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Pickpocket (film)

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783: 1138:"I spent a lot of time reviewing the silent films for crowd scenes –the way extras move, evolve, how the space is staged and how the cameras capture it, the views used," Nolan tells Premiere Magazine. The director revealed that he brushed up on silent films such as Intolerance, Sunrise: A Song of Two Humans, and Greed, as well as the films of Robert Bresson (notably Pickpocket and A Man Escaped, to dissect the process of creating suspense through details), Wages of Fear, and, of course, Saving Private Ryan. 372:, has a 'good woman' in his life, who trusts he will be able to redeem himself. ... She comes to Michel with the news that his mother is dying. Michel does not want to see his mother, but gives Jeanne money for her. Why does he avoid her? Bresson never supplies motives. We can only guess." Additionally, in the film Michel gets caught up in a game of cat and mouse with a police inspector, much as Raskolnikov does in Dostoyevsky's novel. 1108:, a Belgian film directed by Jean-Pierre Dardenne and Luc Dardenne, won the Palme d'Or as best film at the 58th Cannes Film Festival on Saturday night. The film, which follows a young petty thief as he struggles with the moral dilemmas of fatherhood, was inspired by Dostoyevsky's "Crime and Punishment" and influenced by the classic French film "Pickpocket," by Robert Bresson. 232:
child by getting an honest job, and he does so. He is feeling good, but is drawn to a man reading the racing form and finds himself accompanying the man to Longchamp. Although suspicious when the man seems to win a bet he should have lost, Michel still tries to steal his money and is arrested, as the man is a
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Jeanne tells Michel that the police recently asked her to confirm his mother is the one who withdrew her complaint, which shows Michel that his mother knew he robbed her. Jeanne had not understood this, and Michel explains. Although she is appalled, she tearfully hugs him before he leaves and asks if
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The next day, Michel goes to visit his sickly mother, who he has not seen in a month. Her neighbor, Jeanne, offers to let him into the apartment, but, instead, he gives her money to give to his mother and leaves. Michel goes to meet his friend Jacques at a bar and asks for help finding a job. He sees
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At first, Michel is mostly just upset he was caught. He cannot understand why Jeanne visits him in jail, but, after she does not come for three weeks, he finds his hands shaking as he reads a letter explaining that her child has been sick. When he sees her again, she seems lit up, and he realizes he
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Michel spends two years in London "pulling off good jobs", but he blows all of his money gambling and on women and returns to Paris. He goes to see Jeanne and discovers she and Jacques had a child, who she is raising alone because she did not want to marry him. Michel offers to help her support the
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station and sees his accomplices being led away in handcuffs. He goes home, and the chief inspector comes by to tell him that, a month before he was arrested at the racetrack, Jeanne reported some money had been stolen from Michel's mother, but the complaint was withdrawn the next day. Deeming it
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On a Sunday, Michel goes to a carnival with Jacques and Jeanne. While they are on a ride, he wanders off. Jacques finds him at his apartment cleaning himself up, having fallen during his escape from a man whose watch he stole. Michel asks if Jacques and Jeanne love each other, and Jacques leaves.
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After spending a week in the subway picking pockets, Michel is caught, so he lies low for a few days. He notices a mysterious man lurking outside, but is interrupted when Jacques shows up with Jeanne, who tells Michel that his mother is ill. Michel sends Jacques to see his mother in his place and
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When she is on her deathbed, Michel finally goes to see his mother. She says she is not worried about him and he says he is sure she will get better, but she dies soon after. Michel and the mysterious man begin to work together, and they eventually bring in a third man.
368:, needs money in order to realize his dreams, and sees no reason why some lackluster ordinary person should not be forced to supply it. The reasoning is immoral, but the characters claim special privileges above and beyond common morality. Michel, like the hero of 1028:
Herzog: "...Robert Bresson's Pickpocket. This is phenomenal; it just make me ache. So intense and so beautiful… It makes you ache, it's so beautiful. And we also watched his Au hasard Balthazar about the donkey Balthazar. It's an incredible
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and takes some money from a woman's purse. He leaves the track confident he was not noticed, but is suddenly arrested. At the police station, the chief inspector releases him because it cannot be proven that he stole the money.
