Paths of Glory - Knowledge

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mansion of the high-ranking officers, the audience notices wide shots from the exterior and the interior. The viewer misses nothing; every decadent piece of furniture, jewelry or bauble that the senior officers have, in sharp contrast to the trenches where the shots are much tighter. Close ups and point-of-view shots (e.g. from Colonel Dax's perspective) are cramped and tight, suffocating for the audience. Switching to a shot in front of Dax's person, e.g. a walking shot, the audience becomes much like the other soldiers accompanying him in the trenches, feeling stuck and trapped in the confined and dangerous space.

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on." Even at this relatively early stage in Kubrick's career directing feature films, he had already gained a reputation in the motion picture industry for commanding all aspects of his projects and being, as one colleague described him, "'meticulous with everything, from scripting to editing'". What is notably missing, however, from Zinsser's comments or in other contemporary reviews about the quality of the production's "cutting" are any allusions to Eva Kroll, the film's credited editor, and to her contributions in helping to construct or at least refine the end product.

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what the viewer can hear throughout the film is explosions in the distance and the sound of a whistle being blown, further adding to the overall documentary style of the film. The lack of a big bold score gives no suggestion of heroism to the plot of the film, and the sounds of people dying are a common trope associated with Stanley Kubrick's films. The song towards the ending happens within the narrative. In the tavern with the French soldiers of Dax's regiment, a young woman sings a traditional German folk song of that era,

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help produce the film. Of the roughly $ 1 million budget, more than a third was allocated to Kirk Douglas' salary. Prior to the involvement of Douglas and his Bryna Production Company, no studio had showed interest in the seemingly noncommercial subject matter and filming in black and white. MGM rejected the idea of the film based on fears that the film would be unfavourable to European distributors and audiences. United Artists agreed to back it with Douglas as the star.

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surface that will attract customers who like strong drama....Just as exciting as the physical events are the ideas about war and men that Kubrick trenchantly puts across – about military discipline, the of those who carry it out and the futility of attempting to fight . These are timeless ideas – relevant to any war. Let us hasten to add, however, that this is no "message" picture. The theme is implicit to the story and the characters.

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It took Kubrick a month to set up the filming of the assault, arranging props and tearing up the field to look like a war zone. For the filming of the battle sequence, the battlefield was divided into five regions where explosive charges were specifically placed. This made it easier for Kubrick to film the dying of extras as he split the extras into five groups, one for each of the regions, and each man would die in his own zone by an explosion that was near him.

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Robert Zemeckis, best known for directing the "Back to the Future" films, hadn't come across "Yellow" in the 1950s E.C. Comics from which all "Tales From the Crypt" stories are drawn. Zemeckis immediately saw the story--with its World War I setting and a plot line involving cowardice, betrayal and firing squads--as a chance to pay homage to Stanley Kubrick's "Paths of Glory," the 1957 anti-war film that featured one of Kirk Douglas' most compelling performances.

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crew he blasted off on what he claimed was Kubrick's dubious parentage and made several other unprintable references to Kubrick's relative greenness in the art of directing actors. Kubrick merely listened calmly and after Menjou had spluttered to an uncomplimentary conclusion said quietly: "All right, let's try the scene once more." With utter docility, Menjou went back to work. "Stanley instinctively knew what to do," Douglas says.

1102:"Paths of Glory" is a starkly realistic recital of French army politics in 1916 during World War I. While the subject is well handled and enacted in a series of outstanding characterizations, it seems dated and makes for grim screen fare. Even with the Kirk Douglas star name to spark its chances, outlook is spotty at best and will need all the hard selling United Artists, which is distributing the Bryna production, can muster. 907: 637:, liked the film and hired Kubrick and Harris to develop film stories from MGM's slush pile of scripts and purchased novels. Finding nothing they liked, Kubrick remembered reading Cobb's book at the age of 14 and the "great impact" it had upon him and suggested it as their next project. Schary strongly doubted the commercial success of the story, which had already been turned down by every other major studio. 566:. The play was a flop on Broadway because of its harsh anti-war scenes that alienated the audience. Nonetheless, Howard continued to believe in the relevance of the subject matter and thought it should be made into a film, writing, "It seems to me that our motion picture industry must feel something of a sacred obligation to make the picture." Fulfilling Howard's "sacred obligation", 620:

used as a counterpoint to a human, individual, emotional situation. Further, war acts as a kind of hothouse for forced, quick breeding of attitudes and feelings. Attitudes crystallise and come out into the open. Conflict is natural, when it would in a less critical situation have to be introduced almost as a contrivance, and would thus appear forced or, even worse, false."

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Kirk Douglas. On the Criterion Collection Blu-ray, James B. Harris claims to have gotten this ending past distributors by sending the entire script instead of just the reversed ending, in the knowledge that those distributors would not read through the whole script again. After viewing the film, United Artists was happy with the changes and left the ending as it is.

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United States of America and Australia. The United States sentenced 24 soldiers to death for cowardice, but the sentences were never carried out. However, a significant point in the film is the practice of selecting individuals at random and executing them as a punishment for the sins of the whole group. This is similar to the Roman practice of

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The overriding tone of the motion picture also evoked comments about the picture's marketability, namely its scant appeal to a very large segment of moviegoers. "Grim" is the word that frequently appears in contemporary reviews of the film, an adjective understandably applied given the story's brutal

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Kubrick used sound, or the lack thereof, to build tension and suspense in the film, particularly towards the beginning when the three soldiers are given orders to check on the Anthill. This scene is in silence, with no use of diegetic/non-diegetic sound, working well to add depth and rawness. Much of

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He made the veteran actor Adolphe Menjou do the same scene 17 times. "That was my best reading." Menjou announced. "I think we can break for lunch now." It was well past the usual lunch time but Kubrick said he wanted another take. Menjou went into an absolute fury. In front of Douglas and the entire

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Due to having three years' military training, around 600 German police officers were used as extras for soldiers. The last scenes filmed were those that take place on the battlefield. For the construction of the battlefield, Kubrick hired 5,000 square yards (0.4 hectares) of land from a local farmer.

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Kubrick said of his decision to make a war film: "One of the attractions of a war or crime story is that it provides an almost unique opportunity to contrast an individual or our contemporary society with a solid framework of accepted value, which the audience becomes fully aware of, and which can be

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Kirk Douglas is 75 years old and "Yellow" marks the first time he's shared a stage with either of his acting sons... . .."There are really only two movies I wanted to make--one with Michael and one with Eric. I just didn't think I'd be working with Eric first." He might not have gotten the chance if

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story, "Yellow!", about a U.S. Army colonel whose son, a lieutenant, exhibits cowardice and is sentenced to face the firing squad. The father makes the son falsely believe that the firing squad will be firing blanks, so that the son will not exhibit cowardice before his execution. Zemeckis cast Kirk

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judges the film to be "outstanding" in his December 26, 1957 review and describes Kubrick's direction and editing as first-rate. "His scenes", Zinsser observes, "are vivid and well composed, and he knows the art of cutting – the scenes make their point, with economy and bite, and move

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In spite of issues being raised in various reviews about the film's manner of dialogue, its anticipated marketing challenges, and its ending, in the United States in 1957 and 1958 there was near universal admiration expressed for the directorial abilities and technical expertise that the 29-year-old

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perspective, as Colonel Dax is returning to his quarters after his confrontations with his superior officers, "he notices his soldiers enjoying themselves in a cafe. It disgusts him to think that they had so quickly forgotten their executed comrades, but he compassionately realizes that life must go

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As for the picture's significance, it comes to an inconclusive point. Its demonstration of injustice is like an exhibit in a bottle in a medical museum. It is grotesque, appalling, nauseating – but so framed and isolated that, when you come away, you are left with the feeling that you

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was fired during production. He was reportedly extremely difficult to work with, even to the extent of faking his own kidnapping, holding up the whole production. He was replaced in the scenes remaining to be shot with a double. The film cost slightly less than $ 1 million and just about broke even.

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Primarily, Kubrick and Thompson had added a happy ending to the film to make the film more commercial to the general public, where the men's lives are saved from execution at the last minute by the general. However, these changes were reversed back more closely to the original novel at the demand of

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for himself and that Thompson had not written any of the dialogue. When Thompson's draft screenplay was compared to the final film, it was clear that Thompson had written seven scenes, including the reconnaissance mission and the scene with soldiers the night before their executions by firing squad.

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had written earlier drafts. The specific contributions by Kubrick, Thompson, and Willingham to the final script were disputed, and the matter went to arbitration with the Writers' Guild. Willingham claimed that Thompson had minimal involvement in the final script of the film, claiming responsibility

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for failure to follow orders. The soldiers were exonerated posthumously in 1934. The novel is about the French execution of innocent men to strengthen others' resolve to fight. The French Army did carry out military executions for cowardice, as did most of the other major participants, excluding the

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as a "minor contribution" to the genre of wartime portrayals. Nor did he find its closing scenes "peculiar"; but instead, "poignant". After viewing what he termed "a brilliant and arresting film" only a few weeks after its world premiere in Munich, Gertner highly recommended it to his readers, many

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Kubrick's vision of war was far bleaker than that of some other films of the era, which also influenced the director's choice to shoot the picture in black and white. The visuals also allow the audience to see the difference between "life in the trenches" and "life in the command". From the opulent

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After Schary was fired by MGM in a major shake-up, Kubrick and Harris managed to interest Kirk Douglas in a script version that Kubrick had done with Calder Willingham. After reading the script, Kirk Douglas was impressed and managed to get an advance for a $ 1 million budget from United Artists to

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100 of the soldiers for cowardice. Broulard orders Mireau to reduce the number and Mireau arrives at three, one from each company. Corporal Paris is chosen because his commanding officer Roget wishes to keep him from testifying about what happened in the scouting mission. Private Ferol is picked by

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Before the attack, drunken Lieutenant Roget leads a night-time scouting mission, sending one of his two men ahead. Overcome by fear while waiting for the man's return, Roget lobs a grenade, accidentally killing the scout. Corporal Paris, the other soldier on the mission, confronts Roget, who denies

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in Northern France, French Major General Georges Broulard orders his subordinate, Brigadier General Paul Mireau, to take the Anthill, a well-defended German position. Mireau refuses, citing the impossibility of success. However, when Broulard mentions a potential promotion, Mireau quickly convinces

