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241:) was a typical piece of Mercier's composition, the children being made the subject of a spirited, if somewhat childish, allegory in their game of play. Prince George is represented with a firelock on his shoulder, teaching a dog his drill, while his little brother and sister are equally occupied in a scene that is aptly used to point a patriotic moral embodied in some verses subjoined to the plate, of which the concluding couplet is as follows:
258:
In 1733, Mercier painted a
Portrait of 'Frederick, Prince of Wales, playing a violoncello, and his Sisters'. National Portrait Gallery, London. There is an alternative version of the painting in the Royal Collection. In the painting 'The Sense of Hearing', 1744, women are playing violin, violoncello,
588:, p. 127: "Never a first-rate artist, he had a flair for novelty in the French manner, and he seems not only to have been responsible for the introduction of the French genre style into English painting, but to have played a considerable part in popularising the 'conversation piece'";
592:: "Philippe Mercier (c. 1689-1760) looms large in the history of English eighteenth-century art. One of the first practitioners of the new rococo style, Mercier’s genre subjects and portraits provided the foundation for William Hogarth and the next generation of English artists."
229:, and while he was in favour he painted various portraits of royalty, and no doubt many of the nobility and gentry. Of the royal portraits, those of the Prince of Wales and of his three sisters, painted in 1728, were all engraved in mezzotint by
399:
624:, suggest that Mercier was the Pierre-Phillipe Mercier born in 1689 to Pierre Mercier in Berlin; however, it is noted that a Phillipe Mercier, also the son of a Huguenot tapestry-worker in Berlin, was born in 1691.
345:
214:, who had arrived in Berlin in 1710. Later, he travelled in Italy and France before arriving in London—"recommended by the Court at Hannover"—probably in 1716. He married in London in 1719 and lived in
443:
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504:
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1337:
Hopkinson, Martin (2016). "Mercier, Philippe (Philip, irrtümlich Pierre)". In Beyer, Andreas; Savoy, Bénédicte & Tegethoff, Wolf (eds.).
523:
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363:
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at the request of several
English merchants. He did not long remain there, however, but came back to London, where he died in 1760.
1395:
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266:, where he practised portrait painting for over ten years, before returning to London in 1751. In 1752, Mercier went to
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Faber also engraved six plates of "Rural Life" after
Mercier, and several other subjects of his have survived him.
994:
262:
Mercier became involved in a scandal of some sort and he lost favour. He left London around 1740 and settled in
1887:
1404:
1291:
1026:
749:
Vertue, George (1934). "The Note-Books of George Vertue
Relating to Artists and Collections in England (III)".
409:
1339:
770:
Vertue, George (1936). "The Note-Books of George Vertue
Relating to Artists and Collections in England (IV)".
175:. Active in England for most of his working life, Mercier is considered one of the first practitioners of the
1706:
1523:
1456:
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959:& Raines, Robert (1976–1978). "A Catalogue of the Paintings, Drawings and Etchings of Philip Mercier".
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140:
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569:
1746:
1610:
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858:
Eidelberg, Martin (September 1975). "Watteau
Paintings in England in the Early Eighteenth Century".
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1516:
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1765:
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1494:
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1390:
1690:
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1650:
1634:
1578:
728:(1932). "The Note-Books of George Vertue Relating to Artists and Collections in England (II)".
490:
293:
was also an artist in her early life, before turning to a life of dissolution and dying in the
234:
37:
1204:. The Pelican History of Art (4th ed.). Harmondsworth, England; New York: Penguin Books.
1738:
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391:
230:
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style, and is credited with influencing a new generation of 18th-century
English artists.
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925:
Harrison, Brett (Winter 2019–2020). "Philip
Mercier (1691–1760) and Queen Caroline".
809:
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290:
283:
980:
Raines, Robert (1967). "Philip
Mercier, A Little-known Eighteenth-century Painter".
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1432:] (in French). Vol. 3 (pt. 1). Paris: D. Morgand et C. Fatout. p.
956:
791:
604:, p. 37: "Mr. P. Merciere. painter Born at Berlin, of French extraction."
278:
1441:
1414:
1227:
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1095:
813:
612:, give the painter's age at his death as seventy-one. From Walpole's account,
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1399:. Vol. 37. Oxford, New York: Oxford University Press. pp. 856–857.
