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During 1977, Graham collaborated with Noela Hjorth and the
Victorian Printmakers' Group which at the time was lobbying for space in the Victorian Government's proposed Meatmarket Craft space. He was appointed to the Interim Committee in the formation stages of the Meatmarket Craft Centre and helped
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In 1973, he opened the Peter Graham
Gallery at 225 Queensberry Street, Carlton (6 April) supported by a photo-lithographic workshop in the same premises. Closed this gallery in 1974 and reopened it as the Queensberry Street Gallery in 1977.
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to draw up a plan for the establishment of an access workshop for
Printmakers at the Meatmarket. As part of his involvement, he set up a plate-graining service for artists and student Printmakers and became the manager of this facility.
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Graham returned to development of
Notation Painting in 1986 in collaboration with his son, Philip Mitchell Graham. Arranged with Jan Martin for a retrospective exhibition to be held at her gallery in Lyttleton Street,
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and synthesis of an observed subject, in a way fundamentally different from traditional abstraction. Thematic
Orchestration allowed the artist to 'grow' an image, producing almost infinite conscious invention.
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plates – 24 sheet positives, etc.) between 1940 and 1941. Graham transferred his indenture to PhotoGravures Pty Ltd. in 1941. There, he was trained by master craftsmen in facsimile reproduction and pre-press
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In 1946, he was awarded the
Ferntree Gully Art Prize for best watercolour, 'Back Streets of Hawthorn'; a year later, he was awarded the Herald prize for best drawing, 'The Smokers'. He left for England with
421:. This painting is also featured in Riot or Revolution, a dramatized history documentary on the Eureka Stockade directed by Don Parham and produced by Parham Media Productions in association with the
1398:. Recording by Philip Mitchell Graham, 10 April 1982. This memoir details his motorbike trip to Alice Springs in 1954 and his subsequent experiences in Central Australia over the following 18 months.
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over five days. There he worked as a builder's laborer for 18 months while painting on the side, until the end of 1955. During this time he worked and painted alongside
Aboriginal artists,
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Litchman, Loy Dr. New Epoch
Painting: The ideas of Peter Graham, InterACTA: Journal of the Art Teachers Association of Victoria, Published by ACTA, Parkville, Victoria, No 4, 1988,
400:
In 1964, Graham began developing what he called a high-level visual notation system for pure visual imagery, which he first named "Notation
Painting" and later "New Epoch Art".
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Graham, Peter, Notation
Illustrations for The Westernport Bay Symposium, Royal Society of Victoria Proceedings, Melbourne, Stillwell and Co. Vol 87, P1, 21 August 1975,
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A memorial exhibition for Graham opened at the Lyttleton Gallery, Castlemaine in central Victoria on 6 June 1987, two days after what would have been his 62nd birthday.
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Graham, Philip Mitchell, New Epoch Art, InterACTA: Journal of the Art Teachers Association of Victoria, Published by ACTA, Parkville, Victoria, No 4, 1990,
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In 1967 the Reverend Alfred M Dickie married Graham and Cynthia Louis who went on to raise a family of three children: Philip, Michaela, and Euan Graham.
1230:, Cited In APAIS. This database is available on the, Informit Online Internet Service or on CD-ROM, or on Australian Public Affairs – Full Text
1248:, Cited In APAIS. This database is available on the, Informit Online Internet Service on CD-ROM, or on Australian Public Affairs – Full Text
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Film: Riot or Revolution. A dramatised documentary directed by Don Parham and produced by Parham Media Productions in association with the
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1981–1983 – Graham worked on series of drawings called Paradise Destroyed, and contributing to several anti-nuclear exhibitions.
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Graham closed his gallery in 1978 and transferred his workshop to a home studio in Canterbury (Melbourne) at the end of the year.
1330:
Grishin, Sasha. et al. "The art of Grahame King" Macmillan Art Publishing, South Yarra, Victoria, Australia, 2005 pp 20, 23, 95,
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suburb of Hartwell. He was awarded a scholarship to Melbourne Technical College Art School for one year in 1939. He studied Hand
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From 1971 to 1978, Graham created a series of experimental works using photographic and lithographic techniques and materials.
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In 1971, Graham befriended artist Paul Cavell and collaborated with him on his Notation Paintings between 1974 and 1976.
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movement and ran The Queensberry Street Gallery in association with Victorian Printmakers' Group from 1973 until 1978.
