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191:. As the Capitol company also made rolls for many coin-operated nickelodeon and orchestrion type instruments, many of her performance also survive in this format, with added orchestration from instruments built into these coin-operated instruments (such as drums, pipes, etc.) She also worked as substitute organist at the
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September, 1971 personal interview of Pearl White by Rodney Elliot published as supplement #6 to the
Chicago Area Theatre Organ Enthusiast's newsletter, VOX. Jacket notes from LP "Pearl White in Nostalgia and Flame" released 1968 on Pearl White Recordings Label. Theatre Organ Magazine June/July 1978
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Despite a long and successful musical career, Pearl White made only one commercial recording showcasing the blazingly fast jazz technique for which she earned the nickname, "The
Fireball". Entitled "Pearl White in Nostalgia and Flame", it was made at the
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White enjoyed a renaissance late in her career when theatre organs were removed from failing, aged theatres and installed in alternate venues. She performed with
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in 1929. In 1944 she joined the full-time staff of WIND providing background music and was also heard on WCFL. She was also considered to be an accomplished
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conventions of 1965 and 1969 and provided organ accompaniment at silent film revival showings and made guest appearances at the Elm
Skating Rink.
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style is interlocking chords alternating between the right and left hands which she dubbed "double stuff".
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in
Chicago for the Capitol Music Roll Company. From 1925-32, White cut more than 100 rolls (
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She was born Pearl
Eleanor Weiss on October 26, 1910 and at age three, was recognized as a
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At age eleven she studied with Robert Bing at Glen
Dillard Gunn School in Chicago's
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As the need for organists in theaters diminished with the arrival of
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Miss White first played organ professionally at age 13 at the
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Pearl White died on May 11, 1978. She was inducted into the
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on the keyboard. At age four, she sang, danced and played
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orchestra among others. The hallmark of her hard-driving
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157:, recommended her for her next position—cutting master
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from 1928 to 1932 and also had a six-week run at the
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255:1964 American Theatre Organ Society's Convention
46:but its sources remain unclear because it lacks
77:Learn how and when to remove this message
252:in 1962 and was featured artist at the
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282:in Chicago in 1968 on her own label.
346:20th-century American women pianists
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171:) which appeared on labels such as
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229:and provided arrangements to the
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272:Chicago Area Organ Enthusiasts'
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16:American musician (1910–1978)
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136:Bush Conservatory of Music
125:Majestic (Shubert) Theatre
134:and Jessica Wiley at the
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32:This article includes a
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341:20th-century organists
289:Hall of Fame in 1991.
221:, first appearing on
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316:American organists
298:Additional sources
132:Fine Arts Building
34:list of references
331:Theatre organists
202:White played the
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326:1978 deaths
321:1910 births
231:Phil Harris
164:sample roll
159:piano rolls
151:Des Plaines
90:Pearl White
59:introducing
310:Categories
293:References
242:Al Melgard
140:North Side
94:silent-era
181:Supertone
111:Biography
189:Columbia
185:American
177:Imperial
67:May 2011
268:Buffalo
260:YouTube
173:Capitol
169:YouTube
138:on the
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