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253:, a group of artists interested in modern genre and historical subjects who were inspired, both artistically and socially by the Pre-Raphaelites. Historical, biblical, and literary themes were common in Calderon's later work. Many of his pieces show women wearing rich, silky clothing in gently colored landscapes. His
280:, then-President of the Royal Academy. Calderon became Keeper of the Royal Academy in 1887, and from then on worked to support the teaching of anatomy based on nude models at the Royal Academy Schools. His 1891 painting
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242:(1856). From the beginning he was inspired by the Pre-Raphaelites, and some of his work showed the detail, deep colors, and realistic forms that characterize the style. The artist
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seated on her balcony gazing at the stars. His later paintings adopt a more classical style, comparable to
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was his friend and brother-in-law, and
Calderon exhibited his portrait at the Royal Academy in 1872.
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Broken vows ('More hearts are breaking in this world of ours, than one would say — Longfellow)
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before moving towards historical genre painting. He was Keeper of the
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priest who had converted to
Anglicanism. Calderon planned to study
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W. W. Fenn, 'Our Living
Artists: Philip Hermogenes Calderon RA',
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in London) was a professor of
Spanish literature and a former
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515:(London: W. R. Howell & Co., c. 1887), pp. 212–20.
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257:(1884) features a copper-haired maiden watching a sunrise.
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St. Elizabeth of
Hungary's great act of renunciation
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St
Elizabeth of Hungary's great act of renunciation
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276:, which resulted from his close relationship with
234:in 1851. His first successful painting was called
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670:19th-century painters of historical subjects
512:Volume 2 The modern school of art, volume 2
421:French Peasants Finding Their Stolen Child
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555:. Emory University. 2003. Archived from
249:Calderon became a leading member of the
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487:(scene depicts Act IV, Scene I, from‚ "
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559:on 2 November 2013
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616:(Artmagick)
266:Shakespeare
240:Broken Vows
216:engineering
170:Broken Vows
78:Nationality
629:Categories
563:1 November
520:References
176:, London).
70:Occupation
43:3 May 1833
406:Ave Maria
372:, London)
328:, London)
308:, London)
344:Margaret
196:Reverend
185:The Vine
111:Poitiers
86:Children
48:, France
46:Poitiers
485:Mariana
377:Gallery
368:(1891;
354:Morning
346:(1876;
324:(1856;
314:(1855;
304:(1852;
255:Morning
172:(1856;
81:British
73:Painter
586:Art UK
472:(1891)
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438:(1873)
423:(1859)
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270:Juliet
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491:" by
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228:Paris
588:site
565:2013
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260:His
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53:Died
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