733:(1565–1570), Veronese arranged the architecture to run mostly parallel to the picture plane, accentuating the processional character of the composition. The artist's decorative genius was to recognize that dramatic perspectival effects would have been tiresome in a living room or chapel, and that the narrative of the picture could best be absorbed as a colorful diversion. These paintings offer little in the representation of emotion; rather, they illustrate the carefully composed movement of their subjects along a primarily horizontal axis. Most of all they are about the incandescence of light and color. The exaltation of such visual effects may have been a reflection of the artist's personal well-being, for in 1565 Veronese married Elena Badile, the daughter of his first master, and by whom he would eventually have a daughter and four sons.
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434:, named Gabriele, and his wife Caterina. He was their fifth child. It was common for surnames to be taken from a father's profession, and thus Veronese was known as Paolo Spezapreda. He later changed his name to Paolo Caliari, because his mother was the illegitimate daughter of a nobleman called Antonio Caliari. His earliest known painting is signed "P. Caliari F., "the first known instance in which he used this surname", and after using "Paolo Veronese" for several years in Venice, after about 1575 he resumed signing his paintings as "Paolo Caliari". He was often called "Paolo Veronese" before the last century to distinguish him from another painter from Verona, "Alessandro Veronese", now known as
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848:(1563) had directed Veronese to freely include as many human figures as would fit in the banquet scene. In contrast, a decade later, Veronese encountered legal, religious constraints that determined the suitability (theological, political, sociological) of who and what he depicted in a painting—thus, on 18 July 1573, Veronese was summoned before the
477:; both were leading painters in Verona. An altarpiece painted by Badile in 1543 includes striking passages that were most likely the work of his fifteen-year-old apprentice; Veronese's precocious gifts soon surpassed the level of the workshop, and by 1544 he was no longer residing with Badile. Although trained in the culture of
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and Venice, is at the right with the
Blessed Virgin Mother and the Christ child in the center. In contrast to Italian works of a century earlier the infant is rendered convincingly as an infant. What makes one stop and take notice in this painting is the infant's reaching out to St. Justina, since a
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The tribunal's interrogation of
Veronese was cautionary, rather than punitive; political, rather than judicial; nonetheless, Veronese explained to the Inquisitiors that "we painters take the same liberties as poets and madmen" in telling a story. Although the Inquisition's tribunal ordered Veronese
708:. The contract also specified that the painting should include as many figures as possible. There are a number of portraits (including those of Titian and Tintoretto, as well as a self-portrait of Veronese) staged upon a canvas surface nearly ten meters wide. The scene, taken from the New Testament
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wrote of
Veronese's strengths and weaknesses: "He is notable above all as a colorist who used a range of bright hues with a boldness unmatched in his time and scarcely equaled since", but because his use of color "was often calculated to create a harmonious overall effect rather than to single out
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wrote in 1860, that
Veronese was the greatest colorist who ever lived—greater than Titian, Rubens, or Rembrandt because he established the harmony of natural tones in place of the modeling in dark and light that remained the method of academic chiaroscuro. Delacroix wrote that Veronese made light
785:, the painting was to replace a Titian painting burnt in a fire; Veronese's oversized (5.55m x 12.80m) replacement depicted a Last Supper banquet scene that included German soldiers, dwarves, and animals – the human and animal exotica usual to Veronese's representational narratives. Artistically,
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Monastery, on the eponymous small island across from Saint Mark's, in Venice. The contract insisted on the huge size (to cover 66 square meters), and that the pigment and colors should be of premium quality. For example, the contract specified that the blues should contain the precious mineral
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He has always been appreciated for "the chromatic brilliance of his palette, the splendor and sensibility of his brushwork, the aristocratic elegance of his figures, and the magnificence of his spectacle", but his work has been felt "not to permit expression of the profound, the human, or the
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His most famous works are elaborate narrative cycles, executed in a dramatic and colorful style, full of majestic architectural settings and glittering pageantry. His large paintings of biblical feasts, crowded with figures, painted for the refectories of monasteries in Venice and
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indicates
Veronese's technical development in using intense and luminous colors for texture, attention to narrative coherence, the acute representation of human emotion, and the psychologically subtle interplay occurring among the characters who crowd the scene.
630:(for which he was awarded a prize judged by Titian and Sansovino) that established him as a master among his Venetian contemporaries. Already these works indicate Veronese's mastery in reflecting both the subtle foreshortening of the figures of
650:, which would not be concluded until 1570. Owing to its scattered composition and lack of focus, however, it was not his most successful refectory mural. In the late 1550s, during a break in his work for San Sebastiano, Veronese decorated the
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This innovation could not be better described. Veronese’s bright outdoor harmonies enlightened and inspired the whole nineteenth century. He was the foundation of modern painting. But whether his style is in fact naturalistic, as the
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of the Late–Renaissance, for an artist, painting crowd scenes had acquired political ramifications regarding who and what appeared in a religious painting commissioned from him, regardless of the patron or patroness.
1169:(also called dal Friso; 1559–1611), that remained active for a decade or so after his death in Venice in 1588, signing their work "Haeredes Pauli" ("Heirs of Paolo"), and continuing to use his drawings. According to
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the main protagonists", his paintings convey little narrative drama. According to Hope, "the effect is sumptuous, seductive but ultimately excessive and a little monotonous, rather like a visit to a patisserie."
1173:, "The role of the workshop seems to have increased steadily, and after 1580 it is rare that we can feel confident that Veronese's was the sole hand involved". Among his pupils were his contemporary
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sublime", and of the "great trio" he has often been the least appreciated by modern criticism. Nonetheless, "many of the greatest artists ... may be counted among his admirers, including
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928:(1573) is "by far, the most important source for our knowledge of his art" because "it gave rein to joy, made beauty majestic, made laughter, itself, more festive".
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720:. The foreground celebration, a frieze of figures painted in the most shimmering finery, is flanked by two sets of stairs leading back to a terrace, Roman
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3600:"Paolo Veronese (Paolo Caliari): Mars and Venus United by Love (10.189) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art"
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to repaint the last-supper scene, he opposed their remedy to his theological offences, yet was compelled to re-title the painting from the sacramental
563:; it was as a painter of ceiling frescos that he would initially make his mark in Venice, where he based himself permanently from the following year.
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Painting Studi sopra la storia della pittura italiana dei secoli xiv e xv e della scuola pittorica veronese dai medi tempi fino tutto il secolo xviii
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had given legal authority to Roman
Catholic doctrine in Venice, which was a new, political development for an artist such as Veronese. In the
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In his late teens he painted works for important churches in Verona, and in 1551 he was commissioned by the
Venetian branch of the important
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baby of this age would normally limit his gaze to his mother. Completing the work is St. Elizabeth, the cousin of Mary and mother of
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422:, then the largest possession of Venice on the mainland. The census in Verona attests that Veronese was born sometime in 1528 to a
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512:; only fragments of the frescos remain, but they seem to have been important in establishing his reputation. The description by
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662:. The frescoes were designed to unite humanistic culture with Christian spirituality; wall paintings included portraits of the
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Theosophical authors have identified Paolo
Veronese with the Master of Wisdom or Mahatma known as "The Venetian," who is the
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to explain the presence of what Church doctrine considered characters, animals, and indecorum extraneous to an image of the
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thought, or a most subtle and beautiful imaginative invention must remain a question for each age to answer for itself.
