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feasible to make. Background footage was important - they would often film this with a skeleton crew and using doubles which could substitute for the main cast. The cast was the last thing the producers would pick, once they knew how long the actors would be needed for. If they needed a star for only a week "we can afford to get a fairly big name and pay him well" said Pine. But if they needed someone for longer, they got a less expensive star. They did prefer to hire lead actors with some name recognition but would hire experienced bit players so they would not hold up production.
1058:, Pine-Thomas announced the end of their relationship with Paramount after 77 films over 14 years. Pine declared that the "opportunity for the creative independent producer is the greatest in the history of the business. The sought-after stars, directors and writers are only interested in associating themselves with distinguished projects, regardless of whether these projects are controlled by an independent or major company." Pine said the company's new method of operation would be to set the screenplay, stars and director before seeking finance.
874:. This was an attempt from Pine-Thomas to make more a more "significant" movie. Pine-Thomas were worried about rising costs but did not see salary slashing as the answer. They felt the solution to keep budgets manageable was to script carefully so only what is shot gets on screen. "The writer is the most important guy in Hollywood," said Pine. "Producers and directors don't like me for saying this but it's true. With the right script you can do wonders."
82:, and wrote scripts around them. (The producers later called these "Westerns of the air".) They approached Paramount and said they had a star and three scripts and asked for a distribution deal. Paramount were looking for some low-budget action movies and agreed, enabling Pine and Thomas to gain loans from the bank to finance the films. The other key elements of the team were
166:: "The plots were usually built around a hazardous occupation, like deep-sea diving parachute jumping or auto car racing - and someone was always killed doing that particular job in the first reel to get the idea across." The screenwriters on their films often had to participate in the activities they were writing about.
996:"Times and the market have changed," said Thomas. "We don't want anyone to think that this means we are switching away from our approach to providing film entertainment. We still want to make commercial pictures, not artistic ones. However, it's no longer commercial to make, the kind of pictures we've been making."
730:. "We've got people working in this one who two years ago wouldn't have been caught dead in a Pine-Thomas picture," said Thomas. He added, "in the old days, all we had to do was get a guy blown up in an oil well explosion and go from there, but now, when we want to kill someone, we've got to have a good reason."
992:
By August 1953, the producers had made 73 films and earned
Paramount over $ 100,000,000. However, television was leading to their market declining, with the result they suspended operations to re-think strategy. "You either hit big now or you don't hit at all," they said. "We had to think things out.
690:
You can't get the star power and values into a film. Above that figure of course you have your worries on whether the big nut can be paid off on box office returns. On the cheapies the salesman has to beat harder to sell and the cost of distribution is no less than on the more expensive product ...
622:
Pine said they usually had six scripts ready for production "at a moment's notice. That gives flexibility to our schedule." They also liked if possible to reuse sets on films. If a script was sent in, they would go over it with their production manager Doc Merman and inhouse writer to see if it was
909:
In March 1952, Pine Thomas claimed they read around thirty stories a week in order to find the four they made for
Paramount annually. They would submit a synopsis of the stories they liked to 20-30 theatre owners around the country to see how they react. "If the theatre men say they think their
618:
In a 1947 interview, Pine said, "We're not geniuses by a long shot and we don't propose to tell the industry how to make pictures. We're just a couple of businessmen who've learned by long experience how to put pictures together to achieve what we consider a maximum amount of entertainment at a
169:
They kept costs down by careful scripting and budgeting, use of location filming for production value, and employing stars whose careers were in decline such as Arlen and
Chester Morris - so they still had name recognition for the public but did not cost much to employ. They did not employ any
983:
In 1953, Pine claimed the team did not follow any formula. "If there are any rules," he said, "you can bet we don't make them in
Hollywood ... Each picture has to be approached as an individual project. Every time we start a picture we try to get all the plus-factors we can before starting."
27:
from 1940–1957, producing 81 films. Co-producers
William H. Pine (February 15, 1896 – April 29, 1955) and William C. Thomas (August 11, 1903 – April 2, 1984) were known as the "Dollar Bills" because none of their economically made films ever lost money. "We don't want to make million dollar
682:
Eventually Pine-Thomas dropped their lower budgeted films altogether and went into movies where the budget was $ 750,000 to $ 1 million. In 1948, Pine said, "We're going to sink the extra dough into where it will show. Into bigger stars, better stories and more production."
70:(1927) but whose most recent films had been lower budgeted productions. Arlen, who owned several planes and ran an aviation school, suggested they make an aviation film; he offered himself and his aircraft for a movie. Pine and Thomas selected three titles,
691:
We compared our profit on the basis of per dollar invested and came up with a finding that it would pay to spend more on each film ... These Bs are just as hard to make as As, particularly as you can't buy books or plays for them.
379:
who later recalled: "Bill Thomas of Pine and Thomas, who made very small and very bad pictures at
Paramount, gave me my first real screenwriting job. I wrote six pictures in one year, all of which I'd just as soon forget except
213:
said "the pair have shown showman's flair for turning out thrill-heavy action dramas. They have consistently led their production classification in BO returns." Arlen signed a deal with Pine Thomas to make four more films.
629:
Pine says he and Thomas were paid out of the profits of their films. "Some day I believe the whole industry will get around to working as units," said Pine. He said thirty percent of their business came from
England.
3455:
John Payne – the Star Who Likes People: When He Isn't Making a
Picture He's Out Meeting the Public and Winning Friends for Hollywood and for Himself. Hopper, Hedda. Chicago Daily Tribune 14 Sep 1952: c2.
999:"It doesn't pay to take a chance in today's market on limited budget pictures." Pine said, "you can get nickel-and-dimed to death. So we are going to make pictures for whatever they require to be made."
52:
William Thomas was also a publicist who was working at
Paramount producing "B" movies. Pine and Thomas struck up a partnership and swapped theories about how films could be produced for lower budgets.
256:
By
December 1942, the company had made 11 films. They announced they had renewed their deal with Paramount and would make one "A" film a year. However, this did not happen for a number of years.
644:(1948) cost $ 200,000. Pine-Thomas said their average take from a "B" was $ 450,000 worldwide and $ 350,000 in the US. However, they said about once a year, one film would exceed expectations.
293:
In June 1943, Pine-Thomas signed a new contract with Paramount which included three musicals, and two bigger budgeted pictures, plus three wartime movies which would co-star Chester Morris and
3464:'Senile celluloid': Independent exhibitors, the major studios and the fight over feature films on television, 1939-1956 Pierce, David. Film History; Sydney Vol. 10, Iss. 2, (1998): 141-164.
98:
was made in ten days at a cost of $ 86,000 under the auspices of "Picture Corporation of America". Thomas produced the first film while Pine worked more an associate - he worked for
877:
Pine said at this stage they would make all their films in color, which he estimated added $ 500,000 to domestic take. He said budgets would range from $ 600,000 to $ 1 million.
128:
All three films cost under $ 90,000 and returned six times its negative cost. Paramount were so pleased with these results they offered to finance the duo's films from then on.
122:
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You don't just say shoot the works and let it go at that. Stories are not easy to find." In February 1954 they announced they would only make big budget "A" films.
807:
In May 1951, Pine-Thomas signed a two-year extension on their Paramount deal, to make a minimum of eight films over 1952 and 1953, including three in Technicolor:
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4003:
IT'S BEEN 14 YEARS AND FILMS CHANGE: So Pine-Thomas (We Want to Make a Million) Switch to Million-Dollar Movies By THOMAS M. PRYOR New York Times 25 Feb 1954: 25
3762:
777:(1950) with Rhonda Fleming. Pine-Thomas liked the films and signed another three-picture deal with the actor all to be filmed in Technicolor. These films were
638:
After World War Two, television began to make inroads into Pine-Thomas' market, and costs were rising without a corresponding match in returns - for instance,
626:
Pine said they often got ideas from the newspapers. They did not make many murder mysteries because the majors did them and they did not want to compete.
