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was invited by the Pereda Family, during an official visit to
Argentina, and was delighted with the palace. Seven years later and after the death of both members of Pereda marriage, his heirs offered the palace to Brazil, whose ambassador Mr. João Batista Luzardo signed the contract of sale on July
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In 1995 expert reports are made for the subsequent integral restoration of the exterior of the palace. The works begin in 1998 with the complete restoration of the main façade and, later in the same year, continue with the rear façade of the building. To finish in 1999 with the restoration of the
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During 2010 and 2011 the restoration and renovation of the interior of the palace (residence of the ambassador and reception halls) was carried out under the orders of the
Estudio Ing. Villa S.R.L. (Integral project and work of the same team that made the exterior).
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It was built by the doctor and large farmer (122.000 hectares) Celedonio Tomás Pereda (1860–1941) and his wife María
Justina Girado (1865–1942), member of a family of landowners as she was the granddaughter of Juan Elías Girado (1794–1858), owner of the
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417:, patron saint of Brazil. In 1989 the Sert's oil paintings were carefully repaired and neatly renovated by Mr. Domingo Tellechea, founder of the "Argentinian Center for Restoration", and Director of the "Technical Restoration Institute of Brazil", in
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The building was begun to build in 1919 (but the projectual work began already in 1917) by the French architect Léonard Louis Martin following the strict wishes of the owner: Recreate here a version (pastiche) of the
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street after receiving the models of said rooms. The fabrics arrived to the city by boat in 1932 and were installed by Mr. Carlos
Lagazio, following the instructions of the artist, with the system of
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The remarkable urban group formed by the palace and its surroundings, like few places in Buenos Aires, reflect the strong influence exercised by French architecture in
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373:. ("The equilibrist", oil on canvas, 6m x 12m) of tinkers suspended in the air with 78 figures in violent foreshortening. The painting of the main dining room called
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289:″ (250.000 hectares). The building is currently the residence of the Ambassador of Brazil in Buenos Aires and headquarters of the Cultural Space of the Embassy.
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397:, the eighteenth-century European furniture, the woods (all in Slavonian oak, except in the main dining room that was made of walnut) of the
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337:) plus 4,000 tons of iron bars (material that can not be broken by the war) in exchange for the beautiful palace and its entire inventory.
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365:("The Celestial Hole", oil on canvas, 6,60m x 8,30m) a painting that represents big storm clouds. The great hall presents a painting (a "
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The ceilings of the state rooms (the five most important of its fifty rooms) in the first floor, are the work of the
Catalan painter
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plastering of the access (Integral
Project: Arq. Báez, Carena & Grementieri; Implementation: Leguizamón, Escurra & Asoc.)
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in Paris (converted into a museum in 1913); and in the back, on the gardens, make a descent in the style of the
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470:"Los secretos del Palacio Pereda, el emblema porteño inspirado en un museo francés" by Martina Putruele
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In 1977 works were carried out to adapt the chapel for public functions and it was dedicated to
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649:"El Palacio Pereda: un rincón de París en el barrio de Recoleta" by Mercedes Uranga
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325:. Mr. Raymond Rerny of the Paris firm Jansen was hired to decorate the interiors.
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6, 1945 -for exchange, Brazil yielded the building of the old embassy (at 1500
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View of the furniture and the boiserie of the Pereda Palace Dining Room
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377:("The toilet of Don Quixote", oil on canvas, 5,60m x 10,20m) another "
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Pastiche – Eclecticism between Belle Époque & Haussmannien style
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393:("State Hall"). Also noteworthy are the masterful use of the
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of the website "Murals of Buenos Aires" (in
Spanish) of the
543:"Exposición en el Palacio Pereda" by Natasha Niebieskikwiat
389:("Diana the hunter", oil on canvas, 6,60m x 7,80m) in the
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A panoramic view of the oil "The equilibrist" by Sert
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349:who made the paintings in his Parisian atelier on
681:An example of the Aubusson tapestry in the Palace
598:Government of the Autonomous City of Buenos Aires
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405:, carpets, statues and curtains of the mansion.
545:(in Spanish) for the Culture Supplement of the
472:(in Spanish) for the Real State section of the
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361:("After rain the good weather"), also known as
559:Detail of the oil "The Celestial Hole" by Sert
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230:4,000 square metres (43,000 sq ft)
321:who was then in charge of the works of the
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633:Detail of the oil "The spider web" by Sert
257:http://buenosaires.itamaraty.gov.br/es-es/
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613:"Una obra brillante" by Sergio Kiernan
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357:. The one in the music room is called
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502:"Por una escalera" by Jorge Tartarini
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578:Murals of Buenos Aires – Arroyo 1130
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1006:Diplomatic missions in Buenos Aires
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732:hosts a multimedia category about
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486:A view of the Horseshoe staircase
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529:(in Spanish) in the website "
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328:In 1935, Brazilian President
409:Renovations and Restorations
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207:Federal government of Brazil
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341:Works of art and decoration
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235:Design and construction
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375:El aseo de Don Quijote
272:, at the beginning of
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709:2nd Restoration stage
697:1st Restoration stage
687:. September 15, 2016.
651:(in Spanish) for the
639:. September 15, 2016.
615:(in Spanish) for the
565:. September 15, 2016.
531:Arcón de Buenos Aires
504:(in Spanish) for the
492:. September 15, 2016.
446:Website Brasil.Org.Ar
415:Our Lady of Aparecida
35:Facade of the embassy
580:(in Spanish) by The
549:. November 24, 2015.
512:. November 22, 2013.
476:. November 20, 2016.
187:Construction started
73:Pereda Girado Palace
671:. December 9, 2016.
655:. December 9, 2016.
171:34.5915°S 58.3837°W
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91:Architectural style
78:General information
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363:El agujero celeste
319:Jules Dormal Godet
245:Jules Dormal Godet
176:-34.5915; -58.3837
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149:Coordinates
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282:Arroyo St.
227:Floor area
162:58°23′01″W
159:34°35′29″S
419:São Paulo
399:panelling
294:Argentina
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