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published in Venice in the late 1530s include his work; one of these books is devoted entirely to him. Possibly he moved to Venice after the siege to escape the notoriously vengeful, and victorious, Medici. He is known to have been dead by 1552, when writer
Ortenzo Landi mentioned him as being
93:. Both Machiavelli, expelled from Florence by the Medici, and Verdelot, generally sided with the Florentine Republic against the Medici, but attempted to play the delicate political game of pleasing both sides. The several pieces which Verdelot wrote for Machiavelli's play, while called
82:
at the
Baptisterium San Giovanni in Florence from 1523 to 1525; and he seems also to have been employed at the Cathedral there, from 1523 until 1527. In 1526 he collaborated with NiccolĂČ Machiavelli on a production of Machiavelli's famous cynical comedy
135:
or in the simultaneous plague that ravaged the city, since there is no definite evidence that he was alive after 1530. That he was there during the siege has been considered likely on the evidence of one of his motets, composed around that time,
67:, France. Details of his early life are obscure. He probably came to Italy at an early age, spending the first decade or two of the 16th century at some cities in northern Italy, most likely including
194:
Verdelot's madrigals were hugely popular, as can be inferred from their frequency of reprinting and their wide dissemination throughout Europe in the 16th century. He also composed motets and masses.
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Some scholars infer that
Verdelot was alive until about 1540, based on some ambiguous references to contemporary events in his works published during the 1530s. Several books of
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119:, based on the psalm which was the subject of that man's last writing before he was burned at the stake; and the use of the tune most closely associated with the monk,
479:
Chronology of culture: a chronology of literature, dramatic arts, music, architecture, three-dimensional art, and visual arts from 3000 B.C. to the present
121:
191:, which was largely a later development (though a few interesting foreshadowings can be found). Most of his madrigals are for five or six voices.
140:. In this work, texts from Ecclesiasticus are woven together with the Antiphon for Peace, "Da pacem Domine", which is used as a cantus firmus.
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but never positively identified, is believed by many musicologists to show
Verdelot in Venice with an Italian singer.
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Verdelot's complete works were published by The
American Institute of Musicology (edited by Anne-Marie Bragard).
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vocal form which emerged in the late 1520s from a convergence of several previous musical streams (including the
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In addition to siding with the
Florentine Republic, Verdelot was most likely a supporter of martyred reformer
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H. Colin Slim/Stefano La Via: "Philippe
Verdelot", Grove Music Online, ed. L. Macy (Accessed July 28, 2006),
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89:. While the play was written in 1518, the 1526 performance in Florence was dedicated to the Medici pope,
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The
Concise Edition of Baker's Biographical Dictionary of Musicians
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39:. He is commonly considered to be the father of the Italian
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during the period after the recapture of the city by the
31:(1480 to 1485â1530 to 1540) was a French composer of the
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20:Phillipe Verdelot, as painted by Lorenzo Luzzo (
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395:Bonfire Songs: Savonarola's Musical Legacy.
383:. New York, W.W. Norton & Co., 1954.
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475:John Paxton; Sheila Fairfield (1980).
187:with imitative textures, rarely using
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461:Verdelot and the Early Madrigal: Text
131:Verdelot may have been killed in the
318:Hymno della Resurrectione di Christo
71:. A painting of 1511, described by
13:
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397:Oxford, Clarendon Press. 1998.
301:Missa La Gloria del Dixit Dominus
1340:
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866:Giovanni Pierluigi da Palestrina
559:Free scores by Philippe Verdelot
549:Free scores by Philippe Verdelot
63:Verdelot was born in Les Loges,
35:, who spent most of his life in
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313:Hymno della NativitĂ di Christo
78:Verdelot is known to have been
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371:References and further reading
279:Congregati sunt inimici nostri
138:Congregati sunt inimici nostri
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1397:16th-century French composers
1392:15th-century French composers
609:List of Renaissance composers
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323:Hymno dell'archangelo Rafaelo
133:siege of Florence (1529â1530)
1377:French Renaissance composers
553:Choral Public Domain Library
262:Seule demeure et despourveue
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1054:English Virginalist School
464:. D.L. Hersh. p. 587.
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778:Philippe Verdelot
675:Johannes Ockeghem
617:Early (1400â1470)
600:Renaissance music
534:Philippe Verdelot
524:Gangwere, p. 250.
490:978-0-442-27004-9
257:Perche piu acerba
29:Philippe Verdelot
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1191:Music publishing
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162:a cappella
148:deceased.
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1136:British
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268:Motets
172:, the
168:, the
73:Vasari
69:Venice
49:Medici
1290:Dance
1181:Spain
1161:Italy
1090:Carol
1069:Roman
445:Notes
198:Works
178:motet
174:laude
37:Italy
1110:Mass
908:and
485:ISBN
435:ISBN
412:ISBN
399:ISBN
385:ISBN
59:Life
1280:Art
180:).
1363::
517:^
429:,
379:,
55:.
24:).
592:e
585:t
578:v
493:.
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