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Weller van Hook, "Some
Artistic Labours of the Lord of the Cultural System," The Theosophist (December, 1921), 277
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without violent contrasts, "which we are always told is impossible, and maintained the strength of hue in shadow".
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868:. That an artist, such as Veronese, had successfully perdured against the Inquisition's implied accusation of
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Veronese moved to Venice in 1553 after obtaining his first state commission, ceilings in fresco decorating the
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712:, II, 1–11, represents the first miracle performed by Jesus, the making of wine from water, at a marriage in
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are especially famous, and he was also the leading
Venetian painter of ceilings. Most of these works remain
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3574:"Paolo Veronese | The Consecration of Saint Nicholas | NG26 | The National Gallery, London"
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Veronese was one of the first painters whose drawings were sought by collectors during his lifetime.
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3651:"[remastered]: VENUS DISARMING CUPID, Paolo Veronese, 2013.50 | Worcester Art Museum"
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802:(1573) featured people and animals that the Inquisition perceived as heretical. The Inquisitors'
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1963:
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315:, a decade senior, Veronese is one of the "great trio that dominated Venetian painting of the
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In addition to the ceiling creations and wall paintings, Veronese also produced altarpieces (
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3437:"File:The Family of Darius before Alexander by Paolo Veronese 1570.jpg – Wikimedia Commons"
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By 1556 Veronese was commissioned to paint the first of his monumental banquet scenes, the
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found no heresy, yet ordered Paolo Veronese to re-title the painting something other than
8:
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695:, painted in 1562–1563, was also collaboration with Palladio. It was commissioned by the
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Madonna and Child with St. Elizabeth, the Infant St. John the Baptist, and St. Justina
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Madonna and Child with St. Elizabeth, the Infant St. John the Baptist, and St. Justina
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3391:, painted 1566–67, entered the collection of the Rijksmuseum in Amsterdam in 1952.
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2015:
1989:
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Le maraviglie dell'arte ovvero le vite degli illustri pittori Veneti e dello stato
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An artist's biography of Paolo Veronese was included in the second edition of the
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1527:
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329:, Paolo Veronese developed a naturalist style of painting, influenced by Titian.
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in the 16th century. Known as a supreme colorist, and after an early period with
757:, located on the left. The artist delicately balances the forms of the extended
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1189:. The Caliari family continued and another Paolo Caliari published the first
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readily noticed Veronese's irreligiosity. By the 1570s, the theology of the
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610:, in the new rooms replacing those lost in the fire of 1547. His panel of
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nearly a century later mentions that one of the mythological subjects was
500:. In the same year he worked on the decoration of the Villa Soranzo near
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947:’s modern assessment of Paolo Veronese’s artistic achievement is that:
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Durer to Veronese: Sixteenth-Century Painting in the National Gallery
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The Sixteenth Century Italian Paintings, Volume II, Venice 1540–1600
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depicting the Christ character and the events of his life; and the
777:, a last-supper painting for the rear wall of the refectory at the
626:(1556–57). It was these ceiling paintings and those of 1557 in the
485:, he soon developed his own preference for a more radiant palette.
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Painting in Sixteenth-Century Venice: Titian, Veronese, Tintoretto
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907:, with improved coverage of the painters of the Venetian school.
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and renders them using a superb balance of warm and cool colors.
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family to paint the altarpiece for their chapel in the church of
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Pedrocco, Filippo: "Veronese", page 3. SCALA Group S.p.A., 1998.
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Wisdom and Strength: The Biography of a Renaissance Masterpiece
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Lives of the Most Excellent Painters, Sculptors, and Architects
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repeated this information in her "Ascended Masters" teachings.
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Holy Family with Saint Catherine and Saint John the Baptist
3730:
Freedberg, Sydney J. (1993). Pelican History of Art (ed.).
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Holy Family with Saint Catherine and Saint John the Baptist
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He headed a family workshop, including his younger brother
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depictions of the characters lacked the piousness usual to
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Titian, Veronese, Tintoretto: Rivals in Renaissance Venice
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A decade earlier, the Benedictine monks who commissioned
496:, which was then being entirely rebuilt to the design of
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3746:, MFA Publications, Museum of Fine Arts, Boston, 2009,
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Prophet, Mark L., and Prophet, Elizabeth Clare, (2003).
3546:
Hope, Charles (8 May 2014). "At the National Gallery",
872:, indicated he had the discreet political support of a
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Veronese took his usual name from his birthplace of
193:
3395:, De Vecchi, Pierluigi, pages 104–5. Rizzoli, 2004.
922:painters. Ridolfi said that Veronese's painting of
202:
3638:Masterworks in Berlin: A City's Paintings Reunited
3345:in the following pages on the influence of Romano.
3886:. Vol. 20 (11th ed.). pp. 965–966.
764:
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3358:, page 125. National Gallery Publications, 1999.
814:Given the subject of the painting, the biblical
341:(1565–1570). Oil on canvas, 236.2cm × 475.9 cm,
180:(1528 – 19 April 1588), known as
3994:Portrait of Iseppo da Porto and his son Adriano
3205:Portrait of Iseppo da Porto and his son Adriano
3563:, page 262. Stewart, Tabori & Chang, 1987.
3116:
771:In 1573 Veronese completed the commission for
3911:
3325:"Temptation of St Anthony by VERONESE, Paolo"
3222:
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3136:is based on the story of Veronese's painting
658:, a newly finished building by the architect
4154:The Feast in the House of Simon the Pharisee
4106:The Feast in the House of Simon the Pharisee
3856:with link to images of many of his paintings
3787:, 2nd ed. 1997, Cambridge University Press,
3759:, National Gallery Catalogues (new series):
3640:, page 270. Little, Brown and Company, 1996.
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910:A fuller biography of Veronese had to await
3763:, 2008, National Gallery Publications Ltd,
3305:, page 206. Giunti Gruppo Editoriale, 2000.
3918:
3904:
3848:Art view; Homage to a Gentleman of Verona
3621:
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2679:Christ in the Garden Supported by an Angel
736:Also painted between 1565 and 1570 is his
3729:
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3238:
2776:The People of Myra Welcoming St. Nicholas
612:Jupiter Hurling Thunderbolts at the Vices
4026:Portrait of a Young Man Wearing Lynx Fur
3870:
3854:Veronese biography on Web Gallery of Art
3576:. Nationalgallery.org.uk. Archived from
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951:The French had no doubts, as the critic
883:
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391:
331:
4138:Resurrection of the Widow of Nain's Son
3974:Minerva between Geometry and Arithmetic
3163:
3133:Monty Python Live at the Hollywood Bowl
1123:), paintings on mythological subjects (
998:The Sacrificial Death of Marcus Curtius
469:By 1541, Veronese was apprenticed with
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3839:69 artworks by or after Paolo Veronese
3145:An imaginary Veronese painting called
1671:Giustiniana Giustiniani with Her Nurse
781:, Castello, Venice. Originally titled
4130:The Family of Darius Before Alexander
3899:
3734:. Penguin Books Ltd. pp. 550–60.
3626:. Googlebooks. pp. 337–338, 343.
