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as one might expect. Subtle brush strokes are evident throughout. The artist appears to have used different techniques for the various elements. The black lines are the flattest elements, with the least depth. The colored forms have the most obvious brush strokes, all running in one direction. Most interesting, however, are the white forms, which clearly have been painted in layers, using brush strokes running in different directions. This generates a greater sense of depth in the white forms so that they appear to overwhelm the lines and the colors, which indeed they were doing, as
Mondrian's paintings of this period came to be increasingly dominated by white space.
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1163:(1943), he appears to have taken unfinished black-line paintings from Paris and completed them in New York by adding short perpendicular lines of different colors, running between the longer black lines, or from a black line to the edge of the canvas. The newly colored areas are thick, almost bridging the gap between lines and forms, and it is startling to see color in a Mondrian painting that is unbounded by black. Other works mix long lines of red amidst the familiar black lines, creating a new sense of depth by the addition of a colored layer on top of the black one. His painting
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period of painting. Again he addressed the walls, repositioning the colored cutouts, adding to their number, altering the dynamics of color and space, producing new tensions and equilibrium. Before long, he had established a creative schedule in which a period of painting took turns with a period of experimentally regrouping the smaller papers on the walls, a process that directly fed the next period of painting. It was a pattern he followed for the rest of his life, through wartime moves from Paris to London's
Hampstead in 1938 and 1940, across the Atlantic to Manhattan.
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1410:, carefully documented the studio on film and in still photographs before opening it to the public for a six-week exhibition. Before dismantling the studio, Holtzman (who was also Mondrian's heir) traced the wall compositions precisely, prepared exact portable facsimiles of the space each had occupied, and affixed to each the original surviving cut-out components. These portable Mondrian compositions have become known as "The Wall Works". Since Mondrian's death, they have been exhibited twice at Manhattan's Museum of Modern Art (1983 and 1995–96), once in
1247:(1942–1944), Mondrian replaced former solid lines with lines created from small adjoining rectangles of color, created in part by using small pieces of paper tape in various colors. Larger unbounded rectangles of color punctuate the design, some with smaller concentric rectangles inside them. While Mondrian's works of the 1920s and 1930s tend to have an almost scientific austerity about them, these are bright, lively paintings, reflecting the upbeat music that inspired them and the city in which they were made.
1394:, and set about to recreate the environment he had learned over the years was most congenial to his modest way of life and most stimulating to his art. He painted the high walls the same off-white he used on his easel and on the seats, tables and storage cases he designed and fashioned meticulously from discarded orange and apple-crates. He glossed the top of a white metal stool in the same brilliant primary red he applied to the cardboard sheath he made for the radio-phonograph that spilled forth his beloved
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yearnings. Mondrian continued to paint flowers in a secretive manner into the 1920s, claiming to friends that he did so for commercial reasons alone. The flower paintings were created under the taboo that was cast upon traditional genre and representational painting by an entire age swept up by the triumph of abstraction. Nevertheless, the
Mondrian flowers contribute to a broader view of the life and work of Mondrian – a view that diverges sharply from the traditional reading of his artistic evolution.
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possible to the truth and abstract everything from that, until I reach the foundation (still just an external foundation!) of things… I believe it is possible that, through horizontal and vertical lines constructed with awareness, but not with calculation, led by high intuition, and brought to harmony and rhythm, these basic forms of beauty, supplemented if necessary by other direct lines or curves, can become a work of art, as strong as it is true.
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717:(1912) and his various studies of trees from that year still contain a measure of representation, but, increasingly, they are dominated by geometric shapes and interlocking planes. While Mondrian was eager to absorb the Cubist influence into his work, it seems clear that he saw Cubism as a "port of call" on his artistic journey, rather than as a destination. Piet Mondrian's Cubist period lasted from 1912 to 1917.
742:, who were both undergoing their own personal journeys toward abstraction. Van der Leck's use of only primary colors in his art greatly influenced Mondrian. After a meeting with Van der Leck in 1916, Mondrian wrote, "My technique which was more or less Cubist, and therefore more or less pictorial, came under the influence of his precise method." With Van Doesburg, Mondrian founded
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Although one's view of the painting is hampered by the glass protecting it, and by the toll that age and handling have obviously taken on the canvas, a close examination of this painting begins to reveal something of the artist's method. The painting is not composed of perfectly flat planes of color,
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In the 1921 paintings, many, though not all, of the black lines stop short at a seemingly arbitrary distance from the edge of the canvas, although the divisions between the rectangular forms remain intact. Here, too, the rectangular forms remain mostly colored. As the years passed and
Mondrian's work
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As the years progressed, lines began to take precedence over forms in
Mondrian's paintings. In the 1930s, he began to use thinner lines and double lines more frequently, punctuated with a few small colored forms, if any at all. Double lines particularly excited Mondrian, for he believed they offered
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in New York City, where he would remain until his death. Some of
Mondrian's later works are difficult to place in terms of his artistic development because there were quite a few canvases that he began in Paris or London and only completed months or years later in Manhattan. The finished works from
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While
Mondrian's theories of abstraction have been his enduring legacy, he was also a painter of flowers. He began to paint flowers at the turn of the century, creating portraits of individual blooms that blended his strict artistic training and powers of observation to his spiritual and romantic
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about which he had been writing for two years. To hide the studio's structural flaws quickly and inexpensively, he tacked up large rectangular placards, each in a single color or neutral hue. Smaller colored paper squares and rectangles, composed together, accented the walls. Then came an intense
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means, and much of
Mondrian's work for the rest of his life was inspired by his search for that spiritual knowledge. In 1918, he wrote "I got everything from the Secret Doctrine", referring to a book written by Blavatsky. In 1921, in a letter to Steiner, Mondrian argued that his neoplasticism was
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Mondrian's art was highly utopian and was concerned with a search for universal values and aesthetics. He proclaimed in 1914: "Art is higher than reality and has no direct relation to reality. To approach the spiritual in art, one will make as little use as possible of reality, because reality is
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In the early paintings of this style, the lines delineating the rectangular forms are relatively thin, and they are gray, not black. The lines also tend to fade as they approach the edge of the painting, rather than stopping abruptly. The forms themselves, smaller and more numerous than in later
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Mondrian's earliest paintings showing a degree of abstraction are a series of canvases from 1905 to 1908 that depict dim scenes of indistinct trees and houses reflected in still water. Although the result leads the viewer to begin focusing on the forms over the content, these paintings are still
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I construct lines and color combinations on a flat surface, in order to express general beauty with the utmost awareness. Nature (or, that which I see) inspires me, puts me, as with any painter, in an emotional state so that an urge comes about to make something, but I want to come as close as
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Unlike the
Cubists, Mondrian still attempted to reconcile his painting with his spiritual pursuits, and in 1913 he began to fuse his art and his theosophical studies into a theory that signaled his final break from representational painting. While Mondrian was visiting the Netherlands in 1914,
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from well-traveled records. Visitors to this last studio seldom saw more than one or two new canvases, but found, often to their astonishment, that eight large compositions of colored bits of paper he had tacked and re-tacked to the walls in ever-changing relationships constituted together an
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During late 1920 and 1921, Mondrian's paintings arrive at what is to casual observers their definitive and mature form. Thick black lines now separate the forms, which are larger and fewer in number, and more of the forms are left white. This was not the culmination of his artistic evolution,
1155:(1933), a simple painting that innovated thick, colored lines instead of black ones. After that one painting, this practice remained dormant in Mondrian's work until he arrived in Manhattan, at which time he began to embrace it with abandon. In some examples of this new direction, such as
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this later period are visually busy, with more lines than any of his work since the 1920s, placed in an overlapping arrangement that is almost cartographical in appearance. He spent many long hours painting on his own until his hands blistered, and he sometimes cried or made himself sick.
1966:, wrote: "With its black floor and white walls hung with moveable panels of red, yellow and blue, the studio at Rue du Départ was not just a place for making Mondrians. It was a Mondrian – and a generator of Mondrians." He has been described as "the world's greatest abstract geometrist".
952:(1926). One of the most minimal of Mondrian's canvases, this painting consists only of two black, perpendicular lines and a small blue triangular form. The lines extend all the way to the edges of the canvas, almost giving the impression that the painting is a fragment of a larger work.
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cycling team's bicycles and clothing designs were inspired by
Mondrian's work throughout the 1980s. The French ski and bicycle equipment manufacturer Look, which also sponsored the team, used a Mondrian-inspired logo for a while. The style was revived in 2008 for a limited edition
643:"the art of the foreseeable future for all true Anthroposophists and Theosophists". He remained a committed Theosophist in subsequent years, although he also believed that his own artistic current, neoplasticism, would eventually become part of a larger, ecumenical spirituality.
