480:
323:
384:
299:, based in part on Perrin's own writings, gave him the exclusive right for 12 years to found anywhere in France academies of opera dedicated to the performance of opera in French. He was free to select business partners of his choice and to set the price of tickets. No one was to have the right of free entry including members of the royal court, and no one else could set up a similar institution. Although it was to be a public theatre, it retained its status as royal academy in which the authority of the king as the primary stakeholder was decisive. The monopoly, originally intended to protect the enterprise from competition during its formative phase, was renewed for subsequent recipients of the privilege up to the early
790:
74:
563:
778:
152:
62:
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507:) had greater difficulty sustaining the interest of the public. Revivals of Lully's works were common. French composers at the Opéra generally wrote music to new librettos, which had to be approved by the directors of the company. The Italian practice of preparing new settings of existing librettos was considered controversial and did not become the norm in Paris until around 1760. One of the most important of the new works during this period was an
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681:, becoming the Opéra de Paris, although it continued to mount productions, primarily ballet, at the Palais Garnier; and the Opéra-Comique regained its autonomy. In 1994 the Opéra de Paris became the Opéra National de Paris. Regardless of all the changes in its "official" name, the company and its theatres were commonly referred to as the Opéra.
3893:
Levin 2009, p. 382, says Pillet joined
Duponchel and Monnais as a co-director on 1 June 1840, and Gerhard 1998, p. 35, says Pillet joined Duponchel without mentioning Monnais. Consistent with this date, Guest 2008, p. 326, mentions that in 1840 Pillet, "as Director of the Opera", sent an emissary to
2856:
After about 1870, the situation was simpler with regard to opera, with primarily the Opéra and the Opéra-Comique in operation. The naming situation became somewhat confusing after the Opéra-Comique's theater (the second Salle Favart) burned on 25 May 1887, since the company began performing in other
2778:
In 1791, the laws were changed allowing almost anyone to open a public theatre. This led to rapid growth in the number of theatres and companies and complexities in their naming. Theatres might burn down and be rebuilt using the name of an old or new company or patron. Some of the new theatres that
333:
The institution was renamed the Académie Royale de
Musique and came to be known in France simply as the Opéra. Within one month Lully had convinced the king to expand the privilege by restricting the French and Italian comedians to using two singers rather than six, and six instrumentalists, rather
243:
Each year, the Paris Opera presents about 380 performances of opera, ballet and other concerts, to a total audience of about 800,000 people (of whom 17% come from abroad), with an average seat occupancy rate of 94%. In the 2012â2013 season, the Paris Opera presented 18 opera titles (two in a double
272:
began thinking and writing about the possibility of French opera in 1655, more than a decade before the official founding of the Paris Opera as an institution. He believed that the prevailing opinion of the time that the French language was fundamentally unmusical was completely incorrect.
450:
on 19 January 1674. The opera was bitterly attacked by those enraged at the restrictions that Lully had caused to be placed on the French and
Italian comedians. To mitigate the damage, Louis XIV arranged for new works to be premiered at the court, usually at the Chateau Vieux of the
455:. This had the further advantage of subsidizing the cost of rehearsals, as well as most of the machinery, sets, and costumes, which were donated to the Opéra for use in Paris. During Lully's time at the Opéra, performances were given all year, except for three weeks at
284:
Even though Perrin's original concept was of an academy devoted to discussions of French opera, the king's intention was in fact a unique hybrid of royal academy and public theatre, with an emphasis on the latter as an institution for performance. On 28 June 1669,
225:
The company's annual budget is in the order of 200 million euros, of which âŹ100M come from the French state and âŹ70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, which includes the
3938:
Fulcher 1987, p. 113, says that
Duponchel and Roqueplan took over as directors on 24 November 1847, while Fontaine 2003, p. 23, and Levin 2009, p. 383, only give the month November 1847, and Gerhard 1998, p. 35, says Pillet retired in October
717:
service, Paris Opera Play (or POP). The initial release consisted of 80 titles, including videos of operas, ballets, documentaries, and master classes. Subscribers can also watch video of live performances. Video is watched with a
431:, which could accommodate 6,000 to 8,000 spectators, was of a size consistent with good acoustics. Lully greatly desired a better theatre and persuaded the king to let him use the one at the Palais-Royal free of charge. The
346:. Later, Lully and his successors bitterly negotiated the concession of the privilege, in whole or in part, from the entrepreneurs in the provinces: in 1684 Pierre Gautier bought the authorisation to open a music academy in
244:
bill), 13 ballets, 5 symphonic concerts and two vocal recitals, plus 15 other programmes. The company's training bodies are also active, with 7 concerts from the
Atelier Lyrique and 4 programmes from the Ăcole de Danse.
153:
2341:
549:
was merely an extension of the opera, having yet to evolve into an independent form of theatrical art. As it became more important, however, the dance component of the company began to be referred to as the
554:. In 1713 an associated ballet school was opened, today known as the Paris Opera Ballet School. The Académie Royale de Danse remained separate, and with the fall of the monarchy in 1789 it disappeared.
3920:
Gerhard 1998, p. 35, says
Duponchel retired in October 1841. Fontaine 2003, p. 23, gives the year 1843 for the beginning of Pillet's sole directorship, while Levin 2009, p. 383, gives 1 June 1842.
3929:
Levin 2009, p. 383 says
Duponchel and Roqueplan joined Pillet as directors on 1 August 1847, while Fontaine says Duponchel and Roqueplan took over as co-directors without Pillet on 31 July 1847.
705:
as its next music director, effective 1 August 2021, with an initial contract of 6 seasons. In May 2023, Dudamel announced his resignation music director of the Opéra, effective August 2023.
314:, located on the Rue des Fossés de Nesles (now 42 Rue Mazarine), into a rectangular facility with provisions for stage machinery and scenery changes and a capacity of about 1200 spectators.
2870:
3907:
Fontaine 2003, p. 23, says
Duponchel and Pillet became co-directors on 1 June 1841 (without Monnais). On this date Monnais was appointed to a position as Royal Commissioner (Walton 1898,
281:
that "the king decree 'the establishment of an
Academy of Poetry and Music' whose goal would be to synthesize the French language and French music into an entirely new lyric form."
537:, intended to codify court and character dances and to certify dance teachers by examination. From 1680 until Lully's death, it was under the direction of the great dancing master
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3026:
463:
and were moved to the Palais-Royal after Easter, where the openings were on
Thursdays. About two to three new works were mounted each year. In all, thirteen of Lully's
2921:
750:; however the latter does not support subtitles. An alternative method, which supports subtitles, is to play the video on a computer connected to a TV with an
689:
The current managing director of the Opéra is Alexander Neef, since September 2020. Past principal conductors and music directors of the Opéra have included
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followed suit in the following years. During Lully's tenure, the only works performed were his own. The first productions were the pastorale
2537:
403:
to form the Théùtre Guénégaud (at the same theatre that had been used by the Académie d'Opéra), and no longer needed the theatre built by
468:
545:. When Lully took over the Opéra in 1672, he and Beauchamp made theatrical ballet an important part of the company's productions. The
3481:
3356:
2880:
1416:
961:
599:
567:
1998:
1374:
777:
670:
and the company name became Réunion des Théùtres Lyriques Nationaux. The Opéra-Comique was closed in 1972 with the appointment of
479:
3432:
293:(Privilege granted to Sir Perrin for the establishment of an Academy of Opera in music, & French Verse). The wording of the
222:
which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille.
