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639:. By 1920 he is said to have achieved total record sales of five million discs. After the First World War, audio technology was improving, and he recut many of his more popular titles during the early 1920s. With the introduction of electrical microphone recording in 1925, the core body of his work was committed once again to disc, including new Gilbert and Sullivan versions under Sir
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608:) in 1906; he continued, however, to record on cylinders for Edison until that company closed its London studios not long before World War I erupted. Dawson's standard repertoire rapidly became a mainstay of the HMV catalogue. In addition to the HMV titles appearing under his own name, he recorded Scottish songs popularised by
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However, it was in
British song that Dawson was especially famous, and his career helped to preserve the concert recital, and many of the older ballad type of songs, at a time when other forms of popular music were displacing the Victorian standards. He was particularly successful with the heartier,
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conducting. During one of these performances, after winning a large amount playing poker in the wings, he hurried on at his call, and accidentally scattered his winnings over the stage. (Dawson, who had a lively sense of humour, was a master at recounting such anecdotes, usually about other
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in 1924. An extensive
Australian tour (his sixth) occurred in 1931, and he paid further visits to his homeland in 1933, 1935, early 1939 and 1948–49. He made an extensive singing tour of India, Burma and the Straits Settlements during the 1930s; he also visited Ireland. His first
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for six months' basic training and coaching in vocal exercises, arias, oratorio pieces and classical songs. He then studied from 1903 to 1907 with
Santley, who gave him a thorough training in voice production and a meticulous understanding of the great oratorios, especially
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After the war and with another South
African tour under his belt, Dawson returned to England. His voice was now entering its peak phase. A British tour ensued with International Celebrity Concerts, involving recitals of operatic numbers. Accompanied on the piano by
505:. Too old (at 57) to enlist, he contributed to the war effort as director of the family firm of Thomas Dawson & Sons, which was producing tins for military use, and by broadcasting and recording songs as well as touring army camps with concert parties.
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until 1958, by which time vinyl stereo LPs had been introduced. Estimates of the number of his published recordings range from 1,500 (a recent biography) to as high as 3,500 (quoted in his autobiography). His first efforts were made for
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range under the name
Annette George. Around this time, a Russian medical specialist assisted him to extend his upper range, until his compass extended from E-flat in the bass to a high A or A-flat. In 1909, he appeared at the
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in 1914. He returned via South Africa to
England, where he made concert appearances for wartime charities and the troops, but later decided to go back to Australia to enlist in the Australian Army as a private. However, the
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performers.) However, he did not find the pressures of the opera stage to be a congenial fit with his easygoing personality, and he elected instead to forge an alternative career as a concert and oratorio singer.
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129:
J. P. McCall, Will Strong, Will Danby, Hector Grant, Arthur
Walpole, Robert Woodville, Evelyn Byrd, Peter Allison, Denton Toms, Charles Weber, Arnold Flint, Gilbert Mundy, Geoffrey Baxter, Alison Miller
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was "an instrument of torture", excruciating for the recording artist, who needed "lungs of leather" to make an impression on the wax cylinders, which captured nothing but the very loudest noises.
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opera recordings, together with other studio recording artists. Beginning in 1919, he took part in an extensive series of musically complete recordings of
Gilbert and Sullivan
292:. At the age of 17, he joined a church choir and received singing lessons from C. J. Stevens. Then, aged 19, he won a prize for the best bass solo in a competition at
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was his favourite work. Handel standards ("O Ruddier than the Cherry"; "Why do the
Nations?"; "Honour and Arms"; "Arm, arm ye Brave" and "Droop not Young Lover") and
390:. Throughout his life he acknowledged the "bel canto" example of Battistini. In addition to Italian and French opera, he grew to admire the German music dramas of
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was a major factor in the promotion and progression of Dawson's career. He made his first 78-rpm acoustic recordings in 1904, and continued to release songs for
643:. Dawson's electrical recordings from the late 1920s and early 1930s had the longest shelf-life, and most households owned at least one (according to author
1510:
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674:). The achievement is all the more remarkable when it is remembered that at this time Dawson was 73 years old and had had a career of some fifty years.
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Dawson's repertoire was essentially adapted to the purposes of the recital platform, growing out of the late 19th-century tradition of the
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during the first decade of the 20th century and heard many of the leading lower-voiced male singers of the age, including the baritones
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and
Chappell Recitals. He was an advocate of singing in English, and ensured that his diction was of the utmost clarity when he sang.
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written by Peter Burgis and Russell Smith. That biography estimates Dawson had in excess of 1500 recordings issued during his career.
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and songwriter in the 1920s and 1930s, when he was possibly the most popular singer of that era. He said that at the time the
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roles in exemplary fashion, too, including "Oh My Warriors" and "The Sword Song" ("Leap, Leap, to the Light") from
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989:) were famous. He composed a number of songs himself, under the name J. P. McCall, most famously his setting of
818:'s "Nun wandre Maria", "Verschwiegene Liebe". Russian standards also appeared in his recital programs, notably
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is an annual awards ceremony that recognises excellence, innovation, and achievement across all genres of
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284:, South Australia, to immigrant Scottish parents, Thomas Dawson, an ironworker, plumber and seaman from
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and Alison, née Miller. The youngest of nine children, he attended East Adelaide Primary School, then
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498:; he subsequently became a prolific broadcaster, and was still active "on air" as late as the 1950s.