328:(red, blue, and yellow), the three primary values (black, white, and gray), and the two primary directions (horizontal and vertical). Mondrian's arrival in Paris from the Netherlands in 1911 marked the beginning of a period of profound change. He encountered experiments in
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Over the next two decades, Mondrian methodically developed his signature style embracing the Classical, Platonic, Euclidean worldview where he simply focused on his, now iconic, horizontal and vertical black lines forming squares and rectangles filled with primary hues.
763:" ("The New Visualisation in Painting"), in twelve installments during 1917 and 1918. This was his first major attempt to express his artistic theory in writing. Mondrian's best and most-often quoted expression of this theory, however, comes from a letter he wrote to
1267:. The research found that the painting was in very good condition and that Mondrian painted the composition in one session. It also was found that the composition was changed radically by Mondrian shortly before his death by using small pieces of colored tape.
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Mondrian believed that "pure abstract art becomes completely emancipated, free of naturalistic appearances. It is no longer natural harmony but creates equivalent relationships. The realization of equivalent relationships is of the highest importance for life.
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These tendencies are particularly obvious in the "lozenge" works that Mondrian began producing with regularity in the mid-1920s. The "lozenge" paintings are square canvases tilted 45 degrees, so that they have a diamond shape. Typical of these is
1510:, Hughes referred to Mondrian considered again as "one of the greatest artists of the 20th century (...) who was one of the last painters who believed that the conditions of human life could be changed by making pictures". Dutch art historian
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when his father, Pieter Cornelius Mondriaan, was appointed head teacher at a local primary school. Mondrian was introduced to art from an early age. His father was a qualified drawing teacher, and, with his uncle, Frits Mondriaan (a pupil of
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environment that, paradoxically and simultaneously, was both kinetic and serene, stimulating and restful. It was the best space, Mondrian said, that he had inhabited. He was there for only a few months, as he died in February 1944.
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created a watch called the "Red Shiny Line (SUOZ297)" which pays tribute to Mondrian's "New York City, 3". This was followed in 2022 by the watch "RED, BLUE AND WHITE, BY PIET MONDRIAN (SUOZ344)" which celebrates the painting
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Series 6800 school bus for use as their tour bus, and then repaint it in a colored geometric pattern heavily inspired by Mondrian's grid-based paintings. The reason for this choice of pattern is never discussed in the TV
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painting. The piece is made up of a number of shimmering squares of bright color that leap from the canvas, then appear to shimmer, drawing the viewer into those neon lights. In this painting and the unfinished
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featured shift dresses in blocks of primary color with black bordering, inspired by Mondrian. The collection proved so popular that it inspired a range of imitations that encompassed garments from coats to
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City Council honored Mondrian by adorning walls of City Hall with reproductions of his works and describing it as "the largest Mondrian painting in the world." The event celebrated the 100th year of the
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for unfettered Paris for the second and last time in 1919, he set about at once to make his studio a nurturing environment for paintings he had in mind that would increasingly express the principles of
484:, fields, and rivers, initially in the Dutch Impressionist manner of the Hague School and then in a variety of styles and techniques that attest to his search for a personal style. These paintings are
983:. She stated in the catalog that "Holland has produced three great painters who, though a logical expression of their own country, rose above it through the vigor of their personality – the first was
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paintings were clearly more of a revolutionary change than an evolutionary one, representing the most profound development in Mondrian's work since his abandonment of representational art in 1913.
975:), visited Piet Mondrian's studio in Paris and acquired one of his diamond compositions, Painting I. This was then shown during an exhibition organized by the Society of Independent Artists in the
1426:(Academy of The Arts), in Berlin (22 February – 22 April 2007). His work was also shown in a retrospective exhibition at the Whitechapel Gallery in London, which ran from August – September 1955.
1205:, uses strips of painted paper tape, which the artist could rearrange at will to experiment with different designs. In October 2022 it was revealed that the work, which was first displayed at the
297:, as he changed his artistic direction from figurative painting to an increasingly abstract style, until he reached a point where his artistic vocabulary was reduced to simple geometric elements.
1201:(1942) is a complex lattice of red, blue, and yellow lines, occasionally interlacing to create a greater sense of depth than his previous works. An unfinished 1941 version of this work, titled
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1195:, departing from Liverpool. The new canvases that Mondrian began in Manhattan are even more startling, and indicate the beginning of a new idiom that was cut short by the artist's death.
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features a 20-inch by 20-inch canvas with a large red square in the upper right corner, a small blue square in the bottom left corner, and a yellow block with all outlined by black.
1529:. His name and his work sum up the High Modernist ideal. I don't like the word 'iconic', so let's say that he's become totemic – a totem for everything Modernism set out to be."
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In 1911, Mondrian moved to Paris and changed his name, dropping an "a" from "Mondriaan", to emphasize his departure from the Netherlands, and his integration within the Parisian
371:. His name and his work sum up the High Modernist ideal. I don't like the word 'iconic', so let's say that he's become totemic – a totem for everything Modernism set out to be."
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Introvigne, Massimo (2014). "From Mondrian to Charmion von Wiegand: Neoplasticism, Theosophy and Buddhism". In Noble, Judith; Shepherd, Dominic; Ansell, Robert (eds.).
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firmly rooted in nature, and it is only the knowledge of Mondrian's later achievements that leads one to search in these works for the roots of his future abstraction.
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The Mondrian / Holtzman Trust functions as Mondrian's official estate, and "aims to promote awareness of Mondrian's artwork and to ensure the integrity of his work".
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his paintings a new dynamism which he was eager to explore. The introduction of the double line in his work was influenced by the work of his friend and contemporary
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In 2022, Tecno, in Partnership with Museum of Fine Arts, released a Special Edition of their Camon 19 Pro smartphone, incorporating his paintings into its design.
579:) (1908), depicting a tree in a field at dusk, even augurs future developments by using a palette consisting almost entirely of red, yellow, and blue. Although
1167:, 1939–1942, characterized by primary colors, white ground and black grid lines clearly defined Mondrian's radical but classical approach to the rectangle.
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evolved further, he began extending all of the lines to the edges of the canvas, and he began to use fewer and fewer colored forms, favoring white instead.
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In these final works, the forms have indeed usurped the role of the lines, opening another new door for Mondrian's development as an abstractionist. The
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opposed to the spiritual. We find ourselves in the presence of an abstract art. Art should be above reality, otherwise it would have no value for man."
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From 1934 to 1935, three of Mondrian's paintings were exhibited as part of the "Abstract and Concrete" exhibitions in the UK at Oxford, London, and
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found the only known movie footage with Mondrian. The discovery of the film footage was announced at the end of a two-year research program on the
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and with the intent of integrating himself within the Parisian avant-garde removed an 'a' from the Dutch spelling of his name (Mondriaan).
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entitled "Picture Perfect" is about the team attempting to create and sell a Mondrian forgery. To do so, they must steal a real Mondrian (
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in Paris, designed a range of luggage and bags inspired by the latest works of Mondrian: inlays of red, blue, and yellow leather squares.
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in Germany, where it is now held. The gallery explained that it would continue to display it the wrong way up to avoid damaging it.
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Sellon, Emily B.; Weber, Renee (1992). "Theosophy and the Theosophical Society". In Faivre, Antoine; Needleman, Jacob (eds.).
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paintings, are filled with primary colors, black, or gray, and nearly all of them are colored; only a few are left white.
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in the Netherlands, the second of his parents' children. He was descended from Christian Dirkzoon Monderyan who lived in
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The Evening is Over, the Beauty Remains: A Semiotic Study of Piet Mondrian's Text "Natural Reality and Abstract Reality"
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at the Carpenter + Hochman Gallery (1984), once each at the Galerie Tokoro in Tokyo, Japan (1993), the XXII Biennial of
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for their hit "Love is a House", superimposing themselves performing inside of digitally drawn squares inspired by
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however. Although the refinements became subtler, Mondrian's work continued to evolve during his years in Paris.
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displayed the largest UK collection of Mondrian's works, in commemoration of the 70th anniversary of his death.
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The Jersey Surf Drum & Bugle Corps performed a show based on Piet Mondrian in their 2018 production titled .
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called the Mondrian process for its cover, which is named because of its resemblance to Piet Mondrian artworks.
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who is regarded as one of the greatest artists of the 20th century. He was one of the pioneers of 20th-century
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At the age of 71 in the fall of 1943, Mondrian moved into his second and final Manhattan studio at 15 East
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began, forcing him to remain there for the duration of the conflict. During this period, he stayed at the
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2689:"Dutch painter Piet Mondrian's Composition No. II sells for more than $ 75 million at Sotheby's auction"
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3958:(8 (Autumn, 1943)). Blackwell Publishing on behalf of The American Society for Aesthetics: 62–70.
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and moved to London. After the Netherlands was invaded and Paris fell in 1940, he left London for
3480:(1976). Mondrian, Piet. In Dictionary of Painters (p. 285). New York: Larousse and Co., Inc.