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674:
as general administrator of the ThĂ©Ăątre National de l'OpĂ©ra de Paris (1973â1980), but in 1976, the OpĂ©ra-Comique was restored.
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The information in the list of managing directors is from Fontaine 2003, pp. 22â23, and Levin 2009, p. 383, except as noted.
2942:
1546:
602:(capacity 2800) where it took the name Théùtre des Arts. In 1797, it was renamed the Théùtre de la République et des Arts.
546:
17:
3082:
4572:
2799:
334:
than twelve. Because of legal difficulties Lully could not use the Salle de la Bouteille, and a new theatre was built by
4164:
Levin, Alicia (2009). "A documentary overview of musical theaters in Paris, 1830â1900" in Fauser 2009, pp. 379â402.
452:
2819:
2804:
383:
307:
so luxurious and expensive in its productions that its very survival depended on financial protection and privilege."
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4206:
4191:
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2857:
locations. Companies other than the Opéra producing operas or operettas at various theatres in this period included:
1893:
3409:
459:. Regular performances were on Tuesdays, Fridays, and Sundays. The premieres presented at court were usually during
322:
3457:
3326:
The Paris Opera: An Encyclopedia of Operas, Ballets, Composers, and Performers; Growth and Grandeur, 1815-1914; M-Z
3001:
1656:
632:, which had a capacity of 1900 spectators and where it remained until the building was destroyed by fire in 1873.
273:
Seventeenth-century France offered Perrin essentially two types of organization for realizing his vision: a royal
4562:
4542:
1700:
274:
3384:
416:
2915:
2844:
2839:
4199:
The Paris OpĂ©ra: An Encyclopedia of Operas, Ballets, Composers, and Performers. Growth and Grandeur, 1815â1914
4184:
The Paris Opera: An Encyclopedia of Operas, Ballets, Composers, and Performers. Rococo and Romantic, 1715â1815
2824:
3986:
1759:
1068:
1032:
617:
291:
PrivilÚge accordé au Sieur Perrin pour l'établissement d'une Académie d'Opéra en musique, & Vers François
4169:
The Paris OpĂ©ra: An Encyclopedia of Operas, Ballets, Composers, and Performers. Genesis and Glory, 1671â1715
2926:
765:
2752:
In the period from 1725 to 1791 there were essentially four public theatres which were permitted in Paris:
1531:
2028:
1682:
500:
4552:
4457:
1517:
2937:
2901:
2008:
639:
in 1851, the name Académie Impériale de Musique was reinstated and after 1870 with the formation of the
534:
3911:). Fontaine, perhaps in error, omits the 1 June 1840 co-directorship of Duponchel, Monnais, and Pillet.
2911:
2849:
944:
542:
428:
2652:
2564:
2159:
2054:
623:
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1862:
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2932:
2866:
2018:
1930:
1645:
1387:
1351:
738:
are supported. Subtitles in French and English are available for most videos. To watch videos on a
594:, the company changed names several times, dropping its association with the royal family (see the
487:
After Lully died (in 1687), the number of new works per year almost doubled, since his successors (
1882:
73:
3177:
1735:
1424:
643:, was changed to Théùtre National de l'Opéra. In 1875, the institution occupied a new home, the
396:
4567:
4011:
Christout, Marie-Françoise (1998). "Paris Opera Ballet" in Cohen 1998, vol. 5, pp. 86â100.
2759:
2552:
2489:
2372:
1744:
1115:
562:
420:
400:
311:
30:"Opéra national de Paris" redirects here. For the company founded in 1847 by Adolphe Adam, see
4360:
3908:
3785:
1521:
61:
4442:
4427:
4277:
3223:"Paris Opera Ballet" in Craine and Mackrell (2000), pp. 360â361; Christout (1998), pp. 87â88.
1897:
1292:
1187:
656:
640:
591:
278:
4487:
4483:
4465:
4379:
4375:
4108:, translated from French to English by Mary Whittall. Chicago: University of Chicago Press.
483:
Plan of the Palais-Royal in 1679 showing the location of the Paris Opera's theatre (in blue)
4537:
2794:
2784:
2592:
1791:
1494:
1154:
735:
4505:
2789:
2764:
1478:
Built on the Rue Le Peletier as temporary quarters; destroyed by fire 28â29 October 1873.
8:
4151:
Backstage at the Revolution: How the Royal Paris Opera Survived the End of the Old Regime
2616:
2575:
1977:
1635:
1342:
1084:
1004:
915:
886:
870:
851:
659:
conducted at Palais Garnier. Rabaud also composed several works which first premiered at
609:
513:
177:
4419:
2731:
2666:
1588:; the official opening concert was on 13 July 1989 to celebrate the bicentennial of the
4582:
3978:
Astier, RĂ©gine (1998a). "AcadĂ©mie Royale de Danse" in Cohen 1998, vol. 1, pp. 3â5.
2315:
2251:
1000:
620:
in 1814, the company was renamed the Académie Royale de Musique. It became part of the
551:
424:
404:
376:
199:
2279:
2275:
2080:
4409:
4352:
4335:
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4187:
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4124:
4109:
4094:
4079:
4064:
4049:
4027:
4019:
3991:
3981:
Astier, RĂ©gine (1998b). "Beauchamps, Pierre" in Cohen 1998, vol. 1, pp. 396â397.
3329:
2890:
2885:
1886:
1832:
1807:
1795:
1589:
1470:
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300:
202:
and has remained an integral and important part of the company. Currently called the
2605:
2329:
2319:
1777:
1739:
1576:
1247:
796:
678:
211:
31:
4475:
4461:
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3035:
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2139:
2121:
1428:
1406:
1316:
1307:
690:
538:
530:
343:
339:
327:
195:
3598:
3056:
2862:
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1909:
1445:
1383:
1219:
667:
660:
35:
3086:
3063:
2505:
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1485:
714:
702:
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446:
236:
146:
134:
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2411:
2179:
496:
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4227:
3895:
2711:
2621:
2494:
2407:
2297:
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2169:
1508:
1498:
1463:
Built in 1791; the company performed there 3 times: 25 May, and 1 and 15 June.
731:
644:
579:
525:
In 1661 Louis XIV, who was a dancer himself and one of the great architects of
437:
335:
295:
219:
78:
4289:
Dictionnaire des théùtres parisiens au XIXe siÚcle: les théùtres et la musique
3493:
Name according to some sources: Académie Royale des Opéra --Powell 2000, p. 3.
3079:
2479:
2261:
2102:
2091:
415:. (In 1680 the troupe at the Guénégaud merged again with the players from the
4531:
2977:
2559:
2542:
2460:
2430:
2396:
1622:
1455:
1100:
832:
723:
526:
269:
4491:
4469:
4446:
4431:
4383:
4364:
4281:
4106:
The Urbanization of Opera: Music theatre in Paris in the Nineteenth Century
3789:
3029:, interview by Ădouard Brane with the President of the Board of the OpĂ©ra,
3027:"Bernard Stirn â PrĂ©sident du Conseil d'Administration de l'OpĂ©ra de Paris"
2963:
2721:
2449:
1158:
1048:
694:
636:
557:
504:
408:
253:
4331:
4266:
1335:
Built 1641; altered 1660, 1671, and 1674; destroyed by fire 6 April 1763.