173:
The advent of World War Two saw Pine-Thomas go into military stories, although with action always at the forefront. Arlen's fourth film for the company
3317:
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HOLLYWOOD IN REVIEW: 'Dollar Bills' Grow Into Millions Class; Oscar Surprises Buoy Event Schallert, Edwin. Los Angeles Times 30 Mar 1952: D3.
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patrons would like to see the story filmed, we purchase it," they said. "If not, we reject it, We keep in touch with the public that way."
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as a team (replacing Morris and Richard Arlen). Jack Haley was signed to appear in two of the musicals with Mary Beth Hughes (see below).
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By this stage they made all their films in color. They also had a policy to introduce one new player per film, such as Susan Morrow in
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144:. The Picture Corporation of America was dissolved and from this point on the company would be known as Pine-Thomas Productions.
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In 1946, they formed a company, Clarion, with the goal of making more expensive films. Clarion's first movie was a Western,
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Merchant Marine Tale in Super Class; Charles Vidor Replaces Huston Schallert, Edwin. Los Angeles Times 04 Apr 1957: B13
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While the Films Reel By: Quickies Keep Alive Romance of Hollywood Schallert, Edwin. Los Angeles Times 20 Dec 1942: C3.
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which cost $ 728,000 and made around $ 2 million. It led to a contract with Paramount to make three "A" films a year.
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who went to work as a publicist at Paramount in 1933 becoming head of publicity. He became an associate director for
3724:
Chester Morris Wins Three-Picture Contract With Pine and Thomas Schallert, Edwin. Los Angeles Times 16 Mar 1943: 13.
5037:
3596:
WILLIAM THOMAS, 80; PRODUCER OF LOW-BUDGET '40S ACTION FILMS Burr Van Atta. Philadelphia Inquirer 6 Apr 1984: E.2.
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Pine-Thomas' early films focused on industry and aviation, areas not often dealt with in the movies. According to
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In April, William Pine died of a heart attack. Two months later the company became Pine-Thomas-Shane, with
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1044:. The cost of these four films was $ 6 million, double the cost of Pine-Thomas' previous annual output.
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179:(1942) was directed by John Rawlins, who became another key director for the company. The female lead,
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permanent staff apart from themselves and one secretary, hiring people on a picture-by-picture basis.
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DRAMA: Pine, Thomas Will Do One 'A' Film Annually Schallert, Edwin. Los Angeles Times 2 Dec 1942: 15.
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In June 1947, Paramount announced Pine-Thomas would make eight films for them over the coming year.
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Story by David Lang. Based on radio show by Jack Guedel (played in film by Philip Reed). Cameos by
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Glenn Langan Awarded 'Bon Voyage' Male Lead Schallert, Edwin. Los Angeles Times 23 Aug 1944: A7.
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to a multi-picture contract. This meant the company moved into comedies for the first time with
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Chester Morris Will Act in Cinema Series Schallert, Edwin. Los Angeles Times 30 June 1941: A14.
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They also signed a new contract with John Payne to make six films over three years. These were
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Pine and Thomas were both directing films by this stage. Shane made his directorial debut with
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Stage Actors Signed for 'The Male Animal'Schallert, Edwin. Los Angeles Times 19 July 1941: A9.
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TWO DOLLAR BILLS: LOOKING AT HOLLYWOOD WITH HEDDA HOPPER Chicago Daily Tribune 13 Apr 1947: h7
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Based on novella, "The Life of Lucy Gallant," by Margaret Cousins. Last film for Paramount
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603:(1948). The series was shelved after four films were made but only the first two released.
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102:. It earned almost a million dollars. Pine and Thomas saved money by shooting on location.
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John Payne Will Hit Pioneer Trail Schallert, Edwin. Los Angeles Times 28 Nov 1949: B7.
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In June 1941, Pine and Thomas signed a six-picture deal with Paramount, three to star
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Pine and Thomas to Increase Production at Paramount New York Times 28 June 1943: 16.
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John Payne, Sterling Hayden, Gail Russell, Gabby Hayes, Dick Foran, Eduardo Noriega
675:. The budgets for these were between $ 250,000-$ 300,000 and they were both shot in
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by Luke Short. Pine Thomas' most expensive film til that date. Clarion Production.
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In March 1942, Pine-Thomas signed a contract to make six more films for Paramount.
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contract led him to make other films. However, he only made one film for them,
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Engulfed: The Death of Paramount Pictures and the Birth of Corporate Hollywood
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PRODUCERS PINE, THOMAS SIGN WITH PARAMOUNT Los Angeles Times 29 May 1951: A3.
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ANTE UPPED FOR PINE AND THOMAS By THOMAS WOOD New York Times 17 Oct 1948: X5.
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story by J. Robert Bren & Gladys Atwater. PT's first million dollar film
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reported that Pine-Thomas films had an average gross in excess of $ 500,000.
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Five Redheads to Star in Pine-Thomas Film Los Angeles Times 19 July 1952: 6.
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Randolph Scott, Barbara Britton, Russell Hayden, Gabby Hayes, Lon Chaney Jr
227:. William Pine directed these. Pine made his feature debut as director with
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Pine-Thomas Ends Paramount Film Contract Los Angeles Times 17 Dec 1954: 13.
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306:(1944), a bigger budgeted period film. However, for Morris' next film,
157:). It was the first of three novels by Mainwaring which they optioned.
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Pine-Thomas Group to Shoot New Films Los Angeles Times 5 Sep 1948: D3
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3518:"Those Two Bills, Pine and Thomas, Turn Short-Coin Pix Into Bonanzas"
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for showing on American television. The cost was around $ 1 million.
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Phil Reed, Hillary Brooke, Robert Lowery, Veda Ann Borg, Byron Barr
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3856:'ANGEL FACE' LISTED FOR MISS GODDARD New York Times 9 Dec 1946: 34.
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Rory Calhoun, Rhonda Fleming, Paul Kelly, John Abbott, Alan Napire
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Based on an idea by Jack Davies. Pine's first feature as director.
1429:, William Frawley, Arthur Hunnicutt, Elisha Cook Jr, Ralph Sanford
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SCREEN NEWS HERE AND IN HOLLYWOOD New York Times 26 June 1943: 11.
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SCREEN NEWS HERE AND IN HOLLYWOOD, New York Times 30 June 1941: 13
1256:
Story by Paul Franklin. Made for "Picture Corporation of America"
647:
Pine-Thomas experimented with increasing their budgets. They made
4069:
FOUR FILM STARS WEIGH U. A. DEALS New York Times 31 Jan 1955: 23.
3927:
MARIO LANZA TO DO ROMBERG OPERETTA New York Times 3 Apr 1952: 44.
3786:
SCREEN NEWS HERE AND IN HOLLYWOOD New York Times 18 Feb 1944: 14.
3764:
Backstory 2: Interviews with Screenwriters of the 1940s and 1950s
3941:"Pine Thomas to Lens more 'significant' pix if 'Lawless' clicks"
2593:
Based on the novel The Man Who Stole A Dream by L. S. Goldsmith
1146:
was sold off to other producers. Thomas announced he would make
28:
pictures," they said. "We just want to make a million dollars."
4096:
PECK SETS TERMS FOR METRO FILM New York Times 28 July 1956: 11.
4060:
Paramount Films Sold for TV Wall Street Journal 25 Apr 1955: 10
1186:
featuring recreations of actual military judicial proceedings.
451:
4087:
GOLDWYN LEAVES PRODUCERS GROUP New York Times 11 May 1955: 35.
4078:
PEGGY LEE SIGNS 3-FILM CONTRACT New York Times 3 June 1955: 26
2880:
John Payne, William Demarest, Agnes Mooreheard, Richard Arlen
2385:
Richard Denning, Sheila Ryan, Buster Crabbe, Mary Beth Hughes
1135:. Then in 1956 Shane took a contract to produce at Universal.
968:
Stories they bought but did not make around this time include
3141:
Jane Wyman, Charlton Heston, Claire Trevor, William Demarest
1726:
Based on a story by James Edward Grant, Howard Emmett Rogers
921:. They were increasingly aiming at the bigger budgeted area.
3840:"$ 750,000-$ 1,000,000 class held just right by Pine Thomas"
1194:
William Thomas produced three more films in the late 1970s.
