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Peter Behrens

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1089: 1041: 1029: 1077: 1065: 1053: 780: 1101: 1197: 1161: 1125: 414:, but tending towards the classical in architecture. Members of the Werkbund were focused on improving the overall level of taste in Germany by improving the design of everyday objects and products. This very practical aspect made it an extremely influential organization among industrialists, public policy experts, designers, investors, critics and academics. His work in the early 1900s included a series of exhibition halls and pavilions, a crematorium and some private houses, which show a new direction immediately after his own Jugendstil house, towards exploring simple, rectilinear volumes and classical sources. 1209: 1221: 1113: 1017: 104: 1137: 1245: 1005: 311: 36: 519: 1233: 275: 1173: 639: 1149: 303: 295: 1185: 647: 418: 848: 287: 595:, was commissioned to design a new factory for the state-run Austria Tabak in Linz, which was built over a long period, due to the economic conditions, finally completed in 1935. The main building has a very long completely horizontal slightly curved facade, Behrens' most striking design in the style of 1697:
Attached plaque: “This synagogue was built by the world famous architect Peter Behrens, in 1933–1934, on the same site as the original synagogue built in 1881. It served as a place of Jewish worship until the arrival of fascism. World War II tragically affected the lives of the Slovak Jews, at the
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style house in 1901, and fully conceived everything, from furniture to towels, paintings, pottery, etc. The building of this house is considered to be the turning point in his life, when he left the artistic circles of Munich and showed himself to be a talented architect in his very first project.
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time 3,600 Jewish people helped make up the 19,000 population of Žilina. After the war, only 500 Jewish survivers returned. Since the end of war, the building has been used for cultural and educational purposes by the city and as a technical college. Jewish congregation of Žilina 1934–1996.”
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site, which showed that he was as much interested in massive, bold, classical and picturesque effects depending on the context, as expressing modernity. Since Peter Behrens was a consultant rather than an employee of AEG, he was free to work on other projects, and developed a highly successful
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in 1907, when he also began designing for AEG, pioneered corporate design, graphic design, producing typefaces, objects, and buildings for the company. In the next few years, he became a successful architect, a leader of the rationalist / classical German
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from 1922 to 1936. As a well known architect he produced design across Germany, in other European countries, Russia and England. Several of the leading names of European modernism worked for him when they were starting out in the 1910s, including
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in Berlin, and though he came second, his designs for the buildings on the south west side of the new square was preferred by the subsequent developer, and the Alexanderhaus and the Berolinahaus were built by 1932.
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Modernist composition. His 1931 hillside villa for the Clara Gans, daughter of Frankfurt industrialist Adolf Gans, was a similarly complex interplay of rectangular volumes, clad in stone, a fine example of
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in Berlin in 1909. He had a long career, designing objects, typefaces, and important buildings in a range of styles from the 1900s to the 1930s. He was a founding member of the
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movement. His 1912 German Embassy in St Petersburg, and the Administration Building for Continental AG in Hannover, built 1912–1914 are good examples of this period.