4394:
4308:
3293:
2701:
1556:
Performed at this theatre while the Palais Garnier was under renovation.
1539:
Performed at this theatre while the Palais Garnier was under renovation.
719:
4327:
4076:
Visages de marbre et d'airain: La collection de bustes du Palais Garnier
3961:
Charlton, David; Johnson, Janet. "Paris. 4. 1789â1870." in Sadie (1992)
3948:
Charlton, David; Johnson, Janet. "Paris. 4. 1789â1870." in Sadie (1992)
4037:
Costonis, Maureen Needham (1992). "Beauchamps Pierre" in Sadie (1992)
1585:
751:
743:
574:
4091:
The Nation's Image: French Grand Opera as Politics and Politicized Art
3310:
Langham Smith, Richard (1992). "Paris. 5. 1870â1902." in Sadie (1992)
3192:
Harris-Warrick, Rebecca (1992). "Paris. 2. 1669â1725" in Sadie (1992)
441:
received from the king, had further changes made by Vigarani in 1674.
392:
855:
836:
347:
286:
227:
167:
608:
took control of the company in 1802 and with the declaration of the
4398:
4312:
3661:
Rosow, Lois. "FĂȘtes de l'Amour et de Bacchus, Les" in Sadie (1992)
3205:"Académie Royale de Dance, L'" in Craine and Mackrell (2000), p. 1.
1052:
605:
460:
363:
3469:
3180:(2001). "Lully. (1) Jean-Baptiste Lully. 1. Life" in Sadie (2001).
3168:
Anthony, James R. (2001). "Paris. III. 1600â1723" in Sadie (2001).
2670:(general administrator of the Palais Garnier)
2656:(general administrator of the Palais Garnier)
4522:
4509:
3385:"Running the Paris Opera Was Never Going to Be Easy. But Come On"
3353:"Opéra national de Paris - Histoire de l'Opéra national de Paris"
1928:
Jacques Devisme (formerly Jacques de Vismes du Valgay),
1448:
on the Place Boieldieu; destroyed by fire on 13â14 January 1838.
747:
727:
303:. As Victoria Johnson points out, "the Opera was an organization
121:
1405:
Built in two months by Samson-Nicholas Lenoir at the request of
3716:
Harris-Warrick, Rebecca. "Paris. 3. 1725â1789" in Sadie (1992)
3687:
Harris-Warrick, Rebecca. "Paris. 2. 1669â1725" in Sadie (1992)
3246:
Charlton, David (1992). "Paris. 4. 1789â1870." in Sadie (1992)
3152:
Harris-Warrick, Rebecca. "Paris. 2. 1669â1725" in Sadie (1992)
456:
412:
215:
163:
93:
4247:
Sadie, Stanley, editor; John Tyrell; executive editor (2001).
2775:
In 1762, the Opéra-Comique merged with the Comédie-Italienne.
2747:
635:
In the second half of the 19th century, with the ascension of
1749:
1319:; also called Jeu de Paume de BĂ©quet; eventually demolished.
359:
355:
231:
210:, it mainly produces operas at its modern 2,723-seat theatre
159:
107:
89:
2957:
176:, and shortly thereafter was placed under the leadership of
3433:"Gustavo Dudamel, Star Maestro, to Resign From Paris Opera"
1431:
in 1806; theatre demolished 1820; site now Square Louvois.
351:
4502:
Les vrais créateurs de l'opéra français, Perrin et Cambert
3601:. "The 'machine' and the state" in Charlton (2003), p. 27.
2422:
Maurice Lehmann (RTLN), Emmanuelle Bondville (Opéra)
2362:
Jacques Rouché (RTLN), Philippe Gaubert (Opéra)
3632:
Bashford, Christina. "Camembert, Robert" in Sadie (1992)
3279:
NapolĂ©on et l'OpĂ©ra: La politique sur la scĂ©ne, 1810â1815
2441:
Georges Hirsch (RTLN), Emmanuelle Bondville (Opéra)
701:. In April 2021, the Opéra announced the appointment of
435:
had been altered in 1660 and 1671, but Lully, with 3,000
277:
or a public theater. In 1666 he proposed to the minister
198:
as it is known today arose within the Paris Opera as the
4059:
Fauser, Annegret, editor; Everist, Mark, editor (2009).
3862:
Pitt, Charles. "Paris. 6. 20th century" in Sadie (1992)
1674:
Jean Nicolas de Francine, Hyacinthe de Gauréault Dumont
558:
The company after the Revolution and in the 19th century
4061:
Music, Theater, and Cultural Transfer. Paris, 1830â1914
3412:(Press release). Opéra national de Paris. 16 April 2021
739:
677:
In 1990, the Opéra moved its primary venue to the new
570:, principal venue of the Paris Opera from 1794 to 1820
3610:
Fontaine 2003, p. 23, gives the date as 12 July 1871.
4482:(in French). Paris: E. Plon, Nourrit et Cie. Copies
3894:
London to negotiate a reappearance of the ballerina
3347:
3345:
2953:
1300:
Located on the Rue Mazarine; eventually demolished.
3430:
2929:(plays with incidental music by, e.g. Bizet, Fauré)
2904:, Théùtre de la Gaßté, and Théùtre du Chùteau-d'Eau
2307:Pedro Gailhard, Pierre Barthélemy Gheusi
1493:Shared the theatre with its long-time occupant the
663:, but were later also performed at Palais Garnier.
595:
34:. For another opera company residing in Paris, see
3306:
3304:
3302:
2986:List of theatres and entertainment venues in Paris
1382:Located on the Rue BergĂšre; former theatre of the
218:and some classical operas at the older 1,979-seat
4370:Durey de Noinville, Jacques-Bernard (1753â1757).
4276:, vol. 3. Philadelphia: George Barrie & Son.
4274:Paris from the Earliest Period to the Present Day
3342:
2996:Category:Opera world premieres at the Paris Opera
804:
4529:
4441:, volume 2 . Paris: Librairie des Bibliophiles.
4426:, volume 1 . Paris: Librairie des Bibliophiles.
4406:Dictionnaire des cantatrices de l'Opéra de Paris
3410:"Appointment of Music Director: Gustavo Dudamel"
4250:The New Grove Dictionary of Music and Musicians
3299:
188:, but continued to be known more simply as the
4391:Dictionnaire des chanteurs de l'Opéra de Paris
3242:
3240:
3238:
3188:
3186:
529:(the art form which would one day evolve into
4359:(in French), pp. 309â425. Paris: Didot.
3990:. Cambridge, UK: Cambridge University Press.
3382:
2620:(general administrator of the
1600:
1552:30 November 1936 â 17 February 1937
1490:19 January 1874 â 30 December 1874
1350:Remodeled first to a much smaller theatre by
166:company of France. It was founded in 1669 by
4153:. Chicago: The University of Chicago Press.
4063:. Chicago: The University of Chicago Press.
