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Pina Bausch

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aspirations. From the answers develop gestures, sentences, dialogues, little scenes." The dancer is free to choose any expressive mode, whether it is verbal or physical when answering these questions. It is with this freedom that the dancer feels secure in going deep within themselves. When talking about her process she stated, "There is no book. There is no set. There is no music. There is only life and us. It's absolutely frightening to do a work when you have nothing to hold on to." She stated, "In the end, it's composition. What you do with things. There's nothing there to start with. There are only answers: sentences, little scenes someone's shown you. It's all separate to start with. Then at a certain point I'll take something which I think is right and join it to something else. This with that, that with something else. One thing with various other things. And by the time I've found the next thing is right, then the little thing I had is already a lot bigger."
585:, forces her actors to assume a role and a type of ceremonial, where extremely varied personal experiences and backgrounds combine with the precise geometry of the rhythmic movements. Although the motifs change, from one animal or flower to another, each show extends into the next to become part of a hypothetical single continuum, in other words the rite of a show, the story of the community that performs it with the joy of disguise and the solitude of cohabitation. However, behind the often heartbreaking splendour of the visual tableaux, the seductive feline and ineluctable manner in which the troupe advances in single file, and the pattern of the movements, regular but cleverly out of tune, through this lifelong self-portrayal the great artist offers all her spectators an ironic and desperate mirror in which to reflect their existential condition. 389: 427: 581:, or productions based on a theme - an anniversary, a dance, a farewell, a city - conceived as children's games or parlour games and orchestrated like review acts in order to rummage in the everyday life of the dancers, who pretend to have stopped dancing, subjected to public questioning and left to the flow of free associations, citing over and over but without ruling out psychoanalytical stripteases. In these group productions, the great teacher Pina Bausch, who never forgets that she was once the blind princess in a visionary film by 731:("court, courtyard"), resulting in "courtyard of contact," which is also a technical term for an area in some brothels where the first contact with prostitutes is possible. "Ich bring dich um die Ecke," literally "I'll take you around the corner," can mean "I'll accompany you around the corner" but also colloquially "I'll kill you." "Ahnen" can mean "ancestors," but also (as a verb) "to foresee", "bode", "suspect." 267:, the daughter of August and Anita Bausch, who owned a restaurant with guest rooms which is where she was born. The restaurant provided Pina with a venue to start performing at a very young age. She would perform for all of the guests in the hotel and occasionally go into their rooms and dance while they were trying to read the newspaper. It was then that her parents saw her potential. 703:. Stills from the performance and the episode show a group of women seemingly defying gravity as they cling to the walls high above the ground, toes pointed down and hands pressed above them. The photo of Bausch's performance was previously released on Reddit as well as Twitter with the implication that it was from a Russian mental institution, but its source was quickly identified. 2141: 2132: 2123: 564:
Since she took over the direction of the Wuppertal Tanztheater 25 years ago, Pina Bausch has used her training and experience as a soloist in classical ballet to literally invent a new genre, a combination of theatre, dance, music, and visual arts in which score and improvisation come together, very
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vocalist was also influenced by Bausch's work. She became very fond of Bausch's work and explained that her "work expresses the human condition in a way that I’ve never seen before—she’d do amazing pieces where it would just be a huge pile of rose petals that someone would ski down, or a dance that
419:) (1975) required the stage to be completely covered with soil. She stated: "It is almost unimportant whether a work finds an understanding audience. One has to do it because one believes that it is the right thing to do. We are not only here to please, we cannot help challenging the spectator." 422:
One of the themes in her work was relationships. She had a very specific process in which she went about creating emotions. "Improvisation and the memory of own experiences ... she asks questions—about parents, childhood, feelings in specific situations, the use of objects, dislikes, injuries,
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in London. The works were created when Bausch was invited to visit and stay in 10 global locations – in India, Brazil, Palermo, Hong Kong, Los Angeles, Budapest, Istanbul, Santiago, Rome, and Japan – between 1986 and 2009. Seven of the works have not been seen in the UK.
2221:»Ich mach ja immer, immer wieder mach ich ganz verzweifelte Anstrengungen zu tanzen«, sagt Pina Bausch. Auf die alte, traditionelle Weise ... Freunde der Familien nahmen die kleine Philippine mit ins Kinderballett. »Ich bin da mitgegangen ... 2266:
Geben wir es ruhig zu: das Bild der kleinen Philippine Bausch, wie sie – fünfjährig, sechsjährig? – inmitten anderer Kinder am Boden liegt, das Bein in den Nacken gelegt, vor Stolz errötend ob des zweifelhaften Kompliments der Lehrerin, hat
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Dance Company and collaborated on two pieces with them in 1961. It was in New York City that Pina stated, "New York is like a jungle but at the same time it gives you a feeling of total freedom. In these two years, I have found myself."