3393:Veronese: Gods, Heroes and Allegories
3354:Penny, 331; Dunkerton, Jill, et al.:
2027:The Family of Darius before Alexander
1512:Jesus among the Doctors in the Temple
730:The Family of Darius before Alexander
642:Villa Barbaro and refectory paintings
518:The Family of Darius before Alexander
338:The Family of Darius before Alexander
278:
3301:Bussagli, Marco: "The XVI Century",
1206:Category:Paintings by Paolo Veronese
1110:
4266:Saint Anthony Preaching to the Fish
4234:Mars and Venus with Cupid and a Dog
3862:– Biographical article in the 1911
3775:The Art of Paolo Veronese 1528–1588
3708:. Summit University Press. p. 274.
3153:of the award-winning comics series
3149:is prominently featured in a story
2153:Die Madonna mit der Familie Cuccina
295:of religion and mythology, such as
13:
4226:Judith with the Head of Holofernes
4218:Mystic Marriage of Saint Catherine
3966:Mystic Marriage of Saint Catherine
3925:
3457:Dunkerton, et al., page 111, 1999.
2277:The Supper of St Gregory the Great
1117:The Consecration of Saint Nicholas
779:Basilica di Santi Giovanni e Paolo
727:In the refectory paintings, as in
551:, France), which Veronese painted
413:
14:
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4399:✻ attributed to Veronese's studio
4178:Allegory of the Battle of Lepanto
3832:
3804:, National Gallery London, 2014,
3602:. Metmuseum.org. 4 September 2013
2703:St. Anthony Preaching to the Fish
2429:Venus, Mars and Love with a Horse
2405:Mystical Marriage of St Catherine
1496:62.52 x 54.49" (158.8 x 138.4 cm)
1199:
622:on the ceiling for the church of
533:Guglielmo Gonzaga, Duke of Mantua
280:[ˈpaːoloveroˈneːze,-eːse]
4050:Saint John the Baptist Preaching
4010:Portrait of a Gentleman in a Fur
3942:The Conversion of Mary Magdalene
2899:Baptism and Temptation of Christ
2493:Chelsea and Westminster Hospital
1638:The Resurrection of Jesus Christ
1294:The Conversion of Mary Magdalene
1157:(1538–1598) as well as his sons
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555:. He doubtless used his time in
452:The Conversion of Mary Magdalene
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251:
186:
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31:
4098:Allegory of Wisdom and Strength
3777:, National Gallery of Art, 1988
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3341:Penny, 331; Freedberg, 551 and
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1975:Allegory of Wisdom and Strength
1875:(San Zaccaria Altarpiece; 1564)
1013:Juno Showering Gifts on Venetia
976:Allegory of Wisdom and Strength
604:Sala dei Tre Capi del Consiglio
4202:The Martyrdom of Saint Justina
4194:The Feast in the House of Levi
4170:Portrait of Agostino Barbarigo
3969:(New Haven; c. 1547–1550)
3705:The Masters and Their Retreats
3308:
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3229:
3139:The Feast in the House of Levi
3092:David with the Head of Goliath
2877:Portrait of Agostino Barbarigo
2381:Ceres Renders Homage to Venice
2306:The Feast in the House of Levi
925:The Feast in the House of Levi
866:The Feast in the House of Levi
799:The Feast in the House of Levi
787:The Feast in the House of Levi
774:The Feast in the House of Levi
766:The Feast in the House of Levi
535:, commissioned an altarpiece,
304:The Feast in the House of Levi
112:The Feast in the House of Levi
1:
4433:16th-century Italian painters
4146:Madonna and Child with Saints
4114:The Martyrdom of Saint George
3723:
3083:Museum Boijmans Van Beuningen
2503:Mars and Venus United by Love
1771:Madonna Enthroned with Saints
1747:St John the Baptist Preaching
1015:, c. 1554–1556, Doge's Palace
879:
614:for the former is now in the
456:
400:
4448:Italian Renaissance painters
4428:16th-century Venetian people
3950:Bevilacqua-Lazise Altarpiece
3732:Painting in Italy, 1500–1600
3038:Montreal Museum of Fine Arts
2923:Portrait of a Venetian Woman
2357:The Martyrdom of St. Justine
1841:National Gallery of Scotland
1375:St. Mark Crowning the Virtue
1323:The Temptation of St Anthony
634:and the heroism of those by
596:Sala dei Consiglio dei Dieci
545:Musée des Beaux-Arts de Caen
531:, great-uncle of the ruling
291:, known for extremely large
7:
4122:Portrait of Daniele Barbaro
4090:Allegory of Virtue and Vice
3958:Lament over the Dead Christ
3891:Gallery at Museum Syndicate
3622:Bernasconi, Cesare (1864).
3388:Portrait of Daniele Barbaro
3195:List of Orientalist artists
3183:
3117:Veronese in popular culture
2217:Museum of Fine Arts of Lyon
2167:Gemäldegalerie Alte Meister
2143:Gemäldegalerie Alte Meister
2077:Portrait of Daniele Barbaro
2001:Allegory of Virtue and Vice
1723:Virgin in Glory with Saints
1606:Gemäldegalerie Alte Meister
931:In 2014, the art historian
744:, San Diego). In this work
648:Feast in the House of Simon
590:House of Veronese in Venice
504:, with his fellow Veronese
285:Italian Renaissance painter
16:Italian Renaissance painter
10:
4494:
4453:Italian Mannerist painters
3024:Christ Crowned with Thorns
2527:Hermes, Herse and Aglaulus
2517:Metropolitan Museum of Art
2478:The Resurrection of Christ
2241:Metropolitan Museum of Art
2129:The Resurrection of Christ
1950:Martyrdom of St. Sebastian
1845:National Gallery of Canada
1713:Staatliche Kunstsammlungen
1667:Bacchus Giving Wine to Men
1203:
1129:Metropolitan Museum of Art
1073:Saint Jerome in the Desert
1043:Nobleman in Hunting Attire
1028:Saturn (Time) and Historia
983:
311:, a generation older, and
37:Self-portrait, 1558–1563,
4396:
4369:Giovanni Francesco Caroto
4355:
4300:Duke of Buckingham series
4284:
3933:
3872:Rossetti, William Michael
3511:Transcript of the hearing
3416:Bussagli, page 207, 2000.
1652:San Francesco della Vigna
1227:
1224:
1221:
1218:
1215:
1212:
1193:on his ancestor in 1888.
1175:Giovanni Battista Zelotti
854:Last Supper of the Christ
850:Venetian Holy Inquisition
566:
559:to study the ceilings by
537:Temptation of St. Anthony
506:Giovanni Battista Zelotti
494:San Francesco della Vigna
475:Giovanni Francesco Caroto
166:
161:
157:
141:
137:
119:
97:
89:
79:
60:
45:
30:
23:
4034:Christ Among the Doctors
3669:"San Gerolamo penitente"
3655:archive.worcesterart.org
3210:
2727:The Vision of St. Helena
2669:Kunsthistorisches Museum
2629:Christ and the Centurion
2567:Sala dell'Anticollegio,
2193:Kunsthistorisches Museum
1538:Assumption of the Virgin
1505:Worcester, Massachusetts
1399:Coronation of the Virgin
522:National Gallery, London
441:
4443:Italian Roman Catholics
4242:Susannah and the Elders
3883:Encyclopædia Britannica
3675:. Musei Civici di Pavia
3673:La Pinacoteca Malaspina
3561:Paintings in the Louvre
3537:Rearick, page 14, 1988.