3559:
3557:
3555:
3553:
3551:
3549:
3547:
3545:
3543:
3509:
3507:
3505:
3503:
3501:
3499:
621:
444:The first production in the new theatre was
427:and had opened in 1641, and unlike the huge
423:.) Richelieu's theatre had been designed by
387:Vigarani's plan of the Salle du Palais-Royal
258:
204:
189:
182:
171:
50:
4439:BibliothÚque musicale du Théùtre de l'Opéra
4424:BibliothÚque musicale du Théùtre de l'Opéra
4357:Histoire de la musique dramatique en France
3849:
3847:
3845:
3541:
3539:
3537:
3535:
3533:
3531:
3529:
3527:
3525:
3523:
3458:"Opéra de Paris Announces Paris Opera Play"
3235:
3183:
3148:
3146:
3144:
3142:
2748:Other Parisian opera companies and theatres
1536:1 August 1936 â 20 November 1936
1475:16 August 1821 â 28 October 1873
628:in 1816. In 1821, the company moved to the
469:list of compositions by Jean-Baptiste Lully
4186:. Westport, Connecticut: Greenwood Press.
4171:. Westport, Connecticut: Greenwood Press.
4000:Charlton, David (2014). "New Light on the
3831:
3829:
3815:
3813:
3811:
3754:
3752:
3712:
3710:
3260:
3258:
3256:
3164:
3162:
2691:(inspector general of finances)
2463:(RTLN), Emmanuelle Bondville (Opéra)
2452:(RTLN), Emmanuelle Bondville (Opéra)
2433:(RTLN), Emmanuelle Bondville (Opéra)
1964:Prefect Ătienne Morel de Chefdeville, then
1821:Direction by the Royal Commissioners
1421:26 July 1794 â 13 February 1820
1174:Supervision assumed by Imperial Household
902:Royal family attends opera (20 September)
708:
598:for details), and in 1794, moved into the
72:
4374:(2 volumes). Paris: Joseph Barbou. Vols.
4093:. Cambridge: Cambridge University Press.
3496:
2384:René Gadave (interim administrator)
1427:'s 1793 theatre; street name restored to
1402:27 October 1781 â 7 March 1794
931:Ratification of the Constitution of 1793
4372:Histoire du Théùtre de l'opéra en France
4078:. Paris: Monum, Ăditions du patrimoine.
4044:Craine, Debra; Mackrell, Judith (2000).
3842:
3657:
3655:
3585:
3583:
3581:
3579:
3577:
3575:
3573:
3571:
3569:
3520:
3139:
2737:
2727:
2717:
2707:
2697:
2684:
2674:
2662:
2648:
2630:
2612:
2600:
2588:
2581:
2571:
2532:
2524:
2514:
2501:
2485:
2475:
2467:
2456:
2445:
2437:
2426:
2418:
2403:
2388:
2380:
2366:
2358:
2335:
2325:
2311:
2303:
2293:
2285:
2271:
2257:
2247:
2237:
2229:
2221:
2213:
2203:
2195:
2185:
2175:
2165:
2155:
2145:
2135:
2127:
2116:
2108:
2097:
2086:
2075:
2065:
2050:
2042:
2004:
1994:
1986:
1973:
1960:
1952:
1944:
1936:
1924:
1916:
1904:
1890:(under committee headed by J.-J.Leroux)
1878:
1868:
1857:
1846:
1838:
1828:
1817:
1805:Pierre Montan Berton, Jean-Claude Trial,
1801:
1787:
1773:
1765:
1755:
1731:
1723:
1715:
1707:
1696:
1688:
1678:
1670:
1662:
1651:
1641:
1631:
1618:
1513:5 January 1875 â 29 June 1936
1364:26 January 1770 â 8 June 1781
713:On 7 April 2023, the company launched a
573:
561:
478:
382:
321:
4322:. Paris: Deposé au journal L'Entr'acte
4121:Histoire des Salles de l'Opéra de Paris
3826:
3808:
3795:
3749:
3707:
3253:
3171:
3159:
2338:
2131:Henri Duponchel, Nestor Roqueplan
2090:Henri Duponchel, Ădouard Monnais,
1626:
1214:Réunion des Théùtres Lyriques Nationaux
666:In 1939, the Opéra was merged with the
14:
4530:
3987:The Cambridge Companion to Grand Opera
3199:
3051:
3049:
2693:
2591:
2517:
2504:
2471:André Chabaud (interim director)
2328:
2240:
2232:
2206:
2178:
2148:
2138:
2058:
1999:Denis Pierre Jean Papillon de la Ferté
1989:
1976:
1968:
1892:
1852:
1841:
1831:
1823:
1782:
1748:
1441:19 April 1820 â 11 May 1821
1379:14 August â 23 October 1781
1332:16 June 1673 â 6 April 1763
1297:3 March 1671 â 1 April 1672
317:
4548:Arts and culture in the Ancien RĂ©gime
4320:L'OpĂ©ra au Palais Garnier (1875â1962)
4214:Music and Theatre in France 1600â1680
4138:. Alton, Hampshire, UK: Dance Books.
3652:
3566:
3323:
3317:
2779:appeared during this period include:
2289:EugĂšne Bertrand, Pedro Gailhard
1966:Joseph Bonet de Treyches as Director
1231:Théùtre National de l'Opéra de Paris
973:Théùtre de la République et des Arts
783:The Grand Foyer at the Palais Garnier
145:
4014:Cohen, Selma Jeanne, editor (1998).
1417:Théùtre National de la rue de la Loi
600:Théùtre National de la rue de la Loi
4216:. Oxford: Oxford University Press.
4048:. Oxford: Oxford University Press.
4018:. Oxford: Oxford University Press.
4016:International Encyclopedia of Dance
3431:Javier C. HernĂĄndez (25 May 2023).
3046:
2120:LĂ©on Pillet, Henri Duponchel,
1569:Reopened at the renovated theatre.
1312:10? November 1672 â June 1673
24:
4253:, 2nd edition. London: Macmillan.
3383:Roslyn Sulcas (18 November 2020).
1347:24 January 1764 â 23 January 1770
368:Les fĂȘtes de l'Amour et de Bacchus
27:Opera and ballet company of France
25:
4594:
4516:
4334:. Paris: Slatkine (1983 reprint)
4291:. Paris: Aux Amateurs de livres.
4233:The New Grove Dictionary of Opera
4008:, vol. 11, no. 1, pp. 31â54.
3456:Francisco Salazar (3 April 2023)
3078:Opéra national de Paris website,
3057:Tous à l'Opéra 2012 press release
1961:26 November 1802
1270:
1250:; Opéra-Comique regains autonomy
612:in 1804, renamed the company the
4480:Les Origines de l'Opéra français
4346:
4236:(4 volumes). London: Macmillan.
3984:Charlton, David, editor (2003).
3972:
3214:Costonis (1992); Astier (1998b).
2970:
2956:
2914:, Théùtre du Chùteau-d'Eau, and
1460:25 May â 15 June 1821
1398:Théùtre de la Porte Saint-Martin
788:
776:
764:
453:ChĂąteau de Saint-Germain-en-Laye
263:
60:
3955:
3942:
3932:
3923:
3914:
3901:
3887:
3878:
3869:
3856:
3774:
3765:
3736:
3723:
3694:
3681:
3668:
3639:
3626:
3613:
3604:
3592:
3487:
3475:
3463:
3450:
3424:
3402:
3376:
3271:
3226:
3217:
3208:
1908:Committee of the Commune (with
1701:Claude Lecomte (Opera director)
1367:Destroyed by fire 8 June 1781.