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premiered their work 'Play', which was dedicated to Pina Bausch's memory. Bausch was the main impetus for the piece as she had brought Cherkaoui and Shivalingappa to collaborate in 2008 to perform for the final edition of her festival.
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Folk music from Lombardy, Tuscany, Southern Italy, Sardinia and Bolivia, medieval dance music, Russian Waltz, music from New Orleans, dance music of the 1930s, music by Tchaikovsky, Buxtehude, Dvořák and Khachaturian,
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would be two people playing tag for two hours. It was incredibly visceral and emotional, and very experimental. So dancing for me is just a very calm place to be—you’re just with your body."
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was an Australian solo dancer before joining the Tanztheater. The company has a large repertoire of original pieces, and regularly tours throughout the world from its home base of the
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close to the dream of a total theatre that juxtaposes the individual talents of an extraordinary ensemble with a precise concept of time and space. The results are deconstructions of
3436: 723:(A piece by Pina Bausch). The translations are given as on the website of Tanztheater Wuppertal Pina Bausch. Some of the German titles are ambiguous. "Kontakthof" is composed of 4134: 3443: 602:, Germany aged 68 of an unstated form of cancer attributable to smoking, five days after diagnosis and two days before shooting was scheduled to begin for the long-planned 626:
in Athens. The show's central and most prolific scene was dedicated to the memory of Pina Bausch and involved performers linking arms and stripping naked a man and woman.
407:(1985), in which dancers stumble around the stage crashing into tables and chairs. Bausch had most of the dancers perform this piece with their eyes closed. The thrilling 3756: 3450: 1178: 367: 4124: 452:... The same action makes you feel something completely different by the end." Her large multi-media productions often involve elaborate sets and eclectic music. In 678:
with Bausch in mind. For the tour, Bowie "wanted to bridge together some kind of symbolist theatre and modern dance" and used Bausch's early work as a guideline.
3747: 630: 2834: 315: 448:. Her pieces are constructed of short units of dialogue and action, often of a surreal nature. Repetition is an important structuring device. She stated: " 504:, a set and costume designer who died of leukaemia in 1980. Later that year, she met Ronald Kay, and in 1981 they had a son, Rolf Salomon Bausch. 4144: 4099: 243:, and involved stage sets, as well as for engaging the dancers under her to help in the development of a piece, and her work had an influence on 3137: 438:
Male-female interaction is a theme found throughout her work, which has been an inspiration for—and reached a wider audience through—the movie
255:, particularly trauma arising out of relationships. She created the company Tanztheater Wuppertal Pina Bausch, which performs internationally. 4119: 501: 475:. The Tanztheater Wuppertal Pina Bausch made its American debut in Los Angeles as the opening performance of the 1984 Olympic Arts Festival. 2911: 3039: 4159: 4074: 3740: 2898: 3800: 1006: 3325: 3733: 3023: 3005: 2973: 2954: 2938: 2882: 2469: 2335: 2290: 2244: 2199: 537: 4154: 4084: 372: 3085:"Pina Bausch, 1940–2009 / We have lost dance's most visionary, influential figure, who redrew the map of the theatre arts" 2686: 2312:
Pina. eigtl. Philippine Bausch, dt. Tänzerin und Choreografin •27.7.1940 Solingen Pina Bausch ist die Begründerin des ...
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Gabriele Klein: Pina Bausch's Dance Theater. Company, Artistic Practices and Reception. transcript, Bielefeld 2020,
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Harenberg, Das Buch der 1000 Frauen: Ideen, Ideale und Errungenschaften in Biografien, Bildern und Dokumenten
1050:/ while listening to a taped recording of Béla Bartók's opera Duke Bluebeard's Castle, a piece by Pina Bausch 388: 2485: 693: 3919: 3318: 3247: 2809: 2428:"Pina Bausch: Dancer and choreographer whose seminal work gave an unsettling view of the human condition" 2013: 307: 543:
Works by Bausch were staged in June and July 2012 as a highlight of the Cultural Olympiad preceding the
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Born Philippine Bausch in Solingen. Germany, 27 July 1940. Studied with Kurt Jooss at the Folkwang ...