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On 23 September 1940 Mondrian left Europe for New York aboard the Cunard White Star Line ship
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Marwick, Arthur (2000). "The Art of Total War". In Chickering, Roger; Förster, Stig (eds.).
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2933:"Look! It's 1986! The French frame maker offers a limited edition Mondrian paint scheme"
2841:"National Museum in Belgrade, Another Travel Guide.com, Belgrade, Museums and galleries"
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was the first museum to include one of Mondrian's paintings in its permanent exhibition.
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Exploring the Invisible: Art, Science, and the Spiritual – Revised and Expanded Edition
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released a pair of Dunk Low SB shoes inspired by Mondrian's neo-plastic paintings.
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General Collection, Beinecke Rare Book and Manuscript Library, Yale University.
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and Martin S. James. Documents of 20th-Century Art. Boston: G. K. Hall and Co.
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3234:"Chun Yeung Estate integrates with artistic atmosphere in Fo Tan (with photos)"
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On 3 February 1944 a memorial was held for Mondrian at the Universal Chapel on
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1567:(1928) which had been seized by the Nazis, and passed through the art dealers
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In October 2020, Mondrian's heirs filed a lawsuit in a U.S. court against the
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Great War, Total War: Combat and Mobilization on the Western Front, 1914-1918
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included a life-size reconstruction of his Paris studio. Charles Darwent, in
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of artists), the younger Piet often painted and drew along the river Gein.
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Utopian Reality: Reconstructing Culture in Revolutionary Russia and Beyond
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Mondrian: The Life and Work of the Artist, Illustrated by 80 Colour Plates
3259:"Technology Meets Artistry in the New TECNO CAMON 19 Pro Mondrian Edition"
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3403:. Translated by Samuels, Robert. Cambridge : Cambridge University Press.
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featured a musical family who purchase an (already-old at the time) 1957
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in the late 19th century, and in 1909 he joined the Dutch branch of the
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1305: in this section. Unsourced material may be challenged and removed.
1044: in this section. Unsourced material may be challenged and removed.
815: in this section. Unsourced material may be challenged and removed.
417:
389:
348:
67:
3971:
4149:
3396:
3209:"SUOZ344 - RED, BLUE AND WHITE, BY PIET MONDRIAN - Swatch® Australia"
1926:
1879:
1679:
1660:
1620:
1608:
1526:
1463:
1444:
1415:
1144:
1003:
984:
689:
673:
657:
639:
453:
425:
368:
127:
4014:
3914:
2747:"Heirs Sue to Claim Mondrian Painting in Philadelphia Museum of Art"
1635:
1556:
in Krefeld, Germany, for the return of four paintings by Mondrian.
1402:
After his death, Mondrian's friend and sponsor in Manhattan, artist
1280:
1019:
790:
173:
4257:
3963:
3786:
The New Art – The New Life: The Collected Writings of Piet Mondrian
3295:"How Piet Mondrian became the world's greatest abstract geometrist"
3121:"Dutch city celebrates Mondrian with sky-high replica on city hall"
2781:"Heirs Sue Philadelphia Museum of Art for a Piet Mondrian Painting"
2708:"Mondrian's Heirs Stake Claim to Four Paintings in a German Museum"
1884:
1700:
named after Piet Mondrian in which programs look like abstract art.
1515:
1124:
744:
669:
481:
477:
461:
306:
286:
156:
108:
3339:. Aldershot (Hampshire) and Burlington (Vermont): Lund Humphries.
3075:
2879:
2372:
713:
appeared almost immediately in Mondrian's work. Paintings such as
2963:
1869:
1706:
is a software for interactive data visualization named after him.
1140:
972:
493:
360:
39:
4063:
3941:, translated by Jacques Bosser. Blaricum: V+K Publishing/Inmerc.
3937:
Welsh, Robert P., Joop J. Joosten, and Henk Scheepmaker (1998).
1139:
In September 1938, Mondrian left Paris in the face of advancing
979:– the first major exhibition of modern art in America since the
618:
and philosophical studies. In 1908, he became interested in the
4023:
2959:"Force M.D.s video "Love Is A House" made available on youtube"
2540:(1st ed.). New York: Harry N. Abrams, Inc. pp. 9–10.
1922:
1902:
1898:
1739:
911:
653:
646:
Mondrian and his later work were deeply influenced by the 1911
548:, c. late 1909 – early 1910, oil on masonite, 62 × 72 cm,
352:
329:
4174:
Composition with Large Red Plane, Yellow, Black, Grey and Blue
3097:
207:
2456:"Mondrian painting has been hanging upside down for 75 years"
265:
236:
4041:
Many sourced quotes of Piet Mondrian and biography-facts in
3549:(12 ed.). Belmont, CA: Thomson/Wadsworth. p. 780.
2512:"Museum of Modern Art, New York, Press release, August 1995"
660:. His search for simplification is shown in two versions of
1752:
1411:
1395:
630:. The work of Blavatsky and a parallel spiritual movement,
559:
are a number of paintings from this period, including such
351:), but also fields outside the domain of painting, such as
233:
3712:
Lodder, Christina; Kokkori, Maria; Mileeva, Maria (2013).
3451:
Dialectics of Painting: Mondrian's Diamond Series, 1918-44
2867:
2430:"Piet Mondrian artwork displayed upside down for 75 years"
2100:
1876:
features visual elements inspired by Mondrian's paintings.
1844:
The cover art of American psychedelic pop indie rock band
1466:. The service was attended by nearly 200 people including
221:
4044:
De Stijl 1917–1931 – The Dutch Contribution to Modern Art
3699:
Piet Mondrian: Colour, Structure, and Symbolism: An Essay
2392:"Liverpool Tate to host 'largest' UK Mondrian exhibition"
2231:. New York, NY: Larousse and Co., Inc. 1976. p. 285.
2088:
1615:, Mondrian was one of the main inspirations to the early
2911:"Yves Saint Laurent: 'Mondriawen' day dress (C.I.69.23)"
4026:– the holder of reproduction rights to Mondrian's works
3546:
Gardner's art through the ages: the Western perspective
3422:. Translated by Beamish, Caroline. Thames & Hudson.
1123:(1939–1942), oil on canvas, private collection. Fellow
705:. While in Paris, the influence of the Cubist style of
194:; 7 March 1872 – 1 February 1944), known after 1906 as
3099:
The largest Mondrian painting in the world – The Hague
2891:
2410:
2261:
2209:
1422:(1995), and – the first time shown in Europe – at the
2643:
2612:
2054:
2042:
2032:
2030:
910:
When World War I ended in 1918, Mondrian returned to
268:
239:
224:
3711:
3597:
Souvenirs cousus sellier: un demi-siècle chez Hermès
3118:
2378:
2002:
1861:
by M. Unser and P. Tafti uses a representation of a
587:, it is the earliest Mondrian painting to emphasize
230:
227:
210:
204:
2338:
262:
259:
218:
215:
3896:
3601:Saddle stitched memories: half a century at Hermès
3184:"THE RED SHINY LINE - SUOZ297 - Swatch® Australia"
2855:
2027:
1795:made a series of paintings based on the so-called
1135:works of art and ideals of peace and spirituality.
1009:
600:View from the Dunes with Beach and Piers, Domburg,
3433:. Washington, D.C.: German Historical Institute.
3283:https://mathcommunities.org/mondrian-art-puzzles/
1986:List of claims for restitution of Nazi-looted art
950:Schilderij No. 1: Lozenge With Two Lines and Blue
310:art movement and group, which he co-founded with
4270:
3076:"An introduction to sparse stochastic processes"
2981:
2586:LLC, Giancarlo Colfer, for Enterprise Computer.
3850:. World Spirituality. Vol. 21. Crossroad.
3063:"Piet Mondrian – Nike Dunk Low SB – Available!"
99:Rijksakademie (Academy of Fine Arts), Amsterdam
21:"Mondrian" redirects here. For other uses, see
3824:Mondrian: On the Humanity of Abstract Painting
3528:. United Kingdom: Princeton University Press.
2324:. London: Grange books. 2004. pp. 26–29.
1910:as part of a collaboration between Swatch and
1859:An Introduction to Sparse Stochastic Processes
534:), 1908–1910, oil on canvas, 70 × 99 cm,
4079:
3986:
3800:. Reprinted 1987, London: Thames and Hudson.
3461:Piet Mondrian, 1872–1944: Structures in Space
3065:, KicksOnFire.com. Retrieved 10 October 2017.
1785:Composition with Red, Yellow, Blue, and Black
1547:
614:Mondrian's art was intimately related to his
546:Spring Sun (Lentezon): Castle Ruin: Brederode
335:Mondrian's work had an enormous influence on
3377:(1. ed.). Cambridge, Mass.: MIT Press.
2604:: CS1 maint: multiple names: authors list (
2024:(New York: Harry N. Abrams), pp. 44 and 407.