1274:
684:
650:
429:theatre at the Tuileries Palace
399:merged with the players at the
4046:The Oxford Dictionary of Dance
3130:
3121:
3112:
3103:
3094:
3072:
3020:
2910:Théùtre Lyrique performing at
1151:Académie Impériale de Musique
1139:Académie Nationale de Musique
1045:Académie Impériale de Musique
997:Académie Impériale de Musique
805:List of official company names
596:List of official company names
474:
467:were performed there (see the
370:(November 1672) and his first
13:
1:
4558:1669 establishments in France
4437:Lajarte, Théodore de (1878).
4201:. New York: Greenwood Press.
3784:, p. 221. London: Macmillan.
3782:Dickens's Dictionary of Paris
3283:The English Historical Review
3080:2012â2013 season presentation
3008:
2805:Théùtre des Bouffes-Parisiens
1760:Joseph-Nicolas-Pancrace Royer
1727:Joseph Guénot de Tréfontaine
1657:Hyacinthe de Gauréault Dumont
614:Académie Impériale de Musique
4136:The Romantic Ballet in Paris
1532:Théùtre Sarah Bernhardt
1361:Salle du Palais-Royal (2nd)
1201:Théùtre National de l'Opéra
1171:Théùtre Impérial de l'Opéra
7:
4454:Les treize salles de lOpéra
4452:Lasalle, Albert de (1875).
3746:: 407; Wild (1989), p. 299.
2949:
2800:Théùtre de l'Ambigu-Comique
2189:Franchised entrepreneurship
2128:24 November 1847
2059:Franchised entrepreneurship
2034:
2024:
2014:
1738:, Marquis d'Argenson, then
1566:21 February 1937 â present
1256:
1239:
1227:
1209:
1195:
1180:
1167:
1147:
1135:
1127:Opéra-Théùtre de la Nation
1123:
1108:
1097:Académie Royale de Musique
1093:
1077:
1065:Académie Royale de Musique
1061:
1041:
1029:Académie Royale de Musique
1025:
1013:
993:
981:
969:
953:
937:
924:
908:
899:Académie Royale de Musique
895:
889:returns to Paris (25 June)
879:
863:
848:Académie Royale de Musique
844:
825:
771:The Palais Garnier at night
541:, the man who codified the
180:and officially renamed the
10:
4599:
4573:Theatres completed in 1669
4504:. Paris: Charavay FrĂšres.
4478:; Thoinan, Ernest (1886).
4149:Johnson, Victoria (2008).
3733:: 26; Wild (1989), p. 299.
3373:. Retrieved 25 March 2010.
2943:ThĂ©Ăątre des Champs-ĂlysĂ©es
2665:
2633:
2188:
1997:
1981:
1873:
1812:
1804:
1655:Jean Nicolas de Francine,
1601:List of managing directors
1547:ThĂ©Ăątre des Champs-ĂlysĂ©es
757:
543:five positions of the feet
251:
247:
214:which opened in 1989, and
184:Académie Royale de Musique
29:
4395:View formats and editions
4309:View formats and editions
4074:Fontaine, Gerard (2003).
4034:(2004 paperback edition).
3780:Dickens, Charles (1883).
3118:Johnson (2005) pp. 98â99.
2916:Théùtre de la Renaissance
2840:Théùtre de la Renaissance
2658:
2029:François-Antoine Habeneck
1982:Imperial Superintendents
1948:Joseph Bonet de Treyches
1920:Committee of the Commune
1780:, François FrancĆur
1683:André-Cardinal Destouches
1390:; eventually demolished.
622:
520:
501:André Cardinal Destouches
259:The Opera under Louis XIV
205:
190:
183:
172:
138:
117:
100:
85:
71:
59:
51:
48:
4318:Wolff, Stéphane (1962).
4272:Walton, William (1899).
4212:Powell, John S. (2000).
4123:. Paris: Guy Trédaniel.
4104:Gerhard, Anselm (1998).
4006:Eighteenth-Century Music
3563:Fontaine 2003, pp. 22 f.
3470:Paris Opera Play website
3369:at the official website
3013:
3002:The Phantom of the Opera
2907:Théùtre du Chùteau-d'Eau
2871:Théùtre du Chùteau-d'Eau
2680:Opéra National de Paris
2582:24 September 1985
2427:30 September 1955
2241:Private entrepreneurship
2019:Giovanni-Battista Viotti
2009:Alexandre Ătienne Choron
1931:Joseph Bonet de Treyches
1905:17 September 1793
1692:Maximilien-Claude Gruer
1646:Jean-Nicolas de Francine
1375:Salle des Menus-Plaisirs
1260:Opéra National de Paris
590:and the founding of the
535:Académie Royale de Danse
49:
4004:in Paris (1752â1754)",
3771:Gourret 1985, pp. 81â84
3288:(496): 486â490 (2007).
2738:1 September 2020
2685:15 February 1994
2663:1 September 1992
2653:Georges-François Hirsch
2643:(Opéra-Comique reopens)
2613:1 September 1989
2589:12 February 1986
2565:Georges-François Hirsch
2510:(Opéra-Comique closed)
2419:17 November 1951
2381:21 February 1945
2370:Jacques Rouché (RTLN),
2294:31 December 1899
2176:20 December 1862
2160:François-Louis Crosnier
2156:11 November 1854
2136:21 November 1849
2076:15 November 1839
2046:Ămile TimothĂ©e Lubbert
2035:26 November 1824
1969:Prefects of the Palace
1953:19 December 1801
1945:25 December 1800
1839:19 February 1779
1736:Louis-Basile de Bernage
1671:12 December 1712
1652:30 December 1688
1581:13 July 1989 â present
1218:Opéra takes control of
732:Microsoft Edge Chromium
709:Video streaming service
624:Académie des Beaux-Arts
433:Théùtre du Palais-Royal
206:Opéra national de Paris
66:Logo of the Paris Opera
52:Opéra national de Paris
4563:French opera companies
4543:Music schools in Paris
4404:Gourret, Jean (1987).
4389:Gourret, Jean (1982).
4119:Gourret, Jean (1985).
4089:Fulcher, Jane (1987).
3484:, Paris Opera website.
2877:Opéra National Lyrique
2825:Théùtre des Nouveautés
2675:5 February 1994
2515:7 February 1978
2490:Jean-Yves Daniel-Lesur
2373:Marcel Samuel-Rousseau
2354:administration, RTLN)
2336:14 January 1939
2258:1 December 1884
2243:with state subvention
2238:1 November 1871
2209:with state subvention
2204:28 October 1870
2191:with state subvention
2061:with state subvention
2025:1 November 1821
2015:30 October 1819
1995:18 January 1816
1990:Royal Superintendents
1974:1 November 1807
1863:François-Joseph Gossec
1829:18 October 1777
1808:Antoine Dauvergne
1802:9 November 1769
1788:9 February 1767
1745:François FrancĆur
1679:8 February 1728
1471:Salle Le Peletier
873:flees Paris (21 June)
655:Between 1908 and 1914
583:
571:
484:
388:
330:
312:Bouteille tennis court
4287:Wild, Nicole (1989).