3469:Rearick, page 13, 1988.
3439:. Commons.wikimedia.org
3407:Rearick, page 10, 1998.
3376:Rearick, page 75, 1988.
3367:Rearick, page 50, 1998.
3292:Rearick, page 20, 1988.
3177:Elizabeth Clare Prophet
2790:Gallerie dell'Accademia
2419:Gallerie dell'Accademia
2395:Gallerie dell'Accademia
2321:Gallerie dell'Accademia
2267:Gallerie dell'Accademia
1898:Martyrdom of St. George
1888:Gallerie dell'Accademia
1837:Dulwich Picture Gallery
1785:Gallerie dell'Accademia
1179:Giovanni Antonio Fasolo
941:Paintings in the Louvre
918:, a compilation of the
724:, and a brilliant sky.
3548:London Review of Books
3509:Rearick, p. 104 1988.
3500:Rearick, p. 104, 1988.
2227:Portrait of a Sculptor
1926:Being Led to Martyrdom
1873:Holy Family and Saints
1351:Zeus ousting the Vices
980:
968:
958:
894:
811:
688:
591:
583:
466:
410:
346:
307:(1573). Included with
4438:Italian male painters
4210:Bathsheba at her Bath
4186:Adoration of the Magi
4082:Petrobelli Altarpiece
3986:Venus Disarming Cupid
3877:"Paul Veronese"
3865:Catholic Encyclopedia
3516:15 April 2012 at the
3491:Rearick, p. 14, 1988.
3171:Head of the Third Ray
2751:Judith and Holofernes
2332:Adoration of the Magi
1912:San Giorgio in Braida
1849:Blanton Museum of Art
1822:Petrobelli altarpiece
1485:Venus Disarming Cupid
1234:Arachne or Dialectics
1183:Sigismondo de Stefani
973:
959:
949:
890:Perseus and Andromeda
887:
810:, the original title.
796:
678:
618:. He then painted a
589:
574:
449:
395:
335:
4473:Trompe-l'œil artists
4463:Painters from Verona
4458:Painters from Venice
4307:The Finding of Moses
4293:The Allegory of Love
4258:Cephalus and Procris
3821:, Hutchinson, 1990,
3738:Ilchman, Frederick,
3164:Veronese in religion
2800:Apotheosis of Venice
2643:Toledo Museum of Art
2178:The Finding of Moses
2103:The Allegory of Love
2066:Timken Museum of Art
1554:San Giovanni e Paolo
1500:Worcester Art Museum
1339:Musée des Beaux-Arts
1119:, 1561–62, London's
1058:Allegory of Painting
876:patron of the arts.
755:St. John the Baptist
742:Timken Museum of Art
701:San Giorgio Maggiore
602:) and the adjoining
408:Castelvecchio Museum
397:Deposition of Christ
4125:(c. 1556–1567)
4074:The Wedding at Cana
4021:(c. 1559–1560)
4013:(c. 1550–1560)
3147:La Morte dil Cesare
2990:Pavia Civic Museums
2976:Penitent St. Jerome
2952:Susanna in the Bath
2913:Pinacoteca di Brera
2890:Museum of Fine Arts
2741:Pinacoteca Vaticana
2693:Pinacoteca di Brera
2062:40-7/8 x 62-1/4 in.
1924:Mark and Marcellian
1796:The Wedding at Cana
1629:Museum of Fine Arts
1592:The Wedding at Cana
1431:Portrait of a Woman
845:The Wedding at Cana
832:Counter-Reformation
681:The Wedding at Cana
298:The Wedding at Cana
105:The Wedding at Cana
74:, Venetian Republic
55:, Venetian Republic
3798:Salomon, Xavier F.
3559:Gowing, Lawrence:
3235:Freedburg, 550–551
3014:Museum of Grenoble
2850:The Conversion of
2619:Seattle Art Museum
2554:The Rape of Europa
2541:Fitzwilliam Museum
1661:Decoration of the
1133:Portrait of a Lady
1131:), and portraits (
981:
895:
824:Roman Catholic art
812:
689:
592:
584:
467:
411:
347:
4478:Catholic painters
4405:
4404:
4375:Benedetto Caliari
4221:(Venice; c. 1575)
3283:Penny, 333 Note 1
3114:
3113:
2852:Saint Pantaleimon
2717:Galleria Borghese
2252:Battle of Lepanto
2203:Bathsheba Bathing
1761:Galleria Borghese
1616:Portrait of a Man
1260:Leda and the Swan
1165:, and his nephew
1127:, 1578, New York
1111:Working practices
1103:Leda and the Swan
953:Théophile Gautier
836:Venetian republic
748:, a patroness of
697:Benedictine monks
620:History of Esther
598:(the Hall of the
527:In 1552 Cardinal
436:Alessandro Turchi
432:Venetian language
293:history paintings
240:-zay, -zee
175:
174:
68:(aged 59–60)
4485:
4381:Gabriele Caliari
4343:
4335:Smith collection
4324:
4250:Venus and Adonis
4109:(Turin; c. 1565)
4061:(Augsburg; 1562)
4058:Venus and Adonis
4018:Supper at Emmaus
3920:
3913:
3906:
3897:
3896:
3887:
3879:
3773:Rearick, W. R.,
3735:
3717:
3700:
3694:
3691:
3685:
3684:
3682:
3680:
3665:
3659:
3658:
3647:
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3587:
3585:
3580:on 22 March 2009
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3258:
3252:
3249:
3236:
3233:
3227:
3224:
3106:Lobkowicz Palace
3070:Supper at Emmaus
3061:National Gallery
2825:Siege of Scutari
2605:Venus and Adonis
2580:Venus and Adonis
2443:Galleria Sabauda
2347:National Gallery
2119:National Gallery
2042:National Gallery
2016:Frick Collection
1990:Frick Collection
1698:Venus and Adonis
1673:and other scenes
1575:
1565:Supper at Emmaus
1547:
1521:
1467:
1441:
1408:
1332:
1311:National Gallery
1304:
1286:Ajaccio, Corsica
1274:
1210:
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1121:National Gallery
1099:
1084:
1069:
1054:
1039:
1024:
1009:
994:
628:Marciana Library
541:Mantua Cathedral
498:Jacopo Sansovino
481:then popular in
464:National Gallery
461:
458:
405:
402:
343:National Gallery
323:Late Renaissance
282:
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39:Hermitage Museum
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4468:Sibling artists
4408:
4407:
4406:
4401:
4400:
4392:
4351:
4285:Painting series
4280:
3929:
3924:
3835:
3757:Penny, Nicholas
3726:
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3720:
3701:
3697:
3692:
3688:
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3636:Eisler, Colin:
3635:
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3518:Wayback Machine
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3166:
3128:The Last Supper
3119:
3000:Noli me tangere
2942:Alte Pinakothek
2615:224.5 x 168.275
2472:St. Petersburg
1691:Maser, Treviso
1685:Villa Barbaro,
1573:
1545:
1519:
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1439:
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1187:Anselmo Canneri
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1045:, Villa Barbaro
1040:
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1030:, Villa Barbaro
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1016:
1010:
1001:
995:
986:
945:Lawrence Gowing
920:Venetian School
882:
862:The Last Supper
808:The Last Supper
783:The Last Supper
769:
693:Wedding at Cana
660:Andrea Palladio
644:
569:
510:Anselmo Canneri
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414:Birth and names
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4363:Antonio Badile
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4350:
4349:
4303:
4297:
4288:
4286:
4282:
4281:
4279:
4278:
4270:
4269:(c. 1580–1585)
4262:
4261:(c. 1580–1584)
4254:
4253:(Madrid; 1580)
4246:
4238:
4230:
4222:
4214:
4206:
4205:(c. 1570–1575)
4198:
4190:
4182:
4174:
4166:
4162:Venus and Mars
4158:
4150:
4149:(c. 1565–1570)
4142:
4134:
4126:
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4102:
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4086:
4078:
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4069:(c. 1562–1565)
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3927:Paolo Veronese
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3833:External links
3831:
3830:
3829:
3812:
3810:978-1857095531
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3752:978-0878467396
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3482:, p. 30, 1999.