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was the first large-scale demonstration of the viability and vitality of the Werkbund's initiatives and objectives. He designed the entire corporate identity (
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Immediately after the AEG Turbine Hall, he designed a series of large office buildings in a bold monumental stripped classical form, part of the German
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architectural practice. In this period his growing office had many students and assistants, some who would go on become leading Modernists, including
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1914–1917: Factory for the National Automobile Society (NAG) in Berlin-Oberschöneweide (later the factory for television electronics, called Peter-
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in DĂĽsseldorf, where he implemented successful reforms, developing new ways of teaching design. In 1907, Behrens and ten other people (
1208: 530:, becoming head of the architecture school, a post he kept until 1936, whilst also designing for a range of clients across Europe. 620:'s famous planned north–south axis. Speer reported that his selection of Behrens for this commission was rejected by the powerful 1744: 1399: 616:. Behrens participated in Hitler's plans for the rebuilding of Berlin with the commission for the new headquarters of the AEG on 1196: 625: 1232: 456:
in history. He also designed a series of factory buildings for them at their two Berlin factory sites, most famously the 1909
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circles and was interested in subjects related to the reform of lifestyles. In 1899 Behrens accepted the invitation of the
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with a span of 43 meters for the Brussels World Exhibition in 1910, built by the entrepreneur Otto Hetzer from Weimar
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Georg Krawietz: "Peter Behrens im dritten Reich", Weimar 1995, VDG, Verlag und Datenbank fĂĽr Geisteswissenschaften,
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In 1929, Behrens was invited to the competition for the design of buildings around a proposed radical redesign of
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1932–1933: Hohenlanke house near Neustrelitz (planned as a separate retirement home, partially completed)
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settlement in Berlin (built 1919–21 to plans by others, Behrens only designed some single family houses)
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After WW1 his work changed again, and like many German architects, he explored the themes and styles of
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in Berlin-Oberschöneweide, founded in 1908 as a rowing club for employees and civil servants of the AEG
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site, considered an early example of Modernism. He then went on to design four new buildings at the
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1919: Workers' and master craftsmen's settlement for Deutsche Werft AG in Hamburg-Finkenwerder
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Synagogue Architecture in Slovakia: Towards Creating a Memorial Landscape of Lost Community
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A drawing by Behrens for a proposed skyscraper overlooking the canal locks at the
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1910: Exhibition hall (temporary wooden structure, named Hetzerhalle) for the
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In 1928 Behrens won an international competition for the construction of the
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1929–1930: Group of apartment buildings in Berlin- Westend, Bolivarallee 9
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from September 1877 until Easter 1882. He studied painting in his native
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The Schiedmayer grand piano from the musicroom of the House Behrens 1901
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1925: Tomb for Friedrich Ebert in Heidelberg, in the mountain cemetery
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1911–1912: House for government architect C. H. Goedecke in Hagen
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Three versions of the famous water kettle: 1,25L 1,0L and 0,75L
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Peter Behrens and a New Architecture for the Twentieth Century
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Peter Behrens and a New Architecture for the Twentieth Century
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Alexanderhaus and Berolinhaus, Alexanderplatz, Berlin, 1930–32