4197:Pitou, Spire (1990).
4182:Pitou, Spire (1985).
4167:Pitou, Spire (1983).
3324:Pitou, Spire (1990).
3136:Gourret (1985) p. 17.
3127:Johnson (2005) p. 23.
3109:Johnson (2005) p. 22.
3100:Johnson (2005) p. 15.
3085:8 August 2012 at the
2865:at Salle Favart (2),
2850:Théùtre du Vaudeville
2708:September 2004
2533:September 1982
2502:1 January 1972
2476:1 October 1969
2468:September 1968
2339:State administration:
2326:1 January 1915
2312:1 January 1908
2272:1 January 1892
2199:State administration
2196:1 October 1870
2122:Nestor Roqueplan
2066:15 August 1835
1898:French First Republic
1883:Louis-Joseph FrancĆur
1850:Pierre Montan Berton
1732:25 August 1749
1719:Jean-François Berger
1697:18 August 1731
1663:7 October 1704
1327:Salle du Palais-Royal
1293:Salle de la Bouteille
1112:Théùtre de la Nation
1087:abdicates (2 August)
947:adopted (24 October)
918:arrested (13 August)
657:Henri Benjamin Rabaud
577:
565:
482:
407:at his residence the
386:
325:
310:Perrin converted the
147:[opeÊadÉpaÊi]
4456:. Paris: Sartorius.
4134:Guest, Ivor (2008).
3589:Levin, 2009, p, 382.
3460:, OperaWire website.
3281:by David Chaillou."
3062:3 March 2016 at the
2845:Théùtre des Variétés
2728:1 August 2014
2718:1 August 2009
2698:1 August 1995
2593:Jean-Louis Martinoty
2572:1 August 1983
2457:19 April 1962
2438:13 April 1956
2342:Réunion des Théùtres
2280:Ădouard Colonne
2233:Hyacinthe Halanzier
2186:11 April 1866
2081:Ădouard Monnais
2005:30 March 1817
1937:13 March 1800
1847:19 March 1780
1824:Royal Commissioners
1818:18 April 1776
1792:Pierre Montan Berton
1774:13 March 1757
1769:Bontemps, Levasseur
1716:18 March 1744
1632:30 March 1672
1017:Académie de Musique
912:Académie de Musique
883:Académie de Musique
350:, then the towns of
340:Bel-Air tennis court
18:Paris National Opera
4408:. Paris: Albatros.
4393:. Paris: Albatros.
3898:at the Paris Opera.
3853:Wolff 1962, p. 561.
3328:. Greenwood Press.
3178:La Gorce, JĂ©rĂŽme de
2991:Opéra (Paris Métro)
2938:Théùtre du Chùtelet
2933:Théùtre de la Ville
2920:Nouveau-Lyrique at
2902:Théùtre du Chùtelet
2881:Théùtre de la Gaßté
2815:Théùtre de la Gaßté
2631:2 April 1990
2622:Palais Garnier
2617:Jean-Albert Cartier
2601:13 July 1989
2576:Massimo Bogianckino
2548:Jean-Pierre Leclerc
2536:Interim committee:
2525:31 July 1980
2518:Théùtre National de
2389:27 June 1945
2320:André Messager
2286:1 April 1893
2266:Pedro Gailhard
2248:16 July 1879
2051:2 March 1831
2043:12 July 1827
1987:3 April 1814
1978:Louis-Benoit Picard
1879:8 March 1792
1869:8 April 1790
1861:Antoine Dauvergne,
1740:François Rebel
1642:27 June 1687
1636:Jean-Baptiste Lully
1619:28 June 1669
1438:Salle Favart (1st)
1343:Salle des Tuileries
1184:Théùtre de l'Opéra
1081:Théùtre de l'Opéra
1005:First French Empire
985:Théùtre de l'Opéra
960:Opéra moves to the
945:Republican Calendar
854:granted license by
835:granted license by
582:, view of the scene
547:ballet of that time
533:), established the
517:presented in 1697.
465:tragédie en musique
318:Jean-Baptiste Lully
178:Jean-Baptiste Lully
45:
4553:Institut de France
3437:The New York Times
3389:The New York Times
3294:10.1093/ehr/cem021
2927:Théùtre de l'Odéon
2912:Salle de l'Athénée
2873:, Salle Favart (3)
2830:Théùtre de l'Odeon
2820:Gymnase-Dramatique
2649:15 May 1991
2486:23 May 1971
2446:August 1959
2404:12 May 1946
2397:Reynaldo Hahn
2316:Leimistin Broussan
2252:Auguste Vaucorbeil
2230:9 July 1871
2222:3 July 1871
2207:Society of Artists
2166:1 July 1856
2149:Imperial Household
2146:1 July 1854
2055:Louis-Désiré Véron
2038:Raphaël Duplantys
1956:Jacques Cellerier
1925:12 September 1799
1858:27 May 1780
1708:30 May 1733
1689:1 June 1730
1069:Second Restoration
1001:Napoleon Bonaparte
896:17 September 1791
584:
572:
552:Paris Opera Ballet
485:
425:Jacques Le Mercier
417:HĂŽtel de Bourgogne
395:'s death in 1673,
389:
377:Cadmus et Hermione
331:
200:Paris Opera Ballet
43:
4420:Lajarte, Théodore
4414:978-2-7273-0164-6
4353:Chouquet, Gustave
4340:978-2-05-000214-2
4305:978-2-905053-80-0
4297:978-0-8288-2586-3
4259:978-1-56159-239-5
4242:978-1-56159-228-9
4230:, editor (1992).
4222:978-0-19-816599-6
4159:978-0-226-40195-9
4144:978-1-85273-119-9
4129:978-2-85707-180-8
4114:978-0-226-28857-4
4084:978-2-85822-751-8
4069:978-0-226-23926-2
4054:978-0-19-860106-7
4032:978-0-19-517369-7
4024:978-0-19-509462-6
3996:978-0-521-64118-0
3335:978-0-313-27783-2
3055:Company profile,
2765:Comédie-Italienne
2760:Comédie-Française
2745:
2744:
2520:l'Opéra de Paris
2412:Henri BĂŒsser
2344:Lyrique Nationaux
2214:9 May 1871
2101:Henri Duponchel,
2079:Henri Duponchel,
1917:1 May 1797
1887:Jacques Cellerier
1853:Royal Accountant
1833:Jacques de Vismes
1796:Jean-Claude Trial
1724:3 May 1748
1711:EugĂšne de Thuret
1598:
1597:
1590:French Revolution
1520:; located at the
1388:Foire St. Laurent
1268:
1267:
1197:17 September 1870
1181:4 September 1870
1136:2 September 1850
1109:26 February 1848
1033:First Restoration
957:Théùtre des Arts
829:Académie d'Opéra
630:Salle Le Peletier
588:French Revolution
511:by Campra called
421:Comédie-Française
401:Théùtre du Marais
380:(27 April 1673).