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460:. A second long tour with his own company in Australia and New Zealand ended with the outbreak of
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On 20 May 1905, he married Annie Mortimer "Nan" Noble, daughter of the box-office manager of the
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806:'s "Die Mainacht", "Botschaft", "Ständchen", "Der Tod, der ist die kühle Nacht", "Blinde Kuh";
794:", "Who is Sylvia", "Sei mir gegrüßt", "Erstarrung", "Wasserflut", "Die Krähe" and "Ungeduld";
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647:, writing in 1979). By the Second World War, his record sales had topped the 12 million mark.
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348:. In 1904, he joined Santley on an eight-week concert tour of the West of England with the
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He owed to his vocal mentor Charles Santley a taste and technique perfectly suited to
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Peter Dawson: the world's most popular baritone, with complete song title discography
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However, Dawson made his first recording in 1904, and continued to release songs for
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His recitals were also enlivened by the inclusion of many Australian songs, notably
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In 1955, he visited the recording studios for the last time where, in experimental
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on wax cylinders in 1904. After a few experimental run-throughs, record producer
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vocal warhorses, and a select range of items by contemporary composers such as
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830:'s "O Could I But Express in Song". Most of these songs were sung in English.
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1067:. They commenced in 1987. Dawson was inducted into the Hall of Fame in 1991.
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Dawson was approached to appear in an important concert in London at the
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1141:. Vol. 8. Melbourne: Melbourne University Press. pp. 245–246.
822:'s "To the Forest", "None but the Lonely Heart", "Don Juan's Serenade",
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Cover of the program for Dawson's 1931 concert in Adelaide with pianist
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In 1906, Dawson participated in the first series of partially complete
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223:(31 January 1882 – 27 September 1961) was an Australian
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as one of the top 10 singers on disc of all time, listed alongside
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721:. His concert operatic titles were principally The Prologue (from
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Once a Jolly Swagman: Tribute to Peter Dawson, the King of Song
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until 1958. In this time he performed classical tunes such as
562:, recorded 1920, with Dawson singing the role of the Sergeant
216:
Peter Dawson singing with New South Wales police in the 1930s
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Imperialism and Music: Britain, 1876–1953 – Jeffrey Richards
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Many songs became personally identified with him, including
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signed Dawson to an exclusive contract to cut discs for the
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in his home town of Adelaide, in January 1961. He died of
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company of singers. On his return, he began appearing in
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971:(Speaks and Hedgcock versions). His performance of the
782:
The art of the German Lied attracted him also, notably
1346:
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The Oxford Dictionary of National Biography, Volume 15
516:
in Sydney in September of that year and was buried in
1430:
1384:. Strawberry Hills, New South Wales: Currency Press.
264:
as one of the top ten singers of all time, alongside
16:
Australian bass-baritone and songwriter (1882 - 1961)
508:His last public performance was a concert for the
612:under the pseudonym Hector Grant, for the sister
1457:
255:Peter Dawson: The World's Most Popular Baritone
246:'s "Don Juan Serenade" and popular songs like "
1260:. Oxford University Press. 2004. p. 570.
486:radio broadcast was made in 1931 and included
358:He attended a large number of performances at
798:'s "Die Beiden Grenadier", "Frühlingsnacht";
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523:
469:intervened before he saw frontline service.
1380:Smith, Russell Hugh; Burgis, Peter (2001).
1379:
1375:. London, UK: Gerald Duckworth and Company.
713:) remained constantly in his work. He sang
1511:People educated at Pulteney Grammar School
1486:20th-century Australian male opera singers
1349:A Dictionary of Modern Music and Musicians
1241:– via National Library of Australia.
309:He was sent to London to be taught by Sir
100:
1287:Australian Recording Industry Association
1126:
1124:
1122:
313:, who first sent him to F. L. Bamford of
78:Learn how and when to remove this message
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1075:In 2007, his 1931 recording of the song
436:
211:
41:This article includes a list of general
1233:. Adelaide. 25 December 1901. p. 3
1130:
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846:. He sang a good deal of the output of
773:) and "Within This Hallowed Dwelling" (
662:. These included a moving rendition of
635:, and conducted by HMV staff conductor
556:"When the foeman bares his steel" from
501:He was in Australia at the outbreak of
432:
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1372:The Record of Singing II: 1914 to 1925
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1250:
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477:, he then gave lieder recitals at the
1501:Australian people of Scottish descent
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1347:Arthur Eaglefield-Hull, ed. (1971) .
