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Photochrom

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which let private publishers produce postcards. These could be mailed for one cent each, while the letter rate was two cents. Publishers created thousands of photochrom prints, usually of cities or landscapes, and sold them as postcards. In this format, photochrom reproductions became popular. The
544:, for historical reasons, in its classification and description of its collection of such images. Variants of the spelling exist, both in English and in German. "Photochrome" is the English spelling used in some contexts, even by the Library of Congress in a few of its image descriptions. " 167:, strengthening or softening tones as required. The image became imprinted on the stone in bitumen. Each tint was applied using a separate stone that bore the appropriate retouched image. The finished print was produced using at least six, but more commonly ten to fifteen, tint stones. 409: 444: 69:(color lithography). Because no color information was preserved in the photographic process, the photographer would make detailed notes on the colors within the scene and use the notes to hand paint the negative before transferring the image through 217: 155:, causing the bitumen to harden in proportion to the amount of light passing through each portion of the negative. This would take ten to thirty minutes in summer and up to several hours in winter. A solvent such as 89:) as the business vehicle for the commercial exploitation of the process and both Füssli and Photoglob continue to exist today. From the mid-1890s the process was licensed by other companies, including the 178: 127:
After World War I, which ended the craze for collecting photochrom postcards, the chief use of the process was for posters and art reproductions. The last photochrom printer operated up to 1970.
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Marc Walter & Sabine Arque, “The World in 1900”, Thames & Hudson, 2007 contains about 300 well-reproduced photochromes from around the world.
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negative was hand colored according to the sketch and notes taken at the scene, then pressed against the coating and exposed to daylight through
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reportedly produced as many as seven million photochrom prints in some years, and ten to thirty thousand different views were offered.
763: 731: 347: 715: 273: 575: 85:—a printing firm whose history began in the 16th century. Füssli founded the stock company Photochrom Zürich (later 816: 363: 54: 224: 455: 185: 81:
The process was invented in the 1880s by Hans Jakob Schmid (1856–1924), an employee of the Swiss company
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called a "litho stone" was coated with a light-sensitive surface composed of a thin layer of purified
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in the US (making it the basis of their "phostint" process), and the Photochrom Company of London.
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Amongst the first commercial photographers to employ the technique were French photographer
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Process for producing colorized images from black-and-white photographies
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Detroit Photographic Company’s Views of North America, ca. 1897–1924
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was applied to remove the unhardened bitumen. The plate would be
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The Library of Congress Public Domain Photochrom Prints Search