301:French Revolution
158:) is the primary
127:
126:
16:(Redirected from
4590:
4523:Official website
4476:Nuitter, Charles
4462:Internet Archive
3966:
3959:
3953:
3946:
3940:
3936:
3930:
3927:
3921:
3918:
3912:
3905:
3899:
3891:
3885:
3882:
3876:
3873:
3867:
3860:
3854:
3851:
3840:
3833:
3824:
3817:
3806:
3799:
3793:
3778:
3772:
3769:
3763:
3756:
3747:
3740:
3734:
3727:
3721:
3714:
3705:
3698:
3692:
3685:
3679:
3672:
3666:
3659:
3650:
3643:
3637:
3630:
3624:
3617:
3611:
3608:
3602:
3596:
3590:
3587:
3564:
3561:
3518:
3511:
3494:
3491:
3485:
3479:
3473:
3467:
3461:
3454:
3448:
3447:
3445:
3443:
3428:
3422:
3421:
3419:
3417:
3406:
3400:
3399:
3397:
3395:
3380:
3374:
3372:
3368:
3366:
3364:
3355:. Archived from
3349:
3340:
3339:
3321:
3315:
3308:
3297:
3275:
3269:
3262:
3251:
3244:
3233:
3230:
3224:
3221:
3215:
3212:
3206:
3203:
3197:
3190:
3181:
3175:
3169:
3166:
3157:
3150:
3137:
3134:
3128:
3125:
3119:
3116:
3110:
3107:
3101:
3098:
3092:
3091:
3076:
3070:
3069:
3053:
3044:
3043:
3039:
3024:
2980:
2975:
2974:
2973:
2966:
2961:
2960:
2922:Théùtre Taitbout
2810:Cirque Olympique
2732:Stéphane Lissner
2689:Jean-Paul Cluzel
2667:Brigitte LefĂšvre
2644:
2567:
2556:
2546:
2375:
2352:merged under one
2350:
2140:Nestor Roqueplan
2103:LĂ©on Pillet
2092:LĂ©on Pillet
1940:Jacques Devisme
1783:Royal Household
1627:Royal Household
1605:
1604:
1553:
1522:Place de l'Opéra
1429:Rue de Richelieu
1407:Marie Antoinette
1317:Rue de Vaugirard
1308:Salle du Bel-Air
1275:
1257:5 February 1994
1228:7 February 1978
1215:
1210:14 January 1939
1198:
1148:2 December 1852
970:2 February 1797
962:Salle Montansier
938:18 October 1793
809:
808:
792:
780:
768:
691:Myung-whun Chung
627:
626:
568:Théùtre des Arts
539:Pierre Beauchamp
531:classical ballet
514:L'Europe galante
372:tragedie lyrique
344:Rue de Vaugirard
328:Salle du Bel-Air
208:
207:
196:Classical ballet
193:
192:
186:
185:
175:
174:
173:Académie d'Opéra
157:
156:
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149:
144:
140:
76:
64:
54:
53:
46:
42:
21:
4598:
4597:
4593:
4592:
4591:
4589:
4588:
4587:
4578:Opera in France
4528:
4527:
4519:
4349:
3975:
3970:
3969:
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3370:
3362:
3360:
3359:on 18 July 2011
3351:
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3336:
3322:
3318:
3309:
3300:
3277:"Book Reviews:
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3263:
3254:
3245:
3236:
3232:Astier (1998a).
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3099:
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3089:
3087:Wayback Machine
3077:
3073:
3067:
3064:Wayback Machine
3054:
3047:
3041:
3040:, 8 April 2011
3033:
3025:
3021:
3016:
3011:
2976:
2971:
2969:
2962:
2955:
2952:
2947:
2898:Opéra Populaire
2867:Théùtre Lyrique
2854:
2835:Porte-St-Martin
2795:Théùtre Lyrique
2790:Théùtre Italien
2785:Théùtre Feydeau
2750:
2741:Alexander Neef
2669:
2655:
2642:
2641:
2619:
2563:
2558:
2550:
2540:
2528:Bernard Lefort
2519:
2506:Rolf Liebermann
2493:
2393:Maurice Lehmann
2371:
2353:
2351:
2348:
2346:
2343:
2340:
2276:EugĂšne Bertrand
2242:
2217:EugĂšne Garnier
2208:
2190:
2150:
2070:Henri Duponchel
2060:
1965:
1929:
1889:
1806:
1742:
1666:Pierre Guyenet
1614:Administration
1603:
1563:Palais Garnier
1551:
1518:Charles Garnier
1501:was completed.
1495:Théùtre-Italien
1486:Salle Ventadour
1444:Theatre of the
1315:Located on the
1273:
1243:Opéra de Paris
1213:
1196:
1116:Second Republic
1094:10 August 1830
982:24 August 1802
941:Opéra National
925:12 August 1793
909:15 August 1792
807:
800:
793:
784:
781:
772:
769:
760:
715:video streaming
711:
703:Gustavo Dudamel
699:Philippe Jordan
687:
672:Rolf Liebermann
653:
560:
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493:Henri Desmarets
489:Pascal Collasse
477:
320:
266:
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237:corps de ballet
234:of 110 and the
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4517:External links
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4498:Pougin, Arthur
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3896:Marie Taglioni
3886:
3884:Charlton 2014.
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2756:Opéra de Paris
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2606:Opéra Bastille
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2414: (Opéra)
2408:Georges Hirsch
2405:
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2399: (Opéra)
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1874:City of Paris
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1842:City of Paris
1840:
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1813:City of Paris
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1778:François Rebel
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1577:Opéra Bastille
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1554:
1549:
1543:
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1509:Palais Garnier
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1279:
1272:
1271:List of venues
1269:
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1258:
1254:
1253:
1251:
1248:Opéra Bastille
1244:
1241:
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1236:
1234:
1232:
1229:
1225:
1224:
1222:
1216:
1211:
1207:
1206:
1204:
1202:
1199:
1193:
1192:
1190:
1188:Third Republic
1185:
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1178:
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1169:
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1149:
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1128:
1125:
1124:29 March 1848
1121:
1120:
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1110:
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1103:
1098:
1095:
1091:
1090:
1088:
1082:
1079:
1078:4 August 1830
1075:
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1046:
1043:
1042:21 March 1815
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954:7 August 1794
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849:
846:
845:13 March 1672
842:
841:
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830:
827:
823:
822:
819:
816:
815:Official name
813:
806:
803:
802:
801:
797:Opéra Bastille
794:
787:
785:
782:
775:
773:
770:
763:
759:
756:
742:, one can use
710:
707:
686:
683:
679:Opéra-Bastille
652:
649:
645:Palais Garnier
641:Third Republic
580:Palais Garnier
559:
556:
527:baroque ballet
522:
519:
476:
473:
336:Carlo Vigarani
319:
316:
265:
262:
260:
257:
249:
246:
220:Palais Garnier
212:Opéra Bastille
139:Opéra de Paris
125:
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119:
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111:
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102:
98:
97:
87:
83:
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79:Palais Garnier
77:
69:
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65:
57:
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32:Opéra-National
26:
9:
6:
4:
3:
2:
4595:
4584:
4581:
4579:
4576:
4574:
4571:
4569:
4568:Opera history
4566:
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4385:
4381:
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4366:
4362:
4358:
4354:
4351:
4350:
4347:Other sources
4341:
4337:
4333:
4329:
4325:
4321:
4317:
4314:
4310:
4307:(paperback).
4306:
4302:
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4290:
4286:
4283:
4279:
4275:
4271:
4268:
4264:
4261:(hardcover).