298:"was written in three months and shot in the midst of crowds in a minimal amount of time." The resulting disorder proved to be a challenge during shooting, but was sometimes used to the crew's advantage, as in the 904: 204:
In the subway, Michel notices a pickpocket. He practices the technique he observed and employs it successfully. Later, he tells Jacques that he is no longer looking for a job.
383:, 93% of 46 critics' reviews are positive, with an average rating of 9.0/10. The website's consensus reads: "Narratively spare and told with clockwork precision, 1121: 818: 848: 327:, Kassagi's face and techniques were too well known for him to continue with his old trade, and he changed career to become a successful stage magician. 1087: 912: 1400: 960: 1201: 403: 1164: 462:(1976) bears many similarities, including confessional narration and a voyeuristic look at society. Schrader's admiration for 1390: 681: 1041: 879: 1430: 208:
goes out to find the mysterious man. The man turns out to be a pickpocket, and he teaches Michel several new techniques.
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acted as technical advisor on the film, as well as appearing as instructor and accomplice to the main character. After
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Michel and his two accomplices undertake coordinated pickpocketing sprees at crowded locations, and one day he gets to
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praised the film by calling it "phenomenal" and "So intense and so beautiful… It makes you ache". The Greek filmmaker
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unlikely Michel will turn his life around, the inspector indicates he is going to start watching Michel more closely.
1415: 418:, who has described it as "an unmitigated masterpiece" and "as close to perfect as there can be", and whose films 1380: 934: 826: 1395: 985: 856: 1385: 1241: 1012: 1410: 1353: 1194: 1122:"Christopher Nolan Inspired by Robert Bresson and Silent Films for 'Dunkirk,' Which Has "Little Dialogue"" 1425: 1405: 1347: 1420: 1249: 880:"Paul Schrader Slams 'Jeanne Dielman' Topping Sight & Sound Poll as 'Distorted Woke Reappraisal'" 1305: 1273: 494: 467: 1329: 1187: 737: 525: 335:
The film has been called an example of "parametric narration", in which the style "dominates the
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he is going to run away before the inspector catches him, giving him the idea to do just that.
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in supporting roles. The film is generally considered to be one of Bresson's greatest films.
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New Vocabularies in Film Semiotics: structuralism, post-structuralism, and beyond
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At one point in the film, Jacques reads and asks to borrow Michel's copy of
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listed the film among his top ten favorite films of all time for the 2002
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is a carefully observed character study that packs an emotional wallop."
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listed the film among her top ten favorite films that are part of
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the chief inspector and Michel explains his theory that certain
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as one of his top ten favorite films in both the 2012 and 2022
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Robert Stam, Robert Burgoyne, & Sandy Flitterman-Lewis,
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Neither God nor Master: Robert Bresson and Radical Politics
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has also been said to have been influenced by the film.
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The film exerted a formative influence over the work of
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should not be bound by the same laws as everyone else.