1943:problem has been inspired by Mondrian's art.
1559:In December 2021, Mondrian's heirs sued the
1377:When the 47-year-old Piet Mondrian left the
504:Willow Grove: Impression of Light and Shadow
3951:The Journal of Aesthetics and Art Criticism
3845:
3808:. Reprinted 1993, New York: Da Capo Press.
2199:"Pieter Cornelis (Piet Mondrian) Mondriaan"
2094:
2072:
1917:The building facades and design details of
1447:on 1 February 1944 and was interred at the
404:Piet Mondrian lived in this house, now the
4086:
4072:
4052:Piet Mondrian: The Transatlantic Paintings
3736:: CS1 maint: location missing publisher (
3674:
3666:: CS1 maint: location missing publisher (
3391:
2935:. velonews.com. 8 May 2008. Archived from
2885:
2106:
1630:In the 1930s, the French fashion designer
1153:Lozenge Composition With Four Yellow Lines
720:
448:upbringing, in 1892, Mondrian entered the
379:
38:
3898:"Review of Boulez and the Modern Concept"
3880:. Lincoln: University of Nebraska Press.
3417:
1653:The 1970–1974 American television serial
1365:Learn how and when to remove this message
1104:Learn how and when to remove this message
875:Learn how and when to remove this message
3993:(Ph.D. thesis). University of Helsinki.
3701:. Bern: Verlag Gachnang & Springer.
3685:Mondriaan in het Gemeentemuseum Den Haag
3594:
3358:
3154:"[mondo mondrian] – Jersey Surf"
3119:Agence France-Presse (3 February 2017).
2897:
2649:
2294:
2279:
1887:movement which Mondrian helped to found.
1827:The front cover to Australian rock band
1586:
1582:
1215:
1169:
1115:
924:
897:
886:
683:
593:
540:
519:
498:
399:
383:
3944:
3894:
3864:
3641:
3542:
3523:
3458:
3426:
2873:
2745:Hickley, Catherine (13 December 2021).
2744:
2705:
2532:
2344:
2267:
2215:
2171:
2169:
2060:
2008:
1839:Composition II in Red, Blue, and Yellow
1837:(2007) is a tribute to Piet Mondrian's
1595:shown with a Mondrian painting in 1966.
930:Composition II in Red, Blue, and Yellow
496:. In 1893 he had his first exhibition.
464:. Most of his work from this period is
4334:Deaths from pneumonia in New York City
4309:Dutch expatriates in the United States
4271:
3875:
3871:. New York: H. N. Abrams. p. 117.
3763:
3744:
3617:
3508:Great Modern Masters. New York: Cameo/
3447:
3096:Haag, Gemeente Den (7 February 2017),
2861:
2618:
2048:
2036:
2014:
1854:(1997), was inspired by Piet Mondrian.
761:De Nieuwe Beelding in de schilderkunst
697:, an early experimentation with Cubism
428:as early as 1670. The family moved to
4182:Composition with Red, Blue and Yellow
4067:
3490:. Pantheon. Budapest: Corvina Kiadó.
3399:(1993). Nattiez, Jean-Jacques (ed.).
2971:from the original on 3 November 2021.
2528:
2526:
2524:
2142:The Guggenheim Museums and Foundation
2124:The Guggenheim Museums and Foundation
1908:Composition in Red, Blue and White II
1575:before being gifted to the museum by
1429:
1257:In 2008 the Dutch television program
280:
191:[ˈpitərkɔrˈneːlɪsˈmɔndrijaːn]
189:
4036:RKD and Kunstmuseum Den Haag website
3627:. British Broadcasting Corporation.
3370:
3095:
2982:David Morgan-Mar (25 January 2008).
2634:in: "Episode 4, Trouble in Utopia".
2416:
2284:. Taylor & Francis. p. 207.
2166:
1868:The music video for English pop duo
1303:adding citations to reliable sources
1274:
1042:adding citations to reliable sources
1013:
813:adding citations to reliable sources
784:
780:
679:
480:images of his native country depict
134:Composition with Red Blue and Yellow
3948:(1943). "The Meaning of Mondrian".
3226:
2778:
2706:Hickley, Catherine (4 March 2018).
2562:"Piet Mondrian [1872–1944]"
1952:From 6 June to 5 October 2014, the
1438:
602:1909, oil and pencil on cardboard,
13:
3980:
2521:
2379:Lodder, Kokkori & Mileeva 2013
1525:wrote: "Mondrian has come to mean
513:, oil on canvas, 35 × 45 cm,
14:
4365:
4329:Burials at Cypress Hills Cemetery
4093:
4048:J. M. Meulenhoff, Amsterdam 1956.
4008:
3939:Piet Mondrian: Catalogue Raisonné
3504:Faerna, José María (ed.) (1997).
2915:Heilbrunn Timeline of Art History
2779:Liu, Jasmine (14 December 2021).
1496:Mondrian was described by critic
1211:Kunstsammlung Nordrhein-Westfalen
367:said: "Mondrian has come to mean
3770:(1. ed.). London: Phaidon.
3364:Mondrian: The Art of Destruction
2501:, 28 August 2008, visited: idem)
2297:"Piet Mondrian – Line over Form"
1947:
1532:On 14 November 2022, Mondrian's
1279:
1018:
963:, co-founder of New York City's
906:in Mondrian's Paris studio, 1923
789:
255:
200:
172:
3287:
3276:
3251:
3238:Information Services Department
3201:
3176:
3146:
3112:
3089:
3068:
3055:
3029:
2997:
2975:
2951:
2925:
2903:
2833:
2803:
2772:
2738:
2699:
2681:
2663:"Mondrian and the Contemporary"
2655:
2624:
2585:
2579:
2554:
2504:
2474:
2448:
2422:
2384:
2350:
2314:
2295:Thatcher, Lisa (30 June 2012).
2288:
2273:
2244:
2235:
2221:
2191:
2148:
2130:
1805:is a 20-story high-rise in the
1776:An episode of the BBC TV drama
1755:(online analytical processing)
1290:needs additional citations for
1029:needs additional citations for
1010:London and New York (1938–1944)
800:needs additional citations for
3826:. New York: George Braziller.
3401:The Boulez-Cage Correspondence
3061:Khan, Furqan (26 April 2008).
2360:. snap-dragon.com. 10 May 1994
2203:www.newnetherlandinstitute.org
2138:"Still Life with Gingerpot II"
2112:
2066:
1933:'s architectural project team.
1634:, who worked at that time for
1406:, and another painter friend,
991:, and the third is Mondrian."
965:Society of Independent Artists
734:artists' colony, where he met
1:
4190:Composition with Yellow Lines
4134:The Lighthouse in Westkapelle
3878:Boulez and the modern concept
3687:. : Gemeentemuseum Den Haag.
3621:(1980). "Trouble in Utopia".
3463:. Cologne: Benedikt Taschen.
3366:. London: Reaction Books Ltd.
3318:
3039:. Keith Milow. Archived from
2252:"Van Doesburg at Tate Modern"
2120:"Still Life with Gingerpot I"
1921:, a public housing estate in
1698:esoteric programming language
1647:Fall 1965 Mondrian collection
1563:for the return of Mondrian's
1270:
507:
3868:Piet Mondrian: Life and Work
3848:Modern Esoteric Spirituality
3603:]. Paris: Oliver Orban.
3037:"Keith Milow – Paintings II"
2486:Eerste filmbeelden Mondriaan
2022:Piet Mondrian: Life and Work
1791:In 2001–2003 British artist
1788:, 1921) from an art gallery.
304:He was a contributor to the
7:
4349:20th-century Dutch painters
4344:19th-century Dutch painters
4304:Dutch expatriates in France
4166:Composition with Grid No. 1
3895:Strauss, Walter A. (1989).
3418:Busignani, Alberto (1968).
1969:
1773:machine learning framework.
10:
4370:
4339:20th-century Dutch artists
4110:A Farmhouse Behind A Fence
3595:Guerrand, Jean R. (1988).
2919:Metropolitan Museum of Art
2229:The Dictionary of Painters
2177:"Mondrian and his Studios"
1893:In collaboration with the
1561:Philadelphia Museum of Art
1548:Claims for Nazi looted art
904:Pétro (Nelly) van Doesburg
662:Still Life with Ginger Pot
20:
4240:
4224:
4101:
3876:Stacey, Peter F. (1987).
3677:Black Mirror 0: Territory
3459:Deicher, Susanne (1995).
3325:Apollonio, Umbro (1970).
2493:26 September 2008 at the
1895:Thyssen-Bornemisza Museum
1831:'s fifth and final album
1602:National Museum of Serbia
1521:In 2022 design historian
1131:suggested a link between
624:Helena Petrovna Blavatsky
388:Mondrian's birthplace in
183:Pieter Cornelis Mondriaan
171:
166:
152:
114:
104:
94:
75:
54:Pieter Cornelis Mondriaan
49:
37:
30:
23:Mondrian (disambiguation)
16:Dutch painter (1872–1944)
4054:at harvardartmuseums.org
3865:Seuphor, Michel (1956).