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1359:
1356:
1353:
1347:
1346:
1341:
1336:
1333:
1328:
1325:
1319:
1318:
1313:
1308:
1305:
1300:
1297:
1289:
1288:
1283:
1278:
1275:
1270:
1267:
1256:
1255:
1250:
1248:Palazzo Ducale
1245:
1242:
1239:
1236:
1230:
1229:
1226:
1223:
1220:
1217:
1214:
1201:
1200:Selected works
1198:
1171:Nicholas Penny
1167:Luigi Benfatto
1125:Venus and Mars
1112:
1109:
1108:
1107:
1101:
1094:
1092:
1086:
1079:
1077:
1071:
1064:
1062:
1056:
1049:
1047:
1041:
1034:
1032:
1026:
1019:
1017:
1011:
1004:
1002:
1000:, c. 1550–1552
996:
989:
985:
982:
964:Impressionists
905:Giorgio Vasari
881:
878:
768:
763:
664:Barbaro family
643:
640:
624:San Sebastiano
600:Council of Ten
580:San Sebastiano
568:
565:
529:Ercole Gonzaga
471:Antonio Badile
443:
440:
415:
412:
389:
386:
182:Paolo Veronese
173:
172:
164:
163:
159:
158:
155:
154:
152:Barbaro family
145:
139:
138:
135:
134:
121:
117:
116:
101:
95:
94:
91:
90:Known for
87:
86:
81:
77:
76:
70:
62:
58:
57:
51:
47:
43:
42:
36:
28:
27:
25:Paolo Veronese
24:
15:
9:
6:
4:
3:
2:
4490:
4479:
4476:
4474:
4471:
4469:
4466:
4464:
4461:
4459:
4456:
4454:
4451:
4449:
4446:
4444:
4441:
4439:
4436:
4434:
4431:
4429:
4426:
4424:
4421:
4419:
4416:
4415:
4413:
4395:
4388:
4387:Carlo Caliari
4385:
4382:
4379:
4376:
4373:
4370:
4367:
4364:
4361:
4360:
4358:
4354:
4347:
4340:
4336:
4332:
4328:
4321:
4317:
4313:
4309:
4308:
4304:
4301:
4298:
4295:
4294:
4290:
4289:
4287:
4283:
4276:
4275:
4271:
4268:
4267:
4263:
4260:
4259:
4255:
4252:
4251:
4247:
4244:
4243:
4239:
4236:
4235:
4231:
4228:
4227:
4223:
4220:
4219:
4215:
4212:
4211:
4207:
4204:
4203:
4199:
4196:
4195:
4191:
4188:
4187:
4183:
4180:
4179:
4175:
4172:
4171:
4167:
4164:
4163:
4159:
4157:(Milan; 1570)
4156:
4155:
4151:
4148:
4147:
4143:
4140:
4139:
4135:
4132:
4131:
4127:
4124:
4123:
4119:
4116:
4115:
4111:
4108:
4107:
4103:
4100:
4099:
4095:
4092:
4091:
4087:
4084:
4083:
4079:
4076:
4075:
4071:
4068:
4067:
4063:
4060:
4059:
4055:
4052:
4051:
4047:
4044:
4043:
4042:La Bella Nani
4039:
4036:
4035:
4031:
4028:
4027:
4023:
4020:
4019:
4015:
4012:
4011:
4007:
4004:
4003:
3999:
3996:
3995:
3991:
3988:
3987:
3983:
3980:
3976:
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3968:
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3963:
3960:
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3939:
3938:
3936:
3932:
3928:
3921:
3916:
3914:
3909:
3907:
3902:
3901:
3898:
3892:
3889:
3885:
3884:
3878:
3873:
3869:
3867:
3866:
3861:
3860:Paolo Caliari
3858:
3855:
3852:
3850:
3847:
3844:
3840:
3837:
3836:
3828:
3824:
3820:
3816:
3815:Watson, Peter
3813:
3811:
3807:
3803:
3799:
3796:
3794:
3790:
3786:
3782:
3781:Rosand, David
3779:
3776:
3772:
3770:
3766:
3762:
3758:
3755:
3753:
3749:
3745:
3741:
3737:
3733:
3728:
3727:
3715:
3711:
3707:
3706:
3699:
3690:
3674:
3670:
3664:
3656:
3652:
3646:
3639:
3633:
3625:
3617:
3601:
3595:
3579:
3575:
3569:
3562:
3556:
3549:
3543:
3534:
3528:Penny, p. 333
3525:
3519:
3515:
3512:
3506:
3497:
3488:
3481:
3475:
3466:
3464:
3454:
3438:
3431:
3422:
3413:
3404:
3402:
3394:
3390:
3389:
3382:
3373:
3364:
3357:
3351:
3344:
3338:
3330:
3326:
3320:
3311:
3304:
3298:
3289:
3280:
3271:
3269:
3267:
3257:
3248:
3246:
3244:
3242:
3232:
3223:
3221:
3216:
3206:
3203:
3201:
3198:
3196:
3193:
3191:
3188:
3187:
3178:
3175:
3172:
3168:
3167:
3158:
3157:
3152:
3148:
3144:
3141:
3140:
3135:
3134:
3129:
3125:
3121:
3120:
3109:
3107:
3104:
3101:
3099:Oil on canvas
3098:
3095:
3093:
3090:
3089:
3085:
3082:
3079:
3077:Oil on canvas
3076:
3073:
3071:
3068:
3067:
3063:
3060:
3057:
3055:Oil on canvas
3054:
3051:
3049:
3046:
3045:
3041:
3039:
3036:
3033:
3031:Oil on canvas
3030:
3027:
3025:
3022:
3021:
3017:
3015:
3012:
3009:
3007:Oil on canvas
3006:
3003:
3001:
2998:
2997:
2993:
2991:
2988:
2985:
2983:Oil on canvas
2982:
2979:
2977:
2974:
2973:
2969:
2967:
2964:
2961:
2959:Oil on canvas
2958:
2955:
2953:
2950:
2949:
2945:
2943:
2940:
2938:117.3 × 100.8
2937:
2935:Oil on canvas
2934:
2931:
2928:
2927:La Bella Nani
2924:
2921:
2920:
2916:
2914:
2911:
2908:
2906:Oil on canvas
2905:
2902:
2900:
2897:
2896:
2892:
2889:
2886:
2884:Oil on canvas
2883:
2880:
2878:
2875:
2874:
2870:
2868:
2865:
2862:
2860:Oil on canvas
2859:
2856:
2854:
2853:
2848:
2847:
2843:
2841:
2840:Doge's Palace
2838:
2835:
2833:Oil on canvas
2832:
2829:
2827:
2826:
2822:
2821:
2817:
2815:
2814:Doge's Palace
2812:
2809:
2807:Oil on canvas
2806:
2803:
2801:
2798:
2797:
2793:
2791:
2788:
2786:diameter: 198
2785:
2783:Oil on canvas
2782:
2779:
2777:
2774:
2773:
2769:
2767:
2766:Palazzo Rosso
2763:
2760:
2758:Oil on canvas
2757:
2754:
2752:
2749:
2748:
2744:
2742:
2739:
2736:
2734:Oil on canvas
2733:
2730:
2728:
2725:
2724:
2720:
2718:
2715:
2712:
2710:Oil on canvas
2709:
2706:
2704:
2701:
2700:
2696:
2694:
2691:
2688:
2686:Oil on canvas
2685:
2682:
2680:
2677:
2676:
2672:
2670:
2667:
2664:
2662:Oil on canvas
2661:
2658:
2656:
2655:
2651:
2650:
2647:Toledo, Ohio
2646:
2644:
2641:
2638:
2636:Oil on canvas
2635:
2632:
2630:
2627:
2626:
2622:
2620:
2617:
2614:
2612:Oil on Canvas
2611:
2608:
2606:
2603:
2602:
2598:
2596:
2593:
2590:
2588:Oil on canvas
2587:
2584:
2582:
2581:
2577:
2576:
2572:
2570:
2569:Doge's Palace
2566:
2563:
2561:Oil on canvas
2560:
2557:
2555:
2552:
2551:
2547:
2544:
2542:
2539:
2536:
2534:Oil on canvas
2533:
2531:(1576?–1584?)