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Graham, Peter, 'Artist's and Reality' Arena No 11 (1966), Arena publishing, Greensborough, Victoria, Australia
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996:, 'PEACE', Callenders published by Congress for International Co-operation and Disarmament (1980, 1981, 1982)
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1392:, 5 June 1977 Concentrates on his early years in England and gives some information on his notation research
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Between 1951 and 1953, Graham exhibited paintings in various group shows in Sydney, including the Inaugural
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In 1950, Graham traveled through France and Italy before returning to Sydney under a three-year contract to
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773:. Painted a series of abstract works based on his Central Australian experience. These were exhibited at
547:, Frank Andrew, and Nutta Buzzacott. He exhibited regularly at the Victorian Artists Society until 1947.
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techniques during the war years. He received his Certificate of Completion of Apprenticeship in 1946.
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377:) and themes associated with Aboriginal culture, using the visual languages of European figurative
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Victorian Printmakers' Workshop group show opened at The Queensberry Street Gallery by Professor
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1964–1973 – Graham conducted experimental studies based on a new concept of Notation Painting.
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1956–1960: Graham returned to Melbourne, rejoined PhotoGravures Pty Ltd. Shared a studio with
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featured in a major Australian travelling exhibition celebrating the 150th anniversary of the
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from 1960, eventually called Thematic Orchestration. This new visual language enabled the 2D
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1983 – Graham returned to his Central Australian subject matter with large series of
370:(4 June 1925 – 15 April 1987) was an Australian visual artist, printer, and art theorist.
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Turnbull, Clive, Preview of the exhibition of drawings at the Victorian Artists Society,
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1961–1964 – Graham completed a new series of paintings referred to as Linear Extensions.
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Turnbull, Clive, Preview of the Spring Exhibition of the Victorian Artists Society,
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Turnbull, Clive, Preview of the Autumn Exhibition of the Victorian Artists Society,
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and oils entitled The Painted Land. Completed at this time a memoir of his stay in
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1313:, The Encyclopedia of Australian Art, online version by Google books. p 304, 1994
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1979–1984 – Graham experimented with esoteric printing techniques including
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It may require cleanup to comply with Knowledge's content policies, particularly
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Melbourne: The Text Publishing Company, 1995, pp 8, 96, 125, 134, 160, 259, 263
1202:, 22 April 1988, R. Murdoch, Australian Capital Territory, Canberra, Australia,
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The references used may be made clearer with a different or consistent style of
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Graham tested his BSA 500 motorcycle in Melbourne, just before heading off to
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Graham died on 15 April 1987 at Heidelberg Repatriation Hospital, Melbourne.
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by Peter Benjamin Graham 1957, Hand Ground Oil on Canvas, 1420mm × 2455mm.jpg
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622:, London. But with his money running short, he decided to go back to work at
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Lahey, John, Quiet artists life revealed on 2500 canvasses creates a stir,
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693:. He helped build the John Flynn Memorial Church and government housing at
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and exhibited his first painting in the Australia at War Exhibition at the
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1652:"Cynthia Graham interviewed by Barbara Blackman [sound recording]"
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There are currently two tape recordings by Peter Graham available at the
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In 1989 Cynthia Graham was interviewed about her husband, Peter Graham.
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Germaine, Max, Artists and Galleries of Australia and New Zealand, 1979
611:'s Berkeley Galleries, and the Contemporary Artists' Society in London.
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who lived nearby and who introduced Graham to the visual languages of
1058:, Preview of the Autumn Exhibition of the Victorian Artists Society,
920:, called 'Journal of a Small Journey'. (Taped version in Archives at
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In 1954, Graham began to explore native Australian wildlife (notably
1099:, Review of the Autumn Exhibition of the Victorian Artists Society,
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Coster, Peter, Domestic treasures open up a masterly storehouse,
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by Peter Graham 1956 W/C, ink and pencil on paper 42 x 39 cm
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Boles, Bernard, Review of Peter's Notation drawings exhibition,
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Graham was admitted to the Hospital where he was diagnosed with
523:. At the same time, he began his association with the Melbourne
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Graham at The Abby Arts Centre, England, 1947 with his painting
1160:, Review of Peter Graham's exhibition Western Port Foreshores,
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595:. During this time, he also befriended the Irish 'folk' artist
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Prendergast, Maria Ed. The 1989 Australian Arts Diary, (1988)
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Stone, Deborah, Beyond the Grave – A Painting Performed,
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Graham's Solo Exhibitions at the Queensberry Street Gallery:
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Peter Graham Gallery – Queensberry Street Gallery (Melbourne)
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to Melbourne. After rebuilding the bike, he headed across to
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He began developing a new form of visual geometry related to
1396:
Peter Graham reciting his memoir, Journal of a Small Journey
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Heathcote, Christopher Dr. Harking back to Romantic spirit,
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by Peter Benjamin Graham 1964 Oil on canvas, 1680mm × 2890mm
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by Peter Graham, 1949, Ink and pastel on paper 52 × 38.5 cm
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A Quite Revolution: the rise of Australian Art 1946 - 1968
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by Peter Graham 1956 W/C and ink on paper 43 x 39 cm
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1984–1985 – Graham painted Tragic Landscape series.
