1842:
224:
25:
1833:
95:
2103:
1539:
590:
upon the road. All we know is that she left him her fortune after her husband's life interest in it had expired, and that
Metastasio, overwhelmed with grief and remorse, immediately renounced the legacy. This disinterested act plunged the Bulgarelli-Metastasio household at Rome into confusion. Bulgarelli's widower married again. Metastasio's brother, Leopoldo Trapassi, and his father and sister, were thrown upon their own resources.
2115:
1665:
2091:
617:
Spanish, and modern Greek. They had been set to music over and over again by every composer of distinction. They had been sung by the best virtuosi in every capital, and there was not a literary academy of note which had not conferred on him the honour of membership. Strangers of distinction passing through Vienna made a point of paying their respects to the old poet at his lodgings at
401:
1797:
the
Almanac, Including Accounts of the Weather, Rules for Health and Conduct, Remarkable and Important Anecdotes, Facts, and Notices, in Chronology, Antiquities, Topography, Biography, Natural History, Art, Science, and General Literature; Derived from the Most Authentic Sources, and Valuable Original Communication, with Poetical Elucidations, for Daily Use and Diversion. Vol III.
2139:
2127:
280:, then placed him in the care of his kinsman Gregorio Caroprese at Scaléa. In country air and the quiet of the southern seashore Metastasio's health revived. Gravina decided that he should never improvise again, but should be reserved for nobler efforts, when, having completed his education, he might enter into competition with the greatest poets.
414:
Metastasio lived with
Bulgarelli and her husband in Rome. Moved by an affection half maternal, half romantic, and by admiration for his talent, she adopted him more passionately even than Gravina had done. She took the whole Trapassi family â father, mother, brother, sisters â into her own house. She
1796:
The Every-day Book and Table Book; or, Everlasting
Calendar of Popular Amusements, Sports, Pastimes, Ceremonies, Manners, Customs, and Events, Each of the Three Hundred and Sixty-Five Days, in Past and Present Times; Forming a Complete History of the Year, Months, and Seasons, and a Perpetual Key to
616:
Throughout the forty years of his career in Vienna, in the course of which
Metastasio eventually outlived his own originality and creative powers, his fame went on increasing. In his library he counted as many as forty editions of his own works. They had been translated into French, English, German,
452:
But meanwhile
Bulgarelli was growing older; she had ceased to sing in public; and the poet increasingly felt his dependence upon her kindness irksome. He gained 300 scudi for each opera; this pay, though good, was precarious and he longed for some fixed engagement. In September 1729 he received the
589:
Bulgarelli tired of his absence, and asked
Metastasio to get her an engagement at the court theatre. He was ashamed of her and tired of her, and wrote dissuading her from the projected visit. The tone of his letters alarmed and irritated her. She seems to have set out from Rome, but died suddenly
321:
Metastasio was now twenty. During the last four years he had worn the costume of abbé, having taken the minor orders without which it was then useless to expect advancement in Rome. His romantic history, personal beauty, charming manners and distinguished talents made him fashionable. Within two
641:
Metastasio's poetry is emotional, lyrical, and romantic. His chief dramatic situations are expressed by lyrics for two or three voices, embodying the several contending passions of the agents brought into conflict by the circumstances of the plot. The total result is not pure literature, but
522:
in nine. Poet, composer, musical copyist and singer did their work together in frantic haste. Metastasio understood the technique of his peculiar art in its minutest details. The experience gained at Naples and Rome, quickened by the excitement of his new career at Vienna, enabled him almost
397:, all of whom would later set his plays to melody. Here too he studied the art of singing, and learned to appreciate the style of such men as Farinelli. Metastasio wrote quickly and his plays were enhanced by being set to music and sung by the greatest singers of the day..
322:
years he had spent his money and increased his reputation. He decided to apply himself seriously to the work of his profession. He migrated to Naples, and entered the office of an eminent lawyer named
Castagnola, who exercised severe control over his time and energies.
586:, sister-in-law of his old patroness the Princess Belmonte Pignatelli. She had lost her husband, and had some while occupied the post of chief favourite to the emperor. Metastasio's liaison with her became so close that it was believed they had been privately married.
609:, the secretary to the papal Nuncio in Vienna. He sank rapidly into the habits of old age; and, though he lived till the year 1782, he was very inactive. He died on 12 April, bequeathing his whole fortune of some 130,000 florins to the six children of
312:
Caroprese died in 1714, leaving
Gravina his heir; and in 1718 Gravina also died. Metastasio inherited a fortune of 15,000 scudi. At a meeting of the Arcadian Academy, he recited an elegy to his patron, and then settled down to enjoy his wealth.