765:
Pine-Thomas put Payne in two more films directed by Foster:
4153:
3052:
James Cagney, John Derek, Viveca Lindfors, Ernest Borgnine
1354:
Based on novel by Daniel Mainwaring (as "Geoffrey Homes").
686:
Pine felt that if a film's budget was less than $ 750,000:
569:
Pine Thomas decided to make a film based on the radio show
115:
made her debut. Arlen and Parker were in their third film,
2806:
John Payne, Rhonda Fleming, Forrest Tucker, Robert Lowery
2758:
Winston Miller, Daniel Maninwaring, George Worthing Yates
2731:
John Payne, Maureen O'Hara, Howard da Silva, Phillip Reed
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Brenda Joyce, Georgie Nokes, Robert Shayne, Ralph Sanford
1098:
becoming a partner. Pine's son Howard joined the company.
1545:
Richard Arlen, Jean Parker, William Henry, Ralph Sanford
1101:
Pine-Thomas-Shane made several films for United Artists:
3478:
William Paine, Filmmaker New York Times 30 Apr 1955: 17.
1880:
Robert Lowery, Phyllis Brooks, Mary Tree, Ralph Sanford
1777:
Robert Lowery, Ellen Drew, Regis Toomey, Elisha Cook Jr
1369:
Richard Arlen, Jean Parker, Phillip Terry, Dick Purcell
708:
Pine-Thomas' first million dollar movie was the Western
384:. At the end of the year, I fled to the hills and wrote
4188:
1345:
Chester Morris, Jean Parker, Dick Purcell, Rod Cameron
433:
Also in 1944 they signed a three-picture contract with
2656:
John Payne, Gail Russell, Jeffrey Lynn, Lon Chaney Jr
858:
who signed a three-picture contract with the company.
4293:
3688:. New South Wales, Australia. 10 June 1942. p. 3
2977:
John Payne, Jan Sterling, Colleen Gray, Lyle Bettger
1162:
In 1956 the Dollar Bills produced three unsuccessful
132:
Pine-Thomas Productions: Chester Morris Joins Company
4390:
3635:"Writing for Pine and Thomas a Hazardous Occupation"
1068:
In January 1955, Pine-Thomas signed a contract with
283:(1944). Arlen then left the company for some years.
3767:. University of California Press. pp. 196–197.
3265:
888:signed a contract with the company and appeared in
880:
552:Arlen returned to the company briefly to appear in
248:(1943), and signed another three-picture contract.
4134:Pine-Thomas Productions: A History and Filmography
3196:Edward G Robinson, Kevin McCarthy, Connie Russell
217:Pine-Thomas made four propaganda shorts including
125:who would helm many of the company's early films.
86:, a writer, and Doc Merman, a production manager.
36:
2505:William Gargan, Mary Beth Hughes, Richard Travis
2148:Richard Denning, Catherine Craig, Russell Hayden
585:and Lowery was popular enough for three sequels:
56:First Three Films: Picture Corporation of America
5029:
3259:Last film from the company. Based on a TV play.
1061:In 1955, Paramount sold 35 Pine-Thomas films to
2528:Richard Denning, Trudy Marshal, Damian O'Flynn
2408:William Eythe, Barbara Britton, Walter Catlett
1398:Lewis R. Foster, Richard Murphy, Maxwell Shane
959:The company made its first (and only) musical,
153:(1941), based on a novel by "Geoffrey Holmes" (
5048:Film production companies of the United States
4136:McFarland; Annotated edition (August 15, 2019)
4107:"Howard Pine Back at U, Bill Thomas Goes Solo"
3205:Based on story by Cornell Woolrich. Remake of
2551:William Gargan, Virginia Wells, Richard Crane
2073:Daniel Mainwaring, Winston Miller, Kae Salkow
1127:(1957) with Payne. They also made two pilots,
251:
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3004:Lewis Foster,Daniel Mainwaring, George Yates
1406:based on story by Foster & Alex Gottlieb
1040:. They also did a lower budgeted Payne film,
111:(1941) was another aviation film with Arlen;
3025:Fernando Lamas, Rhonda Fleming, Brian Keith
3001:Rhonda Fleming, Gene Barry, Agnes Moorehead
2755:Ronald Reagan, Bruce Bennett Rhonda Fleming
2704:MacDonald Carey, Gail Russell, Johnny Sands
1714:Chester Morris, Nancy Kelly, Russell Hayden
1626:Richard Arlen, Jean Parker, Russell Hayden,
1380:Story by Paul Franklin & Aaron Gottlieb
987:
3227:Martin Berkeley, Mary Costa, James Gregory
2680:John Payne, Rhonda Fleming, Dennis O'Keefe
2608:William Eythe, Kasey Rogers, George Reeves
2432:Richard Arlen, Jean Rogers, Richard Travis
1830:Chester Morris, Nancy Kelly, Phillip Terrt
1453:Chester Morris, Jean Parker, Richard Arlen
894:(1951) with Fleming. They were reteamed on
49:at the studio and worked on several films.
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3696:– via National Library of Australia.
3662:"Par Orders Six More from Pine and Thomas"
3158:
2779:John Payne, Dennis O'Keefe, Arleen Whelan
2333:Phil Reed, Hillary Brooke, Richard Travis
2309:Robert Lowery, Ann Savage, Barton MacLane
2255:Maxwell Shane, Kae Salkow, Winston Miller
2252:Jane Withers, Robert Lowery, Bill Edwards
2094:William Gargan, Jean Rogers, Phillip Reed
1395:Chester Morris, Jean Parker, Dick Purcell
1316:, Dick Purcell, Nils Asther, Marie Wilson
1297:. Made for Picture Corporation of America
1170:a Western about the U.S. Cavalry starring
762:was more "troublesome" at the box office.
183:, frequently appeared in the early films.
3935:
3933:
3085:John Payne, Mary Murphy, Eduardo Noriega
2980:Lewis Foster, Winston Miller, Frank Moss
2856:John Payne, Arlene Dahl, Cedric Harwicke
2195:Phil Reed, Hillary Brooke, Robert Lowery
1986:Maxwell Shane, Winston Miller, Ben Perry
233:(1942), which reteamed Arlen and Morris.
223:(1942), which featured Arlen and a young
3960:
3958:
3956:
3954:
3096:story by Martin Goldsmith, Jack Leonard
2926:Ray Milland, Wendell Corey, Arlene Dahl
1904:Jack Haley, Ann Savage, Barton MacLane,
1330:Made for Picture Corporation of America
1202:
1138:The following year, Howard Pine went to
312:(1944) he was teamed with Philip Terry.
265:(1943) with Arlen. The star was also in
259:Their first film under the new deal was
4047:
4045:
3914:
3912:
3825:
3512:
3510:
3508:
3506:
3504:
3502:
3034:Story by David Duncan, shot in 3D, aka
2903:Ronald Reagan, Rhonda Fleming, Esletia
2070:, Lola Lane, Byron Barr, Ralph Sanford
1839:Based on story by Miller, Ralph Graves
468:signed with the company and starred in
147:Morris' first film for the company was
5030:
3999:
3997:
3930:
3632:
3474:
3472:
3470:
4364:
4267:
4162:
3951:
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3561:
3559:
3557:
3555:
3553:
3551:
3541:
3539:
3537:
3535:
3533:
3531:
3446:, University Press of Kentucky, p. 33
3250:John Payne, Karen Steele, Paul Kelly
2935:The Neat Little Corpse by Max Murray
2665:Story by John Bagni & Gwen Bagni
1197:
501:Other stars for the company included
4042:
3909:
3797:"Pine Thomas Shelve Big Town Series"
3590:
3499:
2467:4th and last in the Big Town series
1157:
1089:
758:was a success, earning $ 2 million.
375:Some of these films were written by
3994:
3467:
2740:Based on story by Price and Miller
2237:Based on story by Cornel Woollrich
320:Pine-Thomas signed a contract with
13:
3580:"Pine, Thomas, Siegel's Par Units"
3548:
3528:
2043:Byron Barr, Keye Luke, Osa Massen
561:
14:
5064:
4143:
3633:Raison, Milton (7 January 1948).
