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200:). Music specially written for the films was available for download from a website, and many of the 600 people who watched the screening in Piccadilly Circus brought MP3 players with them for this purpose. Atherton said that his purpose in creating the films was to make available to a wider audience the images hidden in archives, so that more people could engage with London's history. The film about Piccadilly Circus was the first film ever shown on the Piccadilly Circus Coca-Cola billboard.
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Our London Lives follows filmmaker Paul
Atherton's son Charles as he visits London to see his father over 16 years. The film is split into 7 sections each focusing on an aspect of Paul and Charles' time together and their activities in London. Each section of the film starts when Charles is 6 years
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It was only thanks to an 11th-hour protest by an MP and the Eye that Paul
Atherton, a 42-year-old television producer, was not ejected to the streets last week from the Brixton hostel that had been his home since last September. He had been living in the temporary accommodation since his discharge
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Paul, who set up his own production company, Simple TV Productions, in 2004, got permission to screen a series of four short films, collectively entitled The Ballet of Change, in various locations around the city. Each film tells the history of a famous London landmark – London Bridge, Leicester
272:, which has required him to use a wheelchair. As of 2023, Atherton was housed in a Central London hotel at the expense of Westminster City Council, which said it had offered him a permanent accommodation elsewhere but been refused by Atherton, who said the hotel suited his disability better.
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One lucky individual was offered a work experience placement at the skillsformedia 'Lucky Break' session at this year's
Production Show. Nick Thorogood, Channel Editor on UK Food and UK Style, offered Paul Atherton four-weeks work experience, possibly leading to a job as a
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A stark uncompromising look at the realities of domestic violence, Charles Harris' unflinching drama knits together seven monologues told directly to camera highlighting the nature and psychology surrounding abuse from completely different
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In 2016 Atherton's video-diary, tracking sixteen years of his son's visits from his home in South Wales to see him in London, was edited down from over 300 hours of footage to a 77-minute film. Entitled
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Mr
Atherton says he suffers from chronic fatigue syndrome and requires a carer and a wheelchair-accessible home for periods when he can't walk. Until that can be found, a hotel room suits his needs, he
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Paul
Atherton captured moments of his son's first 16 years, during trips to the capital. He's now edited some of it into a film - #OurLondonLives, which is now being screened at the Museum of London.
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Square, Trafalgar Square and
Piccadilly Circus – through imagery and specially composed music that viewers could download from the website.
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from three months in hospital suffering chronic and debilitating myalgic encephalomyelitis which had left him in a wheelchair
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is a series of four films (approximately 4 minutes) produced and directed by
Atherton in 2007. Funding was provided by the
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In 2002, Atherton got his start in filmmaking with a four-week apprenticeship at
British cookery channel
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and was later reissued as a DVD to raise funds for the
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the film screened as part of the exhibition "Recording A Life" in the Show Space area of the
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it explores the issue of skin colour and stereotyping through the eyes of its protagonists.
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but placed with a white foster family shortly after. Atherton grew up in the village of
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Atherton was three months old when he was abandoned in a tent at a disused airport in
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531:"Gaming Writer Rhianna Pratchett Moves Onto First Feature Film"
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For the
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Mills, Heather (9–22 July 2010), "Wheels Of Misfortune",
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old (2005) and ends 10 years later when he is 16 (2015).
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592:10 October
276:References
109:Early life
81:Occupation
57:1968-03-20
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84:filmmaker
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