1088:"Two Belgians Win Top Prize at Cannes for Second Time" 1069:. Manchester: Manchester University Press (1996): 134. 364:, writing: "Bresson's Michel, like Dostoyevsky's hero 1042:"Yorgos Lanthimos & Ariane Labed's Closet Picks" 723:. Copenhagen: Museum Tusculanum Forlag (2003): 92. 1166:Pickpocket: Robert Bresson: Hidden in Plain Sight 470:'s 2005 DVD release of the film. Schrader listed 1367: 721:Film Style and Story: A Tribute to Torben Grodal 816: 489:poll. German-American actress and screenwriter 466:led to his providing a filmed introduction for 1119: 748: 448:(2021) all feature endings similar to that of 164:is a 1959 French film written and directed by 1195: 686:. University of Minnesota Press. p. 39. 519:has been paraphrased by other films, such as 1010: 339:or is seemingly equal in importance to it". 1067:Contemporary French Cinema: An Introduction 961:"Richard Linklater Presents Robert Bresson" 732: 1202: 1188: 781: 513:as "the most moving film I've ever seen". 29: 719:Lennard Højbjerg & Peter Schepelern, 631:Bresson on Bresson: Interviews, 1943-1983 478:polls of the greatest films of all time. 452:. In addition, Schrader's screenplay for 911:. British Film Institute. Archived from 855:. British Film Institute. Archived from 654: 601: 409: 404:10th Berlin International Film Festival 1368: 575: 311:The Prince of Pickpockets: A Study of 1183: 877: 679: 659:(in French). Yellow now. p. 31. 342: 878:Zilko, Christian (3 December 2022). 819:"Film-makers on film: Paul Schrader" 655:Gabaston, Pierre (1 February 1990). 547:, along with Bresson's earlier film 1120:Leonard Pearce (28 February 2017). 817:Sheila Johnston (25 January 2003). 13: 1209: 634:. New York Review of Books. 2016. 16:1959 French film by Robert Bresson 14: 1442: 1147: 797:Pickpocket (1959) - Awards - IMDb 710:. New York: Routledge (1992): 74. 1401:Films directed by Robert Bresson 576:Semley, John (9 February 2012). 1113: 1072: 1059: 1034: 1011:Literary Hub (10 August 2016). 1004: 978: 953: 927: 897: 871: 841: 810: 788: 319:The French-Tunisian pickpocket 935:"Christa Lang-Fuller's Top 10" 726: 713: 700: 673: 648: 622: 595: 569: 285:CĂ©sar Gattegno as an Inspector 1: 1242:Les Dames du Bois de Boulogne 849:"Votes for Pickpocket (1959)" 680:Price, Brian (3 March 2011). 608:. Anthem Press. p. 203. 562: 289: 1391:French black-and-white films 1354:Notes on the Cinematographer 986:"Richard Linklater's Top 10" 657:Pickpocket de Robert Bresson 602:Cardullo, Bert, ed. (2009). 553:, when making his 2017 film 501:. In 2016, German filmmaker 497:, as did American filmmaker 7: 1431:1950s French-language films 605:The Films of Robert Bresson 10: 1447: 270:Pierre Leymarie as Jacques 117:16 December 1959 1340: 1250:Diary of a Country Priest 1217: 390: 188:Michel goes to a race at 149: 141: 131: 108: 98: 88: 78: 68: 58: 50: 40: 28: 23: 1416:French crime drama films 1306:Four Nights of a Dreamer 1274:The Trial of Joan of Arc 990:The Criterion Collection 939:The Criterion Collection 825:. London. Archived from 495:The Criterion Collection 468:The Criterion Collection 330: 302:pickpocketing sequence. 