4260:
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4207:9780313262180
4204:
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4192:9780313243943
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4177:9780313214202
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4040:
4036:
4033:
4029:
4026:(hardcover).
4025:
4021:
4017:
4013:
4010:
4007:
4003:
3999:
3997:
3993:
3989:
3988:
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3980:
3977:
3976:
3973:Cited sources
3964:
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3904:
3897:
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3846:
3838:
3835:Pitou (1983)
3832:
3830:
3822:
3819:Pitou (1983)
3816:
3814:
3812:
3804:
3801:Pitou (1983)
3798:
3791:
3787:
3783:
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3768:
3761:
3758:Pitou (1983)
3755:
3753:
3745:
3742:Pitou (1985)
3739:
3732:
3729:Pitou (1983)
3726:
3719:
3713:
3711:
3703:
3700:Pitou (1983)
3697:
3690:
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3674:Pitou (1983)
3671:
3664:
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3645:Pitou (1983)
3642:
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3619:Pitou (1983)
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3513:Pitou (1983)
3510:
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3500:
3490:
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3459:
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3405:
3390:
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3327:
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3313:
3307:
3305:
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3295:
3291:
3287:
3284:
3280:
3274:
3267:
3264:Pitou (1983)
3261:
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3052:
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3037:
3032:
3031:Bernard Stirn
3028:
3023:
3019:
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2999:
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2978:France portal
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3452:
3440:. Retrieved
3436:
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3414:. Retrieved
3404:
3392:. Retrieved
3388:
3378:
3361:. Retrieved
3357:the original
3325:
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2964:Opera portal
2889:
2886:Eden-Théùtre
2855:
2777:
2774:
2751:
2722:Nicolas Joel
2637:(president)
2635:Pierre Bergé
2450:A.-M. Julien
2180:Ămile Perrin
2112:LĂ©on Pillet
2098:1 June 1841
2087:1 June 1840
1584:Designed by
1516:Designed by
1246:Move to the
1168:1 July 1854
1159:Napoleon III
1062:9 July 1815
1049:Hundred Days
712:
695:James Conlon
688:
685:21st century
676:
665:
654:
651:20th century
637:Napoleon III
634:
613:
604:
585:
524:
512:
509:opéra-ballet
508:
505:Marin Marais
497:André Campra
486:
464:
445:
443:
436:
419:forming the
409:Palais-Royal
390:
375:
371:
367:
332:
326:View of the
309:
304:
294:
290:
283:
267:
254:French opera
242:
235:
224:
203:
181:
130:
128:
40:
4538:Paris Opera
3371:(in French)
3090:(in French)
3068:(in French)
3066:pp. 52, 53
3042:(in French)
3034: [
2702:Hugues Gall
2551: [
2541: [
2480:René Nicoly
2367:1942
2359:1940
2347:(Opéra and
2304:1907
2262:EugĂšne Ritt
1810:, Joliveau
1766:1755
1756:1754
1608:Start date
1281:Dates used
1055:(20 March)
720:web browser
618:Restoration
616:. With the
475:After Lully
411:, near the
289:signed the
131:Paris Opera
44:Paris Opera
4532:Categories
3965:: 873â874.
3952:: 870â873.
3720:: 860â864.
3636:: 696â698.
3250:: 866â867.
3196:: 856â857.
3009:References
2538:Paul Puaux
1586:Carlos Ott
1497:until the
1425:Montansier
752:HDMI cable
744:Chromecast
397:his troupe
252:See also:
230:of 170, a
4583:Louis XIV
4332:460748195
4267:419285866
3786:Full view
3704:: 13, 26.
2891:Lohengrin
1085:Charles X
1071:(8 July)
1007:(18 May)
916:Louis XVI
887:Louis XVI
871:Louis XVI
856:Louis XIV
837:Louis XIV
586:With the
405:Richelieu
348:Marseille
305:by nature
296:privilĂšge
287:Louis XIV
268:The poet
228:orchestra
168:Louis XIV
4500:(1881).
4422:(1878).
4399:WorldCat
4355:(1873).
4313:WorldCat
4269:(eBook).
4002:Bouffons
3678:: 11â12.
3517:: 30â31.
3416:16 April
3394:16 April
3363:25 March
3083:Archived
3060:Archived
2950:See also
2497:(Opéra)
2410:(RTLN),
2395:(RTLN),
2376:(Opéra)
1352:Soufflot
1278:Theatre
1053:Napoleon
1035:(April)
606:Napoleon
592:Republic
461:Carnival
364:Bordeaux
240:of 150.
110:, France
101:Location
4510:Gallica
4328:7068320
2894:, 1887)
2608:opens)
2492:(RTLN),
1703:LebĆuf
1386:of the
758:Gallery
748:AirPlay
728:Firefox
447:Alceste
393:MoliĂšre
374:called
342:on the
338:at the
279:Colbert
275:academy
248:History
216:ballets
170:as the
118:Website
96:company
4412:
4338:
4326:
4303:
4295:
4265:
4257:
4240:
4220:
4205:
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4175:
4157:
4142:
4127:
4112:
4097:
4082:
4067:
4052:
4041:: 364.
4030:
4022:
3994:
3909:p. 294
3866:: 881.
3691:: 857.
3665:: 173.
3442:25 May
3332:
3314:: 874.
3156:: 856.
1329:(1st)
1284:Notes
928:Opéra
867:Opéra
833:Perrin
818:Notes
799:inside
736:Safari
734:, and
521:Ballet
503:, and
457:Easter
438:livres
413:Louvre
391:After
232:chorus
164:ballet
135:French
94:ballet
3939:1847.
3839:: 60.
3823:: 44.
3805:: 56.
3762:: 30.
3268:: 38.
3038:]
3014:Notes
2555:]
2545:]
1611:Name
852:Lully
812:Date
360:Lille
356:Rouen
191:Opéra
160:opera
108:Paris
90:Opera
4506:Copy
4486:and
4466:View
4458:View
4443:View
4428:View
4410:ISBN
4378:and
4361:View
4336:ISBN
4324:OCLC
4301:ISBN
4293:ISBN
4278:View
4263:OCLC
4255:ISBN
4238:ISBN
4218:ISBN
4203:ISBN
4188:ISBN
4173:ISBN
4155:ISBN
4140:ISBN
4125:ISBN
4110:ISBN
4095:ISBN
4080:ISBN
4065:ISBN
4050:ISBN
4028:ISBN
4020:ISBN
3992:ISBN
3649:: 9.
3623:: 7.
3444:2023
3418:2021
3396:2021
3365:2010
3330:ISBN
1743:and
1287:Ref
821:Ref
795:The
697:and
578:The
566:The
362:and
352:Lyon
162:and
143:IPA:
129:The
92:and
86:Type
4508:at
4490:at
4468:at
4460:at
4445:at
4430:at
4397:at
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4280:at
3788:at
3482:FAQ
3290:doi
3286:122
2879:at
1051:of
746:or
471:).
4534::
4464:.
4330:,
4299:.
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3654:^
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3498:^
3435:.
3387:.
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3237:^
3185:^
3161:^
3141:^
3048:^
3036:fr
2869:,
2624:)
2562:,
2553:fr
2543:fr
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1912:)
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740:TV
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