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117:, created three or four emblems, including a long Latin poem and short poems in French and Dutch. The emblems represent examples of earthly versus divine love. The calamities and perils referred to in the title of the publication are pointed out in all kinds of objects representing human failures. For instance, swords and crowns reference the perils of human power. The emblems also represent human flaws such as pride and vanity. The emblems are sometimes odd and very humorous such as the one showing Cupid turning the globe at a lathe, using the cross as its pedal (Erit ex hoc æquior Orbis). The
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The date of his death is not known. It must have been after 1634, as
Valerius was registered as his pupil in the Guild register in 1634. In the same year the death of his wife was also registered.
109:(Image of the World, in which Calamities and Perils are emblematically presented along with the opposition in feeling between the Love of God and that of man). The
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45:–after 1634, Antwerp) was a Flemish engraver and publisher who mainly worked on religious subjects, devotional prints,
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292:, in the Oxford Dictionary of National Biography, ed. H.C.G. Matthew and Brian Harrison, Oxford, 2004, XVII, pp. 466–475
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De
Liggeren en andere Historische Archieven der Antwerpsche Sint Lucasgilde, onder Zinkspreuk: "Wy Jonsten Versaemt"
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De
Liggeren en andere Historische Archieven der Antwerpsche Sint Lucasgilde, onder Zinkspreuk: "Wy Jonsten Versaemt"
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College of
Antwerp was the creator of the book. The College's senior students of the class of Humanities, including
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Typus mundi in quo ejus calamitates et pericula nec non divini, humanique amoris antipathia, emblematice proponuntur
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Name variations: Philippe van
Mallery, Philippus Mallery, Philips van Mallery the Younger
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His work consists of
Christian religious representations, devotional prints and emblems.
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where he was baptized on 6 January 1598. He was the son of the
Antwerp engraver
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and
Catharina Galle, the daughter of prominent Antwerp engraver and publisher
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193:, Oxford Art Online, Oxford University Press. Consulted 25 September 2020.
140:. Only a few copies of the work, which recounts the life of the Catholic
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Vita S. Rosaliae
Virginis Panormitanae Pestis Patronæ iconibus expressa
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Representation of eternal inequality for the blessed and the damned
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in
Antwerp in 1629. The engravings were made after drawings by
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Philips van Mallery made the engravings for the publication
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He made the emblems for an emblem book published by
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226:, Volume 2, Antwerp, 1872, pp. 638, 648, 657
247:, Volume 2, Antwerp, 1872, pp. 24, 25, 31
278:Dictionary of Literary Themes and Motifs
241:Ph. Rombouts and Th. van Lerius (eds.),
220:Ph. Rombouts and Th. van Lerius (eds.),
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121:of the publication shows a portrait of
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105:in Antwerp in 1627 under the title
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267:on the Emblem Project Utrecht site
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189:Christine van Mulders, "Galle",
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41:(Baptised on 6 January 1598,
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134:Cornelis Galle the Elder
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24:Erit ex hoc æquior Orbis
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348:17th-century engravers
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343:Painters from Antwerp
144:of Palermo, survive.
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338:Artists from Antwerp
314:at Wikimedia Commons
312:Philips van Mallery
264:Typus mundi of 1627
75:Guild of Saint Luke
47:reproductive prints
35:Philips van Mallery
333:Flemish publishers
175:Philips de Mallery
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39:Philips de Mallery
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310:Media related to
203:Karel van Mallery
103:Joannes Cnobbaert
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28:Typus mundi
322:Categories
249:(in Dutch)
228:(in Dutch)
210:(in Dutch)
148:References
77:in 1626.
205:at the
177:at the
63:Antwerp
43:Antwerp
111:Jesuit
30:, 1627
84:Work
57:Life
49:and
37:or
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