267:Dolly Scal as the Mother 35:French theatrical poster 1128:. The Film Stage, L.L.C 526:Les Amants du Pont-Neuf 243: 183: 176:, Pierre Leymarie, and 1381:1959 crime drama films 1226:Les affaires publiques 398:was nominated for the 264:as the Chief Inspector 1396:Films about atonement 1046:The Criterion Channel 1386:Existentialist films 1175:Criterion Collection 410:Influence and legacy 370:Crime and Punishment 357:Crime and Punishment 234:plainclothes officer 190:Longchamp Racecourse 1411:Films shot in Paris 1282:Au Hasard Balthazar 905:"Theo Angelopoulos" 738:"Pickpocket (1959)" 103:Jean-Baptiste Lully 1426:1950s French films 1406:Films set in Paris 1322:The Devil Probably 1093:The New York Times 992:. 21 November 2008 965:A-BitterSweet-Life 941:. 20 November 2008 859:on 1 November 2020 343:Critical reception 307:Richard S. Lambert 83:LĂ©once-Henri Burel 1421:Films about theft 1363: 1362: 742:Chicago Sun-Times 541:Christopher Nolan 531:Dardenne brothers 499:Richard Linklater 483:Theo Angelopoulos 377:review aggregator 313:George Barrington 282:as 2nd Accomplice 276:as 1st Accomplice 157: 156: 1438: 1204: 1197: 1190: 1181: 1180: 1141: 1140: 1135: 1133: 1117: 1111: 1110: 1102: 1100: 1076: 1070: 1063: 1057: 1056: 1054: 1052: 1038: 1032: 1031: 1025: 1023: 1008: 1002: 1001: 999: 997: 982: 976: 975: 973: 971: 957: 951: 950: 948: 946: 931: 925: 924: 922: 920: 901: 895: 894: 892: 890: 875: 869: 868: 866: 864: 845: 839: 838: 836: 834: 829:on 4 August 2003 814: 808: 807: 806: 804: 792: 786: 785: 780: 778: 776: 752: 746: 745: 730: 724: 717: 711: 704: 698: 697: 677: 671: 670: 652: 646: 645: 626: 620: 619: 599: 593: 592: 590: 588: 578:"Robert Bresson" 573: 543:said he studied 507:Yorgos Lanthimos 481:Greek filmmaker 445:The Card Counter 124: 122: 33: 21: 20: 1446: 1445: 1441: 1440: 1439: 1437: 1436: 1435: 1366: 1365: 1364: 1359: 1336: 1314:Lancelot du Lac 1213: 1208: 1150: 1145: 1144: 1131: 1129: 1118: 1114: 1098: 1096: 1086:(22 May 2005). 1077: 1073: 1064: 1060: 1050: 1048: 1040: 1039: 1035: 1021: 1019: 1009: 1005: 995: 993: 984: 983: 979: 969: 967: 959: 958: 954: 944: 942: 933: 932: 928: 918: 916: 915:on 26 June 2012 903: 902: 898: 888: 886: 876: 872: 862: 860: 847: 846: 842: 832: 830: 815: 811: 802: 800: 794: 793: 789: 774: 772: 765:Rotten Tomatoes 754: 753: 749: 736:(6 July 1997). 731: 727: 718: 714: 705: 701: 694: 678: 674: 667: 653: 649: 642: 628: 627: 623: 616: 600: 596: 586: 584: 574: 570: 565: 487:Sight and Sound 476:Sight and Sound 454:Martin Scorsese 421:American Gigolo 412: 393: 381:Rotten Tomatoes 345: 333: 292: 246: 186: 134: 127: 120: 118: 111: 36: 17: 12: 11: 5: 1444: 1434: 1433: 1428: 1423: 1418: 1413: 1408: 1403: 1398: 1393: 1388: 1383: 1378: 1361: 1360: 1358: 1357: 1350: 1344: 1342: 1338: 1337: 1335: 1334: 1326: 1318: 1310: 1302: 1298:A Gentle Woman 1294: 1286: 1278: 1270: 1262: 1254: 1246: 1238: 1230: 1221: 1219: 1218:Films directed 1215: 1214: 1211:Robert Bresson 1207: 1206: 1199: 1192: 1184: 1178: 1177: 1162: 1149: 1148:External links 1146: 1143: 1142: 1126:The Film Stage 1112: 1080:Manohla Dargis 1071: 1058: 1033: 1003: 977: 952: 