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girl, Paquita. Unbeknownst to
Paquita, she is really of noble birth, having been abducted by Romani people when she was an infant. She saves the life of a young French officer, Lucien d'Hervilly, who is the target of a Spanish governor who desires to have him killed by Iñigo, a Roma chief. By way of
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staged for the Maly
Theatre Ballet in 1952. The Kirov/Mariinsky Ballet still retain Vinogradov's version in their repertory, and many companies throughout the world include his version of the piece in their repertories.
340:
for
American Ballet Theatre with music again arranged by Lanchbery. To date the company still retains Makarova's staging in their repertory, and many companies throughout the world have staged her version of the piece.
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89:, being the first work ever staged by Petipa in Russia. In 1881, Petipa produced a revival of the ballet for which he added new pieces specially composed by
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151:, a cache of notations and other materials that document many of the works in the Imperial Ballet's repertory during the twilight of the Russian Empire.
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a medallion, she discovers that she is of noble birth, being in fact the cousin of Lucien. As such, she and the
Officer are able to get married.
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420:(left to right) Georges Ellie as Iñigo, Carlotta Grisi as Paquita, and Lucien Petipa as Lucien d'Hervilly in Act I-Scene 2. Paris, 1844
58:
is the creation of French composer Édouard
Deldevez and Paris Opéra Ballet Master Joseph Mazilier. It was first presented at the
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for the Paris Opera Ballet. Although
Lacotte re-choreographed all of the ballet himself, he restored Joseph Mazilier's original
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survived long after the full-length ballet left the stage. Today these pieces, particularly the
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558:(clockwise from left) Erin Joseph, Patricia Barker, Bathurel Bold and Kimberley Davey in the
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in 1881, only one variation was included for the leading ballerina
Ekaterina Vazem, being a
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around 1902. The notations were made while Petipa himself taught and rehearsed the great
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of St. Petersburg. For his production
Dolgushin called upon the former ballerina
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on 1 April 1846 and was retained in the repertory of the Opéra until 1851.
19:
This article is about the 19th century ballet. For the
Mexican singer, see
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repertory and have been staged by ballet companies throughout the world.
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for her début in the title rôle. Today, this notation is part of the
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273:
812:. Newcastle, UK: Cambridge Scholars Publishing. pp. 39–40.
32:
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In 2001, director
Brigitte Lefèvre asked French choreographer
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Petipa's choreography for the Imperial Ballet's production of
492:
Mikhail Fokine costumed for the role of Lucien d'Hervilly in
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in 1971. For all of his productions of the work Nureyev used
288:
In Marius Petipa and Ludwig Minkus's original staging of the
280:
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163:
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Ekaterina Vazem in the title role of Petipa's revival of
35:
in two acts and three scenes originally choreographed by
379:
for the company, a staging largely based on the version
364:
to its form as performed during the early 20th century.
185:
mounted a reconstruction of Petipa's final revival of
1412:The Little Humpbacked Horse (as "The Tsar Maiden")
722:"A Beloved Spanish Gypsy Returns to France's Arms"
47:. Paul Foucher received royalties as librettist.
1509:
174:was performed again by the Paris Opera in 2007.
158:to produce a revival of the full-length two act
73:was staged for the first time in Russia for the
387:
695:"Castanets and a Mazurka in Paris's 'Paquita'"
452:Students of the Imperial Ballet School in the
852:
1496:The Romance of the Rosebud and the Butterfly
688:
686:
406:from Deldevez's original score. London, 1847
124:, are major cornerstones of the traditional
701:. No. National edition. p. E00001
1251:Le Diable Ă Quatre (as "The Willful Wife")
859:
845:
692:
608:"Biography of Joseph Mazilier (1797-1868)"
196:
1104:Ondine (as "The Naiad and the Fisherman")
805:
683:
806:Letellier, Robert Ignatius, ed. (2008).