368:
Bulgarelli persuaded the poet to give up the law, and promised to secure for him fame and independence if he would devote his talents to the musical drama. In her house
Metastasio became acquainted with the greatest composers of the day:
349:
had to be celebrated with more than ordinary honours, and the viceroy asked Metastasio to compose a serenata for the occasion. Metastasio accepted, but kept his authorship secret. He wrote "Gli orti esperidi", which was set to music by
473:
In the early summer of 1730, Metastasio settled at Vienna in an apartment in the so-called 'Michaelerhaus'. This date marks a new period in his artistic activity. Between the years 1730 and 1740 his finest dramas,
264:
and law. At the same time he cultivated his literary gifts, and displayed the youthful prodigy both at his own house and in the Roman coteries. Metastasio soon found himself competing with the most celebrated
337:), on the occasion of the marriage of his patroness Donna Anna Francesca Ravaschieri Pinelli di Sangro (later 6th Principessa di Belmonte) to the Marchese Don Antonio Pignatelli (later His Serene Highness
574:
In Vienna Metastasio met with no marked social success. His plebeian birth excluded him from aristocratic circles. To make up in some measure for this comparative failure, he enjoyed the intimacy of the
245:
Pietro, while still a child, is said to have attracted crowds by reciting impromptu verses on a given subject. On one such occasion in 1709, two men of distinction stopped to listen:
593:
As time advanced, the life which Metastasio led at Vienna, together with the climate, told on his health and spirits. From about the year 1745 onward he wrote little, though the
642:
literature fit for musical effect. Language in Metastasio's hands is musical, lucid, and songlike, perhaps due to his experience as an improvisatory poet. He was an admirer of
632:âfocusing more on psychology and less on virtuoso singingâcame into vogue, a new style of libretto was needed (Mozart did use an old Metastasio libretto for his renowned opera
601:, which he sent to his friend Farinelli, rank among the most popular of his productions. It was clear, as Vernon Lee has phrased it, that "what ailed him was mental and moral
461:, with a stipend of 3,000 florins. This he at once accepted. Bulgarelli unselfishly sped him on his way to glory. She took charge of his family in Rome and he set off for
2209:
624:
But his poetry was intended for a certain style of music â for the music of omnipotent vocalists, of exceedingly skilled sopranos and castrati. When the operas of
1640:
Frontier Research in Opera and Multimedia Preservation: a Project Involving the Documentation and Full Text Retrieval of the Libretti of Pietro Metastasio
576:
2204:
260:
Gravina hellenized the boy's name Trapassi into Metastasio, and intended his adopted son to be a jurist like himself. He therefore made the boy learn
257:; in the course of a few weeks he adopted him. Felice Trapassi was glad to give his son the chance of a good education and introduction into society.
638:, but, it was substantially re-written for the purpose). The demise of castrato singing meant that Metastasio's operas dropped out of the repertory.
605:". In 1755 the Countess Althann died, and Metastasio's social contacts were reduced to the gatherings round him in the bourgeois house of his friend
2199:
1803:
Article: Torre, Robert. "Operatic Twins and Musical Rivals: Two Settings of Artaserse (1730)" Discourses in Music: Volume 6 Number 1 (Summer 2006)
346:
238:, had taken service in the Corsican regiment of the papal forces. Felice married a Bolognese woman, Francesca Galasti, and became a grocer in the
1551:
2189:
1873:
1631:
Metastasio: His works were published in numerous editions, but his personal favourites were those published under his own supervision by
581:
1560:
2214:
1708:
as a Symbol of Historical power: The Portuguese Exploration of Brazil and the Political Propaganda at the Lisbon Court Opera in 1755".
514:, were produced for the imperial theatre. Some of them had to be composed for special occasions, with almost incredible rapidity:
2194:
269:
of his time in Italy. However, his days full of study and evenings devoted to improvising poetry took a toll on Pietro's health.
253:, and Lorenzini, a critic of some note. Gravina was attracted by the boy's poetic talent and personal charm, and made Pietro his
1954:
1626:
1589:
1469:
744:
2169:
1922:
706:
404:
94:
2184:
305:, and was printed in 1713; forty-two years later, Metastasio told his publisher that he would willingly suppress this
1731:, "Reading Henry Treshamâs theatre curtain: Metastasioâs apotheosis, and the Idea of Opera at Londonâs Pantheon", in
1619:
68:
46:
39:
1611:
1802:
565:
1866:
449:. These dramas were set to music by the chief composers of the day, and performed in the chief towns of Italy.
1772:
810:
1962:
1148:
2174:
537:
374:
2179:
2081:
1859:
790:
678:
The names of the first composers to set the respective texts to music are indicated next to the title
415:
fostered the poet's genius and pampered his caprices. Under her influence he wrote in rapid succession
651:
625:
408:
246:
2058:
1632:
1485:
541:
33:
752:
629:
435:
2095:
50:
1459:
661:
Composers continued to set Metastasioâs poetry to music even after his death. German composer
1978:
1906:
1816:
839:
768:
684:
557:
294:
1810:
361:, making a spectacular début, it won the most enthusiastic applause. The Roman prima donna,
2164:
2159:
2066:
1521:
1185:
890:
523:
instinctively, and as it were by inspiration, to hit the exact mark aimed at in the opera.
