T. Prakash Rao 357: 354: 353: 352: 346: 340: 334: 328: 322: 319:B. Saroja Devi 316: 308: 305: 266: 263: 204:B. Saroja Devi 196:T. Prakash Rao 167: 166: 163: 159: 158: 155: 151: 150: 148: 147: 136: 134: 131: 128: 127: 125:Saravana Films 124: 122: 117: 114: 113: 108: 104: 103: 100: 96: 95: 92: 91:Cinematography 88: 87: 85:B. Saroja Devi 78: 74: 73: 72:G. N. Velumani 70: 66: 65: 62: 58: 57: 52: 48: 47: 45:T. Prakash Rao 42: 38: 37: 34: 26: 25: 15: 9: 6: 4: 3: 2: 1581: 1570: 1567: 1565: 1562: 1560: 1557: 1555: 1552: 1550: 1547: 1545: 1542: 1540: 1537: 1535: 1532: 1530: 1527: 1525: 1522: 1521: 1519: 1506: 1496: 1492: 1486: 1485: 1480:This article 1478: 1474: 1469: 1468: 1463: 1459: 1458: 1454: 1453: 1443: 1437: 1433: 1429: 1428: 1422: 1418: 1416:0-19-563579-5 1412: 1408: 1404: 1400: 1396: 1392: 1388: 1384: 1378: 1374: 1370: 1369: 1363: 1359: 1355: 1351: 1350: 1344: 1343: 1322: 1318: 1317: 1312: 1305: 1297: 1285: 1284: 1279: 1273: 1265: 1253: 1252: 1247: 1241: 1225: 1221: 1220: 1215: 1209: 1193: 1189: 1188: 1183: 1177: 1171:, p. 98. 1170: 1165: 1149: 1145: 1144: 1139: 1133: 1117: 1113: 1112: 1107: 1103: 1097: 1081: 1077: 1076: 1071: 1064: 1048: 1044: 1043: 1038: 1034: 1028: 1012: 1008: 1007: 1002: 996: 989: 984: 968: 964: 963: 958: 951: 944: 939: 933:, p. 45. 932: 927: 921:, p. 91. 920: 915: 899: 895: 894: 889: 882: 874: 868: 860: 848: 847: 842: 836: 820: 816: 815: 810: 803: 787: 783: 782: 777: 771: 769: 752: 748: 747: 742: 738: 732: 730: 728: 726: 724: 722: 720: 718: 713: 705: 703: 702: 696: 695: 690: 689: 688:Muradan Muthu 684: 683: 678: 674: 659: 656: 653: 649: 645: 642: 639: 635: 631: 628: 625: 621: 617: 614: 611: 607: 603: 600: 597: 593: 589: 587: 584: 581: 577: 573: 570: 567: 563: 559: 557: 554: 551: 547: 531: 528:Track listing 524: 522: 518: 517: 511: 509: 505: 504: 499: 495: 491: 490: 485: 481: 477: 473: 472:Carnatic raga 469: 459: 457: 453: 449: 448: 447:Rickshawkaran 443: 439: 438: 433: 429: 425: 421: 417: 408: 406: 402: 398: 394: 390: 386: 382: 378: 374: 370: 366: 362: 350: 347: 344: 341: 338: 335: 333:as Alaiyappan 332: 331:S. V. Ramadas 329: 327:as Neelamagam 326: 325:M. N. Nambiar 323: 321:as Muthazhagi 320: 317: 314: 311: 310: 304: 300: 298: 293: 288: 286: 285: 280: 276: 272: 262: 260: 256: 252: 248: 244: 237: 233: 231: 230: 225: 221: 217: 213: 212:S. V. Ramadas 209: 208:M. N. Nambiar 205: 201: 197: 193: 189: 184: 175: 174: 164: 160: 156: 152: 138: 137: 135: 129: 123: 115: 112: 109: 105: 101: 97: 93: 89: 86: 82: 79: 75: 71: 67: 63: 59: 56: 53: 51:Screenplay by 49: 46: 43: 39: 32: 27: 22: 19: 1500: 1481: 1456: 1426: 1398: 1367: 1348: 1340:Bibliography 1325:. Retrieved 1321:the original 1314: 1304: 1294:– via 1288:. Retrieved 1281: 1272: 1262:– via 1256:. Retrieved 1249: 1240: 1228:. Retrieved 1217: 1208: 1196:. Retrieved 1190:(in Tamil). 1185: 1176: 1164: 1152:. Retrieved 1143:Maalai Malar 1141: 1132: 1120:. Retrieved 1109: 1096: 1084:. Retrieved 1080:the original 1073: 1063: 1051:. Retrieved 1040: 1027: 1015:. Retrieved 1004: 995: 983: 971:. Retrieved 960: 950: 938: 926: 914: 902:. Retrieved 891: 881: 872: 867: 857:– via 851:. Retrieved 844: 835: 823:. Retrieved 817:(in Tamil). 