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773:
771:
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749:"A Buried Past Springing Into the Light"
720:Macaulay, Alastair (December 13, 2007).
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320:in 1970. Nureyev also staged it for the
1460:Les Ruses d'Amour or The Trial of Damis
925:The Rose, the Violet, and the Butterfly
16:Choreographed ballet by Joseph Mazilier
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177:In 2014, the Stepanov notation expert
170:, as well as Petipa's 1881 additions.
105:for the last act. Petipa's version of
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693:Kisselgoff, Anna (February 8, 2001).
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474:Virginia Zucchi in the title role of
371:'s newly appointed artistic director
109:was retained in the repertory of the
747:Sulcas, Roslyn (December 15, 2014).
332:'s adaptation of the music. In 1984
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893:Le Diable amoureux (as "Satanella")
13:
626:
597:Archives Nationales, code AJ13/229
272:'s army. The heroine is the young
14:
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639:"Discovering Repertoire: Paquita"
402:Published piano reduction of the
312:staged the piece in 1964 for the
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941:A Marriage During the Regency
867:The ballets and *revivals of
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912:(*1850, *1884, *1899, *1903)
809:The Ballets of Ludwig Minkus
388:Gallery of historical images
375:staged a new version of the
336:staged a new version of the
306:in her company's repertory.
116:Petipa's 1881 additions for
7:
1533:Ballets by Édouard Deldevez
1332:The Caprices of a Butterfly
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564:Paquita grand pas classique
514:and Elizaveta Gerdt in the
510:(left to right) Elsa Vill,
377:Paquita grand pas classique
362:Paquita grand pas classique
350:Paquita grand pas classique
338:Paquita grand pas classique
290:Paquita grand pas classique
283:Paquita grand pas classique
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99:Paquita grand pas classique
10:
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1523:Ballets by Joseph Mazilier
348:produced a staging of the
344:In 1974 the Ballet Master
296:arranged for solo violin.
181:and Russian choreographer
97:for the first act and the
87:Pierre-Frédéric Malavergne
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18:
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1152:The Daughter of the Snows
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665:"The Sergeyev Collection"
536:Pierre Vladimirov in the
456:from Petipa's revival of
322:Vienna State Opera Ballet
264:The story takes place in
191:Bayerisches Staatsballett
1543:Ballets by Ludwig Minkus
1518:Ballets by Marius Petipa
1482:The Heart of the Marquis
1120:The Adventures of Peleus
901:Leda, the Swiss Milkmaid
579:List of ballets by title
560:Pacific Northwest Ballet
314:Royal Academy of Dancing
1291:The Sacrifices to Cupid
326:American Ballet Theatre
268:during the presence of
259:
197:Roles and original cast
1538:Ballets by Paul Fouché
1396:The Awakening of Flora
984:The Pharaoh's Daughter
643:Royal Academy of Dance
544:. St. Petersburg, 1909
522:. St. Petersburg, 1909
496:. St. Petersburg, 1898
478:. St. Petersburg, 1886
460:. St. Petersburg, 1881
438:. St. Petersburg, 1881
369:Kirov/Mariinsky Ballet
141:choreographic notation
1528:1846 ballet premieres
1219:The Night and the Day
1032:The Benevolent Cupid
992:The Beauty of Lebanon
785:Marius Petipa Society
669:Marius Petipa Society
645:. RAD Enterprises Ltd
562:'s production of the
213:St. Petersburg, 1881
210:St. Petersburg, 1847
21:Paquita la del Barrio
1324:The Enchanted Forest
1278:(1886, *1887, *1900)
1051:(1868, *1891, *1903)
1000:The Traveling Dancer
987:(1862, *1885, *1898)
95:Paquita pas de trois
93:. This included the
1340:The Sleeping Beauty
1259:La Fille Mal Gardée
1246:(*1884, 1899, 1903)
949:The Parisian Market
917:The Star of Granada
454:Mazurka des enfants
354:Maly Theatre Ballet
304:Grand Pas classique
149:Sergeyev Collection
135:was notated in the
122:Grand pas classique
103:Mazurka des enfants
1275:The King's Command
1187:La Fille du Danube
238:Lucien d'Hervilly
227:Yelena Andreyanova
64:Paris Opera Ballet
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1498:(never presented)
1160:Frizak the Barber
819:978-1-84718-423-8
512:Pierre Vladimirov
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111:Mariinsky Theatre
60:Salle Le Peletier
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1419:The Cavalry Halt
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728:. p. E1
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113:until 1926.