3371:Bois, Yve-Alain (1993).
2888:, pp. 103, 116–117.
2843:. Anothertravelguide.com
2566:New Netherland Institute
2280:Galenson, David (2006).
1996:
1958:Mondrian and his Studios
1799:(1935–1940) by Mondrian.
492:and the vivid colors of
472:, consisting largely of
460:, but he also practiced
4294:Dutch abstract painters
4060:at Guggenheim, New York
3784:Mondrian, Piet (1986).
3543:Gardner, Helen (2006).
2811:"Composition with Blue"
2095:Sellon & Weber 1992
1976:Fourth dimension in art
1797:Transatlantic Paintings
1769:is an extension of the
721:Netherlands (1914–1918)
666:Stilleven met Gemberpot
536:Gemeentemuseum Den Haag
380:Netherlands (1872–1911)
374:
282:[pitˈmɔndrijɑn]
4319:People from Amersfoort
4206:Broadway Boogie Woogie
3987:Pääsky, Jaana (2019).
3683:Janssen, Hans (2008).
3642:Howarth, Lucy (2019).
3478:Larousse and Co., Inc.
3448:Cooper, Harry (1997).
3329:, Milano: Fabri 1976.
2886:Boulez & Cage 1993
2630:Hughes, Robert (1980)
1991:Mondrian and Theosophy
1596:
1449:Cypress Hills Cemetery
1443:Piet Mondrian died of
1420:University of Michigan
1233:Broadway Boogie-Woogie
1227:
1184:
1136:
936:
907:
895:
774:
698:
607:
552:
538:
517:
413:
397:
345:Abstract Expressionism
140:Broadway Boogie Woogie
4214:Victory Boogie Woogie
4030:Piet Mondrian Papers.
3764:Milner, John (1995).
3745:Milner, John (1992).
3563:Gooding, Mel (2001).
2250:Jackie Wullschlager,
2241:Mondrian 1986, 18–74.
1857:The mathematics book
1619:musical aesthetic of
1590:
1583:References in culture
1565:Composition with Blue
1554:Kaiser Wilhelm Museum
1265:Victory Boogie Woogie
1244:Victory Boogie Woogie
1221:Victory Boogie Woogie
1219:
1173:
1119:
928:
901:
890:
769:
687:
620:theosophical movement
597:
544:
523:
502:
416:Mondrian was born in
403:
387:
318:form which he termed
146:Victory Boogie Woogie
4046:, by H. L. C. Jaffé.
4019:Museum of Modern Art
3697:Locher, Hans (1994)
3624:The Shock of the New
3583:(Cambridge, cloth);
3524:Gamwell, L. (2020).
2637:The Shock of the New
2632:The Shock of the New
2160:Kunstmuseum Den Haag
1846:The Apples in Stereo
1771:Conformal Prediction
1678:1980s R&B group
1656:The Partridge Family
1591:Mondrian dresses by
1507:The Shock of the New
1502:The Shock of the New
1468:Alexander Archipenko
1299:improve this article
1225:Kunstmuseum Den Haag
1207:Museum of Modern Art
1161:Place de la Concorde
1133:non-representational
1038:improve this article
893:Kunstmuseum Den Haag
809:improve this article
759:Mondrian published "
752:), a journal of the
695:Kunstmuseum Den Haag
628:Theosophical Society
604:Museum of Modern Art
571:. Another painting,
557:Kunstmuseum Den Haag
550:Dallas Museum of Art
515:Dallas Museum of Art
450:Academy for Fine Art
412:, from 1880 to 1892.
316:non-representational
4314:Dutch male painters
4253:Mondrian Collection
4058:Mondrian collection
3749:. London: Phaidon.
3679:. Fulgur Esoterica.
3335:Bax, Marty (2001).
2939:on 10 December 2008
2876:, pp. 133–134.
2791:on 12 February 2022
2695:. 15 November 2022.
2162:. 15 November 2016.
1851:Tone Soul Evolution
1500:, in his 1980 book
1462:and 52nd Street in
1424:Akademie der Künste
532:Avond; De rode boom
394:The Mondriaan House
392:, Netherlands, now
363:. Design historian
4354:Dutch Theosophists
3454:(Thesis). Harvard.
3164:on 16 January 2018
2751:The New York Times
2712:The New York Times
2419:, pp. 157–86.
1931:Housing Department
1863:stochastic process
1734:system written in
1718:Microsoft Research
1714:scripting language
1643:Yves Saint Laurent
1597:
1593:Yves Saint Laurent
1577:Albert E. Gallatin
1542:Composition No. II
1534:Composition No. II
1514:, an authority on
1453:Brooklyn, New York
1430:Mondrian's flowers
1238:abstract geometric
1228:
1185:
1165:Composition No. 10
1151:Mondrian produced
1137:
1121:Composition No. 10
937:
908:
902:Piet Mondrian and
896:
765:H. P. Bremmer
699:
649:Moderne Kunstkring
608:
583:is only limitedly
561:Post-Impressionist
555:On display in the
553:
539:
518:
414:
398:
4266:
4265:
4126:Evening; Red Tree
4000:978-951-51-4875-9
3946:Wiegand, Charmion
3723:978-90-04-26322-2
3707:978-3-906127-44-6
3693:978-90-400-8443-0
3653:978-1-9160416-2-2
3591:(Cambridge, pbk).
3374:Painting as model
3337:Complete Mondrian
3043:on 7 October 2011
2669:. 28 October 2022
2592:MondrianTrust.com
2538:Mondrian: Flowers
2462:. 28 October 2022
2436:. 28 October 2022
2109:, pp. 49–61.
2073:Hans L.C. Jaffé.
1941:recreational math
1919:Chun Yeung Estate
1848:'s second album,
1641:Fashion designer
1488:Robert Motherwell
1375:
1374:
1367:
1349:
1129:Theo van Doesburg
1114:
1113:
1106:
1088:
987:, the second was
891:Tableau I, 1921,
885:
884:
877:
859:
781:Paris (1918–1938)
740:Theo van Doesburg
736:Bart van der Leck
680:Paris (1911–1914)
569:Trees in Moonrise
527:Evening; Red Tree
458:primary education
312:Theo van Doesburg
180:
179:
122:Evening; Red Tree
4361:
4088:
4081:
4074:
4065:
4064:
4004:
3975:
3934:
3900:
3891:
3872:
3861:
3781:
3760:
3741:
3735:
3727:
3680:
3671:
3665:
3657:
3638:
3614:
3560:
3539:
3535:978-06-911910-58
3501:
3474:
3455:
3444:
3423:
3414:
3388:
3367:
3332:
3313:
3312:
3310:
3308:
3291:
3285:
3280:
3274:
3273:
3271:
3269:
3255:
3249:
3248:
3246:
3244:
3230:
3224:
3223:
3221:
3219:
3205:
3199:
3198:
3196:
3194:
3180:
3174:
3173:
3171:
3169:
3160:. Archived from
3150:
3144:
3143:
3141:
3139:
3116:
3110:
3109:
3108:
3106:
3093:
3087:
3086:
3084:
3082:
3072:
3066:
3059:
3053:
3052:
3050:
3048:
3033:
3027:
3026:
3024:
3022:
3017:on 19 April 2012
3016:
3010:. Archived from
3009:
3001:
2995:
2994:
2992:
2990:
2979:
2973:
2972:
2967:. 10 June 2010.
2955:
2949:
2948:
2946:
2944:
2929:
2923:
2922:
2907:
2901:
2895:
2889:
2883:
2877:
2871:
2865:
2859:
2853:
2852:
2850:
2848:
2837:
2831:
2830:
2828:
2826:
2817:. Archived from
2807:
2801:
2800:
2798:
2796:
2787:. Archived from
2776:
2770:
2769:
2767:
2765:
2742:
2736:
2735:
2733:
2731:
2722:. Archived from
2703:
2697:
2696:
2685:
2679:
2678:
2676:
2674:
2659:
2653:
2647:
2641:
2628:
2622:
2616:
2610:
2609:
2603:
2595:
2583:
2577:
2576:
2574:
2572:
2558:
2552:
2551:
2530:
2519:
2518:
2516:
2508:
2502:
2482:
2478:
2472:
2471:
2469:
2467:
2452:
2446:
2445:
2443:
2441:
2426:
2420:
2414:
2408:
2407:
2405:
2403:
2388:
2382:
2376:
2370:
2369:
2367:
2365:
2358:"Mondrian 1930s"
2354:
2348:
2342:
2336:
2335:
2318:
2312:
2311:
2309:
2307:
2301:lisathatcher.com
2292:
2286:
2285:
2282:Artistic Capital
2277:
2271:
2265:
2259:
2248:
2242:
2239:
2233:
2232:
2225:
2219:
2213:
2207:
2206:
2195:
2189:
2188:
2186:
2184:
2173:
2164:
2163:
2156:"De grijze boom"
2152:
2146:
2145:
2134:
2128:
2127:
2116:
2110:
2104:
2098:
2092:
2086:
2085:
2083:
2081:
2070:
2064:
2058:
2052:
2051:, pp. 9–10.