2530:
2528:
2525:
2524:
2520:
2518:
2515:
2512:
2510:Oil on canvas
2509:
2506:
2504:
2501:
2500:
2496:
2494:
2490:
2487:
2485:Oil on canvas
2484:
2481:
2479:
2476:
2475:
2471:
2469:
2465:
2462:
2460:Oil on canvas
2459:
2456:
2454:
2451:
2450:
2446:
2444:
2441:
2438:
2436:Oil on canvas
2435:
2432:
2430:
2427:
2426:
2422:
2420:
2417:
2414:
2412:Oil on canvas
2411:
2408:
2406:
2403:
2402:
2398:
2396:
2393:
2390:
2388:Oil on canvas
2387:
2384:
2382:
2379:
2378:
2374:
2372:
2369:
2366:
2364:Oil on canvas
2363:
2360:
2358:
2355:
2354:
2350:
2348:
2345:
2342:
2340:Oil on canvas
2339:
2336:
2334:
2333:
2329:
2328:
2324:
2322:
2319:
2316:
2314:Oil on canvas
2313:
2310:
2308:
2307:
2303:
2302:
2298:
2296:
2292:
2289:
2286:
2284:Oil on canvas
2283:
2280:
2278:
2275:
2274:
2270:
2268:
2265:
2262:
2260:Oil on canvas
2259:
2256:
2254:
2253:
2249:
2248:
2244:
2242:
2239:
2236:
2234:Oil on canvas
2233:
2231:(1550?–1585?)
2230:
2228:
2225:
2224:
2220:
2218:
2215:
2212:
2210:Oil on canvas
2209:
2206:
2204:
2201:
2200:
2196:
2194:
2191:
2188:
2186:Oil on canvas
2185:
2183:(1570?–1575?)
2182:
2180:
2179:
2175:
2174:
2170:
2168:
2165:
2162:
2160:Oil on canvas
2159:
2156:
2154:
2151:
2150:
2146:
2144:
2141:
2138:
2136:Oil on canvas
2135:
2132:
2130:
2127:
2126:
2122:
2120:
2117:
2114:
2112:Oil on canvas
2111:
2108:
2105:
2104:
2100:
2099:
2095:
2093:
2090:
2087:
2085:Oil on canvas
2084:
2081:
2079:
2078:
2074:
2073:
2069:
2067:
2064:
2061:
2059:Oil on canvas
2058:
2055:
2053:
2050:
2049:
2045:
2043:
2040:
2038:236.2 × 475.9
2037:
2035:Oil on canvas
2034:
2031:
2029:
2028:
2024:
2023:
2019:
2017:
2014:
2012:219.1 x 169.5
2011:
2009:Oil on canvas
2008:
2005:
2003:
2002:
1998:
1997:
1993:
1991:
1988:
1985:
1983:Oil on canvas
1982:
1979:
1977:
1976:
1972:
1971:
1967:
1965:
1962:
1959:
1957:Oil on canvas
1956:
1953:
1951:
1948:
1947:
1943:
1941:
1938:
1935:
1933:Oil on canvas
1932:
1929:
1927:
1925:
1920:
1919:
1915:
1913:
1910:
1907:
1905:Oil on canvas
1904:
1901:
1899:
1896:
1895:
1891:
1889:
1886:
1883:
1881:Oil on canvas
1880:
1877:
1874:
1871:
1870:
1867:
1866:Austin, Texas
1863:
1859:
1855:
1852:
1850:
1846:
1842:
1838:
1835:
1832:
1830:Oil on canvas
1829:
1826:
1824:
1823:
1819:
1818:
1814:
1812:
1809:
1806:
1804:Oil on canvas
1803:
1800:
1798:
1797:
1793:
1792:
1788:
1786:
1783:
1780:
1778:Oil on canvas
1777:
1774:
1772:
1769:
1768:
1764:
1762:
1759:
1756:
1754:Oil on canvas
1753:
1750:
1748:
1745:
1744:
1740:
1738:
1735:
1732:
1730:Oil on canvas
1729:
1726:
1724:
1721:
1720:
1716:
1714:
1711:
1708:
1706:Oil on canvas
1705:
1702:
1700:
1699:
1695:
1694:
1690:
1688:
1684:
1681:
1678:
1675:
1672:
1668:
1664:
1663:Villa Barbaro
1660:
1659:
1655:
1653:
1650:
1647:
1645:Oil on canvas
1644:
1641:
1639:
1636:
1635:
1631:
1628:
1625:
1623:Oil on canvas
1622:
1619:
1617:
1614:
1613:
1609:
1607:
1604:
1601:
1599:Oil on canvas
1598:
1595:
1593:
1590:
1589:
1585:
1583:
1580:
1577:
1574:Oil on canvas
1572:
1569:
1567:
1566:
1562:
1561:
1557:
1555:
1552:
1549:
1546:Oil on canvas
1544:
1541:
1539:
1536:
1535:
1531:
1529:
1526:
1523:
1520:Oil on canvas
1518:
1515:
1513:
1510:
1509:
1506:
1503:
1501:
1498:
1495:
1493:Oil on canvas
1492:
1489:
1487:
1486:
1482:
1481:
1477:
1475:
1472:
1469:
1466:Oil on canvas
1464:
1461:
1459:
1456:
1455:
1451:
1449:
1446:
1443:
1440:Oil on canvas
1438:
1435:
1432:
1428:
1427:
1426:La Bella Nani
1423:
1422:
1418:
1416:
1413:
1410:
1407:Oil on canvas
1405:
1402:
1400:
1397:
1396:
1392:
1390:
1387:
1384:
1382:Oil on canvas
1381:
1378:
1376:
1373:
1372:
1368:
1366:
1363:
1360:
1358:Oil on canvas
1357:
1354:
1352:
1349:
1348:
1345:
1342:
1340:
1337:
1334:
1331:Oil on canvas
1329:
1326:
1324:
1321:
1320:
1317:
1314:
1312:
1309:
1306:
1303:Oil on canvas
1301:
1298:
1296:
1295:
1291:
1290:
1287:
1284:
1282:
1279:
1276:
1273:Oil on canvas
1271:
1268:
1265:
1261:
1258:
1257:
1254:
1253:Venice, Italy
1251:
1249:
1246:
1243:
1240:
1237:
1235:
1232:
1231:
1211:
1207:
1197:
1194:
1192:
1188:
1184:
1180:
1176:
1172:
1168:
1164:
1160:
1156:
1151:
1149:
1145:
1142:
1138:
1134:
1130:
1126:
1122:
1118:
1104:
1098:
1093:
1089:
1083:
1078:
1074:
1068:
1063:
1059:
1053:
1048:
1044:
1038:
1033:
1029:
1023:
1018:
1014:
1008:
1003:
999:
993:
988:
987:
978:
977:
972:
967:
965:
957:
954:
948:
946:
942:
937:
934:
929:
927:
926:
921:
917:
916:Carlo Ridolfi
913:
908:
906:
902:
901:
892:
891:
886:
877:
875:
871:
867:
863:
857:
855:
851:
847:
846:
840:
837:
833:
829:
825:
821:
817:
809:
805:
804:investigation
801:
800:
795:
791:
788:
784:
780:
776:
775:
767:
762:
760:
756:
751:
747:
743:
739:
734:
732:
731:
725:
723:
719:
715:
711:
707:
702:
698:
694:
687:
684:, 1562–1563,
683:
682:
677:
673:
671:
670:
665:
661:
657:
653:
652:Villa Barbaro
649:
639:
637:
633:
629:
625:
621:
617:
613:
609:
608:Doge's Palace
605:
601:
597:
588:
581:
577:
573:
564:
562:
561:Giulio Romano
558:
554:
550:
546:
542:
538:
534:
530:
525:
523:
519:
515:
514:Carlo Ridolfi
511:
507:
503:
499:
495:
491:
486:
484:
480:
476:
472:
465:
454:
453:
448:
439:
438:(1578–1649).
437:
433:
429:
425:
421:
409:
398:
394:
388:Life and work
385:
383:
379:
375:
371:
367:
361:
359:
358:
353:
344:
340:
339:
334:
330:
328:
324:
320:
319:
314:
310:
306:
305:
300:
299:
294:
290:
286:
281:
273:
272:
266:
248:
242:
241:
228:
183:
179:
178:Paolo Caliari
170:
165:
160:
156:
153:
149:
146:
140:
136:
133:
129:
125:
122:
118:
114:
113:
107:
106:
102:
96:
92:
88:
85:
82:
78:
73:
64:19 April 1588
63:
59:
54:
48:
44:
40:
34:
29:
22:
19:
4305:
4291:
4272:
4264:
4256:
4248:
4240:
4232:
4224:
4216:
4208:
4200:
4192:
4184:
4176:
4168:
4160:
4152:
4144:
4136:
4128:
4120:
4112:
4104:
4096:
4088:
4080:
4072:
4064:
4056:
4048:
4040:
4032:
4024:
4016:
4008:
4002:Annunciation
4000:
3992:
3984:
3978:
3972:
3964:
3956:
3948:
3940:
3926:
3881:
3863:
3841: at the
3818:
3801:
3784:
3774:
3760:
3743:
3739:
3731:
3704:
3698:
3689:
3679:17 September
3677:. Retrieved
3672:
3663:
3654:
3645:
3637:
3632:
3623:
3616:
3604:. Retrieved
3594:
3582:. Retrieved
3578:the original
3568:
3560:
3555:
3547:
3542:
3533:
3524:
3505:
3496:
3487:
3479:
3474:
3453:
3441:. Retrieved
3430:
3421:
3412:
3392:
3386:
3381:
3372:
3363:
3355:
3350:
3342:
3337:
3328:
3319:
3310:
3302:
3297:
3288:
3279:
3256:
3231:
3154:
3146:
3137:
3131:
3124:Monty Python
3091:
3069:
3047:
3023:
2999:
2975:
2951:
2926:
2922:
2898:
2876:
2867:San Pantalon
2849:
2823:
2799:
2775:
2764:Galleria di
2750:
2726:
2702:
2678:
2652:
2639:99.2 × 130.8
2628:
2604:
2578:
2553:
2526:
2502:
2491:The Chapel,
2477:
2452:
2428:
2404:
2380:
2356:
2330:
2304:
2291:Monte Berico
2276:
2250:
2226:
2202:
2176:
2152:
2128:
2101:
2075:
2051:
2025:
1999:
1973:
1949:
1921:
1897:
1872:
1820:
1794:
1770:
1746:
1722:
1696:
1670:
1666:
1637:
1615:
1591:
1563:
1537:
1511:
1483:
1458:Annunciation
1457:
1436:(1555–1560?)