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Beim Anhören einer Tonbandaufnahme von Béla Bartóks Oper Herzog Blaubarts Burg, Stück von Pina Bausch
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because she chose a title late in the development of a work. The typical subtitle from 1978 was
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movements, incorporated many expressly dramatic elements and often explored themes connected to
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The following table shows works since 1973. Several of Pina Bausch's works were announced as
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from the 1970s forward. Her work, regarded as a continuation of the European and American
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included a clip for the episode "Detention" and were likely influenced by Bausch's work
3298: 3111: 2370: 969: 544: 415: 311: 176: 2398:. Judge, Harry George., Toyne, Anthony. Oxford : Oxford University Press. p. 39. 2044: 1424: 445: 3890: 3709: 3657: 3583: 3562: 3395: 3390: 3019: 3001: 2969: 2950: 2934: 2465: 2409: 2399: 2331: 2296: 2286: 2250: 2240: 2239:. ETB / ETB (in German). Düsseldorf: Econ & List Taschenbuch Verlag. p. 27. 2205: 2195: 1432: 932: 675: 529: 228: 3370: 3268: 3062: 897: 4016: 4004: 3959: 3844: 3818: 3794: 3788: 3572: 3534: 3476: 1996: 1970: 1149: 582: 570: 466: 403: 351: 291: 115: 3405: 3067: 2579: 662:, was released in late 2011 in the United States, and is dedicated to her memory. 3880: 3834: 3782: 2280: 2234: 2185: 2054: 2006: 1383: 1255: 1225: 724: 566: 303: 299: 3557: 2568: 239:. Bausch's approach was noted for a stylized blend of dance movement, prominent 3977: 3913: 3868: 3850: 3755: 3647: 1480: 1436: 1379: 1189: 1108: 1016: 869: 578: 327: 1123:
Er nimmt sie an der Hand und führt sie in sein Schloss, die anderen folgen ...
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He takes her by the hand and leads her into the castle, the others follow ...
784: 735: 326:, Italy, he took Bausch with him. In New York Bausch also performed with the 248: 224: 2413: 2300: 2254: 2209: 3998: 3812: 3776: 3683: 3662: 3614: 3593: 3509: 3504: 3422: 3400: 3380: 3360: 3089: 1444: 1440: 1289: 638: 533: 295: 244: 240: 182: 128: 4130:
Knights Commander of the Order of Merit of the Federal Republic of Germany
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After graduation in 1959, Bausch left Germany with a scholarship from the
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Pina Bausch – A Portrait by Peter Lindbergh based on 'Der Fensterputzer'.
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Pina Bausch dance cycle to be staged as part of 2012 Cultural Olympiad
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The details about the music for the works until 1986 follow a book by
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Dance photo, Jan Minarik & Dominique Mercy by Peter Lind 1986
2024:. TV series. Episode dated 26 January 1990. Dir.: Cristina Ferrer 323: 318:. When, in 1960, Taylor was invited to premiere a new work named 3303: 2727:"Distorting Everyday Actions, With Movements Awkward and Active" 197: 3138:"Pina, Queen Of The Deep / Pina Bausch, Tanztheater Wuppertal" 3218:
Archival footage of Lutz Forster performing in Pina Bausch's
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Tanztheater Pina Bausch startet zu Gastspielreise nach Chile
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Fest mit Pina – Internationales Tanzfestival 2008 – Programm
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The same year, choreographer and experimental theatre-maker
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Laurence Olivier Award for Outstanding Achievement in Dance
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In 1983, she played the role of La Principessa Lherimia in
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Her best-known dance-theatre works include the melancholic
385:. It was renamed later: Tanztheater Wuppertal Pina Bausch. 2330:. Routledge Key Guides. Taylor & Francis. p. 28. 2285:(in German). Mannheim: Meyers Lexikonverlag. p. 105. 478:
In 2009, Bausch started to collaborate with film director
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Stanford Presidential Lectures in the Humanities and Arts
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What Are Pina Bausch and Her Dancers Doing in Wuppertal?
223:(27 July 1940 – 30 June 2009) was a German dancer and 2443: 2441: 1986:. TV mini-series documentary. Dir.: Georges Bensoussan 294:
in New York City in 1960, where her teachers included
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The Pina Bausch Sourcebook: The Making of Tanztheater
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Some sources erroneously spell her name "Philippina".