2046:
2040:
2034:
2025:
2020:Michel Seuphor,
2018:
2012:
2006:
1981:List of refugees
1809:neighborhood of
1738:and used within
1484:Alexander Calder
1460:Lexington Avenue
1439:Death and legacy
1370:
1363:
1359:
1356:
1350:
1348:
1307:
1283:
1275:
1109:
1102:
1098:
1095:
1089:
1087:
1046:
1022:
1014:
961:Katherine Dreier
934:Kunsthaus Zürich
880:
873:
869:
866:
860:
858:
817:
793:
785:
512:
509:
486:representational
337:20th-century art
291:art theoretician
284:
279:
275:
274:
271:
270:
267:
264:
261:
254:
246:
245:
242:
241:
238:
235:
232:
229:
226:
223:
220:
217:
213:
212:
209:
206:
193:
188:
176:
117:
82:
63:
61:
44:Mondrian in 1899
42:
28:
27:
4369:
4368:
4364:
4363:
4362:
4360:
4359:
4358:
4324:School of Paris
4269:
4268:
4267:
4262:
4236:
4232:Mondriaan House
4220:
4097:
4092:
4011:
4001:
3983:
3981:Further reading
3978:
3915:10.2307/3685321
3888:
3858:
3820:Schapiro, Meyer
3778:
3757:
3729:
3728:
3724:
3659:
3658:
3654:
3635:
3611:
3557:
3536:
3499:
3471:
3441:
3411:
3385:
3360:Blotkamp, Carel
3330:
3321:
3316:
3306:
3304:
3293:
3292:
3288:
3281:
3277:
3267:
3265:
3257:
3256:
3252:
3242:
3240:
3232:
3231:
3227:
3217:
3215:
3207:
3206:
3202:
3192:
3190:
3182:
3181:
3177:
3167:
3165:
3152:
3151:
3147:
3137:
3135:
3117:
3113:
3104:
3102:
3094:
3090:
3080:
3078:
3074:
3073:
3069:
3060:
3056:
3046:
3044:
3035:
3034:
3030:
3020:
3018:
3014:
3007:
3003:
3002:
2998:
2988:
2986:
2980:
2976:
2957:
2956:
2952:
2942:
2940:
2931:
2930:
2926:
2921:. October 2006.
2909:
2908:
2904:
2896:
2892:
2884:
2880:
2872:
2868:
2860:
2856:
2846:
2844:
2839:
2838:
2834:
2824:
2822:
2815:philamuseum.org
2809:
2808:
2804:
2794:
2792:
2777:
2773:
2763:
2761:
2743:
2739:
2729:
2727:
2726:on 7 March 2018
2704:
2700:
2687:
2686:
2682:
2672:
2670:
2661:
2660:
2656:
2648:
2644:
2629:
2625:
2617:
2613:
2597:
2596:
2584:
2580:
2570:
2568:
2560:
2559:
2555:
2548:
2531:
2522:
2514:
2510:
2509:
2505:
2495:Wayback Machine
2480:
2479:
2475:
2465:
2463:
2454:
2453:
2449:
2439:
2437:
2428:
2427:
2423:
2415:
2411:
2401:
2399:
2398:. 19 April 2013
2390:
2389:
2385:
2377:
2373:
2363:
2361:
2356:
2355:
2351:
2343:
2339:
2332:
2320:
2319:
2315:
2305:
2303:
2293:
2289:
2278:
2274:
2266:
2262:
2256:Financial Times
2249:
2245:
2240:
2236:
2227:
2226:
2222:
2214:
2210:
2197:
2196:
2192:
2182:
2180:
2175:
2174:
2167:
2154:
2153:
2149:
2136:
2135:
2131:
2118:
2117:
2113:
2107:Introvigne 2014
2105:
2101:
2093:
2089:
2079:
2077:
2075:"Piet Mondrian"
2071:
2067:
2063:, pp. 7–8.
2059:
2055:
2047:
2043:
2035:
2028:
2019:
2015:
2007:
2003:
1999:
1972:
1950:
1912:Centre Pompidou
1730:is a web-based
1585:
1550:
1441:
1432:
1371:
1360:
1354:
1351:
1314:"Piet Mondrian"
1308:
1306:
1296:
1284:
1273:
1203:New York City I
1181:Centre Pompidou
1179:(1942), Paris,
1110:
1099:
1093:
1090:
1053:"Piet Mondrian"
1047:
1045:
1035:
1023:
1012:
977:Brooklyn Museum
881:
870:
864:
861:
824:"Piet Mondrian"
818:
816:
806:
794:
783:
723:
682:
598:Piet Mondrian,
524:Piet Mondrian,
510:
470:Impressionistic
444:After a strict
406:Villa Mondriaan
382:
377:
314:. He evolved a
285:), was a Dutch
277:
258:
249:
248:
214:
203:
199:
186:
115:
90:
84:
80:
79:1 February 1944
71:
65:
59:
57:
56:
55:
45:
33:
26:
17:
12:
11:
5:
4367:
4357:
4356:
4351:
4346:
4341:
4336:
4331:
4326:
4321:
4316:
4311:
4306:
4301:
4296:
4291:
4286:
4281:
4264:
4263:
4261:
4260:
4255:
4250:
4244:
4242:
4238:
4237:
4235:
4234:
4228:
4226:
4222:
4221:
4219:
4218:
4210:
4202:
4194:
4186:
4178:
4170:
4162:
4154:
4146:
4138:
4130:
4122:
4114:
4105:
4103:
4099:
4098:
4091:
4090:
4083:
4076:
4068:
4062:
4061:
4055:
4049:
4039:
4033:
4027:
4024:Mondrian Trust
4021:
4010:
4009:External links
4007:
4006:
4005:
3999:
3982:
3979:
3977:
3976:
3964:10.2307/425946
3942:
3935:
3892:
3886:
3873:
3862:
3856:
3843:
3817:
3790:Harry Holtzman
3782:
3776:
3761:
3755:
3742:
3722:
3709:
3695:
3681:
3672:
3652:
3639:
3633:
3619:Hughes, Robert
3615:
3609:
3592:
3561:
3555:
3540:
3534:
3521:
3502:
3500:(in Hungarian)
3481:
3475:
3469:
3456:
3445:
3439:
3424:
3415:
3409:
3393:Boulez, Pierre
3389:
3383:
3368:
3356:
3333:
3322:
3320:
3317:
3315:
3314:
3286:
3275:
3250:
3225:
3213:www.swatch.com
3200:
3188:www.swatch.com
3175:
3145:
3111:
3088:
3067:
3054:
3028:
2996:
2974:
2950:
2924:
2902:
2890:
2878:
2866:
2854:
2832:
2802:
2771:
2737:
2698:
2680:
2654:
2642:
2623:
2621:, p. 200.
2611:
2578:
2553:
2546:
2534:Shapiro, David
2520:
2503:
2473:
2447:
2421:
2409:
2383:
2371:
2349:
2337:
2330:
2313:
2287:
2272:
2270:, p. 287.
2260:
2243:
2234:
2220:
2218:, p. 504.
2208:
2190:
2165:
2147:
2129:
2111:
2099:
2097:, p. 327.