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Allgemeines
Lexikon der bildenden KĂĽnstler von der Antike bis zur Gegenwart
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1107:(exhibition catalogue). York, London: York City Art Gallery, Kenwood House.
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514:
1313:
783:
762:
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1021:(exhibition catalogue). Vol. II. London: Tate Gallery Collections.
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277:(1744) was one of the subjects for episode 19 in the 5th series of the
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Eidelberg, Martin (Winter 2006). "Philippe Mercier as a Draftsman".
1172:
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203:
110:
1508:
1374:. Vol. 21. New York: Grove's Dictionaries. pp. 147–149.
1157:(1952). "English Painting and France in the Eighteenth Century".
233:, and that of the three elder children of the Prince of Wales by
199:
114:
1252:(in German). Vol. 24. Leipzig: E. A. Seemann. p. 409.
1219:
1087:
1851:
1460:
333:
195:
176:
124:
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63:
1343:. Vol. 89. Berlin, Boston: De Gruyter. pp. 136–137.
1149:. London: Seeley. p. 37 – via the Internet Archive.
1146:
English society of the eighteenth century in contemporary art
337:
1422:
Portalis, Roger; BĂ©raldi, Henri (1882). "Mercier (Pierre)".
1040:
Manners & Morals: Hogarth and British Painting 1700-1760
576:, p. 136, define Mercier as a painter of French school.
1332:. Vol. 37. London: Smith, Elder & Co. p. 269.
263:
44:, 1735, mezzotint after Mercier's untraced self-portrait,
259:
harpsichord, and flute. Yale Collection for British Art.
221:
He was appointed principal painter and librarian to the
1242:
Bataille, Marie Louise (1930). "Mercier, Philippe". In
1393:. In Matthew, H. C. G. & Harrison, Brian (eds.).
955:
692:
613:
1019:
The Age of Hogarth: British Painters Born 1675–1709
995:"Philippe Mercier and the French Artists in London"
1197:
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1044:(exhibition catalogue). London: Tate Gallery. pp.
1037:
655:. Detroit Institute of Arts. 2015. Archived from
1864:
1421:
1160:Journal of the Warburg and Courtauld Institutes
1102:
1017:Einberg, Elizabeth & Egerton, Judy (1988).
1298:. Vol. 2. Paris: Larousse. p. 1181.
1016:
902:"Philippe Mercier, Watteau's English Follower"
1524:
1103:Ingamells, John & Raines, Robert (1969).
982:Proceedings of the Huguenot Society of London
924:
206:tapestry-worker. He studied painting at the
1005:: 179–194 – via the Internet Archive.
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1517:
1195:
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679:"Fake or Fortune?, Series 5: 4. Portraits"
585:
246:Illustrious Isle where either sex displays
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357:, 1733, National Portrait Gallery, London
1457:59 artworks by or after Philippe Mercier
1289:
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250:Such early omens of their future praise!
198:, the son of Pierre Mercier (died 1729,
159:; 1689 – 18 July 1760) was an artist of
1396:Oxford Dictionary of National Biography
1264:
1035:
992:
835:(May 1969). "Watteau's 'La Boudeuse'".
800:. London: Ward, Lock, and Co. pp.
790:
605:
557:
1865:
1271:. Vol. 9. Paris: GrĂĽnd. pp.
1142:
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769:
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724:
601:
225:at their independent establishment in
1563:Marriage Contract and Country Dancing
1512:
1126:Hogarth and His Place in European Art
1118:
900:Eidelberg, Martin (24 October 2013).
703:Dictionary of Pastellists Before 1800
208:Akademie der Wissenschaften of Berlin
1312:
297:two years after her father's death.
1538:
1430:Engravers of the Eighteenth Century
1425:Les graveurs du dix-huitième siècle
273:In August 2016, Mercier's painting
13:
712:
374:Musée des Beaux-Arts de Strasbourg
307:Selected works by Philippe Mercier
14:
1914:
1903:18th-century English male artists
1450:
1444:– via the Internet Archive.
1417:– via the Internet Archive.
1384:– via the Internet Archive.
1285:– via the Internet Archive.
1230:– via the Internet Archive.
1200:Painting in Britain, 1530 to 1790
1138:– via the Internet Archive.
1098:– via the Internet Archive.