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Fellows of the American Academy of Arts and Sciences
1942:... como el musguito en la piedra, ay si, si, si ... 362:
In 1973, Bausch started as artistic director of the
357: 310:. Bausch was very soon performing with Tudor at the 3220:For the Children of Yesterday, Today, and Tomorrow 3063:"The Death of the German Choreographer Pina Bausch" 2495: 2438: 2096:
Documentary. Dir.: Kathy Sullivan and Howard Silver
536:. She was elected a Foreign Honorary Member of the 2949:. Routledge Performance Practitioners. Routledge. 2852: 2515:Pina Bausch, German choreographer and dancer, dies 1798:For the children of yesterday, today, and tomorrow 2226: 670:Bausch's style has influenced performers such as 512:Among the honours awarded to Bausch are the UK's 4056: 2963: 2278: 1940: 1768: 1756:Kontakthof – with men and women of age 65 and up 1627: 3107:"Pina Bausch, German Choreographer, Dies at 68" 3016:Sur les traces de Pina-Tracing Pina's footsteps 1025:, dance and singing (soprano and male quartet) 686: 524:in 1995. In 1999, she was the recipient of the 4125:Recipients of the Pour le Mérite (civil class) 2661:"Europe Theatre Prize - VII Edition - Reasons" 2462:Equipoise:The Life and Work of Alfredo Corvino 2323: 2183: 2094:Understanding Pina: The Legacy of Pina Bausch. 1081:Come dance with me, piece using old folk songs 622:to inaugurate the renovated Main Stage of the 3741: 3319: 2896:Kontraste prägen Pina Bauschs neues Tanzstück 1810: 1689: 1076:Stück unter Verwendung von alten Volksliedern 879: 691:Promotional trailers for the third season of 665: 3294:Dance photo, Helena Pikon by Peter Lind 1986 3227:Archival footage of a complete performance ( 2391: 2108: 1867: 1791:Für die Kinder von gestern, heute und morgen 1789: 1747: 1729: 1709: 1668: 1647: 1606: 1585: 1564: 1544: 1522: 1502: 1462: 1413: 1406: 1394: 1368: 1361: 1336: 1329: 1304: 1272: 1240: 1210: 1203: 1157: 1147: 1128: 1121: 1098: 1091: 1074: 1067: 1040: 1033: 990: 983: 950: 943: 920: 911: 886: 858: 851: 832: 805: 796: 771: 718: 712: 698: 453: 408: 392: 345: 339: 232: 1408:Auf dem Gebirge hat man ein Geschrei gehört 1284:Old English folk songs, Shakespeare songs, 641:, for whom Bausch was a friend and mentor. 3748: 3734: 3326: 3312: 2944: 1928:Kontakthof, with teenagers 14 years and up 31: 3222:in 2013 at Jacob’s Pillow Dance Festival. 3038: 2835:"American Horror Story Season 3 Spoilers" 2550:. Internet Movie Database. 7 October 1983 2684: 2083:Pina – Dance Dance Otherwise We Are Lost 1471:by Monteverdi, Brahms, Beethoven, Bach, 425: 387: 314:Ballet Company, and with Paul Taylor at 3180: 3160: 3082: 3060: 2832: 2807: 2724: 2624:. American Academy of Arts and Sciences 2619:"Book of Members, 1780–2010: Chapter B" 2501: 2363: 2232: 1749:Kontakthof – Mit Damen und Herren ab 65 551: 227:who was a significant contributor to a 4145:Folkwang University of the Arts alumni 4100:Kyoto laureates in Arts and Philosophy 4057: 3135: 2995: 2784:"Review: Cherkaoui/Shivalingappa Play" 2580:"What Moves Me" Pina Bausch Foundation 2359: 2357: 3729: 3307: 3104: 2982: 2870: 2858: 2781: 2459: 2447: 2236:"Tanzen gegen die Angst": Pina Bausch 1979:. Documentary. Dir.: Klaus Wildenhahn 1224:, Mozart, old Italian arias, sung by 538:American Academy of Arts and Sciences 507: 397:, premiered in 1975, pictured in 2009 4120:Recipients of the Praemium Imperiale 3163:"Pina Bausch, in: 50 Choreographers" 3105:Wakin, Daniel Wakin (30 June 2009). 2801: 2611: 2464:. New York, NY: Rosen. p. 120. 2077:. Dir.: Rainer Hoffmann, Anne Linsel 992:Die sieben Todsünden der Kleinbürger 893:Adagio / Five songs by Gustav Mahler 3801:Ballet de l'Opéra National de Paris 3083:Higgins, Charlotte (30 June 2009). 