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was first developed but was still commercially impractical.
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printing plates. The process is a photographic variant of
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via the direct photographic transfer of the negative onto
514: 511: 499: 529: 517: 505: 523: 496: 759:https://photochrome.us/description-and-provenance/ 808: 669:"MetropoPostcard Guide to Printing Techniques 5" 211:town hall in the 1890s, using fewer color plates 323:A photochrom of an elderly Irish woman using a 708:Encyclopedia of Nineteenth-century Photography 554:, the Swiss company that invented the process. 301:A photochrom of Belgian milk peddlers with a 780:(holds probably world's largest collection: 661: 545: 802:Beinecke Rare Book & Manuscript Library 452:Arlington House, The Robert E. Lee Memorial 626:"Orell Füssli Company History (in German)" 701: 699: 639: 620: 618: 18: 705: 607:. University of Vermont. Archived from 550:" is the German spelling used today by 809: 696: 764:Description of the Photochrom process 615: 438:to the right of the opening of Vågen. 57:images from a single black-and-white 393:Ruins of the Castle of Arques, near 115:In 1898 the US Congress passed the 13: 14: 843: 752: 732:"An introduction to photochromes" 710:. CRC Press. pp. 1078–1079. 684:Paris bibliothèques, 2009, p. 41 736:www.photographers-resource.co.uk 492: 443: 408: 386: 362: 346: 316: 294: 272: 246: 216: 200: 177: 724: 687: 675: 597: 568: 540:) is the spelling used by the 481: 469:(Detroit Photographic Company) 1: 794:prints are accessible online) 647:"History / Erfolgsgeschichte" 561: 463: 416: 398: 376: 336: 306: 284: 262: 236: 189: 605:"Photochrome (1939–Present)" 225:Shakespeare Memorial Theatre 122:Detroit Photographic Company 91:Detroit Photographic Company 7: 456:Arlington National Cemetery 53:is a process for producing 10: 848: 170: 130: 104:and American photographer 76: 73:onto the printing plates. 23:1890s photochrom print of 426:in the bottom left side, 474: 430:in the middle, the bay ( 117:Private Mailing Card Act 817:Photographic techniques 587:Oxford University Press 100:, British photographer 778:Zurich Central Library 706:Hannavy, John (2008). 546: 450:A photochrom print of 279:A photochrom print of 223:Photochrom of the old 137:lithographic limestone 35: 583:UK English Dictionary 106:William Henry Jackson 59:photographic negative 25:Neuschwanstein Castle 22: 671:. metropostcard.com. 83:Orell Gessner Füssli 542:Library of Congress 357:near low tide, 1900 87:Photoglob Zürich AG 436:Bergenhus Fortress 375:photochrom print, 253:Photochrom of the 36: 717:978-0-415-97235-2 428:Holy Cross Church 229:Stratford-on-Avon 188:in New York City 110:color photography 67:chromolithography 839: 832:Swiss inventions 793: 792: 786: 785: 746: 745: 743: 742: 728: 722: 721: 703: 694: 691: 685: 679: 673: 672: 665: 659: 658: 656: 654: 643: 637: 636: 634: 633: 622: 613: 612: 601: 595: 594: 589:. Archived from 572: 555: 549: 539: 538: 535: 534: 531: 526: 525: 522: 519: 516: 513: 510: 507: 504: 501: 498: 491: 485: 468: 467: 1897–1924 465: 447: 424:Bergen Cathedral 421: 418: 415:Bergen, Norway, 412: 403: 400: 390: 381: 378: 366: 350: 341: 338: 320: 311: 310: 1890–1900 308: 298: 289: 286: 281:Shelbourne Hotel 276: 267: 266: 1890–1900 264: 250: 241: 240: 1890–1900 238: 220: 207:A photochrom of 204: 194: 191: 184:A photochrom of 181: 847: 846: 842: 841: 840: 838: 837: 836: 807: 806: 790: 788: 783: 781: 755: 750: 749: 740: 738: 730: 729: 725: 718: 704: 697: 692: 688: 680: 676: 667: 666: 662: 652: 650: 645: 644: 640: 631: 629: 624: 623: 616: 603: 602: 598: 574: 573: 569: 564: 559: 558: 528: 495: 489: 488: 486: 482: 477: 470: 466: 448: 439: 419: 413: 404: 401: 391: 382: 379: 367: 358: 351: 342: 339: 321: 312: 309: 299: 290: 287: 277: 268: 265: 251: 242: 239: 221: 212: 205: 196: 192: 186:Mulberry Street 182: 173: 133: 79: 17: 12: 11: 5: 845: 835: 834: 829: 824: 819: 805: 804: 795: 771: 766: 761: 754: 753:External links 751: 748: 747: 723: 716: 695: 686: 682:Farbige Reise, 674: 660: 638: 614: 611:on 2008-07-24. 