2087:
2065:
2053:
2041:
2026:
2013:
2000:
1998:
1995:
1994:
1993:
1988:
1983:
1978:
1971:
1968:
1954:Tate Liverpool
1949:
1946:
1945:
1944:
1937:
1934:
1915:
1891:
1888:
1877:
1866:
1855:
1842:
1825:
1818:
1800:
1789:
1774:
1764:
1743:
1725:
1709:Mondrian is a
1707:
1701:
1691:
1688:Composition II
1676:
1668:
1664:Superior Coach
1651:
1639:
1628:
1605:
1584:
1581:
1549:
1546:
1523:Stephen Bayley
1512:Carel Blotkamp
1476:Marcel Duchamp
1440:
1437:
1431:
1428:
1404:Harry Holtzman
1373:
1372:
1287:
1285:
1278:
1272:
1269:
1112:
1111:
1026:
1024:
1017:
1011:
1008:
969:Marcel Duchamp
883:
882:
797:
795:
788:
782:
779:
754:De Stijl Group
722:
719:
711:Georges Braque
681:
678:
652:exhibition of
632:Rudolf Steiner
589:primary colors
420:, province of
381:
378:
376:
373:
365:Stephen Bayley
326:primary colors
178:
177:
169:
168:
164:
163:
154:
150:
149:
118:
112:
111:
106:
105:Known for
102:
101:
96:
92:
91:
85:
83:(aged 71)
77:
73:
72:
66:
53:
51:
47:
46:
43:
35:
34:
31:
15:
9:
6:
4:
3:
2:
4366:
4355:
4352:
4350:
4347:
4345:
4342:
4340:
4337:
4335:
4332:
4330:
4327:
4325:
4322:
4320:
4317:
4315:
4312:
4310:
4307:
4305:
4302:
4300:
4297:
4295:
4292:
4290:
4287:
4285:
4282:
4280:
4279:Piet Mondrian
4277:
4276:
4274:
4259:
4256:
4254:
4251:
4249:
4248:Neoplasticism
4246:
4245:
4243:
4239:
4233:
4230:
4229:
4227:
4223:
4216:
4215:
4211:
4208:
4207:
4203:
4200:
4199:
4198:New York City
4195:
4192:
4191:
4187:
4184:
4183:
4179:
4176:
4175:
4171:
4168:
4167:
4163:
4160:
4159:
4155:
4152:
4151:
4147:
4144:
4143:
4139:
4136:
4135:
4131:
4128:
4127:
4123:
4120:
4119:
4118:The Red Cloud
4115:
4112:
4111:
4107:
4106:
4104:
4100:
4096:
4095:Piet Mondrian
4089:
4084:
4082:
4077:
4075:
4070:
4069:
4066:
4059:
4056:
4053:
4050:
4047:
4045:
4040:
4037:
4034:
4031:
4028:
4025:
4022:
4020:
4016:
4015:Piet Mondrian
4013:
4012:
4002:
3996:
3992:
3991:
3985:
3984:
3973:
3969:
3965:
3961:
3957:
3953:
3952:
3947:
3943:
3940:
3936:
3932:
3928:
3924:
3920:
3916:
3912:
3908:
3904:
3899:
3893:
3889:
3887:0-8032-4183-6
3883:
3879:
3874:
3870:
3869:
3863:
3859:
3857:0-824-51444-0
3853:
3849:
3844:
3841:
3840:0-8076-1370-3
3837:
3833:
3832:0-8076-1369-X
3829:
3825:
3821:
3818:
3815:
3814:0-306-80508-1
3811:
3807:
3806:0-500-60011-2
3803:
3799:
3798:0-8057-9957-5
3795:
3791:
3787:
3783:
3779:
3777:0-7148-3167-0
3773:
3769:
3768:
3762:
3758:
3756:0-7148-2659-6
3752:
3748:
3743:
3739:
3733:
3725:
3719:
3715:
3710:
3708:
3704:
3700:
3696:
3694:
3690:
3686:
3682:
3678:
3673:
3669:
3663:
3655:
3649:
3645:
3640:
3636:
3634:0-563-17780-2
3630:
3626:
3625:
3620:
3616:
3612:
3610:2-85565-377-0
3606:
3602:
3598:
3593:
3590:
3589:0-521-00631-7
3586:
3582:
3581:0-521-80928-2
3578:
3574:
3573:1-85437-302-1
3570:
3566:
3562:
3558:
3556:0-495-00479-0
3552:
3548:
3547:
3541:
3537:
3531:
3527:
3522:
3519:
3518:0-8109-4687-4
3515:
3511:
3507:
3503:
3497:
3496:963-13-2265-3
3493:
3489:
3488:Piet Mondrian
3485:
3484:Hajdu, István
3482:
3479:
3476:
3472:
3470:3-8228-8885-0
3466:
3462:
3457:
3453:
3452:
3446:
3442:
3440:0-521-77352-0
3436:
3432:
3431:
3425:
3421:
3416:
3412:
3410:0-521-40144-5
3406:
3402:
3398:
3394:
3390:
3386:
3384:0-262-52180-6
3380:
3376:
3375:
3369:
3365:
3361:
3357:
3354:
3353:0-85331-822-0
3350:
3346:
3345:0-85331-803-4
3342:
3338:
3334:
3328:
3327:Piet Mondrian
3324:
3323:
3303:. 8 June 2017
3302:
3301:
3300:The Economist
3296:
3290:
3284:
3279:
3264:
3260:
3254:
3239:
3235:
3229:
3214:
3210:
3204:
3189:
3185:
3179:
3163:
3159:
3155:
3149:
3134:
3130:
3126:
3122:
3115:
3101:
3100:
3092:
3077:
3071:
3064:
3058:
3042:
3038:
3032:
3013:
3006:
3000:
2985:
2978:
2970:
2966:
2965:
2960:
2954:
2938:
2934:
2928:
2920:
2916:
2912:
2906:
2900:, p. 57.
2899:
2898:Guerrand 1988
2894:
2887:
2882:
2875:
2870:
2863:
2858:
2842:
2836:
2821:on 5 May 2021
2820:
2816:
2812:
2806:
2790:
2786:
2785:Hyperallergic
2782:
2775:
2760:
2756:
2752:
2748:
2741:
2725:
2721:
2717:
2713:
2709:
2702:
2694:
2690:
2684:
2668:
2664:
2658:
2651:
2650:Blotkamp 1994
2646:
2640:
2638:
2633:
2627:
2620:
2615:
2607:
2601:
2593:
2589:
2582:
2567:
2563:
2557:
2549:
2547:0-8109-3615-1
2543:
2539:
2535:
2529:
2527:
2525:
2513:
2507:
2500:
2496:
2492:
2489:
2487:
2477:
2461:
2457:
2451:
2435:
2431:
2425:
2418:
2413:
2397:
2393:
2387:
2381:, p. 57.
2380:
2375:
2359:
2353:
2346:
2341:
2333:
2331:9781840136562
2327:
2323:
2317:
2302:
2298:
2291:
2283:
2276:
2269:
2264:
2257:
2253:
2247:
2238:
2230:
2224:
2217:
2212:
2204:
2200:
2194:
2178:
2172:
2170:
2161:
2157:
2151:
2143:
2139:
2133:
2125:
2121:
2115:
2108:
2103:
2096:
2091:
2076:
2069:
2062:
2057:
2050:
2045:
2038:
2033:
2031:
2023:
2017:
2011:, p. 93.
2010:
2005:
2001:
1992:
1989:
1987:
1984:
1982:
1979:
1977:
1974:
1973:
1967:
1965:
1964:
1959:
1955:
1948:Commemoration
1942:
1938:
1935:
1932:
1928:
1924:
1920:
1916:
1913:
1909:
1904:
1900:
1896:
1892:
1889:
1886:
1881:
1878:
1875:
1871:
1867:
1864:
1860:
1856:
1853:
1852:
1847:
1843:
1840:
1836:
1835:
1830:
1826:
1823:
1819:
1816:
1815:Dallas, Texas
1812:
1808:
1804:
1801:
1798:
1794:
1790:
1787:
1786:
1781:
1780:
1775:
1772:
1768:
1765:
1762:
1758:
1754:
1751:
1747:
1744:
1741:
1737:
1733:
1729:
1726:
1723:
1719:
1715:
1712:
1708:
1705:
1702:
1699:
1695:
1692:
1689:
1685:
1681:
1677:
1673:
1672:La Vie Claire
1669:
1665:
1662:
1658:
1657:
1652:
1648:
1644:
1640:
1637:
1633:
1629:
1626:
1625:Pierre Boulez
1622:
1618:
1614:
1610:
1606:
1603:
1599:
1598:
1594:
1589:
1580:
1578:
1574:
1573:Curt Valentin
1570:
1569:Karl Buchholz
1566:
1562:
1557:
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1535:
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1528:
1524:
1519:
1517:
1513:
1509:
1508:
1503:
1499:
1498:Robert Hughes
1494:
1491:
1489:
1485:
1481:
1480:Fernand Léger
1477:
1473:
1469:
1465:
1461:
1456:
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1446:
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1427:
1425:
1421:
1417:
1413:
1409:
1408:Fritz Glarner
1405:
1400:
1397:
1393:
1388:
1385:
1384:neoplasticism
1380:
1369:
1366:
1358:
1347:
1344:
1340:
1337:
1333:
1330:
1326:
1323:
1319:
1316: –
1315:
1311:
1310:Find sources:
1304:
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1294:
1293:
1288:This section
1286:
1282:
1277:
1276:
1268:
1266:
1262:
1261:
1260:Andere Tijden
1255:
1253:
1252:Boogie-Woogie
1248:
1246:
1245:
1239:
1235:
1234:
1230:His painting
1226:
1223:(1942–1944),
1222:
1218:
1214:
1212:
1208:
1204:
1200:
1199:
1198:New York City
1194:
1192:
1182:
1178:
1177:
1176:New York City
1172:
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1072:
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1065:
1062:
1058:
1055: –
1054:
1050:
1049:Find sources:
1043:
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1032:
1027:This section
1025:
1021:
1016:
1015:
1007:
1005:
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978:
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840:
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833:
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825:
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820:Find sources:
814:
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796:
792:
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762:
757:
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718:
716:
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708:
707:Pablo Picasso
704:
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692:
691:
686:
677:
675:
671:
667:
663:
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655:
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650:
644:
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637:
636:Anthroposophy
633:
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612:
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601:
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321:Neoplasticism
317:
313:
309:
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197:
196:Piet Mondrian
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88:
87:New York City
78:
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70:, Netherlands
69:
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32:Piet Mondrian
29:
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3785:
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3565:Abstract Art
3564:
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3326:
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3268:28 September
3266:. Retrieved
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3212:
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3187:
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3162:the original
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3125:The Guardian
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3098:
3091:
3079:. Retrieved
3070:
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3041:the original
3031:
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2977:
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2943:22 September
2941:. Retrieved
2937:the original
2927:
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2874:Strauss 1989
2869:
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2819:the original
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2724:the original
2711:
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2671:. Retrieved
2666:
2657:
2652:, p. 9.
