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150:" commonly contains verses ("Dashing through the snow...") and choruses ("Oh, jingle bells..."). It may contain "auxiliary members" such as an introduction and/or outro, especially when accompanied by instruments (the piano starts and then: "Dashing...").
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A section is, "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena."
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to designate sections during which a fugue subject is not heard (though it may still draw on
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is a musical idea that may or may not be complete or independent. For example,
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may also refer to a section. This term is particularly common in analysis of a
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Some well known songs consist of only one or two sections, for example "
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This article is about musical form. For groups of like instruments, see
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is any musical idea, complete or not, independent or not, including
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246:Mel Bay Presents Student's Musical Dictionary
27:Complete, but not independent, musical idea
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32:Musical ensemble § Larger ensembles
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168:from the subject). After the opening
139:in poetry or somewhat like stacking
71:is a complete, but not independent,
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269:, Vol. I, p.315. Seventh Edition.
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656:Formal sections in music analysis
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75:. Types of sections include the
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207:Song structure (popular music)
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267:Music: In Theory and Practice
286:Spencer & Temko (1988).
265:Benward & Saker (2003).
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44:bridge (B section of an
320:Oxford University Press
308:Paul M. Walker (2001).
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244:Bye, L. Dean (1993).
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446:Developing variation
187:, and all sections.
606:Thirty-two-bar form
471:Formula composition
131:, the larger unit (
48:) in the key of C.
315:Grove Music Online
222:Repetition (music)
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661:Auxiliary members
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626:Verse–chorus form
581:Sonata rondo form
416:Call and response
396:Ausmultiplikation
329:978-1-56159-263-0
275:978-0-07-294262-0
16:(Redirected from
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611:Through-composed
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318:(8th ed.).
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191:Musical material
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18:Passage (music)
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541:Recapitulation
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217:Phrase (music)
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89:recapitulation
42:Rhythm changes
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591:Strophic form
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288:Form in Music
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596:Ternary form
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481:Introduction
371:Musical form
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148:Jingle Bells
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77:introduction
73:musical idea
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576:Sonata form
536:Post-chorus
451:Development
441:Cyclic form
406:Binary form
375:development
226:repeat sign
85:development
650:Categories
616:Transition
546:Repetition
531:Pre-chorus
461:Exposition
431:Conclusion
170:exposition
111:or outro,
105:conclusion
81:exposition
79:or intro,
621:Variation
486:Leitmotif
386:Arch form
310:"Episode"
121:interlude
46:AABA form
516:Overture
511:Ostinato
506:Movement
401:Bar form
391:Argument
290:, p.31.
248:, p.51.
201:See also
127:such as
571:Section
551:Reprise
232:Sources
177:passage
158:episode
137:stanzas
113:fadeout
101:refrain
69:section
526:Phrase
521:Period
496:Melody
466:Finale
411:Bridge
326:
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195:motifs
166:motifs
129:binary
117:bridge
97:chorus
601:Theme
566:Rondò
561:Rondo
501:Motif
436:Cycle
162:fugue
123:. In
93:verse
65:music
556:Riff
491:Lick
476:Hook
456:Drop
426:Coda
421:Cell
373:and
324:ISBN
292:ISBN
271:ISBN
250:ISBN
224:and
185:riff
181:fill
141:Lego
133:form
109:coda
67:, a
54:Play
156:An
119:or
99:or
63:In
652::
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183:,
175:A
143:.
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363:e
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349:v
332:.
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277:.
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34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