106:
102:
98:
94:
70:
68:
55:
54:
39:to music by
27:
26:
25:
1467:The Seasons
1372:La Sylphide
1128:La Bayadère
1112:The Bandits
1096:Le Papillon
1056:Don Quixote
976:Terpsichore
933:Le Corsaire
825:October 27,
791:October 27,
758:October 26,
732:October 26,
705:October 26,
675:October 27,
649:October 27,
618:October 27,
381:Pyotr Gusev
252:Pavel Gerdt
1512:Categories
1388:Cinderella
1356:Kalkabrino
1308:The Vestal
1211:Pâquerette
585:References
1434:Bluebeard
1426:The Pearl
1404:Swan Lake
1227:Pygmalion
1040:The Slave
871:in Russia
781:"Paquita"
316:, and at
294:polonaise
69:In 1847,
1442:Raymonda
1348:NĂ©nuphar
1300:Fiametta
1235:Coppélia
1072:Catarina
573:See also
352:for the
318:La Scala
270:Napoleon
218:Paquita
189:for the
101:and the
1453:1900–03
1415:(*1895)
1407:(*1895)
1375:(*1892)
1327:(*1889)
1262:(*1885)
1254:(*1885)
1243:Giselle
1238:(*1884)
1214:(*1882)
1206:(*1881)
1195:Zoraiya
1190:(*1880)
1179:1880–99
1144:Ariadne
1099:(*1874)
1088:Camargo
1075:(*1870)
1027:(*1867)
1016:Titania
1008:Florida
960:1860–79
909:Giselle
896:(*1848)
885:Paquita
877:1847–59
542:Paquita
520:Paquita
494:Paquita
476:Paquita
458:Paquita
436:Paquita
187:Paquita
172:Paquita
160:Paquita
133:Paquita
118:Paquita
107:Paquita
71:Paquita
62:by the
56:Paquita
51:History
28:Paquita
1492:(1903)
1484:(1902)
1478:(1900)
1470:(1900)
1462:(1900)
1445:(1898)
1437:(1896)
1429:(1896)
1421:(1896)
1399:(1894)
1391:(1893)
1383:(1892)
1367:(1891)
1359:(1891)
1351:(1890)
1343:(1890)
1311:(1888)
1303:(1887)
1294:(1886)
1270:(1886)
1230:(1883)
1222:(1883)
1198:(1881)
1163:(1879)
1155:(1879)
1147:(1878)
1139:(1878)
1136:Roxana
1115:(1875)
1091:(1872)
1083:(1871)
1067:(1870)
1064:Trilby
1043:(1868)
1035:(1868)
1019:(1866)
1011:(1866)
1003:(1864)
995:(1863)
979:(1861)
944:(1858)
928:(1857)
920:(1855)
904:(1849)
816:
274:Romani
33:ballet
1168:Mlada
1024:Faust
540:from
518:from
266:Spain
204:Role
31:is a
827:2018
814:ISBN
793:2018
760:2018
734:2018
707:2018
677:2018
651:2018
620:2018
324:and
260:Plot
164:mime
85:and
43:and
139:of
81:by
77:of
1514::
1297:*
783:.
768:^
751:.
724:.
697:.
685:^
667:.
641:.
628:^
610:.
193:.
860:e
853:t
846:v
829:.
795:.
762:.
736:.
709:.
679:.
653:.
622:.
23:.
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