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Parts of the screenplay were taken from Cobb's work verbatim. However, Kubrick made several changes to the narrative of the novel in his adaptation, most notably his shift of focus to Colonel Dax, as opposed to Paris, Ferol and Arnaud as in the novel. One speculated addition is when General Mireau

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Man isn't a noble savage, he's an ignoble savage. He is irrational, brutal, weak, silly, unable to be objective about anything where his own interests are involved – that about sums it up. I'm interested in the brutal and violent nature of man because it's a true picture of him. And any attempt to

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as "A minor contribution but an interesting one to the war effort on the screen". Next he describes the drama's storyline in some detail before addressing specifically the film's final scene, which he found odd and disconnected in its presentation so soon after "the grim gray execution". "Susanne

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Technically, this is a war picture, but any exhibitor who promotes it as just another action film will be making a serious mistake. Its exciting battle scenes and the suspense of a subsequent court martial assure it of appeal in that market. But it also has deeper and stronger elements under the

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employs both camera-work and audio cues to create a sense of realism, thus making it easier for the audience to sympathise with the plight of the accused soldiers. In the beginning of the film a snare drum plays, and the music is reminiscent of war era newsreels. During the battle sequences, the

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Following the executions, Broulard tells Mireau that he will be investigated for ordering artillery to fire on his own men. Mireau denounces this as a betrayal by his commanding officer. After Mireau leaves, Broulard then offers Mireau's command to Dax, assuming that Dax's attempts to stop the

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is not present, and the court refuses to admit evidence that would support acquittal. In his closing statement, Dax angrily denounces the proceedings. Later, in a meeting with Broulard, Dax informs him that Mireau had ordered the artillery to fire onto French trenches to dislodge the soldiers

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under heavy rifle and machine gun fire. None of the men reach the German trenches, and B Company refuses to leave their trench after seeing that defeat. Mireau orders his artillery to open fire on them to force them onto the battlefield. The artillery commander refuses to fire without written

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credits Kubrick for creating a visually "terrific", highly intense picture. In particular, Crowther draws attention to the story's execution scene, which he describes as "one of the most craftily directed and emotionally lacerating that we have ever seen." He does, though, also identify two

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later ends in the same way it began with the familiar snare/drum roll used in the opening, indicative of a lack of change throughout the film. Kubrick's use of sounds and song functions as a kind of narration for the audience, linking each sound to a later or earlier scene in the film.

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Christian", Schallert writes, "is seen as the German girl forced to sing to a huge body of troops right at the end of the picture – a peculiar sort of payoff for the miscarriage of justice to which the whole gathering of men seems to be oblivious." He then concludes,

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Gray's stanza reflects Kubrick's feelings about war as well, and that becomes clear in the narrative of the film – a long battle for something with such an unimportant name as the "Ant Hill". Some of Kubrick's unrealized projects contained themes of war as well. Kubrick once told a

809:, Germany, on November 1, 1957. A month and a half before that event, on September 18, a special screening of Kubrick's production was also presented in Munich, but then to a very select audience. Frank Gordon, reporting from the Bavarian capital for the widely read New York 792:. With Kubrick's use of mise-en-scene, the audience is able to see the German woman's performance bring the men to tears through various close-ups and angles. The troopers begin to hum and eventually sing along to the tune in an expression of their basic humanity. 912: 1064:

from the 1920s to 1967, was another reviewer who addressed the issue again in the newspaper's January 16, 1958, edition. In a follow-up discussion about the "controversial war picture", in a commentary subtitled "Question of Foreign Accents Raised by 'Paths of

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Despite the film's harsh reception in Europe by various governments, French war veterans, and media outlets, in the months after the motion picture's initial screenings in the United States, reactions to Kubrick's production featured in American newspapers and

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addressed the ending as well, maintaining that it was the "picture's one weak spot", was "difficult to understand", and "leaves one with a feeling that it is inconclusive". The journal then offered its own interpretation of the final scenes. From

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crime drama. The influence of the film comes in its depiction of the tribulations of "middle management", in the form of Dax's unsuccessful attempt to protect his troops against the inhumane ambitions of his superiors, which in turn influenced

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Finally, in contrast to Philip Scheuer's omission of the production from his "selection of 1957's best", Gertner ends his appraisal emphatically: "No doubt about it – 'Paths of Glory' is one of the strongest dramas of the year."

2859:(New York and Los Angeles), November 20, 1957, p. 6. Retrieved via Internet Archives, July 25, 2022. Within the film-crew credits that Whitney Williams provides with his review, he states that he previewed the motion picture on "Nov. 12, '57". 402:

After the execution, some of Dax's soldiers are carousing at an inn. They become more subdued as they listen to and then join in with a captive German girl working as a barmaid and entertainer as she sings a sad German sentimental folk song,

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camera keeps pace with the soldiers but in other ways, the shots look like old trench warfare footage from World War I. The film's choice of black and white further emphasises its similarity to the actual newsreels of the conflict.

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s critic and in November expressed doubts too that the "World War I melodrama" would be successful commercially after its general release in January 1958. "Just how it will fare at the box-office is a matter of conjecture",

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The book was a minor success when published in 1935, retelling the true-life affair of four French soldiers who were executed to set an example to the rest of the troops. The novel was adapted to the stage the same year by

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In France, both active and retired personnel from the French military vehemently criticized the film—and its portrayal of the French Army—after it was released in Belgium. The French government placed enormous pressure on

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of 1958, it was nominated for and collected several international awards. Those awards and many positive reviews from film critics further enhanced Kubrick's already growing reputation. The film was nominated for a

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English, with American accents and attitudes, while studiously making it look as much as possible like a document of the French Army in World War I. The illusion of reality is blown completely whenever anyone

4389: 1069:", Scheuer cites the style of speech used in the film and the screenplay's "weak" ending as two reasons he omitted the production from his "selection of 1957's best". Like Bosley Crowther, he found the " 1141:'Paths of Glory' is a commendably sincere picture, very well told for the most part, though it does not fulfill itself in the best screen and entertainment terms. It is practically like a documentary." 2385: 911: 2415: 3262: 1054:

The absence of any spoken French or suitably accented English dialogue in a highly focused portrayal of French soldiers continued to be a point of debate in American critical analysis of

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summarizes the release as "a grim, forceful story, presented in blunt, unvarnished fashion, entirely lacking in the customary cliches, deftly directed." Whitney Williams, a critic for

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Other assorted critics in newspapers and trade publications viewed the film's ending and the production's significance cinematically far differently than the cited critics at the

2290: 856:. "Vikings" co-stars Curtis, Borgnine, and Leigh....A World War I action story, will be released through United Artists. Also a Bryna production, it was directed by Stanley (" 570:

decided to adapt it to the screen after he remembered reading the book when he was younger. Kubrick and his partners purchased the film rights from Cobb's widow for $ 10,000.

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Dax, a criminal defense lawyer in civilian life, volunteers to defend the men at their court-martial. The trial, however, is a farce. There is no formal written indictment, a

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by The Criterion Collection with a high-definition digital transfer on October 26, 2010. Eureka released a UK Region B Blu-Ray in 2016 as part of its Masters of Cinema line.

1368:. It was carefully remastered over a period of several years; the original film elements were found to be damaged. However, with the aid of several modern digital studios in 1132:, also attended the film's first screening in Los Angeles on December 20, 1957. The following day the newspaper published Schallert's evaluation, which begins by classifying 748:(credited in the film as Susanne Christian). She and Kubrick later married; the couple remained together until his death in 1999. It was on set that they originally had met. 320:

as Colonel Dax, the commanding officer of French soldiers who refuse to continue a suicidal attack, after which Dax attempts to defend them against charges of cowardice in a

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were generally positive. Nevertheless, perceived deficiencies in the film's structure and content were expressed by some of the nation's leading reviewers in 1957 and 1958.

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executions were a ploy to gain Mireau's job. Discovering that Dax was sincere, Broulard rebukes him for his idealism, but Dax in turn denounces Broulard's nihilism.

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to see a "not for review" showing of Jim Harris' Munich-filmed "Paths of Glory."...Douglas, who stars in "Paths," is presently shooting his own Bryna-produced "

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government banned any presentations of the film until 1970 on the grounds that it was "incontestably offensive" to France, its judicial system and its army.

4381: 4213: 979:(the European distributor) not to release the film in France. The film was eventually shown in France in 1975 when anti-war attitudes were more acceptable. 2377: 2351: 5477: 4357: 4269: 864:

In the United States, the picture was not officially released nationwide until January 1958, although it was shown in two major cities prior to that: in

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explained at the time that "Paths" was being shown in those cities before the end of 1957 to ensure the film would qualify for nominations for the next

5462: 3613: 3254: 2407: 2505: 5487: 3523: 2677:(Washington, D.C.), February 17, 1959, p. A-13. "Chronicling America: Historic American Newspapers", database with images, sponsored jointly by the 2956:(Washington, D.C.), February 27, 1958, p. A-18. Retrieved via Chronicling America: Historic American Newspapers, online archive, co-sponsored by 3144: 3020: 2635: 1673: 1518: 2027: 3598: 986:

to avoid straining relations with France. It was then not shown in Germany until two years after its theatrical release in the United States.

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is a transcendentally humane war movie from Stanley Kubrick, with impressive, protracted battle sequences and a knock-out ending." On

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added the film to his "Great Movies" list on February 25, 2005. Years earlier, on a 1987 episode of the televised film review series

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the Italian critics' Silver Ribbon, an award recognizing him as "the best foreign director of 1958 for his movie 'Paths of Glory'."

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subject matter, and a word still commonly used even in complimentary assessments by critics. In its March 18, 1958 edition, the

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of whom were theater owners. He then advised those motion picture "exhibitors" not to misjudge the film's content in advance:

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Please note figures are for US and Canada only and are domestic rentals accruing to distributors as opposed to theatre gross

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debated with co-host Ebert about the respective merits of several Kubrick productions. Siskel in their discussions declared

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also commented about the film's finale, noting that it "ends so abruptly audience is left with a feeling of incompletion."

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We feel that Mr. Kubrick – and Mr. Douglas – have made a damaging mistake in playing it in

1540: 4890: 2117: 2085: 2058: 1845: 947: 335:, Harris-Kubrick Pictures. In 1992, the film was deemed "culturally, historically or aesthetically significant" by the 3402: 1724: 1043: 5467: 3443: 3087: 2742: 2499: 2075: 1927: 3454: 2897:, production details, catalog of the American Film Institute (AFI), Los Angeles California. Retrieved July 26, 2022. 1947: 1559: 5412: 5351: 4512: 4440: 3608: 1246: 955: 873: 2794:, Academy of Motion Picture Arts and Sciences, Beverly Hills, California. Retrieved archive profile July 24, 2022. 970:

On its release, the film's anti-military tone was subject to severe public criticism and governmental censorship.