378:
334:
250:
8:
2018:
1079:
848:
647:
634:
553:
549:
370:
362:
1930:
1914:
1756:
714:
695:
545:
417:
394:
365:, who played Venus in this opera, spared no pains until she had discovered its author.
338:
290:
107:
1785:
2107:
2042:
2026:
1898:
1828:
1717:
1692:
1622:
1615:
1595:
1585:
1465:
1191:
662:
618:
390:
342:
146:
283:
Metastasio responded to his patron's wishes. At the age of twelve he translated the
2131:
2034:
2010:
1994:
1846:
1837:
1180:
779:
528:
201:
223:
1946:
1938:
1791:
1728:
1642:. London (Ontario): Faculty of Music, University of Western Ontario. Without ISBN
1153:
993:
884:
773:
733:
725:
610:
606:
561:
533:
1851:
1704:
Blichmann, Diana (2017). "Atlas with the Celestial Globe in the Stage Design of
1608:
The Role of Metastasio's Libretti in the Eighteenth Century: Opera as Propaganda
2002:
1824:
1573:
930:
869:
802:
738:
719:
700:
643:
458:
382:
351:
1509:
2153:
1721:
1696:
1555:
1545:
689:
532:
was used by more than 60 other composers in the 18th and early 19th century:
249:, famous for legal and literary erudition as well as his directorship of the
111:
1635:(Paris, 1755, 5 vols.). The posthumous works were printed in Vienna in 1795.
1599:
234:
Metastasio was born in Rome, where his father, Felice Trapassi, a native of
2143:
2119:
1670:
1162:
386:
326:
130:
181:
1392:
904:
242:. The couple had two sons and two daughters; Pietro was the younger son.
211:
1809:
2050:
488:
602:
1986:
1970:
760:
494:
445:
358:
306:
1764:
1738:
Robert Torre, "Operatic Twins & Musical Rivals: Two Settings of
1882:
1777:
1645:
355:
273:
206:
192:(3 January 1698 â 12 April 1782), better known by his pseudonym of
1544:
This article incorporates text from a publication now in the
1512:
on publish.uwo.ca. ( The list is arranged alphabetically by title)
594:
462:
454:
277:
235:
142:
400:
285:
261:
2114:
1664:
655:
126:
1679:
Blichmann, Diana (2015). "The Temple of Jupiter Stator in
1612:
Electronic Theses, Treatises and Dissertations. Paper 2883
1710:
Music in Art: International Journal for Music Iconography
1685:
Music in Art: International Journal for Music Iconography
325:
While slaving at the law, Metastasio in 1721 composed an
665:(1840â1878) used his text for her lieder "Gondoliera".
289:
into octave stanzas; and two years later he composed a
2079:
1778:
Pietro Metastasio: Poeta dell'UnitĂ culturale europea
1660:
1799:, ed. William Hone, (London: 1838) pp. 421â24.
1843:Works by or about Pietro Antonio Domenico Trapassi
1457:
453:offer of the post of court poet to the theatre at
276:, exhibited Metastasio in the literary circles of
1881:
228:Opere drammatiche, oratorj sacri e poesie liriche
2151:
1582:Metastasio, L'olimpiade e l'opera del Settecento
597:which belong to this period, and the canzonetta
329:, and probably also his first musical serenade,
2210:18th-century Italian dramatists and playwrights
1867:
613:. He had survived all his Italian relatives.
1564:(11th ed.). Cambridge University Press.
1211:
1874:
1860:
1807:
1486:"Georgine Schubert Song Texts | LiederNet"
1464:. Stanford University Press. p. 199.
301:â Gravina's favourite epic. It was called
209:, considered the most important writer of
93:
1703:
1678:
69:Learn how and when to remove this message
399:
222:
32:This article includes a list of general
2200:Italian male dramatists and playwrights
1788:: text, concordances and frequency list
1549:
16:Italian poet and librettist (1698â1782)
2152:
1579:
1510:List of the works of Pietro Metastasio
2205:Wolfgang Amadeus Mozart's librettists
1855:
200:
1820:. New York: Robert Appleton Company.
1765:Pietro Metastasio: Drammi per musica
1346:Pel giorno natalizio di Maria Teresa
913:
18:
2190:Members of the Academy of Arcadians
1834:Works by or about Pietro Metastasio
1341:Pel giorno natalizio di Francesco I
354:, and sung by Porpora's pupil, the
341:). In 1722, while Naples was under
272:Gravina, making a business trip to
13:
1656:
1584:(in Italian). Bologna: Il Mulino.
1458:Otto Erich Deutsch (1 June 1966).
1011:La pace fra la virtĂč e la bellezza
38:it lacks sufficient corresponding
14:
2226:
2215:18th-century Italian male writers
1808:Herbermann, Charles, ed. (1913).
1750:
1650:Vie de Haydn, Mozart et MĂ©tastase
1550:Symonds, John Addington (1911). "
1351:Pel nome glorioso di Maria Teresa
1142:Per la festivitĂ del santo natale
1085:L'Atenaide (Gli affetti generosi)
2137:
2125:
2113:
2101:
2089:
1923:L'impresario delle Isole Canarie
1773:Handbook for Metastasio Research
1663:
1614:Florida State University, 2005.