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in 1960, founded in the same year by Max Hutchinson and
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McDonald, Review of the Ferntree Gully Art Exhibition,
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Peter Graham was born 4 June 4, 1925 and raised in the
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1973 Notation Drawings and Paintings from 1961 to 1973
76:
A major contributor to this article appears to have a
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Lancashire, Rebecca, The art of painting in numbers,
681:
then rode solo up along the route of what is now the
1358:, 27 November 2006, Melbourne, Victoria, Australia,
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Between 1941 and 1946, Graham studied fine art with
1086:, 9 December 1946, Melbourne, Victoria, Australia,
563:Between 1947 and 1949, Graham lived and painted at
1300:, 6 August 1993, Melbourne, Victoria, Australia,
867:1977 Western Port Places – Notation Painting
630:process and masked colour separation until 1950.
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861:Australian Watercolours from 1954, 1955 and 1973
1255:, 25 May 1991, Melbourne, Victoria, Australia,
1188:, 7 July 1987, Melbourne, Victoria, Australia,
1113:Shore, Arnold, Diversity of Work and Painters,
1075:, Review of the Ferntree Gully Art Exhibition,
961:Ferntree Gully Art Prize for best watercolour:
476:by Peter Graham, 1947, Oil On Canvas 81 × 51 cm
1714:Alumni of the Central School of Art and Design
637:working as a specialist in colour separation.
697:. At Hermannsburg, Graham met anthropologist
757:and befriended the New Zealand born artist
691:Adolf Inkamala and the Pareroultja Brothers
626:. He specialized in the inverted half-tone
55:Learn how and when to remove these messages
1370:Primary source material publicly available
567:in New Barnet, London, along with artists
322:
1031:, Review of Australia At War Exhibition,
300:Learn how and when to remove this message
282:Learn how and when to remove this message
224:Learn how and when to remove this message
162:Learn how and when to remove this message
107:Learn how and when to remove this message
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1586:Castlemaine Art Museum Collection Online
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187:This article includes a list of general
1381:, Petherick Oral History Reading Room:
1286:Oxford University Press Australia 1993
1041:, Review of Ferntree Gully Exhibition,
761:, who introduced Graham to the work of
415:Addressing the Miners Before Eureka was
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1311:Mc Culloch, Alan and Mc Culloch, Susan
1284:Noel Counihan Artist and Revolutionary
614:In 1948, Graham studied drawing under
1724:20th-century Australian male artists
1167:George, Chris, Art Gets Into Print,
1150:, An Object Lesson In Magnificence,
1123:, Trend towards abstract, Melbourne
508:and John Rowell in night classes at
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1349:Australian Broadcasting Corporation
968:The Herald prize for best drawing:
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443:by Peter Graham, Oil On Canvas 1945
441:Addressing the Miners Before Eureka
423:Australian Broadcasting Corporation
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1650:Blackman, Barbara (13 July 1989).
1354:Molony, John, Dawn Of A Democracy
828:1965 – Graham established his own
492:from artists' originals, drawn as
193:it lacks sufficient corresponding
134:tone or style may not reflect the
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607:. He exhibited in group shows at
36:This article has multiple issues.
1719:20th-century Australian painters
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410:In 2006, Graham's 1945 painting
405:Australian artist-run initiative
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144:guide to writing better articles
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87:. Please discuss further on the
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832:business, Photocraft Services.
713:painting and drawing in 1956.
488:with Ross McClintock Studios (
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1379:National Library of Australia
1140:, Dynamism in our seascapes,
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922:National Library of Australia
870:1978 Survey from 1947 to 1978
673:500 motorcycle non-stop from
647:Blake Prize for Religious Art
635:Australian Consolidated Press
16:Australian artist (1925–1987)
1709:Australian graphic designers
864:1974 Western Port Foreshores
521:National Gallery of Victoria
403:Graham was a pioneer of the
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1694:Creators of writing systems
1386:Interview with Peter Graham
1316:Heathcote, Christopher Dr.