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Crowther, Bosley (1957). "Screen: Shameful Incident of War / 'Paths of Glory' Has Premiere at Victoria", review,

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The next morning, the attack on the Anthill is a failure. Dax leads the first wave of soldiers over the top into

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The film was banned in all United States military establishments, both at home and overseas, due to its content.

5457: 5392: 5189: 4504: 3843: 2538: 2343: 2180: 1895: 1447: 2827:, March 18, 1958, p. a5. Retrieved via ProQuest, July 25, 2022. The name of this reviewer, "Mae Tinee", was a 687: 5492: 5472: 5055: 4810: 4612: 3996: 3556: 2810:

Scheuer, Philip (1958). "Views Diverge on War Film: Question of Foreign Accents Raised by 'Paths of Glory'",

3001:. New York: Carroll & Graf Publishers, Inc., 1997, p. 37. Retrieved via Internet Archive, July 28, 2022. 667:

In the end, the Writers' Guild attributed the script in the order of Kubrick, Willingham and then Thompson.

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stated, characterizing its central theme as "a grim and unpleasant study of man's inhumanity toward man".

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to be "a near perfect film," one that in his opinion was surpassed in overall quality only by Kubrick's

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had failed at the box office, it had managed to land on several critical top-ten lists for the year.

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Stanley Kubrick: Paths of Glory & Kirk Douglas Years (The Directors Series) – Indie Film Hustle

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his commanding officer because he is a "social undesirable". Private Arnaud is chosen at random.

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An early critical test of Kubrick's obsession with control on the set came during the making of

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at the Fine Arts Theatre on December 20, 1957, and then five days later, on Christmas Day, in

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create social institutions on a false view of the nature of man is probably doomed to failure.

5162: 5136: 4166: 4142: 3691: 3504: 3051: 2939:(New York, N.Y.), November 18, 1957, pp. 1, 7. Retrieved via Internet Archive, July 28, 2022. 2133:

Miller, Cynthia J. (2006). "Depth of Field: Stanley Kubrick, Film, and the Uses of History".

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Kubrick remembered as filmmaker who transcended the medium, CNN News, Accessed November 2007

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In 1992, the film was deemed "culturally, historically or aesthetically significant" by the

5126: 5113: 4973: 4965: 4826: 4762: 4472: 4341: 4309: 4277: 4253: 4205: 4029: 3464: 2882:(New York, N.Y.), November 23, 1957, p. 188. Retrieved via Internet Archive, July 30, 2022. 2651: 2589:(New York, N.Y.), September 27, 1957, p. 2. Retrieved via Internet Archive, August 5, 2022. 1435: 1361: 1175: 983: 878: 3446:[Path of glory or the paths of glory] (film review) (in French). October 1, 2013. 8: 5372: 5311: 5247: 5071: 4850: 4480: 4397: 4325: 4245: 4039: 2682: 1980:

Kelly, Andrew (1993). "The brutality of military incompetence: 'Paths of Glory' (1957)".

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says “show me a patriot, and I'll show you an honest man”, and Colonel Dax responds that

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Kubrick exhibited in the production. Jay Carmody – the drama critic for

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objected to the film. It was not shown there until 1986, 11 years after Franco's death.

857: 849: 814: 745: 625: 462: 3302:"Paths of Glory", BFI London Film Festival, viewers information leaflet, October 2004. 5301: 5216: 4914: 4842: 4556: 4333: 4285: 3875: 3723: 3509: 3482: 3083: 2758: 2738: 2495: 2312: 2176: 2162: 2150: 2113: 2081: 2054: 1997: 1923: 1891: 1851: 1841: 1471: 1441: 1329: 1290: 1060: 833: 650: 328: 189: 67: 5255: 5063: 4802: 4261: 4189: 4181: 3899: 3750: 3667: 3643: 3186: 2408:"Falling In Love With A Story: Christiane Kubrick on the Legacy of Stanley Kubrick" 2146: 2142: 1989: 1915: 1415: 994: 447: 371: 140: 3530: 3218: 3172:

co-hosted by Gene Siskel and Roger Ebert; video uploaded by "Kubrick's Tube" onto

2911:

Schallert, Philip (1957). "'Paths Of Glory Evidences Power In Its Court-Martial",

359:

In the trenches, Mireau throws a private out of the regiment for showing signs of

5306: 4906: 4682: 4672: 4456: 4293: 4013: 3683: 3635: 3572: 3536: 3290: 3228: 3191: 2658: 2639: 2473: 1835: 1677: 1373: 1333: 1321: 1241: 1224: 1111:, an independent and advertisement-free film review journal in 1957, agreed with 1034: 853: 845: 567: 513: 435: 332: 301: 130: 102: 51: 1620: 1491: 1372:

the film was completely restored and remastered for modern cinema. In addition,

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refusing to attack. Nonetheless, the three are sentenced to death and shot by

5366: 5157: 5149: 4589: 4496: 3821: 3766: 3498: 2283:"The Brutality of Military Incompetence: Paths of Glory and King and Country" 2154: 2001: 1328:

An indication of the film's enduring popularity can be found on the American

869: 716: 557: 498: 468: 459:

as Private Pierre Arnaud, 701st Infantry Regiment (credited as Joseph Turkel)

379: 321: 305: 92: 2175:

Kagan, N. (2003). The Cinema of Stanley Kubrick. New York: Continuum, p.63.

1855: 1469: 5102: 4667: 4662: 4630: 4583: 4570: 4464: 4237: 4049: 3981: 3933: 3816: 3758: 3707: 3398: 2533: 1695:"'Paths of Glory': Stanley Kubrick's First Step Towards Cinema Immortality" 1317: 1258: 773: 474: 451: 441: 423: 417: 392: 317: 171: 153: 135: 120: 115: 1919: 1625:. Media History Digital Library. New York, NY: Variety Publishing Company. 1496:. Media History Digital Library. New York, NY: Variety Publishing Company. 4995: 3969: 3963: 3372: 2623:, November 19, 1957, p. 7. Retrieved via Internet Archive, July 23, 2022. 1411: 1369: 1305: 1295: 1264: 1001: 959: 943: 929: 841: 837: 630: 608: 595: 532: 480: 360: 352: 313: 4134: 3487: 3476: 3176:

and freely available on that streaming service. Retrieved July 29, 2022.

2969:

Hailey, Jean R. (1973). "Jay Carmody, Longtime Drama Critic", obituary,

2569:, November 4, 1957, p. 3. Retrieved via Internet Archive, July 23, 2022. 1286: 's depiction of various institutions acting against individuals. 4946: 4882: 4874: 4059: 3951: 3907: 3223: 1341: 1070: 895: 818:, describes the earlier presentation in the paper's September 27 issue: 777: 486: 456: 2529:"Similarities and differences on Paths of Glory and Full Metal Jacket" 2193: 1890:

Kelly, A. (2011). Cinema and the Great War. London: Routledge, p.129.

1024: 836:

staffers, German stage and film luminaries mingled with Kirk Douglas,

5047: 4349: 4317: 3046: 2876:"'Paths of Glory' with Kirk Douglas, Adolphe Menjou and Ralph Meeker" 1637: 1423: 1400: 1197: 492: 4525: 2528: 1050:

have been witness to nothing more than a horribly freakish incident.

751: 327:

The film was co-produced through Douglas's film production company,

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Assessments vary with regard to the film's ultimate success at the

3541: 2986:, December 26, 1957, p. 14. Retrieved via ProQuest, July 25, 2022. 2915:, December 21, 1957, p. B3. Retrieved via ProQuest, July 26, 2022. 2814:, January 16, 1958, p. B11. Retrieved via ProQuest, July 25, 2022. 3173: 1476:. Media History Digital Library. New York, Quigley Publishing Co. 1404: 990: 704: 700: 2583:"'Vikings' $ 1,000,000 Over Its Budget; VIP Turnout for 'Paths'" 3108: 2831:

used over the years by a series of film critics working at the

806: 712: 444:

as Lieutenant Roget, company commander, 701st Infantry Regiment

2973:, June 20, 1973, p. C9. Retrieved via ProQuest, July 27, 2022. 2835:, a name derived as a humorous reconfiguration from the word " 923:

Although the film did not receive a single nomination for the

4987: 3313:"The Stanley Kubrick Collection Heading for June DVD Release" 2823:

Tinee, Mae (1958). "Film Indicts 2 Soldiers of World War I",

1809:"The Heritage of the Great War / First World War 1914 - 1918" 1231: 1128:

Edwin S. Schallert, a fellow critic of Philip Scheuer at the

675:

once said: “Patriotism is the last refuge of the scoundrel”.

510:

Harold Benedict as Captain Nichols, artillery liaison officer

378:

To deflect blame for the attack's failure, Mireau decides to

1250:

episode "Yellow". The episode was an adaptation of the 1952

740:

The only female character in the film, the woman who sings "

3786:

Stanley Kubrick: Drama & Shadows: Photographs 1945-1950

1422:. This release also features an audio commentary by critic 507:

John Stein as Captain Rousseau, artillery battery commander

420:

as Colonel Dax, commanding officer, 701st Infantry Regiment

1011: 5316: 2957: 1465: 1463: 1392: 1388: 1384: 1360:. In October and November 2004 the film was shown at the 1278: 1179:

was one of them. He, unlike Edwin Schallert, did not see

2313:"Uno Mas "The Wonderful Horrible Life Of Timothy Carey"" 1671:"Sidney Howard: From Berkeley to Broadway and Hollywood" 1267:, creator of the critically acclaimed television series 1073:" aspects of the dialogue wholly distracting. "In 'Paths 531:

The title of Cobb's novel came from the ninth stanza of

367:

any wrongdoing and falsifies his report to Colonel Dax.

1470:

Quigley Publishing Co.; Quigley Publishing Co. (1956).

594:

when four French soldiers were executed in 1915 during

2378:"Paths of Glory: Stanley Kubrick's greatest war film?" 1460: 438:

as Brigadier General Paul Mireau, divisional commander

886:

ceremonies, which were to be held on March 26, 1958.