3111:Fred MacMurray, Charlton Heston,
2360:Gene Lewis, Clarence Upson Young
2174:Daniel Mainwaring, Maxwell Shane
2046:Daniel Mainwaring, Maxwell Shane
1910:Daniel Mainwaring, Maxwell Shane
1494:Based on story by Joseph Hoffman
1047:
802:
633:
460:
3266:Produced by William Thomas alone
1285:Maxwell Shane, Edward Churchill
1250:Maxwell Shane, Edward Churchill
881:Ronald Reagan and Rhonda Fleming
398:In 1944, the partnership signed
315:
198:(1942) then both were teamed in
4126:
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3617:
3608:
3599:
3235:Based on novel by Lionel White
3209:. Pine-Thomas-Shane Production
3144:John Lee Mahin, Winston Miller
2829:Ronald Reagan, Rhonda Fleming,
2683:Lewis Foster, Daniel Manwaring
2611:Whitman Chambers, Lewis Foster
2587:Whitman Chambers, Lewis Foster
1854:Robert Lowery, Phyllis Brooks,
1752:Howard Green & Joe Bigalow
1509:Chester Morris, Richard Arlen,
1438:Based on story by North Bigbee
1052:In December 1954, after making
41:William Pine was a graduate of
37:William Pine and William Thomas
4020:. 24 February 1954. p. 3.
4014:"Pine-Thomas go for big films"
3990:. 11 February 1953. p. 7.
3803:. 26 November 1947. p. 6.
3586:. 11 December 1940. p. 3.
3572:
3481:
3458:
3449:
3436:
2455:Phillip Reed, Hillary Brooke,
1833:Maxwell Shane, Winston Miller
1810:Maxwell Shane, Winston Miller
1632:Maxwell Shane, Edward T. Lowe
1611:Based on novel by John Guedel
1485:, Dick Purcell, Ralph Sanford
1456:Maxwell Shane, Richard Murphy
1432:Maxwell Shane, Richard Murphy
1189:
1178:, a private eye show starring
1121:(1957) with Rory Calhoun; and
1063:Associated Artists Productions
121:(1941), which was directed by
1:
3846:. 26 January 1949. p. 7.
3761:McGilligan, Pat, ed. (1997).
3429:
2950:Fernando Lamas, Arlene Dahl,
2883:Lewis Foster, Winston Miller
2715:Based on novel by Mainwaring
2411:Maxwell Shane, Milton Raison
2261:Story by Salkow & Miller
2151:Maxwell Shane, Juliam Harmon
1976:William Gargan, Nancy Kelly,
1918:You'll Be the Death of Me Yet
1758:First musical. Appearance by
1686:, Jean Parker, William Henry
1572:, Nils Asther, Ralph Sanford
1481:Chester Morris, Jean Parker,
1084:The Mountains Have No Shadows
750:
739:(1949) which starred Hayden,
393:
64:, who had become famous with
3668:. 15 March 1942. p. 15.
3126:novel by Della Gould Emmons
2012:, Ozzie Nelson, Philip Reed
1548:Maxwell Shane, Lewis Foster
1488:Maxwell Shane, Howard Green
60:Pine and Thomas talked with
7:
4920:Those Redheads from Seattle
4113:. 10 April 1957. p. 3.
3036:Lost Treasure of the Amazon
2996:Those Redheads From Seattle
2782:Lewis Foster, Alvah Bessie
1663:Maxwell Shane, Edward Lowe
1581:Release delayed for a year
962:Those Redheads from Seattle
252:Renewed Deal with Paramount
94:(1941), starring Arlen and
10:
5069:
3947:. 10 May 1950. p. 14.
3821:. 11 June 1947. p. 3.
2859:Frank Moss, Edward Ludwig
2008:Jack Haley, Helen Walker,
1526:has small role. Filmed at
1142:and the company wound up.
450:(1946) with fellow former
31:
4994:
4399:
4302:
4197:
3984:"PT Near 75 Picture Mark"
3524:. 7 July 1943. p. 2.
3442:Dick, Bernard F. (2001).
3356:
3353:
3350:
3347:
3344:
3341:
3334:
3287:
3284:
3281:
3278:
3275:
3272:
3180:
3177:
3174:
3171:
3168:
3165:
2956:David Duncan, Frank Moss
2659:Lewis Foster, Gwen Bagni
2342:Third in Big Town series
1924:when sold to television.
1804:Jack Haley, Jean Parker,
1697:Naval Station Great Lakes
1224:
1221:
1218:
1215:
1212:
1209:
988:Final Films for Paramount
771:(1950) with Russell, and
300:Morris and Arlen were in
5043:Paramount Pictures films
3298:Cat Murkil and the Silks
2180:Based on the radio show
1786:Story by Paul Franklin,
1628:Guinn "Big Boy" Williams
1528:Harlingen Air Force Base
870:(1950) with Russell and
615:(1947) with Paul Kelly.
366:series (see below), and
5038:American film producers
4393:Pine-Thomas Productions
4150:Pine-Thomas Productions
3159:United Artists Features
2617:Story by Milton Raison
2417:Story by Thomas Ahearn
2226:, Ann Doran, Kay Scott
1889:Story by Milton Raison
1140:Universal-International
1036:(1955) with Heston and
813:Gentleman of the Jungle
17:Pine-Thomas Productions
4824:The Eagle and the Hawk
4768:Waterfront at Midnight
4432:No Hands on the Clock
4132:p.32 Tucker, David C.
2865:Story by Ellery Clark
2675:The Eagle and the Hawk
2500:Waterfront at Midnight
2368:Dead Freight for Piute
2293:Robert Louis Stevenson
1340:No Hands on the Clock
774:The Eagle and the Hawk
733:Forster also directed
693:
489:Waterfront at Midnight
192:(1942) and Morris did
4632:They Made Me a Killer
4211:They Made Me a Killer
4032:"Variety (July 1954)"
3890:"Variety (June 1949)"
3867:"Variety (June 1948)"
3708:"Variety (July 1942)"
2689:Story by Jess Arnold
2079:Story by Owen Franes
2061:They Made Me a Killer
1203:Released by Paramount
1072:to make three films,
1002:They produced three:
965:(1953) with Fleming.
688:
671:, both borrowed from
387:Build My Gallows High
351:They Made Me a Killer
150:No Hands on the Clock
5016:The Price of Victory
5003:A Letter from Bataan
4712:Big Town After Dark
4308:A Letter from Bataan
3410:The Price of Victory
3367:A Letter from Bataan
2986:Story by Karl Brown
2764:Story by David Lang
2328:Big Town After Dark
2318:Story by David Lang
2117:Johnny Weissmuller,
1466:& Mauri Grashin
1107:(1956), a remake of
408:(1944), followed by
360:(1947), some of the
220:A Letter from Bataan
4235:Big Town After Dark
917:and Danny Chang in
594:Big Town After Dark
105:Their second film,
43:Columbia University
5053:Paramount Pictures
4880:The Blazing Forest
4294:Films directed by
4189:Films directed by
3372:Richard Arlen and
3065:Harriet Frank, Jr.