926: 896: 870: 840: 809: 787: 770:Fandango Media 747: 725: 712: 699: 693:978-0816654611 692: 672: 666:978-2873400729 665: 647: 641:978-1681370446 640: 621: 615:978-1843318255 614: 594: 567: 566: 564: 561: 439:First Reformed 411: 408: 392: 389: 350:saw echoes of 344: 341: 332: 329: 291: 288: 287: 286: 283: 277: 271: 268: 265: 259: 253: 250:Martin LaSalle 245: 242: 185: 182: 170:Martin LaSalle 166:Robert Bresson 155: 154: 151: 147: 146: 143: 139: 138: 135: 132: 129: 128: 126: 125: 114: 112: 109: 106: 105: 100: 96: 95: 90: 86: 85: 80: 79:Cinematography 76: 75: 73:Martin LaSalle 70: 66: 65: 63:Agnès Delahaie 60: 56: 55: 54:Robert Bresson 52: 48: 47: 45:Robert Bresson 42: 38: 37: 34: 26: 25: 15: 9: 6: 4: 3: 2: 1443: 1432: 1429: 1427: 1424: 1422: 1419: 1417: 1414: 1412: 1409: 1407: 1404: 1402: 1399: 1397: 1394: 1392: 1389: 1387: 1384: 1382: 1379: 1377: 1374: 1373: 1371: 1356: 1355: 1351: 1349: 1346: 1345: 1343: 1341:Miscellaneous 1339: 1332: 1331: 1327: 1324: 1323: 1319: 1316: 1315: 1311: 1308: 1307: 1303: 1300: 1299: 1295: 1292: 1291: 1287: 1284: 1283: 1279: 1276: 1275: 1271: 1268: 1267: 1263: 1260: 1259: 1258:A Man Escaped 1255: 1252: 1251: 1247: 1244: 1243: 1239: 1236: 1235: 1234:Angels of Sin 1231: 1229:(short, 1934) 1228: 1227: 1223: 1222: 1220: 1216: 1212: 1205: 1200: 1198: 1193: 1191: 1186: 1185: 1182: 1176: 1172: 1168: 1167: 1163: 1161: 1157: 1156: 1152: 1151: 1139: 1127: 1123: 1116: 1109: 1107: 1095: 1094: 1089: 1085: 1081: 1075: 1068: 1062: 1047: 1043: 1037: 1030: 1018: 1014: 1007: 991: 987: 981: 966: 962: 956: 940: 936: 930: 914: 910: 906: 900: 885: 881: 874: 858: 854: 850: 844: 828: 824: 820: 813: 799: 798: 791: 784: 771: 767: 766: 761: 759: 751: 743: 739: 735: 729: 722: 716: 709: 703: 695: 689: 685: 684: 676: 668: 662: 658: 651: 643: 637: 633: 632: 625: 617: 611: 607: 606: 598: 583: 582:The A.V. Club 579: 572: 568: 560: 558: 557: 552: 551: 550:A Man Escaped 546: 542: 538: 537: 532: 528: 527: 522: 518: 514: 512: 508: 504: 503:Werner Herzog 500: 496: 492: 488: 484: 479: 477: 473: 469: 465: 461: 460: 455: 451: 447: 446: 441: 440: 435: 434: 433:Light Sleeper 429: 428: 423: 422: 417: 416:Paul Schrader 407: 405: 401: 397: 388: 386: 382: 378: 373: 371: 367: 363: 359: 358: 353: 349: 340: 338: 328: 326: 322: 321:Henri Kassagi 317: 315: 314: 308: 303: 301: 297: 294:Bresson said 284: 281: 278: 275: 274:Henri Kassagi 272: 269: 266: 263: 260: 257: 254: 251: 248: 247: 241: 237: 235: 229: 225: 222: 217: 213: 209: 205: 202: 200: 194: 191: 181: 179: 175: 171: 167: 163: 162: 152: 148: 144: 140: 136: 130: 116: 115: 113: 107: 104: 101: 97: 94: 91: 87: 84: 81: 77: 74: 71: 67: 64: 61: 57: 53: 49: 46: 43: 39: 32: 27: 22: 19: 1352: 1348:Bibliography 1328: 1320: 1312: 1304: 1296: 1288: 1280: 1272: 1265: 1264: 1256: 1248: 1240: 1232: 1224: 1171:Gary Indiana 1169:an essay by 1165: 1154: 1137: 1132:23 September 1130:. Retrieved 1125: 1115: 1105: 1104: 1097:. Retrieved 1091: 1074: 1066: 1065:Guy Austin, 1061: 1049:. Retrieved 1045: 1036: 1027: 1022:23 September 1020:. Retrieved 1017:Literary Hub 1016: 1006: 994:. Retrieved 989: 980: 968:. Retrieved 964: 955: 943:. Retrieved 