1537:
707:L'impresario delle Isole Canarie
190:Pietro Antonio Domenico Trapassi
122:Pietro Antonio Domenico Trapassi
23:
1461:Mozart: A Documentary Biography
2195:Italian expatriates in Austria
1792:"Biography: Pietre Metastasio"
1746:, vol. 6 no. 1, (Summer 2006).
1735:, 31/1 (2019), pp. 26-62.
1606:Kirkpatrick, David A. (2009),
1515:
1503:
1478:
1451:
1415:
1369:
202:[ËpjÉËtrometaËstaËzjo]
1:
1439:
1195:(1735) â Johann Georg Reutter
1052:Tributo di rispetto e d'amore
316:
218:
100:
1610:, VDM Verlag Dr. MĂŒller and
1522:Complete libretto in Italian
1199:Isacco, figura del Redentore
1134:
1123:(1767) â Johann Adolph Hasse
1093:(1764) â Johann Adolph Hasse
1005:Il Parnaso accusato e difeso
908:(1771) â Johann Adolph Hasse
900:(1765) â Johann Adolph Hasse
894:(1762) â Johann Adolph Hasse
862:(1750) â Johann Adolph Hasse
856:(1744) â Johann Adolph Hasse
405:Statue of Metastasio in Rome
7:
1580:Maeder, Costantino (1993).
1206:
538:Giovanni Battista Pergolesi
375:Giovanni Battista Pergolesi
347:Empress Elisabeth Christine
205:), was an Italian poet and
10:
2231:
2170:18th-century Italian poets
1963:La passione di GesĂč Cristo
1825:Works by Pietro Metastasio
1572:, (Assisi, 1783), London:
1149:La passione di GesĂč Cristo
1035:Augurio di felicitĂ (1749)
293:tragedy on a subject from
2185:Italian opera librettists
1893:
1811:"Pietro Metastasio"
673:
652:Giovanni Battista Guarini
626:Christoph Willibald Gluck
468:
409:Santa Maria in Vallicella
247:Giovanni Vincenzo Gravina
177:
160:
152:
136:
118:
92:
85:
1212:
1170:(1732) â Antonio Caldara
832:(1736) â Antonio Caldara
826:(1736) â Antonio Caldara
820:(1736) â Antonio Caldara
814:(1734) â Antonio Caldara
806:(1733) â Antonio Caldara
798:(1733) â Antonio Caldara
783:(1732) â Antonio Caldara
668:
542:Francesco Maria Veracini
1733:Cambridge Opera Journal
1683:by Pietro Metastasio".
1561:EncyclopĂŠdia Britannica
1434:Numerosi testi per arie
1356:Primo omaggio del canto
1271:Il trionfo della gloria
1040:La rispettosa tenerezza
960:Il tempio dell'EternitĂ
877:(1752) â Giuseppe Bonno
764:(1730) â Leonardo Vinci
756:(1729) â Leonardo Vinci
753:Semiramide riconosciuta
748:(1729) â Leonardo Vinci
729:(1728) â Leonardo Vinci
710:(1724) â Domenico Sarro
630:Wolfgang Amadeus Mozart
599:Ecco quel fiero istante
436:Semiramide riconosciuta
140:12 April 1782 (aged 84)
53:more precise citations.
1159:Sant'Elena al Calvario
1115:La pace fra le tre dee
978:Il palladio conservato
431:Alessandro nell' Indie
411:
345:rule, the birthday of
231:
198:Italian pronunciation:
1955:Alessandro nellâIndie
1907:Siface, re di Numidia
1817:Catholic Encyclopedia
1638:Neville, Don (1990).
1174:Giuseppe riconosciuto
1070:La ritrosia disarmata
840:Luca Antonio Predieri
745:Alessandro nell'Indie
685:Siface, re di Numidia
558:Johann Christian Bach
403:
295:Gian Giorgio Trissino
226:
2067:Il trionfo di Clelia
1757:Drammi of Metastasio
1425:33 strofe per musica
1186:Johann Georg Reutter
984:Il sogno di Scipione
891:Il trionfo di Clelia
379:Alessandro Scarlatti
2019:La clemenza di Tito
1744:Discourses in Music
1706:La clemenza di Tito
1681:La Clemenza di Tito
1576:, 1796, and others.