2354: 2279:Issel, U.; Laue-Bothen, C. (2004). 151:Contemporary dance and choreography 13: 4160:20th-century German ballet dancers 4075:Deaths from lung cancer in Germany 3922:and Mark Morris Dance Group (2002) 3285:Dance photo, Mechthild Großmann by 2833:Remling, Amanda (28 August 2013). 2392:Norwich, John Julius (1985–1993). 1949:... like the moss on the stone ... 500:Bausch was married to Polish-born 338:In 1962, Bausch joined Jooss' new 14: 4171: 3857:London Contemporary Dance Theatre 3825:London Contemporary Dance Theatre 3700:American Figurative Expressionism 3333: 3213:Tanztheater Wuppertal Pina Bausch 3201: 2327:Fifty Contemporary Choreographers 2324:Bremser, M.; Sanders, L. (2005). 2184:Schmidt, J.; Weigelt, G. (1992). 556:In 1999, she was awarded the VII 377:, run as an independent company. 358:Tanztheater Wuppertal Pina Bausch 3061:Dieutre, Vincent (1 July 2009). 2985:Pina Bausch / Theatergeschichten 2725:Kourlas, Gia (20 October 2010). 2190:(in German). Frankfurt am Main: 2139: 2130: 2121: 1922:Kontakthof – Mit Teenagern ab 14 1274:1980 – Ein Stück von Pina Bausch 674:, who designed part of his 1987 560:, with the following motivation: 495: 288:German Academic Exchange Service 2920: 2888: 2876: 2826: 2775: 2750: 2744: 2718: 2697: 2685:Haithman, Diane (1 July 2009). 2678: 2653: 2636: 2585: 2573: 2562: 2540: 2523: 2507: 2478: 2453: 2395:Oxford illustrated encyclopedia 1420:On the mountain a cry was heard 594:Bausch died on 30 June 2009 in 290:to continue her studies at the 16:German dancer and choreographer 2964:Climenhaga, Royd, ed. (2012). 2914:, News Adhoc, 16 December 2009 2808:Pareles, Jon (2 August 1987), 2513:Chris Wiegand (30 June 2009), 2420: 2385: 2364:Itzkoff, Dave (30 June 2009). 2158: 1959: 1: 3228: 3014:Martinez, Alessandro (2002). 2909:/ Rhein-Zeitung, 13 June 2009 2484:Luke Jennings (1 July 2009), 2171: 888:Fünf Lieder von Gustav Mahler 450:Repetition is not repetition, 432:Schauspielhaus Wuppertal 258: 231:dance tradition now known as 3183:"Pina Bausch: Life and work" 2839:International Business Times 694:American Horror Story: Coven 687:Influence on popular culture 532:awarded her its prestigious 488:. The film premiered at the 7: 4155:20th-century German dancers 4085:German women choreographers 2810:"Bowie Creates a Spectacle" 2642:Mark Brown (9 March 2011), 2597:Premio Europa per il Teatro 2582:. Retrieved 11 August 2016. 2075:Dancing Dreams. Documentary 2068:Pina Bausch. TV documentary 2014:The Complaint of an Empress 1393:New version in 1983 at the 1281:1980 A piece by Pina Bausch 853:Ich bring' dich um die Ecke 609: 10: 4176: 2998:Pina Bausch: Dance Theatre 2187:Tanztheater in Deutschland 2100: 1458:Two Cigarettes in the Dark 1262:, Barnabas von Geczy, a.o. 666:Influence on other artists 644:In 2010 the choreographer 629:In 2010 the dance company 3906: 3763: 3692: 3671: 3633: 3602: 3571: 3548: 3518: 3490: 3467: 3414: 3369: 3343: 2945:Climenhaga, Royd (2008). 2758:"Eastman | Overview" 2665:archivio.premioeuropa.org 2029:Lissabon Wuppertal Lisboa 1902: 1725: 1325: 1268: 1199: 1117: 1029: 905: 828: 767: 762: 759: 756: 753: 750: 747: 635:Out of Context – for Pina 350:(Fragments), to music by 275:Bausch was accepted into 270: 192: 155: 147: 139: 124: 103: 95: 72: 46: 30: 23: 3966:Royal Ballet of Flanders 3161:Schmidt, Jochen (2009). 3136:Lawson, Valerie (2002). 2996:Servos, Norbert (2008). 2233:Schmidt, Jochen (1998). 2151: 2063:. Dir.: Miguel Sarmiento 2061:La mandrágora. TV series 2031:. TV documentary. Dir.: 2005:. TV documentary. Dir.: 2003:Un jour Pina m'a demandé 1587:Das Stück mit dem Schiff 1100:Operette von Pina Bausch 846:Choreography of a revue 706: 680:Florence + The Machine's 589: 4095:Juilliard School alumni 4011:English National Ballet 3715:Expressionism (theatre) 3672:Expressionist Sculpture 3231:1989) of Pina Bausch's 2983:Hoghe, Raimund (1986). 