1485: 1483: 1173:. Richard Gertner of the New York-based trade paper 958:. Kubrick himself received on February 17, 1959, in 489:

as Staff Sergeant Boulanger, 701st Infantry Regiment

1356:and selected for preservation in the United States 1123: 1080: 1058:. Philip K. Scheuer, who wrote about films for the 426:

as Corporal Philippe Paris, 701st Infantry Regiment

339:and selected for preservation in the United States 5210:Oceania Produzioni Internazionali Cinematografiche 1403:release in 1989. The film was released on DVD and 1198:Opinions regarding Kubrick's direction and editing 432:as Major General Georges Broulard, corps commander 331:, and a joint venture between Stanley Kubrick and 2436: 1480: 752:Kubrick's use of visual imagery and mise-en-scene 501:as Private Maurice Ferol, 701st Infantry Regiment 5364: 2982:Zinsser, William K. (1957). "'Paths of Glory'", 1982:Historical Journal of Film, Radio and Television 1426:. This edition was released on August 23, 2022. 477:as president of the court martial (and narrator) 465:as German singer (credited as Susanne Christian) 1948:"Paths of Glory: "We Have Met the Enemy . . ."" 1347: 546:And all that beauty, all that wealth e'er gave, 3527:at gonemovies.com (includes images) (archived) 3047:"Shock SuspenStories #1 (February-March 1952)" 2907: 2905: 2903: 2371: 2369: 1800: 942:. The production also received in Finland the 607:, which was rarely used by the French Army in 4541: 4150: 3997: 3557: 3456:Paths of Glory: “We Have Met the Enemy . . .” 2847: 2845: 2700:"French Delay Showing Films on Touchy Topics" 2693: 2691: 1236:More than three decades after the release of 4390:Fireworks: The Lost Writings of Jim Thompson 4011: 3444:"Path of glory ou les sentiers de la gloire" 3423:Centre National de Documentation Pédagogique 2927: 2925: 2923: 2921: 2759:"Movie you should have seen: Paths of Glory" 2671:"Italians Cite Director of 'Paths of Glory'" 2112:. Da Capo Press. pp. 88–89, 91, 94–95. 3096: 2960:and the Library of Congress, July 25, 2022. 2900: 2577: 2575: 2366: 2194:"Paths of Glory (1957) | The Film Spectrum" 495:as Private Lejeune, 701st Infantry Regiment 5478:United States National Film Registry films 4548: 4534: 4157: 4143: 4004: 3990: 3564: 3550: 3411:(Stanley Kubrick profile and film review). 2842: 2806: 2804: 2802: 2800: 2688: 2558: 2556: 1806: 1232:Later reactions and references to the film 901: 767: 590:is based loosely on the true story of the 560:, World War I veteran and scriptwriter of 550:The paths of glory lead but to the grave. 36: 5463:Films with screenplays by Stanley Kubrick 4164: 3426:(film review) (in French). Archived from 3255:"Complete National Film Registry Listing" 3168:, segment from 1987 televised episode of 3080:Science Fiction Film Directors, 1895-1998 2918: 2697: 2478:Lanham: Rowman & Littlefield, Pg. 242 2344:"Stanley Kubrick's Pathe of Glory (1957)" 2080:. New York: Basic Books. pp. 88–89. 2020:"'2001': Offbeat Director In Outer Space" 2013: 2011: 1665: 1663: 1391:format on July 21, 1997, followed by the 1025:Issues with "colloquial English" dialogue 544:The boast of heraldry, the pomp of pow'r, 304:, based on the novel of the same name by 5488:World War I films based on actual events 2572: 2247: 2245: 2107: 2101: 1975: 1973: 1941: 1939: 1905: 1903: 1506: 946:' Diploma of Merit, was nominated for a 905: 686: 3415: 3277: 3077: 2890: 2888: 2871: 2869: 2867: 2865: 2797: 2722: 2553: 2494:(in Arabic). Rowman & Littlefield. 2487: 2375: 2323:from the original on September 14, 2017 2053:. New York: Vintage. pp. 403–409. 2051:Savage Art: A Biography of Jim Thompson 1886: 1884: 1882: 1874:Stanley Kubrick: Visual Poet, 1928–1999 1753: 1618: 1489: 1418:release of the film, restored from the 1399:'s first release of the film was for a 1209:in Washington, D.C., and winner of the 1012:Reviews in the United States, 1957–1958 5365: 3323:from the original on February 18, 2019 3265:from the original on December 17, 2014 3199:from the original on November 27, 2017 3179: 3147:from the original on February 16, 2019 3010: 2950:"Keith's Film Takes a Wry Look at War" 2769:from the original on February 15, 2019 2731:Stanley Kubrick: Visual Poet 1928-1999 2728: 2652:The Gods of Filmmaking, Paths of Glory 2599: 2597: 2595: 2437:Indie Film Hustle (January 16, 2018), 2418:from the original on February 15, 2019 2388:from the original on February 15, 2019 2354:from the original on February 16, 2019 2263:from the original on February 16, 2019 2230:from the original on February 18, 2019 2200:from the original on February 18, 2019 2132: 2073: 2067: 2048: 2042: 2017: 2008: 1833: 1815:from the original on September 5, 2012 1788:from the original on February 17, 2019 1705:from the original on February 16, 2019 1660: 1648:from the original on February 17, 2019 1552: 1521:from the original on December 20, 2014 1244:paid homage to the film with the 1991 824:Three hundred specially invited local 356:himself that the attack will succeed. 4555: 4529: 4138: 3985: 3545: 3397: 3134: 3104:"The Wire: David Simon Q & A, NJ" 3082:. Jefferson: McFarland. p. 670. 3023:from the original on October 21, 2015 2679:National Endowment for the Humanities 2488:Hischak, Thomas S. (April 16, 2015). 2242: 2030:from the original on November 6, 2011 1979: 1970: 1936: 1909: 1900: 1570:from the original on October 31, 2018 1029:In his December 26, 1957, review for 805:The film had its "world premiere" in 537:Elegy Written in a Country Churchyard 4600:Vice-Presidents and General Managers 3353:from the original on January 6, 2021 2885: 2862: 2526: 2341: 1945: 1879: 1862:from the original on August 26, 2016 1747: 1735:from the original on August 25, 2018 1473:Motion Picture Herald (Jul-Sep 1956) 3868:Stanley Kubrick: A Life in Pictures 3571: 3450:from the original on April 2, 2015. 3416:Huneman, Philippe (November 2003). 3235:from the original on April 15, 2021 3059:from the original on August 1, 2017 2592: 2508:from the original on April 15, 2021 2342:Beyl, Cameron (February 11, 2016). 2018:Alpert, Hollis (January 16, 1966). 1837:Stanley Kubrick: The Complete Films 1754:Huneman, Philippe (November 2003). 194:Harris-Kubrick Pictures Corporation 13: 4891:The Light at the Edge of the World 3391: 3135:Ebert, Roger (February 25, 2005). 3116:from the original on July 16, 2011 2710:from the original on July 19, 2022 2541:from the original on July 19, 2022 2491:The Encyclopedia of Film Composers 2467:The Encyclopedia of Film Composers 2293:from the original on June 15, 2019 2191: 1958:from the original on March 4, 2019 1840:. Köln: Taschen GmbH. p. 11. 1509:"Paths of Glory (1958) - Articles" 744:", is portrayed by German actress 699:Production took place entirely in 504:Fred Bell as shell-shocked soldier 14: 5504: 5483:Western Front (World War I) films 5433:Films directed by Stanley Kubrick 3470: 3013:"Tales From the Douglas' 'Crypt'" 2698:Robertson, Nan (March 15, 1975). 1778:"Desertion and the death penalty" 1635: 950:in 1959, and won the prestigious 623:Although Kubrick's previous film 516:as soldier in attack (uncredited) 5408:Anti-war films about World War I 5352:Universal-International Pictures 3343:"STANLEY KUBRICK Paths of Glory" 1124:Views on the screenplay's ending 982:The film was withdrawn from the 956:Belgian Film Critics Association 548:Awaits alike th'inevitable hour. 5021:One Flew Over the Cuckoo's Nest 4939:Something Wicked This Way Comes 4923:One Flew Over the Cuckoo's Nest 3614:Political and religious beliefs 3365: 3335: 3305: 3296: 3247: 3211: 3159: 3128: 3071: 3039: 3011:Rhodes, Joe (August 25, 1991). 3004: 2989: 2976: 2963: 2942: 2817: 2781: 2751: 2664: 2645: 2626: 2610: 2527:Haft, Nima (January 13, 2016). 