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Peter
Franchoys is now mainly known as a painter of portraits and religious subjects. His portraits are stylistically related to his brother’s portraits who represented his sitters with a form of calculated informality. This style was influenced by
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of Peter
Franchoys as someone who 'liked to paint landscapes with small figures' does not appear to fit the currently known oeuvre of Franchoys, which consists primarily of portraits and some religious works.
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as well as by French models of portrait painting. The French influence is seen in the more static approach as opposed to the dynamic quality of
Flemish Baroque portrait paintings.
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Grove Art Online. Oxford Art Online. Oxford
University Press. Web. 7 April 2014
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101:. He returned to Mechelen in 1635. In 1646 he became a member of the Mechelen
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De groote schouburgh der
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Cornelis De Bie, Het gulden cabinet van de edel vry schilderconst
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181:Peter Franchoys was also active as an etcher. The
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66:, and later, according to the early biographer
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320:Christ and St John the Baptist as Children
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257:Hans Vlieghe. "Franchoys."
82:, where he worked for the
44:– 1654 in Mechelen) was a
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300:Pieter Francois biography
290:, Davaco Publishers, 1996
64:Lucas Franchoys the Elder
392:Flemish Baroque painters
332:Robert van Roosbroeck,
135:Portrait of a young man
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302:in: Arnold Houbraken,
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378:at Wikimedia Commons
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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