709:Graham spent six months in
515:In 1945, Graham joined the
510:Melbourne Technical College
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512:– figure and portraiture.
328:Peter Graham, Sydney, 1953
1495:27 September 2006 at the
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517:Victorian Artists Society
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1734:Australian male painters
1729:20th-century printmakers
963:Back Streets of Hawthorn
944:Cancer of the oesophagus
1418:"Peter Benjamin Graham"
902:using a pre-sensitized
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669:In 1954, Graham rode a
527:group, which included:
208:more precise citations.
1699:Australian printmakers
1689:Artists from Melbourne
1416:Writer, Staff (1996).
1017:Castlemaine Art Museum
900:screenless lithography
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381:and, later, geometric
937:Castlemaine, Victoria
775:Gallery A (Melbourne)
749:Gallery A (Melbourne)
741:Dream Of The Big Fish
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620:Central School of Art
565:The Abbey Arts Centre
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368:Peter Benjamin Graham
85:neutral point of view
1704:Visual music artists
1542:5 March 2007 at the
898:, and a new form of
695:Hermannsburg Mission
545:Rembrandt McClintock
359:Melbourne, Australia
341:Melbourne, Australia
1524:9 June 2007 at the
1471:on 27 November 1999
1465:"Contempart.org.uk"
809:The Waters Of Lethe
577:Douglas Allan Green
1508:Lib.unimelb.edu.au
1154:, 12 December 1973
1144:, p37, 16 May 1973
830:photo-lithographic
726:Fijian String Band
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541:Herbert McClintock
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1343:978-1-876832-59-9
1278:978-1-871569-73-5
1180:978-976-8097-02-6
1132:The Nation Review
1079:, 9 December 1946
1045:, 5 November 1945
506:Victor Greenhalgh
490:Colour separation
474:The Blind Fiddler
464:Old Age And Youth
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1069:27? October 1946
1035:, September 1945
926:Barbara Blackman
906:aluminium plate.
817:Linear extension
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794:Kangaroo Paddock
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1062:, 27 April 1946
1039:McCulloch, Alan
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1589:. Retrieved
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1473:. Retrieved
1469:the original
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1052:, April 1946
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1029:Bell, George
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585:Grahame King
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494:lithographic
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353:(1987-04-15)
316:Peter Graham
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38:Please help
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1684:1987 deaths
1679:1925 births
1117:, June 1960
1067:The Herald,
1011:Collections
970:The Smokers
889:Final years
499:Rotogravure
486:Lithography
439:Peter Lalor
429:Early years
413:Peter Lalor
383:abstraction
337:4 June 1925
214:August 2013
206:introducing
152:August 2013
97:August 2013
1673:Categories
1580:Bush Lyric
1453:NGA.gov.au
1403:References
1162:The Herald
1152:The Herald
1142:The Herald
1125:The Herald
1108:The Herald
1050:The Herald
1043:The Herald
956:Awards won
264:footnoting
189:references
41:improve it
1657:7 January
1555:Arena.org
1490:NT.gov.au
1364:0312-6307
1306:0312-6307
1261:0312-6307
1246:0159-9135
1228:0159-9135
1218:0729-3127
1208:1038-8761
1194:0312-6307
1115:The Argus
1092:0312-6307
1005:0035-9211
988:0004-0932
896:collotype
763:Kandinsky
589:Inge King
537:Ma Mahood
482:Melbourne
425:in 2005.
379:modernism
375:Kangaroos
89:talk page
47:talk page
1566:CICD.org
1540:Archived
1522:Archived
1493:Archived
771:Mondrian
679:Adelaide
272:May 2019
260:citation
1537:VWA.org
1356:The Age
1298:The Age
1253:The Age
1186:The Age
1169:The Sun
1101:The Sun
1084:The Age
1077:The Sun
1060:The Sun
1033:The Sun
1023:Sources
628:Dultgen
605:Matisse
601:Picasso
559:England
202:improve
1475:17 May
1390:et al.
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986:
675:Sydney
641:Sydney
191:, but
1659:2019
1593:2021
1477:2007
1360:ISSN
1351:2005
1339:ISBN
1332:ISBN
1322:ISBN
1302:ISSN
1288:ISBN
1274:ISBN
1257:ISSN
1242:ISSN
1224:ISSN
1214:ISSN
1204:ISSN
1190:ISSN
1176:ISBN
1088:ISSN
1001:ISSN
984:ISSN
972:1947
965:1946
769:and
767:Klee
711:Fiji
705:Fiji
603:and
591:and
348:Died
334:Born
262:and
685:to
671:BSA
618:at
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