2645:
2636:
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2626:
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2569:. Retrieved
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2499:NOS Journaal
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2476:
2464:. Retrieved
2460:the Guardian
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2438:. Retrieved
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2395:
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2362:. Retrieved
2352:
2345:Howarth 2019
2340:
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2316:
2304:. Retrieved
2300:
2290:
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2268:Gamwell 2020
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2216:Marwick 2000
2211:
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2159:
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2090:
2078:. Retrieved
2068:
2061:Deicher 1995
2056:
2044:
2039:, p. 9.
2021:
2016:
2009:Deicher 1995
2004:
1963:The Guardian
1961:
1957:
1951:
1907:
1873:
1858:
1849:
1838:
1834:Young Modern
1832:
1803:The Mondrian
1796:
1783:
1777:
1716:designed by
1687:
1654:
1564:
1558:
1551:
1541:
1536:was sold at
1533:
1531:
1520:
1505:
1501:
1495:
1492:
1472:Marc Chagall
1457:
1442:
1433:
1418:(1994), the
1401:
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1376:
1361:
1355:October 2022
1352:
1342:
1335:
1328:
1321:
1309:
1297:Please help
1292:verification
1289:
1264:
1258:
1256:
1251:
1249:
1242:
1231:
1229:
1220:
1202:
1196:
1193: (1920)
1190:
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1164:
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1150:
1138:
1120:
1100:
1094:October 2022
1091:
1081:
1074:
1067:
1060:
1048:
1036:Please help
1031:verification
1028:
1001:
993:
967:(along with
958:
954:
949:
946:
942:
938:
929:
920:
916:
909:
871:
865:January 2018
862:
852:
845:
838:
831:
819:
807:Please help
802:verification
799:
775:
770:
760:
758:
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724:
714:
700:
688:
665:
661:
647:
645:
622:launched by
613:
609:
599:
580:
576:
572:
568:
565:The Red Mill
564:
554:
545:
531:
525:
503:
466:naturalistic
443:
439:Hague School
435:Willem Maris
415:
405:
357:architecture
334:
319:
305:
303:
299:
295:abstract art
195:
182:
181:
161:abstract art
144:
138:
132:
126:
120:
116:Notable work
81:(1944-02-01)
64:7 March 1872
18:
4289:1944 deaths
4284:1872 births
4209:(1942–1943)
4129:(1908–1910)
3644:Marlow Moss
3158:Jersey Surf
3047:18 February
3021:18 November
2989:18 February
2862:Stacey 1987
2825:12 February
2795:12 February
2639:on Youtube.
2619:Hughes 1980
2466:11 November
2049:Milner 1995
2037:Milner 1992
1939:In 2024, a
1874:Bulletproof
1829:Silverchair
1793:Keith Milow
1759:written in
1750:open source
1732:code review
1684:music video
1632:Lola Prusac
1617:pointillist
1607:Along with
1392:59th Street
1379:Netherlands
1157:Composition
997:Marlow Moss
981:Armory Show
728:World War I
703:avant-garde
511: 1905
490:pointillism
430:Winterswijk
410:Winterswijk
396:, a museum.
341:Color Field
4273:Categories
4142:By The Sea
3716:. Leiden.
3646:. London.
3397:Cage, John
3319:References
3193:1 February
3168:15 January
3081:3 February
3005:"Mondrian"
2764:27 January
2730:27 January
2571:28 October
2481:(in Dutch)
2440:28 October
2258:, 2010/6/2
1711:functional
1682:created a
1325:newspapers
1271:Wall works
1064:newspapers
835:newspapers
674:rectangles
606:, New York
474:landscapes
446:Protestant
418:Amersfoort
390:Amersfoort
349:Minimalism
343:painting,
68:Amersfoort
60:1872-03-07
4158:Evolution
4150:Gray Tree
4113:(c. 1904)
4102:Paintings
3923:0049-2426
3903:SubStance
3732:cite book
3662:cite book
3133:0261-3077
2759:0362-4331
2720:0362-4331
2667:Sotheby's
2588:"Mission"
2417:Bois 1993
2306:16 August
1927:Hong Kong
1880:The Hague
1820:In 2008,
1807:Cityplace
1724:platform.
1680:Force MDs
1661:Chevrolet
1623:composer
1621:serialist
1613:Kandinsky
1527:Modernism
1464:Manhattan
1445:pneumonia
1416:Sao Paulo
1189:RMS
1159:(1938) /
1145:Manhattan
1004:Liverpool
985:Rembrandt
959:In 1926,
767:in 1914:
750:The Style
690:Gray Tree
670:triangles
658:Amsterdam
640:empirical
616:spiritual
563:works as
482:windmills
454:Amsterdam
426:The Hague
369:Modernism
167:Signature
128:Gray Tree
95:Education
4299:De Stijl
4258:De Stijl
3834:(cloth)
3822:(1995).
3767:Mondrian
3747:Mondrian
3575:(Tate);
3506:Mondrian
3486:(1987).
3362:(1994).
3347:(cloth)
3218:29 March
3138:23 March
3105:23 March
2969:Archived
2693:ABC News
2600:cite web
2536:(1991).
2491:Archived
2434:BBC News
2396:BBC News
2322:Mondrian
1970:See also
1872:'s song
1811:Oak Lawn
1767:Mondrian
1746:Mondrian
1728:Mondrian
1720:for the
1704:Mondrian
1516:De Stijl
1125:De Stijl
989:Van Gogh
932:, 1930,
745:De Stijl
693:, 1911,
585:abstract
478:pastoral
476:. These
462:painting
307:De Stijl
157:De Stijl
153:Movement
109:Painting
4241:Related
4225:Museums
4017:at the
3931:3685321
3243:6 March
2964:YouTube
2080:16 July
1870:La Roux
1667:series.
1538:Sotheby
1339:scholar
1191:Samaria
1141:fascism
1127:artist
1078:scholar
973:Man Ray
849:scholar
715:The Sea
573:Evening
494:Fauvism
437:of the
422:Utrecht
361:fashion
287:painter
4217:(1944)
4201:(1942)
4193:(1933)
4185:(1930)
4177:(1921)
4169:(1918)
4161:(1911)
4153:(1911)
4145:(1909)
4137:(1908)
4121:(1907)
3997:
3972:425946
3970:
3929:
3921:
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3854:
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3467:
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3407:
3381:
3355:(pbk).
3351:
3343:
3307:9 June
3131:
2984:"Piet"
2847:4 June
2757:
2718:
2673:6 June
2544:
2402:4 June
2364:4 June
2328:
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2179:. Tate
1923:Fo Tan
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1899:Madrid
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1740:Google
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1696:is an
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1650:boots.
1636:Hermès
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1051:
912:France
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830:
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654:Cubism
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330:Cubism
278:Dutch:
187:Dutch:
89:, U.S.
3968:JSTOR
3927:JSTOR
3909:(2).
3599:[
3263:Tecno
3015:(PDF)
3008:(PDF)
2515:(PDF)
1997:Notes
1885:Stijl
1346:JSTOR
1332:books
1085:JSTOR
1071:books
856:JSTOR
842:books
732:Laren
581:Avond
577:Avond
408:, in
253:also
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3919:ISSN
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3802:ISBN
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3309:2017
3270:2023
3245:2021
3220:2022
3195:2022
3170:2018
3140:2017
3129:ISSN
3107:2017
3083:2017
3049:2010
3023:2012
2991:2010
2945:2008
2849:2014
2827:2022
2797:2022
2766:2022
2755:ISSN
2732:2022
2716:ISSN
2675:2024
2606:link
2573:2013
2542:ISBN
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2442:2022
2404:2014
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2326:ISBN
2308:2020
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1822:Nike
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1600:The
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