1594:The Piece with the Ship 1396:Theaterfestival München 787:and Wolfgang Hufschmidt 618:created a piece called 528:. In 2008, the city of 4140:2012 Cultural Olympiad 3771:London Festival Ballet 3386:Yitzhak Frenkel Frenel 3208:Pina Bausch Foundation 3181:Tashiro, Mimi (1999). 2531:The Air That I Breathe 2434:. London. 3 July 2009. 2109: 1941: 1868: 1811: 1790: 1777:Portuguese for "Water" 1769: 1748: 1730: 1710: 1690: 1669: 1648: 1628: 1607: 1586: 1565: 1545: 1523: 1503: 1463: 1414: 1407: 1395: 1369: 1362: 1337: 1330: 1305: 1273: 1241: 1211: 1204: 1158: 1148: 1129: 1122: 1099: 1092: 1075: 1068: 1041: 1034: 991: 984: 951: 944: 921: 912: 887: 880: 868:Dance music after old 859: 852: 833: 806: 797: 772: 719: 713: 699: 656:Wenders' documentary, 650:Shantala Shivalingappa 624:Greek National Theatre 600:North Rhine Westphalia 587: 520:. She was awarded the 514:Laurence Olivier Award 454: 435: 409: 398: 393: 379:Josephine Ann Endicott 346: 340: 233: 88:North Rhine-Westphalia 4150:Ballet choreographers 4115:People from Wuppertal 4090:German choreographers 4080:German female dancers 4045:Isabela Coracy (2024) 3972:Rambert Dance Company 3875:Rambert Dance Company 3625:Karl Schmidt-Rottluff 3620:Ernst Ludwig Kirchner 3491:German Expressionism 2705:"BeautifulSavage.com" 2486:Obituary: Pina Bausch 2086:. Documentary. Dir.: 1992:And the Ship Sails On 1969:. Documentary. Dir.: 1504:Stück von Pina Bausch 1464:Stück von Pina Bausch 1415:Stück von Pina Bausch 1370:Stück von Pina Bausch 1338:Stück von Pina Bausch 1306:Stück von Pina Bausch 1242:Stück von Pina Bausch 1212:Stück von Pina Bausch 1159:Stück von Pina Bausch 1141:Schauspielhaus Bochum 1130:Stück von Pina Bausch 1007:The Seven Deadly Sins 1000:The Seven Deadly Sins 720:Stück von Pina Bausch 631:Les Ballets C de la B 573:, reconstructions of 562: 482:on a 3D documentary, 472:And the Ship Sails On 429: 391: 368:Tanztheater Wuppertal 143:Tanztheater Wuppertal 135:choreographer, dancer 37:Bausch at the end of 4110:People from Solingen 4039:Arielle Smith (2022) 3995:Michael Hulls (2014) 3942:San Francisco Ballet 3705:Boston Expressionism 3451:Les Platanes à Céret 3344:Early Expressionists 2901:8 September 2012 at 2460:Lille, Dawn (2010). 1819:Turkish for "Breath" 1435:, Irish pipe music, 985:Die sieben Todsünden 966:Stravinsky's ballet 956:Le Sacre du Printmps 933:Orpheus und Eurydike 913:Orpheus und Eurydike 819:Iphigenie auf Tauris 798:Iphigenie auf Tauris 646:Sidi Larbi Cherkaoui 616:Dimitris Papaioannou 558:Europe Theatre Prize 552:Europe Theatre Prize 526:Europe Theatre Prize 490:Berlin Film Festival 170:Europe Theatre Prize 3521:Expressionist dance 3045:The Daily Telegraph 2885:, 25 September 2008 2873:, pp. 157–159. 2782:Guerreiro, Teresa. 2070:. Dir.: Anne Linsel 2017:. Dir.: Pina Bausch 1286:Comedian Harmonists 1258:, Georg Boulanger, 1222:Comedian Harmonists 1111:, Songs, Evergreens 994:Fürchtet Euch nicht 954:Der zweite Frühling 812:Iphigenia in Tauris 522:Deutscher Tanzpreis 430:Poster in front of 383:Opernhaus Wuppertal 364:Opernhaus Wuppertal 316:New American Ballet 263:Bausch was born in 163:Deutscher Tanzpreis 4042:Dickson Mbi (2023) 3356:Matthias Grünewald 3148:on 19 October 2012 3112:The New York Times 2814:The New York Times 2731:The New York Times 2371:The New York Times 2366:"Pina Bausch Dies" 2113:(Carnations), 2005 2022:3res 14torze 16tze 1984:Plaisir du théâtre 1247:Legend of chastity 1236:Keuschheitslegende 1192:of the 1930s, a.o. 1093:Renate