938: 929: 917:. Retrieved 913:the original 908: 899: 887:. Retrieved 883: 873: 861:. Retrieved 857:the original 852: 843: 831:. Retrieved 827:the original 822: 812: 801:, retrieved 796: 790: 773:. Retrieved 763: 757: 750: 741: 728: 720: 715: 707: 702: 682: 675: 656: 650: 630: 624: 604: 597: 585:. Retrieved 581: 571: 554: 548: 544: 534: 533:' 2005 film 529:(1991). The 524: 516: 515: 510: 491:Christa Lang 480: 471: 463: 457: 449: 443: 442:(2017), and 437: 431: 427:Patty Hearst 425: 419: 413: 395: 394: 384: 374: 369: 361: 355: 346: 334: 324: 318: 310: 304: 300:Gare de Lyon 295: 293: 280:Pierre Étaix 262:Jean PĂ©lĂ©gri 256:Marika Green 238: 230: 226: 221:Gare de Lyon 218: 214: 210: 206: 203: 199:superior men 195: 187: 178:Jean PĂ©lĂ©gri 174:Marika Green 160: 159: 158: 133:Running time 110:Release date 93:Raymond Lamy 18: 1084:A. O. Scott 889:12 February 734:Roger Ebert 459:Taxi Driver 400:Golden Bear 366:Raskolnikov 352:Dostoyevsky 348:Roger Ebert 240:loves her. 168:. It stars 59:Produced by 41:Directed by 1376:1959 films 1370:Categories 1266:Pickpocket 1155:Pickpocket 758:Pickpocket 563:References 545:Pickpocket 521:Leos Carax 517:Pickpocket 511:Pickpocket 472:Pickpocket 464:Pickpocket 450:Pickpocket 396:Pickpocket 385:Pickpocket 362:Pickpocket 325:Pickpocket 296:Pickpocket 290:Production 161:Pickpocket 137:75 minutes 121:1959-12-16 51:Written by 24:Pickpocket 1290:Mouchette 1106:The Child 1099:21 August 1051:1 January 996:21 August 970:21 August 945:21 August 919:21 August 884:IndieWire 863:21 August 833:18 August 823:Telegraph 775:10 August 258:as Jeanne 252:as Michel 89:Edited by 1330:L'Argent 536:L'Enfant 436:(1992), 430:(1988), 424:(1980), 379:website 150:Language 99:Music by 69:Starring 1173:at the 803:26 July 587:2 March 556:Dunkirk 509:picked 402:at the 375:On the 337:syuzhet 142:Country 119: ( 1333:(1983) 1325:(1977) 1317:(1974) 1309:(1971) 1301:(1969) 1293:(1967) 1285:(1966) 1277:(1962) 1269:(1959) 1261:(1956) 1253:(1951) 1245:(1945) 1237:(1943) 1029:film." 690:  663:  638:  612:  391:Awards 153:French 145:France 331:Style 1160:IMDb 1134:2021 1101:2021 1053:2024 1024:2021 998:2021 972:2021 947:2021 921:2021 891:2023 865:2021 835:2007 805:2023 777:2022 688:ISBN 661:ISBN 636:ISBN 610:ISBN 589:2017 244:Cast 184:Plot 1158:at 909:BFI 853:BFI 523:'s 456:'s 360:in 354:'s 309:'s 1372:: 1136:. 1124:. 1103:. 1090:. 1082:; 1044:. 1026:. 1015:. 988:. 963:. 937:. 907:. 882:. 851:. 821:. 768:. 762:. 740:. 580:. 406:. 316:. 236:. 1203:e 1196:t 1189:v 1055:. 1000:. 974:. 949:. 923:. 893:. 867:. 837:. 779:. 760:" 756:" 744:. 696:. 669:. 644:. 618:. 591:. 123:)

Index


Robert Bresson
Agnès Delahaie
Martin LaSalle
LĂ©once-Henri Burel
Raymond Lamy
Jean-Baptiste Lully
Robert Bresson
Martin LaSalle
Marika Green
Jean Pélégri
Longchamp Racecourse
superior men
Gare de Lyon
plainclothes officer
Martin LaSalle
Marika Green
Jean Pélégri
Henri Kassagi
Pierre Étaix
Gare de Lyon
Richard S. Lambert
George Barrington
Henri Kassagi
syuzhet
Roger Ebert
Dostoyevsky
Crime and Punishment
Raskolnikov
review aggregator

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