2875:The Blazing Forest
2791:worked uncredited
2707:Daniel Mainwaring
2124:Daniel Mainwaring
2097:Daniel Mainwaring
1844:December 18, 1944
1820:December 18, 1944
1794:November 24, 1944
1673:February 25, 1944
1616:November 10, 1943
1462:Based on story by
1411:September 3, 1942
1198:Select filmography
1113:Edward G. Robinson
840:(1953, originally
831:The Blazing Forest
726:, and directed by
435:Johnny Weissmuller
163:The New York Times
140:and three to star
25:Paramount Pictures
5025:
5024:
4984:Bailout at 43,000
4680:Fear in the Night
4600:Follow That Woman
4576:Dangerous Passage
4560:One Body Too Many
4358:
4357:
4261:
4260:
4191:William C. Thomas
3685:National Advocate
3427:
3426:
3332:
3331:
3263:
3262:
3245:Bailout at 43,000
3207:Fear in the Night
3156:
3155:
2336:Whitman Chambers
2312:Whitman Chambers
2217:Fear in the Night
1971:Follow That Woman
1860:Daniel Manwaring
1849:Dangerous Passage
1799:One Body Too Many
1642:January 13, 1944
1464:Robert T. Shannon
1443:November 7, 1942
1359:January 24, 1942
1335:December 1, 1941
1164:television pilots
1158:Television pilots
1148:The Calender Epic
1124:Bailout at 43,000
1109:Fear in the Night
1090:Pine-Thomas-Shane
701:(1948), starring
673:David O. Selznick
612:Fear in the Night
477:Follow That Woman
411:One Body Too Many
377:Daniel Mainwaring
339:Dangerous Passage
236:Morris then made
155:Daniel Mainwaring
100:Cecil B. De Mille
47:Cecil B. De Mille
5060:
5010:We Refuse to Die
4944:The Far Horizons
4848:The Last Outpost
4752:Big Town Scandal
4696:Adventure Island
4672:I Cover Big Town
4656:Seven Were Saved
4616:People Are Funny
4592:Midnight Manhunt
4536:Gambler's Choice
4448:I Live on Danger
4385:
4378:
4371:
4362:
4361:
4332:Seven Were Saved
4288:
4281:
4274:
4265:
4264:
4243:Big Town Scandal
4227:I Cover Big Town
4203:Midnight Manhunt
4183:
4176:
4169:
4160:
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3698:
3697:
3695:
3693:
3680:"HOLLYWOOD NEWS"
3676:
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3447:
3440:
3391:We Refuse to Die
3339:
3338:
3318:High Seas Hijack
3270:
3269:
3163:
3162:
3106:The Far Horizons
2841:Story by Foster
2750:The Last Outpost
2457:Stanley Clements
2450:Big Town Scandal
2271:Adventure Island
2190:I Cover Big Town
2143:Seven Were Saved
2121:, Virginia Grey
2027:Frances Langford
2003:People Are Funny
1934:Midnight Manhunt
1922:Treasure of Fear
1788:Charles F. Royal
1747:Mary Beth Hughes
1743:Harriet Hilliard
1709:Gambler's Choice
1654:Mary Beth Hughes
1607:William A. Berke
1600:, William Henry
1596:Chester Morris,
1390:I Live on Danger
1302:August 29, 1941
1281:J. Carroll Naish
1207:
1206:
1144:Lincoln McKeever
1080:Lincoln McKeever
1019:The Far Horizons
978:Command Decision
891:The Last Outpost
714:(1949) starring
660:Adventure Island
600:Big Town Scandal
588:I Cover Big Town
581:(1947) starring
518:Seven Were Saved
471:Midnight Manhunt
427:People Are Funny
303:Gambler's Choice
195:I Live on Danger
5068:
5067:
5063:
5062:
5061:
5059:
5058:
5057:
5028:
5027:
5026:
5021:
4990:
4568:Double Exposure
4504:Submarine Alert
4395:
4389:
4359:
4354:
4298:
4296:William H. Pine
4292:
4262:
4257:
4193:
4187:
4146:
4141:
4140:
4131:
4127:
4122:
4118:
4105:
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3450:
3441:
3437:
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3337:
3268:
3256:Francis D Lyon
3161:
3118:Winston Miller
3115:, Barbara Hale
3055:Winston Miller
3028:Winston Miller
2952:Patricia Medina
2835:Winston Miller
2734:Winston Miller
2614:William Thomas
2579:Sterling Hayden
2508:Bernard Girard
2464:William Thomas
2414:Frank McDonald
2339:William Thomas
2224:DeForest Kelley
2201:William Thomas
2177:William Thomas
2133:has small role
2076:William Thomas
2068:Barbara Britton
2066:Robert Lowery,
1959:William Thomas
1913:Frank McDonald
1825:Double Exposure
1813:Frank McDonald
1767:September 1944
1755:Frank McDonald
1749:, Arline Judge
1723:Frank McDonald
1717:Maxwell Shane,
1704:April 27, 1944
1666:Frank McDonald
1660:, Dick Purcell
1652:Richard Arlen,
1578:Frank McDonald
1568:Richard Arlen,
1563:Submarine Alert
1551:Frank McDonald
1513:, Dick Purcell
1491:Frank McDonald
1471:March 27, 1943
1459:Frank McDonald
1435:Frank McDonald
1421:Richard Arlen,
1351:Frank McDonald
1319:Maxwell Shane,
1312:Richard Arlen,
1295:Dimitri Tiomkin
1271:Richard Arlen,
1205:
1200:
1192:
1160:
1092:
1050:
1028:Charlton Heston
990:
944:and Fleming in
883:
872:MacDonald Carey
805:
753:
728:Lewis R. Foster
720:Sterling Hayden
636:
619:minimum cost."
567:
513:Richard Denning
463:
396:
318:
309:Double Exposure
268:Submarine Alert
254:
134:
58:
39:
34:
19:was a prolific
12:
11:
5:
5066:
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5055:
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5019:
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4932:
4924:
4916:
4912:The Vanquished
4908:
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4868:
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4748:
4744:Speed to Spare
4740:
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4508:
4500:
4496:Alaska Highway
4492:
4488:High Explosive
4484:
4476:
4468:
4460:
4452:
4444:
4436:
4428:
4420:
4416:Forced Landing
4412:
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4380:
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4365:
4356:
4355:
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4320:
4312:
4311:(1942) (short)
4303:
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4207:
4198:
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4185:
4178:
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4156:
4145:
4144:External links
4142:
4139:
4138:
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4089:
4080:
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3498:
3489:"William Pine"
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3231:Robert Stevens
3228:
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3203:
3202:Maxwell Shane
3200:
3199:Maxwell Shane
3197:
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3148:Robert Parrish
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3088:Maxwell Shane
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3069:Irving Ravetch
3061:
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3039:
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3031:Edward Ludwig
3029:
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3023:
3016:
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3008:
3005:
3002:
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2992:
2988:
2987:
2984:
2983:Edward Ludwig
2981:
2978:
2975:
2972:The Vanquished
2968:
2964:
2963:
2960:
2959:Edward Ludwig
2957:
2954:
2948:
2941:
2937:
2936:
2933:
2930:
2927:
2924:
2917:
2913:
2912:
2910:
2907:
2904:
2901:
2894:
2890:
2889:
2887:
2886:Edward Ludwig
2884:
2881:
2878:
2871:
2867:
2866:
2863:
2862:Edward Ludwig
2860:
2857:
2854:
2847:
2843:
2842:
2839:
2836:
2833:
2827:
2820:
2816:
2815:
2813:
2810:
2807:
2804:
2797:
2793:
2792:
2786:
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2780:
2777:
2770:
2766:
2765:
2762:
2759:
2756:
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2735:
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2721:
2717:
2716:
2713:
2708:
2705:
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2695:
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2681:
2678:
2671:
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2657:
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2647:
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2642:
2639:
2636:
2633:
2630:
2623:
2619:
2618:
2615:
2612:
2609:
2606:
2599:
2595:
2594:
2591:
2588:
2585:
2575:Dorothy Lamour
2572:
2565:
2561:
2560:
2558:
2555:
2554:Milton Raison
2552:
2549:
2542:
2538:
2537:
2535:
2532:
2531:Thomas Ahearn
2529:
2526:
2519:
2515:
2514:
2512:
2511:William Berke
2509:
2506:
2503:
2496:
2492:
2491:
2489:
2488:Robert Tansey
2486:
2485:Maxwell Shane
2483:
2480:
2473:
2469:
2468:
2465:
2462:
2461:Milton Raison
2459:
2453:
2446:
2442:
2441:
2439:
2438:William Berke
2436:
2435:Milton Raison
2433:
2430:
2427:Speed to Spare
2423:
2419:
2418:
2415:
2412:
2409:
2406:
2399:
2395:
2394:
2392:
2391:William Berke
2389:
2386:
2383:
2376:
2372:
2371:
2364:
2361:
2358:
2355:
2348:
2344:
2343:
2340:
2337:
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2324:
2320:
2319:
2316:
2313:
2310:
2307:
2300:
2296:
2295:
2283:
2280:
2279:Maxwell Shane
2277:
2274:
2267:
2263:
2262:
2259:
2256:
2253:
2250:
2243:
2239:
2238:
2235:
2230:
2229:Maxwell Shane
2227:
2220:
2213:
2209:
2208:
2202:
2199:
2198:Maxwell Shane
2196:
2193:
2186:
2182:
2181:
2178:
2175:
2172:
2169:
2162:
2158:
2157:
2155:
2152:
2149:
2146:
2139:
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2071:
2064:
2057:
2053:
2052:
2050:
2047:
2044:
2041:
2034:
2030:
2029:
2023:Art Linkletter
2019:
2016:
2015:Maxwell Shane
2013:
2006:
1999:
1995:
1994:
1992:
1987:
1984:
1974:
1967:
1963:
1962:
1960:
1957:
1954:
1940:William Gargan
1937:
1930:
1926:
1925:
1914:
1911:
1908:
1902:
1895:
1891:
1890:
1887:
1886:William Berke
1884:
1883:Maxwell Shane
1881:
1878:
1871:
1870:February 1945
1867:
1866:
1864:
1863:William Berke
1861:
1858:
1852:
1845:
1841:
1840:
1837:
1836:William Berke
1834:
1831:
1828:
1821:
1817:
1816:
1814:
1811:
1808:
1802:
1795:
1791:
1790:
1784:
1783:William Berke
1781:
1780:Maxwell Shane
1778:
1775:
1768:
1764:
1763:
1756:
1753:
1750:
1739:
1732:
1728:
1727:
1724:
1721:
1715:
1712:
1705:
1701:
1700:
1693:
1692:William Berke
1690:
1689:Maxwell Shane
1687:
1681:
1674:
1670:
1669:
1667:
1664:
1661:
1650:
1643:
1639:
1638:
1636:
1635:William Berke
1633:
1630:
1624:
1617:
1613:
1612:
1609:
1604:
1603:Maxwell Shane
1601:
1594:
1587:
1583:
1582:
1579:
1576:
1575:Maxwell Shane
1573:
1566:
1559:
1558:June 28, 1943
1555:
1554:
1552:
1549:
1546:
1543:
1540:Alaska Highway
1536:
1535:June 24, 1943
1532:
1531:
1524:Robert Mitchum
1520:
1517:
1516:Maxwell Shane
1514:
1507:
1500:
1496:
1495:
1492:
1489:
1486:
1483:Barry Sullivan
1479:
1476:High Explosive
1472:
1468:
1467:
1460:
1457:
1454:
1451:
1444:
1440:
1439:
1436:
1433:
1430:
1419:
1412:
1408:
1407:
1404:
1399:
1396:
1393:
1386:
1385:June 16, 1942
1382:
1381:
1378:
1373:
1372:Maxwell Shane
1370:
1367:
1360:
1356:
1355:
1352:
1349:
1348:Maxwell Shane
1346:
1343:
1336:
1332:
1331:
1328:
1326:Frank McDonald
1323:
1321:Richard Murphy
1317:
1310:
1303:
1299:
1298:
1291:
1286:
1283:
1269:
1266:Forced Landing
1262:
1261:July 11, 1941
1258:
1257:
1254:
1253:James P Hogan
1251:
1248:
1238:
1231:
1227:
1226:
1223:
1220:
1217:
1214:
1211:
1204:
1201:
1199:
1196:
1191:
1188:
1180:William Bishop
1176:Johnny Pilgrim
1159:
1156:
1129:Johnny Pilgrim
1091:
1088:
1070:United Artists
1049:
1048:United Artists
1046:
1024:Fred MacMurray
989:
986:
942:Fernando Lamas
915:Blazing Forest
882:
879:
852:Caribbean Gold
837:The Vanquished
825:Caribbean Gold
804:
803:Into the 1950s
801:
785:Maureen O'Hara
752:
749:
741:Dorothy Lamour
703:Randolph Scott
669:Rhonda Fleming
635:
634:Rising Budgets
632:
566:
560:
555:Speed to Spare
466:William Gargan
462:
461:William Gargan
459:
395:
392:
317:
314:
295:Russell Hayden
262:Alaska Highway
253:
250:
239:High Explosive
142:Chester Morris
133:
130:
108:Forced Landing
76:Forced Landing
57:
54:
38:
35:
33:
30:
9:
6:
4:
3:
2:
5065:
5054:
5051:
5049:
5046:
5044:
5041:
5039:
5036:
5035:
5033:
5017:
5014:
5011:
5008:
5005:
5004:
5000:
4999:
4997:
4993:
4986:
4985:
4981:
4978:
4977:
4976:The Big Caper
4973:
4970:
4969:
4965:
4962:
4961:
4957:
4954:
4953:
4952:Hell's Island
4949:
4946:
4945:
4941:
4938:
4937:
4936:Run for Cover
4933:
4930:
4929:
4925:
4922:
4921:
4917:
4914:
4913:
4909:
4906:
4905:
4901:
4898:
4897:
4893:
4890:
4889:
4885:
4882:
4881:
4877:
4874:
4873:
4869:
4866:
4865:
4861:
4858:
4857:
4853:
4850:
4849:
4845:
4842:
4841:
4837:
4834:
4833:
4829:
4826:
4825:
4821:
4818:
4817:
4816:Captain China
4813:
4810:
4809:
4805:
4802:
4801:
4800:Special Agent
4797:
4794:
4793:
4789:
4786:
4785:
4781:
4778:
4777:
4773:
4770:
4769:
4765:
4762:
4761:
4757:
4754:
4753:
4749:
4746:
4745:
4741:
4738:
4737:
4733:
4730:
4729:
4725:
4722:
4721:
4717:
4714:
4713:
4709:
4706:
4705:
4704:Jungle Flight
4701:
4698:
4697:
4693:
4690:
4689:
4688:Danger Street
4685:
4682:
4681:
4677:
4674:
4673:
4669:
4666:
4665:
4661:
4658:
4657:
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4581:
4578:
4577:
4573:
4570:
4569:
4565:
4562:
4561:
4557:
4554:
4553:
4552:Dark Mountain
4549:
4546:
4545:
4541:
4538:
4537:
4533:
4530:
4529:
4525:
4522:
4521:
4517:
4514:
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4509:
4506:
4505:
4501:
4498:
4497:
4493:
4490:
4489:
4485:
4482:
4481:
4480:Aerial Gunner
4477:
4474:
4473:
4469:
4466:
4465:
4464:Wrecking Crew
4461:
4458:
4457:
4453:
4450:
4449:
4445:
4442:
4441:
4437:
4434:
4433:
4429:
4426:
4425:
4421:
4418:
4417:
4413:
4410:
4409:
4405:
4404:
4402:
4400:Feature Films
4398:
4394:
4386:
4381:
4379:
4374:
4372:
4367:
4366:
4363:
4350:
4349:
4345:
4342:
4341:
4337:
4334:
4333:
4329:
4326:
4325:
4321:
4318:
4317:
4316:Aerial Gunner
4313:
4310:
4309:
4305:
4304:
4301:
4297:
4289:
4284:
4282:
4277:
4275:
4270:
4269:
4266:
4253:
4252:
4251:Special Agent
4248:
4245:
4244:
4240:
4237:
4236:
4232:
4229:
4228:
4224:
4221:
4220:
4216:
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4208:
4205:
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4200:
4199:
4196:
4192:
4184:
4179:
4177:
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4135:
4129:
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4093:
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4075:
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4019:
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3998:
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3942:
3936:
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3924:
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3891:
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3868:
3862:
3853:
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3829:
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3798:
3792:
3783:
3774:
3766:
3765:
3757:
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3713:
3709:
3703:
3687:
3686:
3681:
3675:
3667:
3663:
3657:
3648:
3641:. p. 47.