596: 593:on 2020-03-22. 566: 565: 563: 560: 557: 556: 487:"Photochrom" ( 479: 478: 476: 473: 472: 471: 449: 442: 440: 422:. Visible are 414: 407: 405: 392: 385: 383: 368: 361: 359: 352: 345: 343: 325:spinning wheel 322: 315: 313: 300: 293: 291: 278: 271: 269: 252: 245: 243: 222: 215: 213: 206: 199: 197: 183: 176: 172: 169: 163:to adjust the 132: 129: 78: 75: 15: 9: 6: 4: 3: 2: 844: 833: 830: 828: 825: 823: 820: 818: 815: 814: 812: 803: 799: 796: 779: 775: 772: 770: 767: 765: 762: 760: 757: 756: 737: 733: 727: 719: 713: 709: 702: 700: 690: 683: 678: 670: 664: 648: 642: 627: 621: 619: 610: 606: 600: 592: 588: 584: 582: 577: 571: 567: 553: 548: 543: 537: 484: 480: 461: 457: 453: 446: 441: 437: 433: 429: 425: 411: 406: 396: 389: 384: 374: 373: 365: 360: 356: 355:Fingal's Cave 349: 344: 334: 330: 329:County Galway 326: 319: 314: 304: 297: 292: 282: 275: 270: 260: 256: 249: 244: 234: 230: 226: 219: 214: 210: 203: 198: 187: 180: 175: 174: 168: 166: 162: 158: 154: 150: 147:. A reversed 146: 143:dissolved in 142: 138: 128: 125: 123: 118: 113: 111: 107: 103: 102:Francis Frith 99: 98:Félix Bonfils 94: 92: 88: 84: 74: 72: 68: 64: 60: 56: 52: 48: 44: 40: 34: 30: 26: 21: 739:. Retrieved 735: 726: 707: 689: 681: 677: 663: 651:. Retrieved 641: 630:. Retrieved 609:the original 599: 591:the original 579: 576:"Photochrom" 570: 552:Orell Füssli 483: 420: 1890s 371: 353:Entrance to 340: 1890s 135:A tablet of 134: 126: 114: 95: 80: 71:colored gels 63:lithographic 50: 46: 42: 38: 37: 649:(in German) 402: 1895 380: 1895 288: 1900 193: 1900 165:tonal scale 153:gel filters 51:Aäc process 47:Photochrome 811:Categories 741:2021-03-05 653:28 October 632:2012-06-16 562:References 490:English: 434:) and the 397:, France, 209:Hildesheim 157:turpentine 39:Photochrom 822:Postcards 800:from the 787:of their 547:Fotochrom 261:, India, 255:Taj Mahal 161:retouched 55:colorized 43:Fotochrom 827:Printing 628:. Ofv.ch 462:, U.S., 460:Virginia 149:halftone 776:at the 372:Osborne 333:Ireland 303:dogcart 233:England 171:Gallery 145:benzene 141:bitumen 131:Process 77:History 49:or the 33:Germany 29:Bavaria 774:Search 714:  581:Lexico 395:Dieppe 475:Notes 454:, in 432:Vågen 712:ISBN 655:2012 370:HMY 259:Agra 791:000 784:600 257:at 813:: 789:10 734:. 698:^ 617:^ 585:. 578:. 536:-/ 533:oʊ 527:,- 521:oʊ 503:oʊ 464:c. 458:, 417:c. 399:c. 377:c. 337:c. 335:, 331:, 327:, 307:c. 305:, 285:c. 283:, 263:c. 237:c. 235:, 231:, 227:, 190:c. 45:, 41:, 31:, 27:, 782:7 744:. 720:. 657:. 635:. 530:t 524:m 518:r 515:k 512:ˌ 509:ə 506:t 500:f 497:ˈ 494:/

Index


Neuschwanstein Castle
Bavaria
Germany
colorized
photographic negative
lithographic
chromolithography
colored gels
Orell Gessner Füssli
Photoglob Zürich AG
Detroit Photographic Company
Félix Bonfils
Francis Frith
William Henry Jackson
color photography
Private Mailing Card Act
Detroit Photographic Company
lithographic limestone
bitumen
benzene
halftone
gel filters
turpentine
retouched
tonal scale
A photochrom of Mulberry Street in New York City c. 1900, which shows the evocative coloration characteristic of the process
Mulberry Street
A photochrom of Hildesheim town hall in the 1890s, using fewer color plates
Hildesheim

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