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Feller-Stern department store, Ban Jelačić Square, Zagreb,1928
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1908–1909: Schröder house in Hagen (destroyed in World War II)
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The synagogue of Zilina, Slovakia designed by Peter Behrens
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outside Frankfurt, and from the mid-1920s increasingly to
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1914: Frank & Lehmann office building in Cologne, 37
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1909–10: High Voltage Factory, AEG, Berlin – Humboldthain
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In 1936 Behrens left Vienna to teach architecture at the
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1928: Reconstruction of Feller-Stern department store,
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Office Building, Unter Sachsenhausen 37, Cologne, 1914
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1913: AEG Small Motors Factory, Berlin – Humboldthain
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1912: AEG Large Motors Factory, Berlin – Humboldthain
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in the extension of the Kunstgewerbemuseum DĂĽsseldorf
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In 1929, Behrens, in partnership with former student
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Alexanderhaus and Berolinahaus, Alexanderplatz, 1932
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In 1926, Behrens was commissioned by the Englishman
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to be the second member of his recently inaugurated
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Industrial clock designed by Behrens for AEG in 1909
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Hoechst Administration Building, Frankfurt, 1921–24
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Large Motors Factory, AEG Berlin-Humboldthain, 1912
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For the German musician and member of Trio, see 1142:GutehoffnungshĂĽtte warehouse, Oberhausen, 1921–25 1034:High Voltage Factory, AEG, Berlin-Moabit, 1909–10 824:Administration building of the GutehoffnungshĂĽtte 748:, home for the archaeologist and museum director 721:1911: Gasworks Ost in Frankfurt am Main, Osthafen 306:Peter Behrens around 1913 in his office in Berlin 213:(14 April 1868 – 27 February 1940) was a leading 1721: 964: 650:'Weissenhof' apartment building, Stuttgart, 1927 1022:Eduard MĂĽller Krematorium, Hagen-Delstern, 1908 1010:Behrens house, Mathildenhöhe in Darmstadt, 1901 509:Technical Administration Building of Hoechst AG 282:: music room, with Schiedmayer grand piano 1901 1775:Academic staff of the Prussian Academy of Arts 1740:People educated at the Gymnasium Christianeum 935:1930–1932: Alexanderhaus and Berolinahaus at 694:1909–1910: Catholic Fellowship House in Neuss 548:In 1925 he was invited by his former student 1685:Virtual gallery with Behrens designs for AEG 814:Technical administration building of Hoechst 765:in Hanover (extension 1919–1920), today the 432:. An early example of industrial classicism. 1533:, Humanities Press Intl; First US edition, 724:1911: AEG factory settlement in Hennigsdorf 489:(later to become the first director of the 374:In 1903, Behrens was named director of the 354:in an artisanal fashion. He frequented the 1650: 1130:Hoechst Administration, Frankfurt, 1921–25 102: 1094:Continental AG offices, Hannover, 1912–14 80:Learn how and when to remove this message 16:German architect and designer (1868–1940) 1600:Darmstadt: Institut Mathildenhöhe 1999, 1345: 1296: 1271: 846: 778: 752:in Berlin-Dahlem, today the seat of the 645: 637: 517: 416: 309: 301: 293: 285: 273: 43:This article includes a list of general 1707:Newspaper clippings about Peter Behrens 1651:Fiell, Charlotte; Fiell, Peter (2005). 1584:German architecture for a mass audience 1238:Tobacco Factory, Linz, Austria, 1929–35 1166:College of St. Benedict, Salzburg, 1926 904:in Berlin- Nikolassee, Waldsängerpfad 3 1760:German typographers and type designers 1722: 761:1912–1914: Administration building of 224:, best known for his early pioneering 1531:Peter Behrens: Architect and Designer 1489:"Beamtensiedlung der Deutschen Werft" 1299:"Peter Behrens and Industrial Design" 946:in Berlin-Charlottenburg (demolished) 942:1931: “Ring der Frauen” house at the 442:Allgemeine Elektrizitäts-Gesellschaft 237:of the 1910s. After WW1 he turned to 1267: 1265: 1214:Synagogue, Ĺ˝ilina, Slovakia, 1929–31 1058:German Embassy, St. Petersburg, 1912 799:in