1080:Johann Adolph Hasse
999:Le grazie vendicate
954:La contesa de' numi
849:Johann Adolph Hasse
811:La clemenza di Tito
648:Giambattista Marino
635:La clemenza di Tito
554:Johann Adolph Hasse
550:Carl Heinrich Graun
371:Johann Adolph Hasse
363:Marianna Bulgarelli
2175:Italian male poets
1931:Siroe re di Persia
1915:Didone abbandonata
1786:Metastasio's works
1241:Il nido degli amor
1103:Il trionfo d'Amore
1097:Il Parnaso confuso
1046:L'isola disabitata
715:Siroe rĂš di Persia
696:Didone abbandonata
546:Baldassare Galuppi
518:in eighteen days,
418:Didone abbandonata
412:
407:, in front of the
395:Benedetto Marcello
339:Prince of Belmonte
240:Via dei Cappellari
232:
2180:Writers from Rome
2077:
2076:
2043:Ciro riconosciuto
2027:Gioas re di Giuda
1899:Gli orti esperidi
1887:Pietro Metastasio
1829:Project Gutenberg
1627:978-3-639-05095-0
1591:978-88-15-04221-7
1570:Metastasio's Life
1471:978-0-8047-0233-1
1226:Il quadro animato
1192:Gioas re di Giuda
1023:Il natal di Giove
914:Other stage works
898:Romolo ed Ersilia
824:Ciro riconosciuto
663:Georgina Schubert
391:Francesco Durante
194:Pietro Metastasio
187:
186:
178:Literary movement
156:Pietro Metastasio
147:Holy Roman Empire
87:Pietro Metastasio
79:
78:
71:
2222:
2142:
2141:
2140:
2130:
2129:
2128:
2118:
2117:
2106:
2105:
2104:
2094:
2093:
2092:
2085:
2035:Achille in Sciro
2011:Betulia liberata
1995:Adriano in Siria
1876:
1869:
1862:
1853:
1852:
1847:Internet Archive
1838:Internet Archive
1821:
1813:
1782:
1769:
1761:
1725:
1716:(1â2): 141â159.
1700:
1691:(1â2): 139â156.
1673:
1668:
1667:
1603:
1565:
1543:
1541:
1540:
1524:
1519:
1513:
1507:
1501:
1500:
1498:
1496:
1482:
1476:
1475:
1455:
1181:Betulia liberata
966:Amor prigioniero
942:Gli orti esperdi
818:Achille in Sciro
780:Adriano in Siria
585:
577:Countess Althann
567:Adriano in Siria
529:Adriano in Siria
504:Achille in Sciro
500:Clemenza di Tito
476:Adriano in Siria
251:Arcadian Academy
204:
199:
105:
102:
97:
83:
82:
74:
67:
63:
60:
54:
49:this article by
40:inline citations
27:
26:
19:
2230:
2229:
2225:
2224:
2223:
2221:
2220:
2219:
2150:
2149:
2148:
2138:
2136:
2126:
2124:
2112:
2102:
2100:
2096:Classical music
2090:
2088:
2080:
2078:
2073:
1939:Catone in Utica
1889:
1880:
1780:
1767:
1759:
1753:
1729:Burden, Michael
1669:
1662:
1659:
1657:Further reading
1592:
1538:
1536:
1528:
1527:
1520:
1516:
1508:
1504:
1494:
1492:
1484:
1483:
1479:
1472:
1456:
1452:
1442:
1437:
1418:
1413:
1372:
1367:
1366:
1365:
1209:
1204:
1168:La morte d'Abel
1154:Antonio Caldara
1137:
1132:
1076:Alcide al bivio
1029:Il vero omaggio
994:Antonio Caldara
972:L'asilo d'Amore
916:
911:
885:Nicola Conforto
791:Francesco Conti
774:Antonio Caldara
726:Catone in Utica
676:
671:
611:Nicolo Martines
607:Nicolo Martines
579:
562:Luigi Cherubini
534:Antonio Caldara
471:
423:Catone in Utica
319:
299:Italia liberata
221:
197:
173:
141:
125:
123:
114:
103:
88:
75:
64:
58:
55:
45:Please help to
44:
28:
24:
17:
12:
11:
5:
2228:
2218:
2217:
2212:
2207:
2202:
2197:
2192:
2187:
2182:
2177:
2172:
2167:
2162:
2147:
2146:
2134:
2122:
2110:
2098:
2075:
2074:
2072:
2071:
2063:
2055:
2047:
2039:
2031:
2023:
2015:
2007:
1999:
1991:
1983:
1975:
1967:
1959:
1951:
1943:
1935:
1927:
1919:
1911:
1903:
1894:
1891:
1890:
1879:
1878:
1871:
1864:
1856:
1850:
1849:
1840:
1831:
1822:
1805:
1800:
1789:
1783:
1775:
1770:
1762:
1752:
1751:External links
1749:
1748:
1747:
1736:
1726:
1701:
1675:
1674:
1658:
1655:
1654:
1653:
1643:
1636:
1629:
1604:
1590:
1577:
1574:Charles Burney
1566:
1556:Chisholm, Hugh
1526:
1525:
1514:
1502:
1490:www.lieder.net
1477:
1470:
1449:
1448:
1441:
1438:
1436:
1435:
1432:
1429:
1426:
1423:
1419:
1417:
1414:
1412:
1411:
1406:
1401:
1396:
1389:
1384:
1379:
1373:
1371:
1368:
1364:
1363:
1358:
1353:
1348:
1343:
1338:
1333:
1328:
1323:
1318:
1313:
1308:
1303:
1298:
1293:
1288:
1283:
1281:La cacciatrice
1278:
1273:
1268:
1263:
1258:
1253:
1251:Il primo amore
1248:
1243:
1238:
1233:
1228:
1223:
1218:
1210:
1208:
1205:
1203:
1202:
1196:
1188:
1177:
1171:
1165:
1156:
1145:
1138:
1136:
1133:
1131:
1130:
1124:
1118:
1112:
1106:
1100:
1094:
1088:
1082:
1073:
1067:
1061:
1055:
1049:
1043:
1037:
1032:
1026:
1020:
1017:Astrea placata
1014:
1008:
1002:
996:
987:
981:
975:
969:
963:
957:
951:
945:
939:
933:
931:Nicola Porpora
924:
917:
915:
912:
910:
909:
901:
895:
887:
878:
872:
870:Giuseppe Bonno
863:
860:Attilio Regolo
857:
851:
842:
833:
827:
821:
815:
807:
799:
793:
784:
776:
765:
757:
749:
741:
739:Pietro Auletta
730:
722:
720:Leonardo Vinci
711:
703:
701:Domenico Sarro
692:
680:
675:
672:
670:
667:
644:Torquato Tasso
564:(1782) and in
512:Attilio Regolo
470:
467:
459:Pietro Pariati
383:Leonardo Vinci
352:Nicola Porpora
318:
315:
267:improvvisatori
220:
217:
185:
184:
179:
175:
174:
172:
171:
168:
164:
162:
158:
157:
154:
150:
149:
138:
134:
133:
124:3 January 1698
120:
116:
115:
98:
90:
89:
86:
77:
76:
31:
29:
22:
15:
9:
6:
4:
3:
2:
2227:
2216:
2213:
2211:
2208:
2206:
2203:
2201:
2198:
2196:
2193:
2191:
2188:
2186:
2183:
2181:
2178:
2176:
2173:
2171:
2168:
2166:
2163:
2161:
2158:
2157:
2155:
2145:
2135:
2133:
2123:
2121:
2116:
2111:
2109:
2099:
2097:
2087:
2086:
2083:
2069:
2068:
2064:
2061:
2060:
2059:Il re pastore
2056:
2053:
2052:
2048:
2045:
2044:
2040:
2037:
2036:
2032:
2029:
2028:
2024:
2021:
2020:
2016:
2013:
2012:
2008:
2005:
2004:
2000:
1997:
1996:
1992:
1989:
1988:
1984:
1981:
1980:
1976:
1973:
1972:
1968:
1965:
1964:
1960:
1957:
1956:
1952:
1949:
1948:
1944:
1941:
1940:
1936:
1933:
1932:
1928:
1925:
1924:
1920:
1917:
1916:
1912:
1909:
1908:
1904:
1901:
1900:
1896:
1895:
1892:
1888:
1884:
1877:
1872:
1870:
1865:
1863:
1858:
1857:
1854:
1848:
1844:
1841:
1839:
1835:
1832:
1830:
1826:
1823:
1819:
1818:
1812:
1806:
1804:
1801:
1798:
1793:
1790:
1787:
1784:
1779:
1776:
1774:
1771:
1766:
1763:
1758:
1755:
1754:
1745:
1741:
1737:
1734:
1730:
1727:
1723:
1719:
1715:
1711:
1707:
1702:
1698:
1694:
1690:
1686:
1682:
1677:
1676:
1672:
1666:
1661:
1651:
1647:
1644:
1641:
1637:
1634:
1630:
1628:
1624:
1621:
1620:3-639-05095-9
1617:
1613:
1609:
1605:
1601:
1597:
1593:
1587:
1583:
1578:
1575:
1571:
1567:
1563:
1562:
1557:
1553:
1547:
1546:public domain
1535:
1534:
1533:
1532:
1523:
1518:
1511:
1506:
1491:
1487:
1481:
1473:
1467:
1463:
1462:
1454:
1450:
1447:
1446:
1433:
1431:4 poemi sacri
1430:
1427:
1424:
1422:9 complimenti
1421:
1420:
1410:
1407:
1405:
1402:
1400:
1397:
1395:
1394:
1390:
1388:
1385:
1383:
1380:
1378:
1375:
1374:
1362:
1361:Altre cantate
1359:
1357:
1354:
1352:
1349:
1347:
1344:
1342:
1339:
1337:
1334:
1332:
1329:
1327:
1324:
1322:
1319:
1317:
1314:
1312:
1309:
1307:
1304:
1302:
1299:
1297:
1294:
1292:
1289:
1287:
1286:La cioccolata
1284:
1282:
1279:
1277:
1274:
1272:
1269:
1267:
1264:
1262:
1259:
1257:
1254:
1252:
1249:
1247:
1244:
1242:
1239:
1237:
1234:
1232:
1229:
1227:
1224:
1222:
1219:
1217:
1214:
1213:
1200:
1197:
1194:
1193:
1189:
1187:
1183:
1182:
1178:
1175:
1172:
1169:
1166:
1164:
1160:
1157:
1155:
1151:
1150:
1146:
1143:
1140:
1139:
1128:
1125:
1122:
1119:
1116:
1113:
1110:
1107:
1104:
1101:
1098:
1095:
1092:
1089:
1086:
1083:
1081:
1077:
1074:
1071:
1068:
1065:
1062:
1059:
1056:
1053:
1050:
1047:
1044:
1041:
1038:
1036:
1033:
1030:
1027:
1024:
1021:
1018:
1015:
1012:
1009:
1006:
1003:
1000:
997:
995:
991:
988:
985:
982:
979:
976:
973:
970:
967:
964:
961:
958:
955:
952:
949:
946:
943:
940:
937:
934:
932:
928:
925:
922:
919:
918:
907:
906:
902:
899:
896:
893:
892:
888:
886:
882:
879:
876:
875:L'eroe cinese
873:
871:
867:
866:Il re pastore
864:
861:
858:
855:
852:
850:
846:
843:
841:
837:
834:
831:
828:
825:
822:
819:
816:
813:
812:
808:
805:
804:
800:
797:
794:
792:
788:
785:
782:
781:
777:
775:
771:
770:
766:
763:
762:
758:
755:
754:
750:
747:
746:
742:
740:
736:
735:
731:
728:
727:
723:
721:
717:
716:
712:
709:
708:
704:
702:
698:
697:
693:
691:
690:Francesco Feo
687:
686:
682:
681:
679:
666:
664:
659:
657:
653:
649:
645:
639:
637:
636:
631:
627:
622:
620:
614:
612:
608:
604:
600:
596:
591:
587:
583:
578:
572:
570:
568:
563:
559:
555:
551:
547:
543:
539:
535:
531:
530:
526:The libretto
524:
521:
517:
513:
509:
505:
501:
497:
496:
491:
490:
485:
481:
477:
466:
464:
460:
457:, succeeding
456:
450:
448:
447:
442:
438:
437:
432:
428:
424:
420:
419:
410:
406:
402:
398:
396:
392:
388:
384:
380:
376:
372:
366:
364:
360:
357:
353:
348:
344:
340:
336:
332:
328:
323:
314:
310:
308:
304:
300:
296:
292:
288:
287:
281:
279:
275:
270:
268:
263:
258:
256:
252:
248:
243:
241:
237:
229:
225:
216:
214:
213:
208:
203:
195:
191:
183:
180:
176:
169:
166:
165:
163:
159:
155:
151:
148:
144:
139:
135:
132:
128:
121:
117:
113:
109:
96:
91:
84:
81:
73:
70:
62:
52:
48:
42:
41:
35:
30:
21:
20:
2065:
2057:
2049:
2041:
2033:
2025:
2017:
2009:
2001:
1993:
1985:
1977:
1969:
1961:
1953:
1945:
1937:
1929:
1921:
1913:
1905:
1897:
1886:
1815:
1795:
1781:(in Italian)
1768:(in Italian)
1760:(in Italian)
1743:
1739:
1732:
1713:
1709:
1705:
1688:
1684:
1680:
1671:Opera portal
1649:
1639:
1607:
1581:
1569:
1559:
1530:
1529:
1517:
1505:
1493:. Retrieved
1489:
1480:
1460:
1453:
1444:
1443:
1408:
1403:
1399:La primavera
1398:
1391:
1386:
1381:
1376:
1360:
1355:
1350:
1345:
1340:
1335:
1330:
1325:
1320:
1315:
1310:
1305:
1301:La primavera
1300:
1295:
1290:
1285:
1280:
1275:
1270:
1265:
1260:
1255:
1250:
1245:
1240:
1236:Il consiglio
1235:
1230:
1225:
1220:
1215:
1198:
1190:
1179:
1173:
1167:
1163:Leonardo Leo
1158:
1147:
1141:
1126:
1120:
1114:
1108:
1102:
1096:
1090:
1084:
1075:
1069:
1063:
1057:
1051:
1045:
1039:
1034:
1028:
1022:
1016:
1010:
1004:
998:
989:
983:
977:
971:
965:
959:
953:
947:
941:
935:
926:
920:
903:
897:
889:
880:
874:
865:
859:
853:
844:
835:
829:
823:
817:
809:
801:
795:
786:
778:
767:
759:
751:
743:
732:
724:
713:
705:
694:
683:
677:
660:
640:
633:
623:
615:
598:
592:
588:
573:
569:(MysliveÄek)
566:
527:
525:
519:
515:
511:
507:
503:
499:
493:
487:
483:
479:
475:
472:
451:
444:
440:
434:
430:
426:
422:
416:
413:
387:Leonardo Leo
367:
330:
327:epithalamium
324:
320:
311:
302:
298:
284:
282:
271:
266:
259:
254:
244:
239:
233:
227:
210:
193:
189:
188:
131:Papal States
99:Metastasio,
80:
65:
56:
37:
2165:1782 deaths
2160:1698 births
2003:L'Olimpiade
1416:Other works
1393:La partenza
1370:Canzonettas
1316:La tempesta
1231:Amor timido
803:L'Olimpiade
580: [
571:from 1776.