163:descent from the German realm of
1595:The Robber of the Sparrow's Nest
1329:Dictionary of National Biography
797:Anecdotes Of Painting In England
614:Ingamells & Raines 1976–1978
522:
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1659:Actors of the Comédie-Française
532:, ca. 1740s, private collection
1196:Waterhouse, Ellis K. (1978) .
671:
645:
627:
595:
579:
547:
410:National Galleries of Scotland
1:
1883:18th-century English painters
1296:Petit Larousse de la Peinture
1294:. In Laclotte, Michel (ed.).
1268:Benezit Dictionary of Artists
993:Wescher, Paul (Autumn 1951).
540:
471:
326:
237:in 1744. This last (entitled
188:
223:Prince and Princess of Wales
7:
1683:The Embarkation for Cythera
1477:Paintings by Philip Mercier
1467:Portraits by Philip Mercier
1340:Allgemeines KĂĽnstlerlexikon
1265:Bénézit, Emmanuel (2006) .
1036:Einberg, Elizabeth (1987).
10:
1919:
616:, pp. 1, 8 n. 1, and
353:Frederick, Prince of Wales
300:
141:Frederick, Prince of Wales
1827:
1776:
1757:
1611:The Embarrassing Proposal
1546:
1471:National Portrait Gallery
1370:. In Turner, Jane (ed.).
1290:Constans, Claire (1979).
1130:. New York: Basic Books.
699:Profile of Claude Mercier
146:
134:
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120:
106:
96:
74:
56:
30:
23:
1389:Ingamells, John (2004).
1366:Ingamells, John (1996).
1143:Davies, Randall (1907).
90:Kingdom of Great Britain
1819:Pierre-Antoine Quillard
1766:Two Studies of an Actor
1686:(c. 1717; c. 1718–1719)
1319:"Mercier, Philip"
928:The British Art Journal
860:The Burlington Magazine
838:The Burlington Magazine
450:Comedians by a Fountain
182:
46:National Gallery of Art
1804:Edme-François Gersaint
1747:L'Enseigne de Gersaint
1579:Savoyard with a Marmot
1504:John Ingamells archive
906:Watteau and His Circle
491:George Frideric Handel
253:
235:John Faber the Younger
171:), usually defined to
38:John Faber the Younger
1888:English male painters
1372:The Dictionary of Art
1011:Exhibition catalogues
639:29 April 2009 at the
530:Lovers by Candlelight
468:The Young Wine Taster
392:Cincinnati Art Museum
388:The Italian Comedians
243:
1292:"Mercier (Philippe)"
1155:Waterhouse, Ellis K.
1072:; cat. nos. 40, 69.
477:–1730, Louvre, Paris
406:A Girl Holding a Cat
1814:Jean-Baptiste Pater
1707:Jupiter and Antiope
961:The Walpole Society
772:The Walpole Society
751:The Walpole Society
730:The Walpole Society
659:on 22 December 2015
496:Handel House Museum
289:Mercier's daughter
165:Brandenburg-Prussia
68:Brandenburg-Prussia
16:Painter (1689–1760)
1314:Cust, Lionel Henry
912:on 6 December 2020
295:St James Workhouse
275:Portrait of a Lady
169:Kingdom of Prussia
1860:
1859:
1799:Jean de Jullienne
1784:Claude Audran III
1723:The Worried Lover
1691:FĂŞtes VĂ©nitiennes
1603:Pastoral Pleasure
1555:The Country Dance
1391:"Mercier, Philip"
1368:"Mercier, Philip"
1350:978-3-11-023255-4
833:Eidelberg, Martin
653:"Playing Soldier"
513:, ca. 1735–1740,
390:, ca. 1735–1740,
355:, and His Sisters
187:Mercier was born
150:
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82:(aged 70–71)
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1828:Related articles
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1113:Additional notes
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239:Playing Soldiers
227:Leicester Fields
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792:Walpole, Horace
778:. whole issue.
757:. whole issue.
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1873:1689 births
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1678:(1716–1718)
1667:La Boudeuse
1635:The Dreamer
1324:Lee, Sidney
602:Vertue 1934
475: 1725
330: 1725
1867:Categories
1846:attributed
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1415:1035757202
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541:References
231:John Simon
1898:Huguenots
1731:Mezzetino
1702:(c. 1719)
1654:(c. 1718)
1643:The Chord
1630:(c. 1717)
1574:(c. 1715)
1566:(c. 1711)
1547:Paintings
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941:1467-2006
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