2520: 2481: 2458: 2430: 2400: 2335: 2305: 2275: 2212: 2185: 2169: 2126: 1827: 1770: 1717: 1687: 1560:"The Big Idea - Paths of Glory" 948:Writers' Guild of America Award 731:. As recalled by Kirk Douglas: 450:as Major Saint-Auban, Mireau's 21:Paths of Glory (disambiguation) 5438:Films produced by Kirk Douglas 5428:Films based on American novels 5423:Films about capital punishment 5398:American black-and-white films 5190:John Frankenheimer Productions 4505:This World, Then the Fireworks 3420:[The paths of glory]. 3284:Timeout London, Paths of Glory 2376:Gritten, David (May 3, 2014). 2147:10.1080/03612759.2006.10526982 1629: 1612: 1590:"Paths of Glory, Film Reviews" 1582: 1547:. January 7, 1959. p. 48. 1533: 1507:McGee, Scott; Steffen, James. 1500: 1448:List of American films of 1957 965: 614: 1: 5056:Douglas and Lewis Productions 2135:History: Reviews of New Books 1912:The Cinema of Stanley Kubrick 1453: 1414:have detailed their upcoming 1379: 1261:in the father and son roles. 889: 876:. The American trade journal 633:, then head of production at 526: 521: 5443:Films scored by Gerald Fried 5388:1950s English-language films 5297:Columbia Broadcasting System 5132:Columbia Broadcasting System 5076:Public Relations Consultants 4835:The List of Adrian Messenger 4624:Eleanor Wolquitt (1966–1968) 3860:A.I. Artificial Intelligence 3517:AFI Catalog of Feature Films 2998:Stanley Kubrick: A Biography 2617:"Four in First Three Months" 2110:Stanley Kubrick: A Biography 2077:Stanley Kubrick: A Biography 1348:Preservation and restoration 939:The Bridge on the River Kwai 16:1957 film by Stanley Kubrick 7: 5141:Douglas/Reuther Productions 3418:"Les Sentiers de la gloire" 2464:Hischak, Thomas S. (2015), 1756:"Les Sentiers de la gloire" 1429: 1277:was a key influence on the 1273:(2002—2008), has said that 375:confirmation of the order. 300:co-written and directed by 232:December 20, 1957 10: 5509: 5403:American World War I films 5174:Hecht-Hill-Lancaster Films 4627:Norman Kurland (1968–1970) 4606:William Schorr (1952–1955) 3289:November 12, 2007, at the 2788:"Philip K. Scheuer papers" 2685:. Retrieved July 24, 2022. 2657:November 12, 2007, at the 2638:November 12, 2007, at the 2108:LoBrutto, Vincent (1999). 1725:"Nice Boy From the Bronx?" 1676:December 20, 2014, at the 1395:version on June 29, 1999. 800: 780:instruments, specifically 682: 644: 221:November 1, 1957 18: 5347:United Artists Television 5322:National General Pictures 5284: 5271:Winters/Rosen Productions 5238:Stonebridge Entertainment 5230:Silver Screen Partners II 5185:Jerry Bresler Productions 5092: 5031: 5012: 4957: 4722: 4640: 4599: 4563: 4408: 4173: 4081: 4020: 3926: 3835: 3796: 3777: 3742: 3627: 3579: 3374:Paths of Glory 4K Blu-ray 2931:Gertner, Richard (1957). 2472:February 9, 2019, at the 1994:10.1080/01439689300260221 1682:The Berkeley Daily Planet 1154:on." Whitney Williams in 653:to work on the script of 649:Kubrick eventually hired 308:, which was based on the 281: 273: 265: 257: 247: 212: 202: 177: 167: 159: 149: 108: 98: 81: 57: 47: 42:Theatrical release poster 35: 30: 5468:Military courtroom films 5263:Wallis-Hazen Productions 5243:Thoroughbred Productions 5145:Edward Lewis Productions 4795:Last Train from Gun Hill 4198:Nothing More Than Murder 3403:"Film Fan to Film Maker" 3293:, Accessed November 2007 3219:"Paths of Glory Reviews" 2933:"REVIEW: Paths of Glory" 2792:Margaret Herrick Library 1952:The Criterion Collection 1420:original camera negative 1397:The Criterion Collection 5413:Bryna Productions films 5267:Walt Disney Productions 5206:The Mirisch Corporation 5201:Martin Ritt Productions 5194:Les Films de la Pléiade 5167:Harris-Kubrick Pictures 5103:Astral Film Productions 5082:The Brotherhood Company 4981:Dr. Jekyll and Mr. Hyde 3884:Stanley Kubrick's Boxes 3844:World Assembly of Youth 3078:Fischer, David (2011). 2984:New York Herald Tribune 2895:"Paths of Glory (1958)" 2790:, Special Collections, 2661:Accessed November 2007. 2563:"'Paths' Opens Dec. 20" 2257:Cinephilia & Beyond 2049:Polito, Robert (1996). 1782:Australian War Memorial 1638:"Paths of Glory (1957)" 1622:Variety (February 1957) 1220:New York Herald Tribune 919:Original trailer (1957) 902:Reception and influence 866:Los Angeles, California 776:makes extensive use of 768:Score and use of sounds 592:Souain corporals affair 410: 346: 310:Souain corporals affair 5342:United Artists Records 5332:Rank Film Distributors 5225:Seven Arts Productions 4811:Strangers When We Meet 3812:Recurring cast members 2765:. September 25, 2014. 2581:Gordon, Frank (1957). 2289:. September 24, 2016. 1910:Kagan, Norman (2000). 1541:"Top Grossers of 1958" 1366:British Film Institute 1358:National Film Registry 1211:Screen Directors Guild 1191: 1104: 1081:The film's "grim" plot 1052: 920: 862: 738: 696: 695:(1957 publicity photo) 691:Kubrick on the set of 585: 553: 341:National Film Registry 5458:Films shot in Bavaria 5393:1950s political films 5163:Gibraltar Productions 5137:Curtleigh Productions 5003:Sperry Goes Hollywood 4609:Norman A. Cook (1955) 3692:2001: A Space Odyssey 3401:(December 12, 1958). 3052:Grand Comics Database 2948:Carmody, Jay (1958). 2833:Chicago Daily Tribune 2825:Chicago Daily Tribune 2729:Duncan, Paul (2003). 2317:www.absolutefilms.net 2074:Baxter, John (1997). 1920:10.5040/9781501340277 1834:Duncan, Paul (2003). 1600:on September 14, 2012 1564:Turner Classic Movies 1514:Turner Classic Movies 1493:Variety (August 1956) 1186: 1165:or the reviewers for 1100: 1089:Chicago Daily Tribune 1040: 918: 854:Geiselgasteig studios 820: 772:The musical score by 733: 690: 580: 541: 5493:1950s American films 5473:United Artists films 5274:Zeeuwse Maatschappij 5127:Cherokee Productions 5114:Bigstick Productions 5107:Barbizon Productions 4974:Tales of the Vikings 4827:Lonely Are the Brave 4787:The Devil's Disciple 4763:Ride Out for Revenge 4513:The Killer Inside Me 4473:After Dark, My Sweet 4441:The Killer Inside Me 4302:After Dark, My Sweet 4278:A Swell-Looking Babe 4206:The Killer Inside Me 4030:The Bedford Incident 3966:(personal assistant) 3960:(personal assistant) 3465:Criterion Collection 2937:Motion Picture Daily 2621:Motion Picture Daily 2567:Motion Picture Daily 2414:. October 30, 2012. 2224:americanfilm.afi.com 1784:. October 23, 2017. 1766:on December 3, 2007. 1436:French Army mutinies 1362:London Film Festival 1257:Douglas and his son 1247:Tales from the Crypt 1240:, American director 1176:Motion Picture Daily 984:Berlin Film Festival 879:Motion Picture Daily 707:, especially at the 240: (United States) 19:For other uses, see 5453:Films set in France 5312:Metro-Goldwyn-Mayer 5248:Touchstone Pictures 5213:Polyc International 5170:Harvest Productions 5072:Peter Vincent Music 5068:Michael Productions 5052:Cameron Productions 5044:Bryna International 4966:King of the Vikings 4931:The Final Countdown 4040:Some Call It Loving 3804:Interpretations of 3619:Unrealized projects 3430:on December 3, 2007 2971:The Washington Post 2733:. Taschen. p. 2683:Library of Congress 2447:on November 9, 2020 1872:Alternately titled 1684:, December 18, 2007 1354:Library of Congress 1253:Shock SuspenStories 932:under the category 742:The Faithful Hussar 709:Schleissheim Palace 635:Metro-Goldwyn-Mayer 405:The Faithful Hussar 337:Library of Congress 296:is a 1957 American 5327:Paramount Pictures 5154:Film Finance Group 5122:Cayuga Productions 4755:The Careless Years 4731:The Indian Fighter 4678:Charles K. Feldman 3940:Christiane Kubrick 3916:Kubrick by Kubrick 3700:A Clockwork Orange 3505:TCM Movie Database 3408:The New York Times 3319:. April 25, 1999. 