212:opera seria
104: 1770
51:introducing
2154:Categories
2108:Literature
2051:Ipermestra
1552:Metastasio
1495:30 January
1440:References
1428:32 sonetti
1387:La libertĂ
1382:Canzonetta
1331:L'inciampo
1306:L'Armonica
1291:La gelosia
1266:Il tabacco
1256:Il ritorno
1216:Il ciclope
948:La Galatea
854:Ipermestra
830:Temistocle
796:Demofoonte
520:Ipermestra
508:Temistocle
489:Demofoonte
317:Roman fame
219:Early life
215:libretti.
207:librettist
161:Occupation
34:references
2132:Biography
1987:Demofonte
1971:Artaserse
1742:(1730)",
1740:Artaserse
1722:1522-7464
1697:1522-7464
1633:Calzabigi
1409:Palinodia
1336:L'inverno
1184:(1734) â
1161:(1731) â
1152:(1730) â
1135:Oratorios
1121:Partenope
1109:La corona
1078:(1760) â
992:(1735) â
990:Le cinesi
936:Endimione
929:(1720) â
883:(1756) â
868:(1751) â
847:(1743) â
838:(1740) â
789:(1732) â
772:(1731) â
761:Artaserse
737:(1728) â
718:(1726) â
699:(1724) â
688:(1723) â
619:Kohlmarkt
495:Olimpiade
446:Artaserse
359:Farinelli
331:Endimione
307:juvenilia
1979:Demetrio
1883:Libretti
1646:Stendhal
1600:30592360
1568:Aluigi,
1404:L'estate
1326:L'estate
1321:L'Aurora
1311:La scusa
1296:La Pesca
1261:Il sogno
1221:La danza
1207:Cantatas
1064:Il sogno
927:Angelica
921:Giustino
905:Ruggiero
845:Antigono
787:Issipile
769:Demetrio
595:cantatas
560:(1765),
556:(1752),
552:(1746),
548:(1740),
544:(1735),
540:(1734),
536:(1732),
484:Issipile
480:Demetrio
356:castrato
343:Austrian
335:Endymion
303:Giustino
274:Calabria
153:Pen name
59:May 2016
2082:Portals
1845:at the
1836:at the
1652:, 1817.
1558:(ed.).
1548::
1531:Sources
1246:Il nome
1058:La gara
881:Nitteti
836:Zenobia
516:Achille
463:Austria
291:Senecan
255:protégé
108:Meytens
47:improve
2070:(1762)
2062:(1751)
2054:(1744)
2046:(1736)
2038:(1736)
2030:(1735)
2022:(1734)
2014:(1734)
2006:(1733)
1998:(1732)
1990:(1731)
1982:(1731)
1974:(1730)
1966:(1730)
1958:(1729)
1950:(1728)
1942:(1728)
1934:(1726)
1926:(1724)
1918:(1724)
1910:(1723)
1902:(1721)
1720:
1695:
1625:
1618:
1598:
1588:
1554:". In
1542:
1468:
1377:A Nice
1201:(1740)
1176:(1733)
1144:(1727)
1129:(n.d.)
1117:(1765)
1111:(1765)
1105:(1765)
1099:(1765)
1091:Egeria
1087:(1762)
1072:(1759)
1066:(1756)
1060:(1755)
1054:(1754)
1048:(1753)
1042:(1750)
1031:(1743)
1025:(1740)
1019:(1739)
1013:(1738)
1007:(1738)
1001:(1735)
986:(1735)
980:(1735)
974:(1732)
968:(1732)
962:(1731)
956:(1729)
950:(1722)
944:(1721)
938:(1721)
923:(1712)
674:Operas
654:, and
469:Vienna
455:Vienna
393:, and
278:Naples
236:Assisi
230:(1737)
182:Rococo
167:Writer
143:Vienna
112:Batoni
36:, but
2144:Music
2120:Opera
1445:Notes
1276:Irene
1127:L'ape
669:Works
603:ennui
584:]
441:Siroe
286:Iliad
262:Latin
1947:Ezio
1718:ISSN
1693:ISSN
1623:ISBN
1616:ISBN
1596:OCLC
1586:ISBN
1497:2023
1466:ISBN
734:Ezio
656:Ovid
628:and
510:and
443:and
427:Ezio
170:poet
137:Died
127:Rome
119:Born
1885:by
1827:at
297:'s
110:or
106:by
2156::
1814:.
1794:,
1714:42
1712:.
1689:40
1687:.
1648:,
1594:.
1488:.
658:.
650:,
646:,
621:.
582:it
506:,
502:,
498:,
492:,
486:,
482:,
478:,
465:.
439:,
433:,
429:,
425:,
421:,
389:,
385:,
381:,
377:,
373:,
309:.
145:,
129:,
101:c.
2084::
1875:e
1868:t
1861:v
1724:.
1699:.
1602:.
1499:.
1474:.
333:(
196:(
72:)
66:(
61:)
57:(
43:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
