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217:: three scenes in its grand council hall. By the mid-1580s he had digested Tintoretto's versatile figure postures and Titian's thick surfaces, emphasis on light, and loose brushstroke. In Palma Giovane's output, Freedberg detects also "an occasional discursive opulence à la
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He worked alongside
Veronese and Tintoretto on the decorations in the Doge's Palace where he came to know fully the Venetian tradition. From 1580-90 he painted cycles of large canvases either for Venetian Schools or sacred buildings (the sacristies of
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Rejecting
Mannerism in the 1580s, he embraced a reformist naturalism. He varied the ingeniously synthesised amalgam according to subject matter and patrons' own eclectic and conservative tastes, with "virtuoso skill and a facile intelligence".
199:, recognized Palma's talents, supporting him for four years and sending him to Rome, where he remained until about 1572. Shedding most remnants of Roman manner after his return to Venice, Palma adopted the inescapable models and mannerisms of
260:). Thanks to the intelligent way they quoted from Tintoretto and their own narrative drive, these are Palma the Younger's best works. After this he went back to official commissions at the Doge's Palace. Among these there is the portrait of
288:(after Titian). After 1600 he painted mythologies for a small circle of intellectuals. After the death of Tintoretto in 1594, he remained one of the leading painters in the City of Venice. He was commissioned to complete Titian’s unfinished
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Palma il
Giovane went on to organize his own, large studio which he used to produce a repetitive series of religious and allegorical pictures that can be found throughout the territory of the Venetian Republic. One of these works is
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characterises him among
Venetian painters as "the only painter of this generation to exhibit a semblance of vitality, even within formulae based mostly upon Tintorettesque style." (Freedberg 1993:560).
268:" to the city of Siena in the Middle Ages. After three centuries in Tuscany, it was bought by Sir Robert Dick in 1842. After almost two hundred years, the portrait was bought from
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and who after
Bonifazio's death (1553) inherited Bonifacio's shop and clientele; the younger Palma seems to have polished his style making copies after
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180:("Old Palma") and the son of Antonio Nigreti (1510/15–1575/85), a minor painter who was himself the pupil of the elder Palma's workshop foreman
156:'s death (1594), Palma became Venice's dominant artist perpetuating his style. Outside Venice, he received numerous commissions in the area of
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Bonifacio inherited the elder Palma's workshop in 1528; see Philip
Cottrell, "The Artistic Parentage of Palma Giovane"
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in the
Accademia, Venice. Palma's first major public commission arrived after a 1577 fire in the
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Palma was born in Venice. Born into a family of painters, he was the great-nephew of the painter
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374:Madonna and Child, St. Benedict and other saints
492:, 3rd ed. (Yale University Press) 1993:560-62.
488:Spelling and dates as in Sydney J. Freedberg,
141:("Young Palma"), was an Italian painter from
129:(1548/50 – 14 October 1628), best known as
599:Jacopo Negretti, called Palma il Giovane
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674:Burials at Santi Giovanni e Paolo, Venice
341:, ca. 1590, The National Gallery, London
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601:https://www.dorotheum.com/en/l/6718305/
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505:(Metropolitan Museum of Art), 1973:45.
551:Freedberg notes in this context the
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618:Italian Paintings, Venetian School
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533:No. 1190 (May 2002), pp. 289-291.
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35:Supposed self-portrait as a monk
587:"Roberto Gagliardi - Biography"
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71:14 October 1628 (aged 77–80)
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553:Martyrdom of Saint Lawrence
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623:Jacopo Palma the Younger
278:Chianciano Museum of Art
135:Giacomo Palma il Giovane
528:The Burlington Magazine
295:He was interred in the
258:Oratorio dei Crociferi
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654:Italian male painters
603:Retrieved: 2021.02.06
246:San Giacomo dall'Orio
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664:Painters from Venice
476:Notes and references
396:San Zaccaria, Venice
378:San Zaccaria, Venice
182:Bonifacio de' Pitati
162:Domini di Terraferma
639:16th-century births
576:Freedberg 1993:561.
542:Freedberg 1993:561.
427:Venus with a Mirror
286:Venus with a Mirror
266:Capitani del Popolo
503:Italian Paiuntings
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79:Republic of Venice
52:Republic of Venice
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274:Roberto Gagliardi
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644:1628 deaths
321:Crucifixion
262:Pope Pius V
168:in Prague.
95:Nationality
633:Categories
256:, and the
201:Tintoretto
166:Rudolph II
154:Tintoretto
137:or simply
410:Pope St.
172:Biography
567:1586–87.
464:See also
376:, 1605,
357:Killing
270:Bonham's
219:Veronese
191:In 1567
115:Movement
109:Painting
563:in the
307:Gallery
250:Gesuiti
223:Bassano
158:Bergamo
99:Italian
44:1548/50
412:Pius V
359:Sisera
252:, the
205:Titian
186:Titian
152:After
143:Venice
131:Jacopo
83:Veneto
75:Venice
56:Veneto
48:Venice
290:Pietà
210:Pietà
87:Italy
60:Italy
355:Yael
68:Died
41:Born
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133:or
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
_-_Monument_to_Palma_il_Giovane,_Palma_il_Vecchio_and_Titian.jpg)