2880:Harrison's Reports 2605:The New York Times 2259:. March 25, 2017. 2024:The New York Times 1729:The New York Times 1330:review-aggregation 1167:Harrison's Reports 1146:Harrison's Reports 1108:Harrison's Reports 1031:The New York Times 1019:trade publications 921: 697: 662:for 99 percent of 563:Gone with the Wind 471:as café proprietor 463:Christiane Kubrick 388:court stenographer 5448:Films set in 1916 5360: 5359: 5302:Columbia Pictures 5217:Quine Productions 5099:Aspen Productions 5085:The Bryna Company 5038:Bryna Corporation 4843:Seven Days in May 4690:Stanley Margulies 4579: 4557:Bryna Productions 4523: 4522: 4358:Texas by the Tail 4334:The Transgressors 4286:A Hell of a Woman 4132: 4131: 3979: 3978: 3876:Colour Me Kubrick 3778:Photography books 3724:Full Metal Jacket 3112:. March 9, 2008. 3017:Los Angeles Times 2913:Los Angeles Times 2851:"Whit." (1957). 2812:Los Angeles Times 2287:scrapsfromtheloft 1946:Naremore, James. 1442:Full Metal Jacket 1291:Chicago Sun-Times 1163:Los Angeles Times 1130:Los Angeles Times 1061:Los Angeles Times 916: 852:" in this city's 834:Radio Free Europe 822:Munich, Sept. 18. 790:"Der treue Husar" 746:Christiane Harlan 657:(1957), of which 651:Calder Willingham 329:Bryna Productions 316:. The film stars 289: 288: 190:Bryna Productions 68:Calder Willingham 5500: 5378:1957 drama films 5256:Vincent Pictures 5064:Joel Productions 5060:Eric Productions 5041:Bryna Industries 4715:David E. Weshner 4573: 4550: 4543: 4536: 4527: 4526: 4262:The Golden Gizmo 4190:Heed the Thunder 4182:Now and on Earth 4159: 4152: 4145: 4136: 4135: 4125: 4115: 4105: 4095: 4074: 4064: 4054: 4044: 4034: 4006: 3999: 3992: 3983: 3982: 3954:(brother-in-law) 3900:S Is for Stanley 3751:Day of the Fight 3566: 3559: 3552: 3543: 3542: 3451: 3439: 3437: 3435: 3412: 3385: 3384: 3383: 3381: 3369: 3363: 3362: 3360: 3358: 3339: 3333: 3332: 3330: 3328: 3309: 3303: 3300: 3294: 3281: 3275: 3274: 3272: 3270: 3251: 3245: 3244: 3242: 3240: 3215: 3209: 3208: 3206: 3204: 3187:"Paths of Glory" 3183: 3177: 3163: 3157: 3156: 3154: 3152: 3137:"Paths of Glory" 3132: 3126: 3125: 3123: 3121: 3100: 3094: 3093: 3075: 3069: 3068: 3066: 3064: 3043: 3037: 3036: 3030: 3028: 3008: 3002: 2993: 2987: 2980: 2974: 2967: 2961: 2954:The Evening Star 2946: 2940: 2929: 2916: 2909: 2898: 2892: 2883: 2873: 2860: 2853:"Paths of Glory" 2849: 2840: 2821: 2815: 2808: 2795: 2785: 2779: 2778: 2776: 2774: 2755: 2749: 2748: 2726: 2720: 2719: 2717: 2715: 2695: 2686: 2675:The Evening Star 2668: 2662: 2649: 2643: 2630: 2624: 2614: 2608: 2601: 2590: 2579: 2570: 2560: 2551: 2550: 2548: 2546: 2524: 2518: 2517: 2515: 2513: 2485: 2479: 2462: 2456: 2455: 2454: 2452: 2443:, archived from 2434: 2428: 2427: 2425: 2423: 2404: 2398: 2397: 2395: 2393: 2373: 2364: 2363: 2361: 2359: 2339: 2333: 2332: 2330: 2328: 2309: 2303: 2302: 2300: 2298: 2279: 2273: 2272: 2270: 2268: 2249: 2240: 2239: 2237: 2235: 2216: 2210: 2209: 2207: 2205: 2189: 2183: 2173: 2167: 2166: 2130: 2124: 2123: 2105: 2099: 2098: 2096: 2094: 2071: 2065: 2064: 2046: 2040: 2039: 2037: 2035: 2015: 2006: 2005: 1977: 1968: 1967: 1965: 1963: 1943: 1934: 1933: 1907: 1898: 1888: 1877: 1871: 1869: 1867: 1831: 1825: 1824: 1822: 1820: 1807:Rob Ruggenberg. 1804: 1798: 1797: 1795: 1793: 1774: 1768: 1767: 1762:. Archived from 1751: 1745: 1744: 1742: 1740: 1721: 1715: 1714: 1712: 1710: 1699:cinephiliabeyond 1691: 1685: 1667: 1658: 1657: 1655: 1653: 1633: 1627: 1626: 1619:Variety (1957). 1616: 1610: 1609: 1607: 1605: 1596:. Archived from 1586: 1580: 1579: 1577: 1575: 1556: 1550: 1548: 1537: 1531: 1530: 1528: 1526: 1504: 1498: 1497: 1490:Variety (1956). 1487: 1478: 1477: 1467: 1206:The Evening Star 1140: 1076: 1068: 995:Francisco Franco 917: 874:Victoria Theatre 600:Géraud Réveilhac 578:journalist that 483:as Father Duprée 448:Richard Anderson 351:In 1916, during 239: 237: 228: 226: 141:Richard Anderson 40: 28: 27: 5508: 5507: 5503: 5502: 5501: 5499: 5498: 5497: 5363: 5362: 5361: 5356: 5307:Home Box Office 5280: 5234:The Stone Group 5088: 5027: 5008: 4953: 4867:The Brotherhood 4819:The Last Sunset 4718: 4683:James B. Harris 4673:Michael Douglas 4659:George M. Cahan 4650:Joseph A. Barry 4636: 4595: 4559: 4554: 4524: 4519: 4457:Coup de Torchon 4404: 4366:South of Heaven 4294:The Nothing Man 4214:Cropper's Cabin 4169: 4163: 4133: 4128: 4118: 4108: 4098: 4088: 4077: 4067: 4057: 4047: 4037: 4027: 4016: 4014:James B. Harris 4010: 3980: 3975: 3922: 3831: 3792: 3773: 3738: 3684:Dr. Strangelove 3636:Fear and Desire 3623: 3575: 3573:Stanley Kubrick 3570: 3537:Rotten Tomatoes 3473: 3442: 3433: 3431: 3394: 3392:Further reading 3389: 3388: 3379: 3377: 3371: 3370: 3366: 3356: 3354: 3341: 3340: 3336: 3326: 3324: 3311: 3310: 3306: 3301: 3297: 3291:Wayback Machine 3282: 3278: 3268: 3266: 3253: 3252: 3248: 3238: 3236: 3229:CBS Interactive 3217: 3216: 3212: 3202: 3200: 3192:Rotten Tomatoes 3185: 3184: 3180: 3164: 3160: 3150: 3148: 3133: 3129: 3119: 3117: 3102: 3101: 3097: 3090: 3076: 3072: 3062: 3060: 3045: 3044: 3040: 3026: 3024: 3009: 3005: 2994: 2990: 2981: 2977: 2968: 2964: 2947: 2943: 2930: 2919: 2910: 2901: 2893: 2886: 2874: 2863: 2850: 2843: 2822: 2818: 2809: 2798: 2786: 2782: 2772: 2770: 2757: 2756: 2752: 2745: 2727: 2723: 2713: 2711: 2696: 2689: 2669: 2665: 2659:Wayback Machine 2650: 2646: 2640:Wayback Machine 2631: 2627: 2615: 2611: 2602: 2593: 2580: 2573: 2561: 2554: 2544: 2542: 2525: 2521: 2511: 2509: 2502: 2486: 2482: 2474:Wayback Machine 2463: 2459: 2450: 2448: 2435: 2431: 2421: 2419: 2406: 2405: 2401: 2391: 2389: 2374: 2367: 2357: 2355: 2348:directorsseries 2340: 2336: 2326: 2324: 2311: 2310: 2306: 2296: 2294: 2281: 2280: 2276: 2266: 2264: 2251: 2250: 2243: 2233: 2231: 2220:"American Film" 2218: 2217: 2213: 2203: 2201: 2192:Fraley, Jason. 2190: 2186: 2174: 2170: 2131: 2127: 2120: 2106: 2102: 2092: 2090: 2088: 2072: 2068: 2061: 2047: 2043: 2033: 2031: 2016: 2009: 1978: 1971: 1961: 1959: 1944: 1937: 1930: 1908: 1901: 1889: 1880: 1865: 1863: 1848: 1832: 1828: 1818: 1816: 1811:. Greatwar.nl. 1805: 1801: 1791: 1789: 1776: 1775: 1771: 1752: 1748: 1738: 1736: 1723: 1722: 1718: 1708: 1706: 1693: 1692: 1688: 1678:Wayback Machine 1668: 1661: 1651: 1649: 1634: 1630: 1617: 1613: 1603: 1601: 1588: 1587: 1583: 1573: 1571: 1558: 1557: 1553: 1539: 1538: 1534: 1524: 1522: 1505: 1501: 1488: 1481: 1468: 1461: 1456: 1432: 1382: 1374:Stanley Kubrick 1350: 1334:Rotten Tomatoes 1322:Dr. Strangelove 1310:Chicago Tribune 1242:Robert Zemeckis 1234: 1225:William Zinsser 1200: 1138: 1126: 1083: 1074: 1066: 1048: 1035:Bosley Crowther 1027: 1014: 968: 906: 904: 892: 846:Ernest Borgnine 823: 803: 770: 754: 685: 647: 617: 568:Stanley Kubrick 552: 549: 547: 545: 529: 524: 519: 514:James B. Harris 436:George Macready 413: 349: 333:James B. Harris 302:Stanley Kubrick 250: 243: 235: 233: 224: 222: 215: 198: 197: 182: 180: 145: 131:George Macready 103:James B. Harris 90: 88: 77: 64:Stanley Kubrick 52:Stanley Kubrick 43: 24: 17: 12: 11: 5: 5506: 5496: 5495: 5490: 5485: 5480: 5475: 5470: 5465: 5460: 5455: 5450: 5445: 5440: 5435: 5430: 5425: 5420: 5418:Censored films 5415: 5410: 5405: 5400: 5395: 5390: 5385: 5383:1957 war films 5380: 5375: 5358: 5357: 5355: 5354: 5349: 5344: 5339: 5337:United Artists 5334: 5329: 5324: 5319: 5314: 5309: 5304: 5299: 5294: 5288: 5286: 5282: 5281: 5279: 5278: 5275: 5272: 5269: 5264: 5261: 5258: 5253: 5250: 5245: 5240: 5235: 5232: 5227: 5222: 5219: 5214: 5211: 5208: 5203: 5198: 5195: 5192: 5187: 5182: 5179: 5176: 5171: 5168: 5165: 5160: 5155: 5152: 5147: 5142: 5139: 5134: 5129: 5124: 5119: 5118:Capitole Films 5116: 5111: 5108: 5105: 5100: 5096: 5094: 5090: 5089: 5087: 5086: 5083: 5080: 5077: 5074: 5069: 