812: 802: 790:. Retrieved 786:the original 779: 755:. Retrieved 744: 699: 692: 686: 680: 672: 671: 520: 514: 512: 501: 487: 484:A. R. Rahman 465: 455: 451: 445: 435: 431: 415: 414: 404: 369:Eastmancolor 360: 359: 351:as Meenvizhi 301: 296: 291: 289: 282: 278: 274: 270: 268: 258: 235: 234: 227: 194:directed by 172: 171: 170: 132:Release date 18: 1368:MGR: A Life 1327:15 November 1278:"Padahotti" 1258:20 December 1169:Kannan 2017 1122:7 September 1102:Guy, Randor 1017:15 November 1006:Apple Music 973:7 September 919:Kannan 2017 841:"Padagotti" 737:Guy, Randor 571:P. Susheela 556:P. Susheela 339:as Ponvandu 315:as Manickam 69:Produced by 41:Directed by 1524:1964 films 1518:Categories 1503:March 2024 1484:categories 1311:"படகோட்டி" 904:19 January 893:Onmanorama 825:17 October 708:References 682:Navarathri 462:Soundtrack 444:puller in 356:Production 345:as Pavalam 190:-language 143:1964-11-03 118:Production 1457:Padagotti 1432:Routledge 1397:(1998) . 1371:. India: 1358:568936093 1219:The Hindu 1187:Dinamalar 1111:The Hindu 1075:The Hindu 1042:The Hindu 873:Padagotti 746:The Hindu 673:Padagotti 541:Singer(s) 516:The Hindu 474:known as 456:Padagotti 432:Padagotti 416:Padagotti 405:Padagotti 393:Alappuzha 361:Padagotti 259:Padagotti 247:Alappuzha 236:Padagotti 173:Padagotti 99:Edited by 94:P. L. Roy 24:Padagotti 1491:help out 1224:Archived 1192:Archived 1148:Archived 1116:Archived 1047:Archived 1011:Archived 967:Archived 962:Daily FT 898:Archived 819:Archived 751:Archived 442:rickshaw 437:Vivasayi 428:coxswain 349:Jayanthi 343:Manorama 284:zamindar 229:zamindar 224:Jayanthi 220:Manorama 183:Coxswain 162:Language 107:Music by 77:Starring 61:Story by 1489:Please 1290:31 July 1230:31 July 1154:31 July 1086:31 July 1053:31 July 853:31 July 792:31 July 757:1 March 206:, with 181:  178:transl. 154:Country 141: ( 120:company 1438:  1413:  1379:  1356:  1198:7 July 677:Diwali 660:  646:  632:  618:  604:  590:  574:  560:  544:Length 510:raga. 411:Themes 397:Kerala 385:Nagesh 337:Nagesh 255:Diwali 251:Kerala 216:Nagesh 1316:Kalki 1070:"New" 701:Kalki 538:Title 418:is a 401:Vaali 239:' 188:Tamil 165:Tamil 157:India 64:Nannu 1462:IMDb 1436:ISBN 1411:ISBN 1405:and 1377:ISBN 1354:OCLC 1329:2021 1292:2017 1260:2021 1232:2017 1200:2024 1156:2017 1124:2018 1088:2017 1055:2017 1019:2021 975:2018 906:2023 855:2017 827:2019 794:2017 759:2016 685:and 508:Desh 496:, a 379:and 307:Cast 265:Plot 222:and 202:and 1493:by 1460:at 534:No. 489:New 430:in 1520:: 1434:. 1430:. 1409:. 1401:. 1393:; 1375:. 1313:. 1280:. 1248:. 1216:. 1184:. 1114:. 1108:. 1072:. 1045:. 1039:. 1003:. 965:. 959:. 896:. 890:. 843:. 811:. 767:^ 749:. 743:. 716:^ 651:8. 637:7. 623:6. 609:5. 595:4. 579:3. 565:2. 549:1. 523:. 395:, 249:, 218:, 214:, 210:, 1505:) 1501:( 1487:. 1444:. 1419:. 1385:. 1360:. 1331:. 1298:. 1266:. 1234:. 1202:. 1158:. 1126:. 1090:. 1057:. 1021:. 977:. 908:. 861:. 829:. 796:. 761:. 176:( 145:)

Index


T. Prakash Rao
Sakthi T. K. Krishnasamy
M. G. Ramachandran
B. Saroja Devi
Viswanathan–Ramamoorthy
Coxswain
Tamil
social problem film
T. Prakash Rao
M. G. Ramachandran
B. Saroja Devi
M. N. Nambiar
S. V. Ramadas
Nagesh
Manorama
Jayanthi
zamindar
Sakthi T. K. Krishnasamy
Alappuzha
Kerala
Diwali
zamindar
M. G. Ramachandran
B. Saroja Devi
M. N. Nambiar
S. V. Ramadas
Nagesh
Manorama
Jayanthi

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