wandert aus 1057:Bluebeard's Castle 970:The Rite of Spring 962:The Rite of Spring 545:Olympic Games 2012 508:Awards and honours 436: 416:The Rite of Spring 399: 312:Metropolitan Opera 177:Praemium Imperiale 4052: 4051: 3891:Ballett Frankfurt 3827: (1989/1990) 3723: 3722: 3710:Neo-expressionism 3658:Arnold Schoenberg 3584:Wassily Kandinsky 3563:Uri Zvi Greenberg 3396:Amedeo Modigliani 3391:Abraham Mintchine 3024:978-8-8901-0140-3 3007:978-3-935456-22-7 2975:978-0-415-61801-4 2956:978-1-134-18757-7 2939:978-3-8376-5055-6 2691:Los Angeles Times 2471:978-1-4358-9124-1 2337:978-1-134-85018-1 2292:978-3-411-76099-2 2246:978-3-612-26513-5 2201:978-3-549-05206-8 1957: 1956: 1677:The window washer 1670:Der Fensterputzer 1433:Felix Mendelssohn 1069:Komm tanz mit mir 676:Glass Spider Tour 530:Frankfurt am Main 229:neo-expressionist 210: 209: 99:Philippine Bausch 51:Philippine Bausch 4167: 4017:Francesca Velicu 4005:Alessandra Ferri 3960:The Royal Ballet 3887:William Forsythe 3845:The Royal Ballet 3841:William Forsythe 3795:Stuttgart Ballet 3789:The Royal Ballet 3750: 3743: 3736: 3727: 3726: 3575: 3574:Der Blaue Reiter 3535:Rudolf von Laban 3522: 3477:Erich Mendelsohn 3430:Der Blaue Reiter 3373: 3337: 3328: 3321: 3314: 3305: 3304: 3230: 3197: 3195: 3193: 3177: 3175: 3173: 3157: 3155: 3153: 3144:. 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Dir.: 1997:Federico Fellini 1971:Werner Schroeter 1967:Die Generalprobe 1944: 1871: 1814: 1793: 1772: 1751: 1733: 1713: 1693: 1672: 1651: 1631: 1610: 1589: 1573:Dance Evening II 1568: 1548: 1536:ambiguous title 1526: 1506: 1466: 1417: 1410: 1398: 1372: 1365: 1340: 1333: 1308: 1276: 1244: 1214: 1207: 1195:ambiguous title 1186:Court of contact 1162: 1161: 1153: 1132: 1125: 1105:Renate emigrates 1102: 1095: 1078: 1071: 1059: 1044: 1037: 1009: 996: 987: 973: 958: 947: 935: 924: 916: 915: 890: 883: 874:ambiguous title 862: 855: 836: 821: 809: 801: 800: 775: 745: 744: 727:("contact") and 722: 716: 702: 467:Federico Fellini 457: 412: 396: 376: 349: 343: 341:Folkwang-Ballett 292:Juilliard School 238: 206: 203: 201: 199: 173: 116:Juilliard School 96:Other names 79: 60: 58: 41:in 2009 in Paris 35: 21: 20: 4175: 4174: 4170: 4169: 4168: 4166: 4165: 4164: 4055: 4054: 4053: 4048: 4035:(2021 Covid-19) 3990:Marianela Núñez 3902: 3881:Lez Brotherston 3835:Jennifer Tipton 3783:Peter Schaufuss 3759: 3754: 3724: 3719: 3688: 3667: 3635: 3629: 3598: 3577: 3573: 3567: 3550: 3544: 3520: 3514: 3492: 3486: 3469: 3463: 3437:Carcass of Beef 3410: 3371: 3365: 3339: 3335: 3332: 3233:Palermo Palermo 3204: 3191: 3189: 3171: 3169: 3167:Goethe Institut 3151: 3149: 3142:Ballet Magazine 3117: 3115: 3095: 3093: 3073: 3071: 3051: 3049: 3008: 2976: 2957: 2923: 2918: 2910: 2893: 2889: 2881: 2877: 2869: 2865: 2857: 2853: 2843: 2841: 2831: 2827: 2818: 2816: 2806: 2802: 2792: 2790: 2788:Culture Whisper 2780: 2776: 2766: 2764: 2762:www.east-man.be 2756: 2755: 2751: 2745: 2735: 2733: 2723: 2719: 2709: 2707: 2703: 2702: 2698: 2683: 2679: 2669: 2667: 2659: 2658: 2654: 2641: 2637: 2627: 2625: 2621: 2617: 2616: 2612: 2602: 2600: 2591: 2590: 2586: 2578: 2574: 2567: 2563: 2553: 2551: 2548:"Cast overview" 2546: 2545: 2541: 2528: 2524: 2512: 2508: 2500: 2496: 2483: 2479: 2472: 2458: 2454: 2446: 2439: 2432:The Independent 2426: 2425: 2421: 2406: 2390: 2386: 2376: 2374: 2362: 2355: 2342: 2340: 2338: 2322: 2318: 2305: 2303: 2293: 2277: 2273: 2259: 2257: 2247: 2231: 2227: 2214: 2212: 2202: 2182: 2178: 2174: 2169: 2168: 2163: 2159: 2154: 2149: 2148: 2147: 2144: 2135: 2126: 2115: 2114: 2103: 2055:Peter Lindbergh 2045:Pedro Almodóvar 2043:. Drama. Dir.: 2007:Chantal Akerman 1995:. Drama. Dir.: 1962: 1608:Ein Trauerspiel 1546:Palermo Palermo 