74:, and his wife Louise, of a middle-class French family. Pierre works as a doctor, and Jean is a lawyer. Léon Maréchal, a deceased family friend, leaves his inheritance to Jean. This provokes Pierre to doubt the fidelity of his mother and the legitimacy of his brother. Pierre discovers that his theories about his brother's illegitimacy are correct when he discovers his mother has hid and lied about an incriminating portrait of Maréchal and his love letters to her, some of which she burns when she realizes Pierre is learning of her past infidelity. This investigation sparks violent reactions in Pierre, whose external appearance vis-a-vis his mother visibly changes. In his anguish, most notably shown during family meals, he tortures her with allusions to the past that he has now uncovered. Meanwhile, Jean's career and love life improve over the course of the novel while Pierre's life gets significantly worse. Provoked by his brother's accusations of jealousy, Pierre reveals to Jean what he has learned. However, unlike Pierre, Jean offers his mother love and protection. The novel closes with Pierre's departure on an ocean liner.
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Maupassant also stresses that a novel should not be a perfect imitation of life, but a reconstruction using words, characters, and a narrative. A writer, he believes, should carefully pick the appropriate moments of their characters' lives in order to create a story, discarding the numerous
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Thus the novel is organised around the unwelcome appearance of a truth (Jean's illegitimacy), its suppression for the sake of family continuity and the acquisition of wealth, and the expulsion from the family of the legitimate son.
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Maupassant advocates for a writer's freedom to write about a topic that suits their character, and urges critics to judge writing solely based on its artistic value, and whether it fulfills its aims.
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668:Imprudence
619:Le BaptĂŞme
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180:References
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831:Le Havre
731:Suicides
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126:—
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710:La Peur
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402:Une Vie
167:Astitva
154:Mexican
82:Preface
654:Un fou
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