5066: 5061: 5058: 5053: 5050: 5045: 5042: 5039: 5035: 5033: 5029: 5028: 5026: 5025: 5016: 5014: 5010: 5009: 5007: 5006: 5000: 4992: 4984: 4978: 4970: 4961: 4959: 4955: 4954: 4952: 4951: 4943: 4935: 4927: 4919: 4911: 4903: 4899:To Catch a Spy 4895: 4887: 4879: 4871: 4863: 4855: 4847: 4839: 4831: 4823: 4815: 4807: 4799: 4791: 4783: 4775: 4771:Paths of Glory 4767: 4759: 4751: 4743: 4739:Spring Reunion 4735: 4726: 4724: 4720: 4719: 4717: 4716: 4713: 4710: 4708:Robert Siodmak 4705: 4704:Milton Shapiro 4702: 4701:Norman Retchin 4699: 4696: 4694:Martin Melcher 4691: 4688: 4685: 4680: 4675: 4670: 4665: 4660: 4657: 4656:Barney Briskin 4654: 4651: 4648: 4644: 4642: 4641:Key Executives 4638: 4637: 4635: 4634: 4628: 4625: 4622: 4616: 4610: 4607: 4603: 4601: 4597: 4596: 4594: 4593: 4587: 4581: 4567: 4565: 4561: 4560: 4553: 4552: 4545: 4538: 4530: 4521: 4520: 4518: 4517: 4509: 4501: 4493: 4485: 4477: 4469: 4461: 4453: 4445: 4437: 4429: 4425:Paths of Glory 4421: 4412: 4410: 4406: 4405: 4403: 4402: 4394: 4386: 4378: 4370: 4362: 4354: 4346: 4338: 4330: 4322: 4314: 4306: 4298: 4290: 4282: 4274: 4266: 4258: 4250: 4242: 4234: 4230:The Alcoholics 4226: 4218: 4210: 4202: 4194: 4186: 4177: 4175: 4171: 4170: 4162: 4161: 4154: 4147: 4139: 4130: 4129: 4127: 4126: 4116: 4106: 4101:Paths of Glory 4096: 4085: 4083: 4079: 4078: 4076: 4075: 4065: 4055: 4045: 4035: 4024: 4022: 4018: 4017: 4009: 4008: 4001: 3994: 3986: 3977: 3976: 3974: 3973: 3967: 3961: 3958:Anthony Frewin 3955: 3949: 3946:Vivian Kubrick 3943: 3937: 3930: 3928: 3924: 3923: 3921: 3920: 3912: 3904: 3896: 3888: 3880: 3872: 3864: 3856: 3852:Strangers Kiss 3848: 3839: 3837: 3833: 3832: 3830: 3829: 3824: 3819: 3814: 3809: 3800: 3798: 3794: 3793: 3791: 3790: 3781: 3779: 3775: 3774: 3772: 3771: 3763: 3755: 3746: 3744: 3740: 3739: 3737: 3736: 3732:Eyes Wide Shut 3728: 3720: 3712: 3704: 3696: 3688: 3680: 3672: 3664: 3660:Paths of Glory 3656: 3648: 3640: 3631: 3629: 3625: 3624: 3622: 3621: 3616: 3611: 3606: 3601: 3596: 3591: 3586: 3580: 3577: 3576: 3569: 3568: 3561: 3554: 3546: 3540: 3539: 3532:Paths of Glory 3528: 3524:Paths of Glory 3520: 3519: 3511:Paths of Glory 3507: 3500:Paths of Glory 3496: 3489:Paths of Glory 3485: 3478:Paths of Glory 3472: 3471:External links 3469: 3468: 3467: 3461:James Naremore 3452: 3440: 3413: 3393: 3390: 3387: 3386: 3364: 3334: 3317:soundandvision 3304: 3295: 3276: 3246: 3210: 3178: 3158: 3141:RogerEbert.com 3127: 3095: 3088: 3070: 3038: 3003: 2995:Baxter, John. 2988: 2975: 2962: 2941: 2917: 2899: 2884: 2861: 2841: 2816: 2796: 2780: 2750: 2743: 2721: 2704:New York Times 2687: 2663: 2644: 2625: 2609: 2591: 2571: 2552: 2519: 2500: 2480: 2457: 2429: 2399: 2365: 2334: 2304: 2274: 2241: 2211: 2184: 2168: 2125: 2119:978-0306809064 2118: 2100: 2087:978-0786704859 2086: 2066: 2060:978-0679733522 2059: 2041: 2007: 1988:(2): 215–227. 1969: 1935: 1928: 1899: 1878: 1847:978-3836527750 1846: 1826: 1799: 1769: 1746: 1716: 1686: 1669:Phil McArdle. 1659: 1628: 1611: 1581: 1551: 1532: 1499: 1479: 1458: 1457: 1455: 1452: 1451: 1450: 1445: 1438: 1431: 1428: 1381: 1378: 1349: 1346: 1338:Paths of Glory 1314:Paths of Glory 1275:Paths of Glory 1238:Paths of Glory 1233: 1230: 1199: 1196: 1181:Paths of Glory 1144:The review in 1134:Paths of Glory 1125: 1122: 1082: 1079: 1056:Paths of Glory 1026: 1023: 1013: 1010: 1009: 1008: 1005: 998: 993:government of 989:In Spain, the 987: 980: 977:United Artists 967: 964: 925:Academy Awards 903: 900: 891: 888: 802: 799: 794:Paths of Glory 782:military drums 769: 766: 757:Paths of Glory 753: 750: 729:Paths of Glory 693:Paths of Glory 684: 681: 673:Samuel Johnson 664:Paths of Glory 655:Paths of Glory 646: 643: 616: 613: 598:under General 588:Paths of Glory 576:New York Times 542: 528: 525: 523: 520: 518: 517: 511: 508: 505: 502: 496: 490: 484: 478: 472: 466: 460: 454: 445: 439: 433: 430:Adolphe Menjou 427: 421: 414: 412: 409: 348: 345: 293:Paths of Glory 287: 286: 283: 279: 278: 275: 271: 270: 267: 263: 262: 259: 255: 254: 251: 248: 245: 244: 242: 241: 230: 218: 216: 213: 210: 209: 207:United Artists 204: 203:Distributed by 200: 199: 196: 195: 192: 186: 185: 183: 178: 175: 174: 169: 165: 164: 161: 157: 156: 151: 150:Cinematography 147: 146: 144: 143: 138: 133: 128: 126:Adolphe Menjou 123: 118: 112: 110: 106: 105: 100: 96: 95: 86:Paths of Glory 83: 79: 78: 76: 75: 70: 65: 61: 59: 55: 54: 49: 45: 44: 41: 33: 32: 31:Paths of Glory 15: 9: 6: 4: 3: 2: 5505: 5494: 5491: 5489: 5486: 5484: 5481: 5479: 5476: 5474: 5471: 5469: 5466: 5464: 5461: 5459: 5456: 5454: 5451: 5449: 5446: 5444: 5441: 5439: 5436: 5434: 5431: 5429: 5426: 5424: 5421: 5419: 5416: 5414: 5411: 5409: 5406: 5404: 5401: 5399: 5396: 5394: 5391: 5389: 5386: 5384: 5381: 5379: 5376: 5374: 5371: 5370: 5368: 5353: 5350: 5348: 5345: 5343: 5340: 5338: 5335: 5333: 5330: 5328: 5325: 5323: 5320: 5318: 5315: 5313: 5310: 5308: 5305: 5303: 5300: 5298: 5295: 5293: 5290: 5289: 5287: 5283: 5276: 5273: 5270: 5268: 5265: 5262: 5259: 5257: 5254: 5251: 5249: 5246: 5244: 5241: 5239: 5236: 5233: 5231: 5228: 5226: 5223: 5221:Rizzoli Films 5220: 5218: 5215: 5212: 5209: 5207: 5204: 5202: 5199: 5197:Ludgate Films 5196: 5193: 5191: 5188: 5186: 5183: 5180: 5177: 5175: 5172: 5169: 5166: 5164: 5161: 5159: 5158:Further Films 5156: 5153: 5151: 5150:Fantasy Films 5148: 5146: 5143: 5140: 5138: 5135: 5133: 5130: 5128: 5125: 5123: 5120: 5117: 5115: 5112: 5109: 5106: 5104: 5101: 5098: 5097: 5095: 5091: 5084: 5081: 5078: 5075: 5073: 5070: 5067: 5065: 5062: 5059: 5057: 5054: 5051: 5049: 5046: 5043: 5040: 5037: 5036: 5034: 5030: 5023: 5022: 5018: 5017: 5015: 5011: 5004: 5001: 4998: 4997: 4993: 4990: 4989: 4985: 4982: 4979: 4976: 4975: 4971: 4968: 4967: 4963: 4962: 4960: 4956: 4949: 4948: 4944: 4941: 4940: 4936: 4933: 4932: 4928: 4925: 4924: 4920: 4917: 4916: 4912: 4909: 4908: 4904: 4901: 4900: 4896: 4893: 4892: 4888: 4885: 4884: 4880: 4877: 4876: 4872: 4869: 4868: 4864: 4861: 4860: 4856: 4853: 4852: 4848: 4845: 4844: 4840: 4837: 4836: 4832: 4829: 4828: 4824: 4821: 4820: 4816: 4813: 4812: 4808: 4805: 4804: 4800: 4797: 4796: 4792: 4789: 4788: 4784: 4781: 4780: 4776: 4773: 4772: 4768: 4765: 4764: 4760: 4757: 4756: 4752: 4749: 4748: 4744: 4741: 4740: 4736: 4733: 4732: 4728: 4727: 4725: 4721: 4714: 4711: 4709: 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4248: 4247: 4243: 4240: 4239: 4235: 4232: 4231: 4227: 4224: 4223: 4219: 4216: 4215: 4211: 4208: 4207: 4203: 4200: 4199: 4195: 4192: 4191: 4187: 4184: 4183: 4179: 4178: 4176: 4172: 4168: 4160: 4155: 4153: 4148: 4146: 4141: 4140: 4137: 4123: 4122: 4117: 4113: 4112: 4107: 4103: 4102: 4097: 4093: 4092: 4087: 4086: 4084: 4080: 4072: 4071: 4070:Boiling Point 4066: 4062: 4061: 4056: 4052: 4051: 4046: 4042: 4041: 4036: 4032: 4031: 4026: 4025: 4023: 4019: 4015: 4007: 4002: 4000: 3995: 3993: 3988: 3987: 3984: 3971: 3968: 3965: 3962: 3959: 3956: 3953: 3950: 3947: 3944: 3941: 3938: 3936:(second wife) 3935: 3932: 3931: 3929: 3925: 3918: 3917: 3913: 3910: 3909: 3905: 3902: 3901: 3897: 3894: 3893: 3889: 3886: 3885: 3881: 3878: 3877: 3873: 3870: 3869: 3865: 3862: 3861: 3857: 3854: 3853: 3849: 3846: 3845: 3841: 3840: 3838: 3836:Related films 3834: 3828: 3825: 3823: 3822:Kubrick stare 3820: 3818: 3815: 3813: 3810: 3808: 3807: 3802: 3801: 3799: 3795: 3788: 3787: 3783: 3782: 3780: 3776: 3769: 3768: 3767:The Seafarers 3764: 3761: 3760: 3756: 3753: 3752: 3748: 3747: 3745: 3741: 3734: 3733: 3729: 3726: 3725: 3721: 3718: 3717: 3713: 3710: 3709: 3705: 3702: 3701: 3697: 3694: 3693: 3689: 3686: 3685: 3681: 3678: 3677: 3673: 3670: 3669: 3665: 3662: 3661: 3657: 3654: 3653: 3649: 3646: 3645: 3644:Killer's Kiss 3641: 3638: 3637: 3633: 3632: 3630: 3628:Feature films 3626: 3620: 