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27:
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743:for Santley – "Largo al Factotum" (
253:He was the subject of a biography,
13:
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1138:Australian Dictionary of Biography
1097:In 1984, Dawson was chosen by the
530:
510:Australian Broadcasting Commission
47:it lacks sufficient corresponding
14:
1522:
1419:
1314:. National Film and Sound Archive
1133:"Dawson, Peter Smith (1882–1961)"
834:rollicking type of song, such as
401:, who sang professionally in the
280:Peter Dawson was born in 1882 in
1425:Excerpt of Peter Dawson singing
1283:"Winners by Award: Hall of Fame"
570:Problems playing this file? See
546:
32:
1440:National Film and Sound Archive
1205:. National Library of Australia
1168:. Manchester University Press.
1099:Guinness Book of Recorded Sound
1083:National Film and Sound Archive
542:When the foeman bares his steel
275:
262:Guinness Book of Recorded Sound
1300:
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1217:
1155:
1036:'s version of the New Zealand
654:, he recorded tracks with the
417:The Mastersingers of Nuremberg
260:In 1984, he was chosen by the
1:
1451:Digitally restored recordings
1112:
677:
1506:Burials at Rookwood Cemetery
1427:'Along the Road to Gundagai'
1308:"Along the Road to Gundagai"
1272:Article by Jeffrey Richards.
7:
1496:Australian male songwriters
1481:ARIA Hall of Fame inductees
631:, under the supervision of
414:, as the Night Watchman in
10:
1527:
1351:. London, UK: J. M. Dent.
1197:"Peter Dawson (1882–1961)"
1162:Richards, Jeffrey (2001).
1078:Along the Road to Gundagai
802:'s "The Clock", "Edward";
739:) – written originally by
629:D'Oyly Carte Opera Company
18:
1342:. London, UK: Hutchinson.
1185:– via Google Books.
1093:International recognition
1049:
1030:Six Australian Bush Songs
826:'s "Christ is Risen" and
812:Traum durch die Dämmerung
733:), "Even Bravest Heart" (
656:London Symphony Orchestra
524:Dawson and the gramophone
197:
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1403:. London, UK: J D Vose.
761:), the "Toreador Song" (
1491:Operatic bass-baritones
1431:australianscreen online
1312:australianscreen online
1131:Glennon, James (1981).
973:Four Indian Love Lyrics
968:On the Road to Mandalay
559:The Pirates of Penzance
62:more precise citations.
1399:Vose, John D (1998) .
1338:Dawson, Peter (1951).
1017:Clancy of the Overflow
752:The Marriage of Figaro
668:Clancy of the Overflow
535:
445:
290:Pulteney Street School
217:
109:Background information
945:In a Monastery Garden
749:), "Non più andrai" (
746:The Barber of Seville
534:
440:
215:
182:Opera, oratorio, song
1071:National recognition
977:Amy Woodforde-Finden
755:), "O Star of Eve" (
627:with members of the
621:Gilbert and Sullivan
604:(the predecessor of
433:The concert platform
19:For other uses, see
1340:Fifty Years of Song
1105:and operatic tenor
1087:Sounds of Australia
949:In a Persian Market
836:Off to Philadelphia
727:), "Iago's Credo" (
633:Rupert D'Oyly Carte
1476:ARIA Award winners
937:The Cobbler's Song
892:George Butterworth
670:" (to the poem of
602:Gramophone Company
536:
458:Promenade Concerts
446:
304:Adelaide Town Hall
221:Peter Smith Dawson
218:
193:singer, songwriter
119:Peter Smith Dawson
1410:978-0-9501036-2-4
1391:978-0-86819-603-9
1148:978-0-522-84121-3
1081:was added to the
1061:ARIA Music Awards
1055:ARIA Music Awards
1011:Song of Australia
872:Granville Bantock
767:), "Pari siamo" (
660:Charles Mackerras
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467:Armistice of 1918
408:Royal Opera House
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1466:1882 births
1447:in AusStage
1429:in 1931 on
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1237:18 November
1181:12 February
1034:Alfred Hill
1032:, and also
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820:Tchaikovsky
705:Mendelssohn
693:, of which
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454:Amy Castles
422:Walter Hyde
388:Pol Plançon
364:Titta Ruffo
353:Emma Albani
330:Mendelssohn
244:Tchaikovsky
174:, Australia
153:, Australia
60:introducing
1460:Categories
1292:23 October
1113:References
1089:registry.
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931:(Molloy),
925:Katie Moss
912:Arnold Bax
800:Carl Loewe
758:Tannhäuser
719:Caractacus
678:Repertoire
645:Brian Rust
581:gramophone
572:media help
229:gramophone
203:1899–1950s
140:1882-01-31
115:Birth name
43:references
1369:(1993) .
1225:"Messiah"
828:Malashkin
816:Hugo Wolf
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770:Rigoletto
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691:oratorio
294:Ballarat
282:Adelaide
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1438:at the
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350:soprano
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315:Glasgow
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764:Carmen
741:Gounod
730:Otello
710:Elijah
695:Handel
652:stereo
488:lieder
335:Elijah
320:Handel
179:Genres
168:Sydney
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1040:song
1038:Māori
996:Boots
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715:Elgar
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1405:ISBN
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