1430:
1424:
1398:
1374:
1350:
1322:
1292:
1259:
1233:
1195:
1152:
1132:
1124:
1116:
1114:
1102:
1087:
1072:
1057:
1042:
1027:
1012:
997:
974:
960:
950:
940:
938:
933:Charles Hope
930:
923:
911:
909:
898:
896:
888:
865:
861:
858:
843:
841:
813:
807:
797:
786:
782:
772:
770:
765:
740:(now in the
737:
735:
728:
726:
710:Book of John
706:lapis-lazuli
692:
690:
679:
669:trompe-l'œil
667:
647:
645:
636:Michelangelo
619:
611:
603:
595:
593:
575:
552:
543:(now at the
536:
526:
517:
487:
468:
450:
427:
417:
396:
362:
355:
348:
336:
316:
302:
296:
181:
177:
176:
110:
103:
99:Notable work
66:(1588-04-19)
18:
4423:1588 deaths
4418:1528 births
4229:(1575–1580)
4173:(1571–1572)
4141:(1565–1570)
4133:(1565–1570)
3979:attribution
3945:(1545–1548)
3478:Dunkerton,
3425:Louvre 1993
3303:Italian Art
3226:Rosand, 107
3200:Orientalism
3156:100 Bullets
3048:Sitting dog
3034:75.5 x 57.3
2537:232.4 × 173
2513:205.7 × 161
2457:(1576–1582)
2317:555 × 1,280
2106:four scenes
2092:Rijksmuseum
2088:121 × 105.5
2082:(1565–1567)
2056:(1565–1570)
2032:(1565–1570)
1986:214.6 × 167
1833:Now divided
1676:(1560–1561)
1327:(1552–1553)
1307:163.5 × 117
1299:(1545–1548)
1281:Musée Fesch
1177:and later,
1141:chiaroscuro
914:(1648), by
903:(1568), by
893:, 1576–1578
828:Inquisition
816:Last Supper
759:Holy Family
746:St. Justina
490:Giustiniani
460: 1548
424:stonecutter
404: 1547
318:cinquecento
301:(1563) and
271:-see
124:Renaissance
80:Nationality
4412:Categories
4346:Washington
3827:009174637X
3793:0521565685
3769:1857099133
3724:References
3714:0972040242
3329:www.wga.hu
3274:Penny, 331
3251:Penny, 333
3086:Rotterdam
2665:109 × 90.5
2237:110.5 × 89
2096:Amsterdam
2070:San Diego
1222:Size (cm)
1204:See also:
880:Assessment
820:humanistic
722:colonnades
428:spezapreda
321:" and the
313:Tintoretto
283:), was an
4377:(brother)
4320:Liverpool
4296:(c. 1570)
4277:(c. 1585)
4245:(c. 1580)
4237:(c. 1580)
4181:(c. 1572)
4101:(c. 1565)
4093:(c. 1565)
4085:(c. 1563)
4053:(c. 1562)
4045:(c. 1560)
4037:(c. 1560)
4005:(c. 1556)
3997:(c. 1555)
3989:(c. 1550)
3961:(c. 1548)
3934:Paintings
3074:1565–1570
3042:Montreal
3018:Grenoble
2962:198 × 198
2909:245 × 450
2893:Budapest
2863:277 x 160
2836:904 × 579
2810:904 × 579
2761:195 × 176
2737:166 × 134
2591:212 × 191
2564:240 × 303
2546:Cambridge
2521:New York
2488:273 × 156
2468:Hermitage
2463:147 × 115
2415:337 × 241
2391:309 × 328
2375:Florence
2367:103 × 113
2343:356 × 320
2263:169 × 137
2245:New York
2213:191 × 224
2163:167 × 416
2139:136 × 104
2115:191 × 191
2020:New York
1994:New York
1908:426 × 305
1884:328 × 188
1862:Edinburgh
1827:(c. 1563)
1807:677 × 994
1781:339 × 191
1717:Augsburg
1709:123 × 174
1632:Budapest
1626:120 × 102
1602:207 × 457
1578:241 × 415
1570:1559–1560
1550:340 × 455
1524:236 × 430
1490:(1555 c.)
1478:Florence
1470:193 × 291
1444:119 × 103
1385:330 × 317
1361:650 × 330
1335:198 × 151
1191:monograph
1155:Benedetto
1150:survive.
1105:, c. 1585
1075:, c. 1584
979:, c. 1565
874:patrician
632:Correggio
582:(1556–57)
479:Mannerism
378:Delacroix
345:, London.
327:Mannerism
287:based in
162:Signature
143:Patron(s)
128:Mannerism
4371:(master)
4365:(master)
4274:Lucretia
3977:(1550) (
3874:(1911).
3802:Veronese
3606:28 April
3584:28 April
3550:. p. 22.
3514:Archived
3443:28 April
3184:See also
3126:sketch "
2689:80 × 108
2654:Lucretia
2623:Seattle
2299:Vicenza
2171:Dresden
2147:Dresden
1610:Dresden
1216:Created
1163:Gabriele
1135:, 1555,
1088:Lucretia
943:(1987),
699:for the
276:Italian:
120:Movement
93:Painting
84:Venetian
4356:Related
4316:Dresden
4302:(1590s)
4165:(1570s)
3130:" from
3110:Prague
3080:66 × 79
3058:44 × 82
3028:c. 1585
2986:80 x 95
2946:Munich
2887:60 × 48
2871:Venice
2844:Venice
2818:Venice
2794:Venice
2780:(1582?)
2755:(1580?)
2731:(1580?)
2707:(1580?)
2683:(1580?)
2673:Vienna
2659:(1580s)
2633:(1580?)
2609:(1580?)
2599:Madrid
2573:Venice
2507:(1578?)
2497:London
2482:(1578?)
2439:47 × 47
2433:(1575?)
2423:Venice
2409:(1575?)
2399:Venice
2361:(1573?)
2351:London
2325:Venice
2295:Vicenza
2271:Venice
2257:(1572?)
2207:(1575?)
2197:Vienna
2157:(1570?)
2133:(1570?)
2123:London
2046:London
1968:Venice
1944:Venice
1916:Verona
1892:Venice
1858:Dulwich
1789:Venice
1775:(1562?)
1751:(1562?)
1741:Venice
1727:(1562?)
1703:(1561+)
1656:Venice
1620:(1560?)
1596:(1560?)
1558:Venice
1542:(1558?)
1532:Madrid
1462:(1555?)
1419:Venice
1379:(1554?)
1355:(1553?)
1264:subject
1219:Medium
1148:ricordi
1144:modelli
1090:, 1580s
1060:, 1560s
984:Gallery
718:Galilee
606:in the
576:St Mark
553:in situ
502:Treviso
430:in the
374:Tiepolo
370:Watteau
357:in situ
108:(1563)
4331:Madrid
4213:(1575)
4197:(1573)
4189:(1573)
4117:(1566)
4077:(1563)
4029:(1560)
3953:(1548)
3843:Art UK
3825:
3808:
3791:
3767:
3750:
3712:
3480:et al.
3343:passim
3096:(1575)
2994:Pavia
2970:Paris
2966:Louvre
2917:Milan
2857:(1587)
2830:(1585)
2804:(1585)
2770:Genoa
2697:Milan
2585:(1580)
2558:(1580)
2447:Turin
2385:(1575)
2371:Uffizi
2337:(1573)
2311:(1573)
2281:(1572)
2109:(1570)
2006:(1565)
1980:(1565)
1954:(1565)
1930:(1565)
1902:(1564)
1864:&
1854:Ottawa
1815:Paris
1811:Louvre
1801:(1563)
1679:Fresco
1642:(1560)
1586:Paris
1582:Louvre
1516:(1558)
1474:Uffizi
1452:Paris
1448:Louvre
1403:(1555)
1393:Paris
1389:Louvre
1369:Paris
1365:Louvre
1316:London
1241:Fresco
1238:(1520)
1225:Owner
1213:Title
1185:, and
1137:Louvre
870:heresy
818:, the
686:Louvre
616:Louvre
567:Venice
557:Mantua
420:Verona
382:Renoir
380:, and
366:Rubens
352:Verona
309:Titian
289:Venice
115:(1573)
72:Venice
53:Verona
4389:(son)
4383:(son)
4339:Turin
4312:Dijon
3740:et al
3211:Notes
3064:Oslo
2745:Rome
2721:Rome
2595:Prado
2548:, UK
2453:Pietà
2221:Lyon
1922:Sts.
1765:Rome
1687:Maser
1528:Prado
1228:City
1159:Carlo
750:Padua
656:Maser
483:Parma
442:Youth
426:, or
249:also
4327:Lyon
3845:site
3823:ISBN
3806:ISBN
3789:ISBN
3765:ISBN
3748:ISBN
3710:ISBN
3681:2022
3608:2014
3586:2014
3445:2014
3385:The
3122:The
2466:The
1878:1564
1344:Caen
1161:and
1146:and
714:Cana
691:The
549:Caen
539:for
508:and
234:VERR
61:Died
49:1528
46:Born
3742:.,
3151:arc
1648:...
939:In
864:to
654:in
547:in
384:".
238:NAY
236:-ə-
4414::
4344:,
4337:,
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4325:,
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247:US
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