1425:Heinrich Schütz 1384:George Gershwin 1316:, sung a.o. by 1256:George Gershwin 1254:, Robin/Styne, 1226:Benjamino Gigli 1156: 1055: 1053:Bartók's opera 1005: 993: 967: 955: 953: 931: 910: 860:Schlagerballett 817: 795: 709: 689: 668: 612: 592: 554: 510: 498: 446:Pedro Almodóvar 370: 366:ballet, as the 360: 304:Alfredo Corvino 273: 261: 196: 188: 168: 131:choreographer, 120: 91: 81: 77: 68: 62: 56: 54: 53: 52: 42: 26: 17: 12: 11: 5: 4173: 4163: 4162: 4157: 4152: 4147: 4142: 4137: 4132: 4127: 4122: 4117: 4112: 4107: 4105:Modern dancers 4102: 4097: 4092: 4087: 4082: 4077: 4072: 4067: 4050: 4049: 4047: 4046: 4043: 4040: 4037: 4032: 4026: 4020: 4014: 4008: 4002: 3996: 3993: 3987: 3981: 3978:Antony Gormley 3975: 3969: 3963: 3957: 3951: 3945: 3939: 3929: 3923: 3917: 3914:Deborah Colker 3910: 3908: 3904: 3903: 3901: 3900: 3894: 3884: 3878: 3872: 3869:Siobhan Davies 3866: 3860: 3854: 3851:Siobhan Davies 3848: 3838: 3828: 3822: 3816: 3810: 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3202:External links 3200: 3199: 3198: 3178: 3158: 3132: 3131: 3129: 3128:Online sources 3125: 3124: 3102: 3080: 3058: 3035: 3034: 3032: 3028: 3027: 3012: 3006: 2993: 2980: 2974: 2961: 2955: 2942: 2930: 2929: 2927: 2922: 2919: 2917: 2916: 2887: 2875: 2863: 2851: 2825: 2800: 2774: 2749: 2743: 2717: 2696: 2677: 2652: 2635: 2610: 2593:"VII Edizione" 2584: 2572: 2561: 2539: 2522: 2506: 2494: 2477: 2470: 2452: 2450:, p. 157. 2437: 2419: 2404: 2384: 2353: 2336: 2316: 2291: 2271: 2245: 2225: 2200: 2194:. p. 38. 2175: 2173: 2170: 2167: 2166: 2156: 2155: 2153: 2150: 2146: 2145: 2138: 2136: 2129: 2127: 2120: 2117: 2116: 2107:Pina Bausch's 2106: 2105: 2104: 2102: 2099: 2098: 2097: 2090: 2078: 2071: 2064: 2057: 2047: 2035: 2033:Fernando Lopes 2025: 2018: 2009: 1999: 1987: 1980: 1973: 1961: 1958: 1955: 1954: 1952: 1950: 1947: 1945: 1938: 1934: 1933: 1931: 1929: 1926: 1924: 1918: 1917: 1915: 1913: 1911: 1909: 1904: 1900: 1899: 1897: 1895: 1893: 1891: 1886: 1882: 1881: 1879: 1877: 1874: 1872: 1865: 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K. Kieser. 2999: 2994: 2990: 2987:(in German). 2986: 2981: 2977: 2971: 2968:. Routledge. 2967: 2962: 2958: 2952: 2948: 2943: 2940: 2936: 2932: 2931: 2928: 2925: 2924: 2913: 2908: 2904: 2903:archive.today 2900: 2897: 2891: 2884: 2879: 2872: 2867: 2860: 2855: 2840: 2836: 2829: 2815: 2811: 2804: 2789: 2785: 2778: 2763: 2759: 2753: 2747: 2732: 2728: 2721: 2706: 2700: 2692: 2688: 2681: 2666: 2662: 2656: 2649: 2645: 2639: 2620: 2614: 2598: 2594: 2588: 2581: 2576: 2570: 2569:"Rolf Borzik" 2565: 2549: 2543: 2536: 2533: 2532: 2526: 2520: 2516: 2510: 2503: 2498: 2491: 2487: 2481: 2473: 2467: 2463: 2456: 2449: 2444: 2442: 2433: 2429: 2423: 2415: 2411: 2407: 2405:0-19-869129-7 2401: 2397: 2396: 2388: 2373: 2372: 2367: 2360: 2358: 2350: 2339: 2333: 2329: 2328: 2320: 2313: 2302: 2298: 2294: 2288: 2284: 2283: 2275: 2268: 2256: 2252: 2248: 2242: 2238: 2237: 2229: 2222: 2211: 2207: 2203: 2197: 2193: 2189: 2188: 2180: 2176: 2161: 2157: 2142: 2137: 2133: 2128: 2124: 2119: 2118: 2111: 2095: 2091: 2089: 2085: 2084: 2079: 2076: 2072: 2069: 2065: 2062: 2058: 2056: 2052: 2048: 2046: 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Index


Solingen
Wuppertal
North Rhine-Westphalia
Folkwangschule
Juilliard School
Modern dance
folk dance
Deutscher Tanzpreis
Europe Theatre Prize
Praemium Imperiale
Goethe Prize
www.pina-bausch.de/en
choreographer
neo-expressionist
Tanztheater
sound design
modern dance
expressionist
trauma
Solingen
Kurt Jooss
Folkwangschule
German Academic Exchange Service
Juilliard School
Antony Tudor
José Limón
Alfredo Corvino
Paul Taylor
Metropolitan Opera

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