3617: 3615: 3612: 3610: 3609:Personal life 3607: 3605: 3602: 3600: 3597: 3595: 3592: 3590: 3587: 3585: 3582: 3581: 3578: 3574: 3567: 3562: 3560: 3555: 3553: 3548: 3547: 3544: 3538: 3534: 3533: 3529: 3526: 3525: 3521: 3518: 3515: 3513: 3512: 3508: 3506: 3502: 3501: 3497: 3495: 3491: 3490: 3486: 3484: 3480: 3479: 3475: 3474: 3466: 3462: 3458: 3457: 3453: 3449: 3445: 3441: 3429: 3425: 3424: 3419: 3414: 3410: 3409: 3404: 3400: 3399:Stang, JoAnne 3396: 3395: 3376: 3375: 3368: 3352: 3348: 3344: 3338: 3322: 3318: 3314: 3308: 3299: 3292: 3288: 3285: 3280: 3264: 3260: 3256: 3250: 3234: 3230: 3226: 3225: 3220: 3214: 3198: 3194: 3193: 3188: 3182: 3175: 3171: 3170:At the Movies 3167: 3162: 3146: 3142: 3138: 3131: 3120:September 25, 3115: 3111: 3110: 3105: 3099: 3091: 3089:9780786485055 3085: 3081: 3074: 3058: 3054: 3053: 3048: 3042: 3035: 3022: 3018: 3014: 3007: 3000: 2999: 2992: 2985: 2979: 2972: 2966: 2959: 2955: 2951: 2945: 2938: 2934: 2928: 2926: 2924: 2922: 2914: 2908: 2906: 2904: 2896: 2891: 2889: 2881: 2877: 2872: 2870: 2868: 2866: 2858: 2854: 2848: 2846: 2838: 2834: 2830: 2826: 2820: 2813: 2807: 2805: 2803: 2801: 2793: 2789: 2784: 2768: 2764: 2760: 2754: 2746: 2744:9783822815922 2740: 2736: 2732: 2725: 2709: 2705: 2701: 2694: 2692: 2684: 2680: 2676: 2673:, news item, 2672: 2667: 2660: 2656: 2653: 2648: 2641: 2637: 2634: 2629: 2622: 2618: 2613: 2606: 2600: 2598: 2596: 2588: 2584: 2578: 2576: 2568: 2564: 2559: 2557: 2540: 2536: 2535: 2530: 2523: 2507: 2503: 2501:9781442245501 2497: 2493: 2492: 2484: 2477: 2475: 2471: 2468: 2461: 2446: 2442: 2441: 2433: 2417: 2413: 2409: 2403: 2387: 2383: 2382:The 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Retrieved 1512: 1502: 1492: 1472: 1440: 1409: 1383: 1351: 1337: 1327: 1320: 1313: 1309: 1299: 1289: 1288: 1283: 1274: 1268: 1263: 1259:Eric Douglas 1251: 1245: 1237: 1235: 1218: 1215:incisiveness 1204: 1201: 1192: 1187: 1180: 1174: 1170: 1166: 1162: 1160: 1155: 1150: 1145: 1143: 1133: 1129: 1127: 1117: 1112: 1106: 1105: 1101: 1093: 1087: 1084: 1059: 1055: 1053: 1041: 1030: 1028: 1015: 969: 944:Jussi Awards 937: 936:but lost to 922: 893: 877: 863: 821: 813: 804: 793: 786: 774:Gerald Fried 771: 762: 756: 755: 739: 734: 728: 726: 722: 698: 692: 677: 669: 663: 659:Jim Thompson 654: 648: 639: 624: 622: 618: 587: 586: 581: 575: 572: 561: 554: 543: 530: 475:Peter Capell 452:aide de camp 442:Wayne Morris 424:Ralph Meeker 418:Kirk Douglas 401: 397: 393:firing squad 385: 377: 369: 365: 358: 350: 326: 318:Kirk Douglas 292: 291: 290: 249:Running time 172:Gerald Fried 154:Georg Krause 136:Wayne Morris 121:Ralph Meeker 116:Kirk Douglas 85: 73:Jim Thompson 25: 5292:Buena Vista 5024:(1963–1964) 4977:(1959–1960) 4779:The Vikings 4698:Seymour Poe 4633:(1970–1982) 4621:(1958–1966) 4615:(1955–1958) 4592:(1989–1996) 4586:(1982–1989) 4580:(1949–1982) 4576:Filmography 4489:The Getaway 4449:Série noire 4433:The Getaway 4417:The Killing 4398:The Rip-Off 4326:The Getaway 4091:The Killing 3970:Alan Conway 3964:Leon Vitali 3743:Short films 3716:The Shining 3652:The Killing 3594:Filmography 3109:Blog.nj.com 1412:Kino Lorber 1370:Los Angeles 1318:dark comedy 1306:Gene Siskel 1296:Roger Ebert 1265:David Simon 966:Controversy 930:BAFTA Award 860:") Kubrick. 858:The Killing 842:Tony Curtis 838:Janet Leigh 811:trade paper 631:Dore Schary 626:The Killing 615:Development 609:World War I 596:World War I 533:Thomas Gray 481:Emile Meyer 361:shell shock 353:World War I 314:World War I 99:Produced by 48:Directed by 5373:1957 films 5367:Categories 5252:Triumfilms 5093:Affiliates 5079:TBC Merger 4958:Television 4947:Tough Guys 4883:A Gunfight 4875:Summertree 4859:Grand Prix 4564:Presidents 4382:King Blood 3952:Jan Harlan 3948:(daughter) 3908:Filmworker 3434:January 8, 3224:Metacritic 2878:, review, 2763:thefulcrum 2545:August 15, 2512:October 5, 2181:0415514827 2093:August 19, 1896:0826404227 1760:kubrick.fr 1454:References 1416:4K Blu-ray 1380:Home media 1342:Metacritic 1217:". At the 1151:Harrison's 1118:Harrison's 1071:linguistic 1044:colloquial 952:Grand Prix 896:box office 890:Box office 830:Army brass 778:percussion 605:decimation 539:" (1751). 527:Background 522:Production 487:Bert Freed 457:Joe Turkel 282:Box office 253:88 minutes 236:1957-12-20 225:1957-11-01 179:Production 89:1935 novel 5181:Jet Films 5178:Inex Film 5110:Barcarola 5048:Brynaprod 4803:Spartacus 4350:Pop. 1280 4318:Wild Town 4270:Roughneck 4165:Works by 4012:Films by 3972:(con-man) 3668:Spartacus 3604:Influence 3599:Accolades 3347:criterion 2163:142729219 2155:0361-2759 2034:August 1, 2002:0143-9685 1819:March 17, 1424:Tim Lucas 1410:In 2022, 1401:Laserdisc 1304:, critic 1223:, critic 1047:talks.... 934:Best Film 535:'s poem " 493:Kem Dibbs 277:$ 900,000 181:companies 163:Eva Kroll 160:Edited by 4907:Scalawag 4082:Produced 4021:Directed 3892:Room 237 3494:AllMovie 3448:Archived 3380:July 23, 3351:Archived 3321:Archived 3287:Archived 3263:Archived 3239:July 29, 3233:Archived 3203:July 23, 3197:Archived 3145:Archived 3114:Archived 3057:Archived 3021:Archived 2829:pen name 2767:Archived 2708:Archived 2681:and the 2655:Archived 2636:Archived 2539:Archived 2506:Archived 2470:Archived 2416:Archived 2386:Archived 2352:Archived 2321:Archived 2291:Archived 2261:Archived 2228:Archived 2198:Archived 2028:Archived 1956:Archived 1860:Archived 1856:51839483 1813:Archived 1786:Archived 1733:Archived 1703:Archived 1674:Archived 1646:Archived 1568:Archived 1519:Archived 1430:See also 1332:website 1284:The Wire 1270:The Wire 1113:Variety' 266:Language 168:Music by 109:Starring 82:Based on 4851:Seconds 4246:Bad Boy 4121:Telefon 3827:CRM 114 3797:Related 3584:Archive 3514:at the 3503:at the 3463:at the 3174:YouTube 3063:July 3, 3027:July 3, 2857:Variety 2837:matinee 2587:Variety 1594:Variety 1545:Variety 1405:Blu-ray 1364:by the 1308:of the 1294:critic 1171:Variety 1156:Variety 1095:Variety 991:fascist 954:of the 872:at the 850:Vikings 815:Variety 801:Release 705:Germany 701:Bavaria 683:Filming 645:Writing 312:during 269:English 258:Country 234: ( 223: ( 5277:Zwaluw 5005:(1986) 4999:(1985) 4991:(1984) 4983:(1973) 4969:(1957) 4950:(1986) 4942:(1983) 4934:(1980) 4926:(1975) 4918:(1975) 4910:(1973) 4902:(1971) 4894:(1971) 4886:(1971) 4878:(1971) 4870:(1968) 4862:(1966) 4854:(1966) 4846:(1964) 4838:(1963) 4830:(1962) 4822:(1961) 4814:(1960) 4806:(1960) 4798:(1959) 4790:(1959) 4782:(1958) 4774:(1957) 4766:(1957) 4758:(1957) 4750:(1957) 4747:Lizzie 4742:(1956) 4734:(1955) 4516:(2010) 4508:(1997) 4500:(1996) 4497:Hit Me 4492:(1994) 4484:(1990) 4476:(1990) 4468:(1989) 4460:(1981) 4452:(1979) 4444:(1976) 4436:(1972) 4428:(1957) 4420:(1956) 4401:(1989) 4393:(1988) 4385:(1973) 4377:(1972) 4369:(1967) 4361:(1965) 4353:(1964) 4345:(1963) 4337:(1961) 4329:(1958) 4321:(1957) 4313:(1957) 4305:(1955) 4297:(1954) 4289:(1954) 4281:(1954) 4273:(1954) 4265:(1954) 4257:(1953) 4249:(1953) 4241:(1953) 4233:(1953) 4225:(1953) 4222:Recoil 4217:(1952) 4209:(1952) 4201:(1949) 4193:(1946) 4185:(1942) 4174:Novels 4124:(1977) 4114:(1962) 4111:Lolita 4104:(1957) 4094:(1956) 4073:(1993) 4063:(1988) 4053:(1982) 4043:(1973) 4033:(1965) 3927:People 3919:(2020) 3911:(2017) 3903:(2016) 3895:(2012) 3887:(2008) 3879:(2005) 3871:(2001) 3863:(2001) 3855:(1983) 3847:(1952) 3789:(2005) 3770:(1953) 3762:(1951) 3754:(1951) 3735:(1999) 3727:(1987) 3719:(1980) 3711:(1975) 3703:(1971) 3695:(1968) 3687:(1964) 3679:(1962) 3676:Lolita 3671:(1960) 3663:(1957) 3655:(1956) 3647:(1955) 3639:(1953) 3086: 2741: 2498: 2179: 2161: 2153: 2116: 2084: 2057: 2000: 1926: 1894: 1854: 1844: 807:Munich 713:Munich 274:Budget 5013:Stage 4988:Draw! 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