Berlin-Karlshorst, Hegemeisterweg 189:Embassy of Germany, Saint Petersburg 29: 1388: 631: 13: 1644: 1405:National Heritage List for England 944:German Building Exhibition in 1931 707:1910: Boathouse "Elektra" for the 642:German Embassy St Petersburg, 1912 49:it lacks sufficient corresponding 14: 1796: 1765:Modernist architects from Germany 1678: 1262: 1070:Mannesmann-Haus, DĂĽsseldorf, 1912 1243: 1231: 1219: 1207: 1195: 1190:Franz Domes Hof, Vienna, 1928–30 1183: 1171: 1159: 1147: 1135: 1123: 1111: 1099: 1087: 1075: 1063: 1051: 1039: 1027: 1015: 1003: 918:, Falkensteiner StraĂźe 19, Hesse 567:, Croatia, transforming it from 522:Atrium, Hoechst, Frankfurt, 1924 360:Grand Duke Ernst-Ludwig of Hesse 34: 754:German Archaeological Institute 709:Berlin rowing company "Elektra" 243:Hoechst Administration Building 1745:20th-century German architects 1481: 1464:www.stadtentwicklung.berlin.de 1452: 1428: 1419: 1339: 1290: 1276:. The MIT Press. p. 252. 1250:Tobacco Factory, Linz, 1929–35 851:Tabacco Factory, Linz, 1929–35 366:, where Behrens built his own 1: 1255: 1154:Tomb of Friedrich Ebert, 1925 965:Typefaces designed by Behrens 932:in Linz (with Alexander Popp) 854:1927: Apartment house in the 767:House of Economic Development 677:1906: Interior design of the 108:Portrait of Peter Behrens by 19:For the Canadian writer, see 1628:1910 – Halbzeit der Moderne. 1526:. Accessed 23 November 2014. 872:1928–1929: U-Bahn stations, 653:1900–1901: Behrens house on 269: 7: 1750:German industrial designers 1711:20th Century Press Archives 1346:Anderson, Stanford (2010). 1297:Anderson, Stanford (1980). 1272:Anderson, Stanford (2000). 858:in Stuttgart (lots 31 + 32) 797:Wuhlheide forest settlement 537:to design a family home in 535:Wenman Joseph Bassett-Lowke 528:Academy of Fine Arts Vienna 342:. At first, he worked as a 251:Academy of Fine Arts Vienna 241:, designing the remarkable 10: 1801: 1695:Neolog Synagogue in Ĺ˝ilina 1653:Design of the 20th Century 1580:Kathleen James-Chakraborty 1543:Stanford Anderson (2002): 1202:Villa Gans, Kronberg, 1931 996: 128:North German Confederation 18: 672:Eduard MĂĽller Crematorium 364:Darmstadt Artists' Colony 280:Darmstadt Artists' Colony 204: 194: 180: 176: 168: 160: 134: 116: 101: 94: 1755:German graphic designers 1596:Ina Bahnschulte-Friebe: 921:1929–1931: Synagogue in 626:Saint Petersburg Embassy 604:Prussian Academy of Arts 471:Ludwig Mies van der Rohe 412:Arts and Crafts movement 256:Ludwig Mies van der Rohe 25:Peter Behrens (musician) 1780:Architects from Hamburg 1630:Stuttgart: Hatje 1992, 1566:Peter Behrens: Umbautes 834:College of St. Benedict 64:more precise citations. 1770:Art Nouveau architects 1564:Peter Behrens (1990): 1516:BorskĂ˝, Maroš (2007). 971:Klingspor Type Foundry 969:All faces cast by the 954:Christ the King Church 897:in Vienna – Margareten 852: 784: 679:state and city library 651: 643: 523: 433: 319: 307: 299: 291: 283: 278:Behrens' house at the 21:Peter Behrens (writer) 1568:, Licht Prestel Pub, 850: 782: 649: 641: 521: 420: 322:Behrens attended the 313: 305: 297: 289: 277: 900:1929: Residence for 571:to a complex almost 424:, 1908–1909, in the 400:Richard Riemerschmid 392:Joseph Maria Olbrich 324:Christianeum Hamburg 1529:A. Windsor (1981): 1425:BorskĂ˝ (2007), 160. 1359:http://web.mit.edu/ 776:Unter Sachsenhausen 738:in Saint Petersburg 609:Akademie der KĂĽnste 505:Brick Expressionism 498:Reform Architecture 458:AEG Turbine Factory 454:industrial designer 422:AEG Turbine Factory 239:Brick Expressionism 222:industrial designer 185:AEG Turbine Factory 150:Prussian Free State 1626:Klaus J. Sembach: 1547:, The MIT Press, 1310:http://web.mit.edu 916:Kronberg im Taunus 863:Ban JelaÄŤić Square 853: 839:1926: 'New Ways', 785: 652: 644: 524: 434: 376:Kunstgewerbeschule 320: 308: 300: 292: 284: 199:Deutscher Werkbund 1374:External link in 1325:External link in 990:Behrens Mediaeval 856:WeiĂźenhofsiedlung 674:in Hagen-Delstern 550:Mies van der Rohe 380:Hermann Muthesius 208: 207: 90: 89: 82: 1792: 1674: 1640: 1623: 1610: 1576:(German edition) 1504: 1503: 1501: 1500: 1485: 1479: 1478: 1476: 1475: 1466:. 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Index

Peter Behrens (writer)
Peter Behrens (musician)
references
inline citations
improve
introducing
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Max Liebermann
Hamburg
North German Confederation
Berlin
Prussian Free State
Nazi Germany
AEG Turbine Factory
Embassy of Germany, Saint Petersburg
Deutscher Werkbund
German
architect
industrial designer
AEG Turbine Hall
German Werkbund
Reform Movement
Brick Expressionism
Hoechst Administration Building
New Objectivity
Academy of Fine Arts Vienna
Ludwig Mies van der Rohe
Le Corbusier
Walter Gropius

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