3640:
3636:
3629:
3620:
3611:
3602:
3593:
3585:
3581:
3575:
3566:
3564:
3562:
3560:
3558:
3556:
3554:
3552:
3542:
3540:
3538:
3536:
3534:
3532:
3523:
3519:
3513:
3511:
3509:
3507:
3505:
3503:
3494:
3490:
3484:
3475:
3473:
3471:
3461:
3452:
3445:
3439:
3435:
3423:
3420:
3418:
3416:
3415:Henry Wallace
3413:
3411:
3408:
3405:
3404:
3401:
3398:
3396:
3394:
3392:
3389:
3386:
3385:
3382:
3379:
3377:
3375:
3374:Susan Hayward
3371:
3369:
3368:
3364:
3361:
3360:
3342:Release date
3340:
3328:
3326:
3324:
3322:
3320:
3319:
3315:
3312:
3311:
3308:
3306:
3304:
3302:
3300:
3299:
3295:
3292:
3291:
3273:Release date
3271:
3258:
3255:
3252:
3249:
3247:
3246:
3242:
3239:
3238:
3234:
3232:
3229:
3226:
3224:Rory Calhoun
3223:
3221:
3220:
3219:The Big Caper
3216:
3214:Mar 28, 1957
3213:
3212:
3208:
3204:
3201:
3198:
3195:
3193:
3192:
3188:
3186:May 11, 1956
3185:
3184:
3166:Release date
3164:
3151:
3149:
3146:
3143:
3140:
3138:
3137:
3133:
3131:Oct 20, 1955
3130:
3129:
3125:
3123:
3120:
3117:
3114:
3110:
3108:
3107:
3103:
3100:
3099:
3095:
3093:
3090:
3087:
3084:
3082:
3081:
3080:Hell's Island
3077:
3074:
3073:
3070:
3066:
3062:
3060:
3057:
3054:
3051:
3049:
3048:
3047:Run for Cover
3044:
3042:Apr 20, 1955
3041:
3040:
3037:
3033:
3030:
3027:
3024:
3022:
3021:
3017:
3015:Feb 12, 1954
3014:
3013:
3009:
3007:Lewis Foster
3006:
3003:
3000:
2998:
2997:
2993:
2991:Sep 23, 1953
2990:
2989:
2985:
2982:
2979:
2976:
2974:
2973:
2969:
2966:
2965:
2961:
2958:
2955:
2953:
2949:
2947:
2946:
2942:
2940:May 27, 1953
2939:
2938:
2934:
2932:Lewis Foster
2931:
2929:Lewis Foster
2928:
2925:
2923:
2922:
2918:
2916:Apr 22, 1953
2915:
2914:
2911:
2909:Lewis Foster
2908:
2906:Lewis Foster
2905:
2902:
2900:
2899:
2895:
2893:Jan 14, 1953
2892:
2891:
2888:
2885:
2882:
2879:
2877:
2876:
2872:
2869:
2868:
2864:
2861:
2858:
2855:
2853:
2852:
2848:
2845:
2844:
2840:
2838:Lewis Foster
2837:
2834:
2832:
2828:
2826:
2825:
2821:
2819:Jan 12, 1952
2818:
2817:
2814:
2812:Lewis Foster
2811:
2809:Lewis Foster
2808:
2805:
2803:
2802:
2798:
2795:
2794:
2790:
2787:
2785:Lewis Foster
2784:
2781:
2778:
2776:
2775:
2771:
2769:Aug 30, 1951
2768:
2767:
2763:
2761:Lewis Foster
2760:
2757:
2754:
2752:
2751:
2747:
2744:
2743:
2739:
2736:
2733:
2730:
2727:
2726:
2722:
2719:
2718:
2714:
2712:
2709:
2706:
2703:
2701:
2700:
2696:
2693:
2692:
2688:
2686:Lewis Foster
2685:
2682:
2679:
2677:
2676:
2672:
2670:May 30, 1950
2669:
2668:
2664:
2662:Lewis Foster
2661:
2658:
2655:
2653:
2652:
2651:Captain China
2648:
2645:
2644:
2640:
2638:Lewis Foster
2637:
2635:Lewis Foster
2634:
2631:
2629:
2628:
2624:
2621:
2620:
2616:
2613:
2610:
2607:
2605:
2604:
2603:Special Agent
2600:
2598:Jul 22, 1949
2597:
2596:
2592:
2590:Lewis Foster
2589:
2586:
2584:
2580:
2576:
2573:
2571:
2570:
2566:
2564:Jul 21, 1949
2563:
2562:
2559:
2557:William Pine
2556:
2553:
2550:
2548:
2547:
2543:
2541:Jan 18, 1948
2540:
2539:
2536:
2534:William Pine
2533:
2530:
2527:
2525:
2524:
2520:
2517:
2516:
2513:
2510:
2507:
2504:
2502:
2501:
2497:
2495:Jun 25, 1948
2494:
2493:
2490:
2487:
2484:
2481:
2479:
2478:
2474:
2472:Jun 11, 1948
2471:
2470:
2466:
2463:
2460:
2458:
2454:
2452:
2451:
2447:
2445:May 27, 1948
2444:
2443:
2440:
2437:
2434:
2431:
2429:
2428:
2424:
2422:May 14, 1948
2421:
2420:
2416:
2413:
2410:
2407:
2405:
2404:
2400:
2398:Mar 26, 1948
2397:
2396:
2393:
2390:
2387:
2384:
2382:
2381:
2377:
2374:
2373:
2369:
2365:
2362:
2359:
2356:
2354:
2353:
2349:
2347:Feb 20, 1948
2346:
2345:
2341:
2338:
2335:
2332:
2330:
2329:
2325:
2323:Dec 12, 1947
2322:
2321:
2317:
2315:Sam Newfield
2314:
2311:
2308:
2306:
2305:
2304:Jungle Flight
2301:
2299:Aug 22, 1947
2298:
2297:
2294:
2290:
2289:
2284:
2282:Sam Newfield
2281:
2278:
2275:
2273:
2272:
2268:
2266:Aug 13, 1947
2265:
2264:
2260:
2257:
2254:
2251:
2249:
2248:
2247:Danger Street
2244:
2242:Jun 20, 1947
2241:
2240:
2236:
2234:
2233:Maxwell Shane
2231:
2228:
2225:
2221:
2219:
2218:
2214:
2212:Apr 18, 1947
2211:
2210:
2207:
2203:
2200:
2197:
2194:
2192:
2191:
2187:
2185:Feb 27, 1947
2184:
2183:
2179:
2176:
2173:
2170:
2168:
2167:
2163:
2161:May 23, 1947
2160:
2159:
2156:
2154:William Pine
2153:
2150:
2147:
2145:
2144:
2140:
2138:Mar 28, 1947
2137:
2136:
2132:
2131:David Janssen
2129:
2127:William Pine
2126:
2123:
2120:
2119:Buster Crabbe
2116:
2114:
2113:
2109:
2106:
2105:
2102:
2099:
2096:
2093:
2091:
2090:
2086:
2084:Jun 28, 1946
2083:
2082:
2078:
2075:
2072:
2069:
2065:
2063:
2062:
2058:
2055:
2054:
2051:
2048:
2045:
2042:
2040:
2039:
2035:
2032:
2031:
2028:
2024:
2020:
2017:
2014:
2011:
2007:
2005:
2004:
2000:
1998:Jan 11, 1946
1997:
1996:
1993:
1991:
1988:
1985:
1983:
1979:
1975:
1973:
1972:
1968:
1966:Dec 14, 1945
1965:
1964:
1961:
1958:
1955:
1953:
1949:
1945:
1941:
1938:
1936:
1935:
1931:
1929:Jul 24, 1945
1928:
1927:
1923:
1919:
1915:
1912:
1909:
1907:
1906:Veda Ann Borg
1903:
1901:
1900:
1896:
1894:Jun 22, 1945
1893:
1892:
1888:
1885:
1882:
1879:
1877:
1876:
1872:
1869:
1868:
1865:
1862:
1859:
1857:
1853:
1851:
1850:
1846:
1843:
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1835:
1832:
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1815:
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1803:
1801:
1800:
1796:
1793:
1792:
1789:
1785:
1782:
1779:
1776:
1774:
1773:
1772:Dark Mountain
1769:
1766:
1765:
1761:
1757:
1754:
1751:
1748:
1744:
1740:
1738:
1737:
1733:
1731:June 9, 1944
1730:
1729:
1725:
1722:
1720:
1716:
1713:
1711:
1710:
1706:
1703:
1702:
1698:
1694:
1691:
1688:
1685:
1684:Robert Lowery
1682:
1680:
1679:
1675:
1672:
1671:
1668:
1665:
1662:
1659:
1655:
1651:
1649:
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1637:
1634:
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1610:
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1599:
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1588:
1585:
1584:
1580:
1577:
1574:
1571:
1567:
1565:
1564:
1560:
1557:
1556:
1553:
1550:
1547:
1544:
1542:
1541:
1537:
1534:
1533:
1529:
1525:
1521:
1519:William Pine
1518:
1515:
1512:
1508:
1506:
1505:
1504:Aerial Gunner
1501:
1498:
1497:
1493:
1490:
1487:
1484:
1480:
1478:
1477:
1473:
1470:
1469:
1465:
1461:
1458:
1455:
1452:
1450:
1449:
1448:Wrecking Crew
1445:
1442:
1441:
1437:
1434:
1431:
1428:
1427:Buster Crabbe
1424:
1420:
1418:
1417:
1413:
1410:
1409:
1405:
1403:
1400:
1397:
1394:
1392:
1391:
1387:
1384:
1383:
1379:
1377:
1374:
1371:
1368:
1366:
1365:
1361:
1358:
1357:
1353:
1350:
1347:
1344:
1342:
1341:
1337:
1334:
1333:
1329:
1327:
1324:
1322:
1318:
1315:
1311:
1309:
1308:
1304:
1301:
1300:
1296:
1292:
1290:
1287:
1284:
1282:
1278:
1274:
1270:
1268:
1267:
1263:
1260:
1259:
1255:
1252:
1249:
1247:, Don Castle
1246:
1242:
1241:Richard Arlen
1239:
1237:
1236:
1232:
1230:May 28, 1941
1229:
1228:
1210:Release date
1208:
1195:
1187:
1185:
1184:Court-Martial
1181:
1177:
1173:
1169:
1165:
1155:
1153:
1149:
1145:
1141:
1136:
1134:
1130:
1126:
1125:
1120:
1119:
1118:The Big Caper
1114:
1110:
1106:
1105:
1099:
1097:
1096:Maxwell Shane
1087:
1085:
1081:
1077:
1076:
1075:The Big Caper
1071:
1066:
1064:
1059:
1057:
1056:
1045:
1043:
1042:Hell's Island
1039:
1035:
1034:
1029:
1025:
1021:
1020:
1015:
1011:
1007:
1006:
1005:Run for Cover
1000:
997:
994:
985:
981:
979:
975:
971:
966:
964:
963:
957:
955:
954:
949:
948:
943:
939:
938:
933:
929:
927:
922:
920:
916:
911:
907:
905:
904:
899:
898:
893:
892:
887:
886:Ronald Reagan
878:
875:
873:
869:
868:
863:
859:
857:
853:
849:
848:
847:Hell's Island
843:
839:
838:
833:
832:
827:
826:
820:
818:
814:
810:
800:
798:
797:
792:
791:
786:
782:
781:
776:
775:
770:
769:
768:Captain China
763:
761:
757:
748:
746:
742:
738:
737:
731:
729:
725:
721:
717:
713:
712:
706:
704:
700:
699:
692:
687:
684:
680:
678:
674:
670:
666:
662:
661:
656:
652:
651:
645:
643:
642:
631:
627:
624:
620:
616:
614:
613:
607:
604:
602:
601:
596:
595:
590:
589:
584:
580:
579:
574:
573:
564:
559:
557:
556:
550:
548:
547:
546:Special Agent
542:
541:
536:
535:William Eythe
532:
531:
526:
525:
520:
519:
514:
510:
509:
504:
499:
497:
496:
491:
490:
485:
484:
479:
478:
473:
472:
467:
458:
456:
455:Buster Crabbe
453:
449:
448:
443:
440:
436:
431:
429:
428:
423:
422:
417:
413:
412:
407:
406:
401:
391:
389:
388:
383:
378:
373:
371:
370:
369:Jungle Flight
365:
364:
359:
358:
357:Danger Street
353:
352:
347:
346:
341:
340:
335:
334:
333:Dark Mountain
329:
328:
323:
322:Robert Lowery
316:Robert Lowery
313:
311:
310:
305:
304:
298:
296:
291:
289:
286:In July 1943
284:
282:
281:
276:
275:
270:
269:
264:
263:
257:
249:
247:
246:
241:
240:
234:
232:
231:
230:Aerial Gunner
226:
225:Susan Hayward
222:
221:
215:
212:
211:
205:
203:
202:
201:Wrecking Crew
197:
196:
191:
190:
186:Arlen was in
184:
182:
178:
177:
171:
167:
165:
164:
158:
156:
152:
151:
145:
143:
139:
138:Richard Arlen
129:
126:
124:
123:John McDonald
120:
119:
114:
110:
109:
103:
101:
97:
93:
92:
87:
85:
84:Maxwell Shane
81:
77:
73:
69:
68:
63:
62:Richard Arlen
53:
50:
48:
44:
29:
26:
22:
18:
5015:
5009:
5001:
4982:
4974:
4966:
4960:Lucy Gallant
4958:
4950:
4942:
4934:
4926:
4918:
4910:
4902:
4894:
4886:
4878:
4870:
4862:
4856:Passage West
4854:
4846:
4838:
4830:
4822:
4814:
4806:
4798:
4790:
4782:
4774:
4766:
4758:
4750:
4742:
4736:Mr. Reckless
4734:
4726:
4718:
4710:
4702:
4694:
4686:
4678:
4670:
4662:
4654:
4646:
4638:
4630:
4622:
4614:
4608:Scared Stiff
4606:
4598:
4590:
4584:High Powered
4582:
4574:
4566:
4558:
4550:
4542:
4534:
4528:The Navy Way
4526:
4520:Timber Queen
4518:
4510:
4502:
4494:
4486:
4478:
4470:
4462:
4454:
4446:
4440:Torpedo Boat
4438:
4430:
4424:Flying Blind
4422:
4414:
4406:
4392:
4346:
4338:
4330:
4322:
4314:
4306:
4249:
4241:
4233:
4225:
4217:
4209:
4201:
4133:
4128:
4119:
4110:
4101:
4092:
4083:
4074:
4065:
4056:
4035:
4026:
4017:
4008:
3987:
3978:
3969:
3944:
3923:
3902:
3893:
3884:
3875:
3861:
3852:
3843:
3818:
3815:"Par Ups Bs"
3809:
3800:
3791:
3782:
3773:
3763:
3756:
3747:
3738:
3729:
3720:
3711:
3702:
3690:. Retrieved
3683:
3674:
3665:
3656:
3647:
3638:
3628:
3619:
3610:
3601:
3592:
3583:
3574:
3521:
3492:
3483:
3460:
3451:
3443:
3438:
3409:
3390:
3365:
3316:
3296:
3253:Paul Monash
3243:
3240:May 1, 1957
3217:
3206:
3189:
3136:Lucy Gallant
3134:
3122:Rudolph Mate
3104:
3092:Phil Karlson
3078:
3075:May 6, 1955
3059:Nicholas Ray
3045:
3035:
3018:
2994:
2970:
2967:Jun 3, 1953
2943:
2919:
2896:
2873:
2849:
2822:
2799:
2796:Dec 6, 1951
2789:Alvah Bessie
2774:Passage West
2772:
2748:
2745:Apr 4, 1951
2723:
2720:Nov 9, 1950
2711:Joseph Losey
2697:
2694:Jun 1, 1950
2673:
2649:
2646:Feb 2, 1950
2625:
2622:Aug 5, 1949
2601:
2567:
2544:
2521:
2518:Dec 3, 1948
2498:
2475:
2448:
2425:
2403:Mr. Reckless
2401:
2378:
2375:Mar 5, 1948
2367:
2363:Ray Enright
2350:
2326:
2302:
2288:The Ebb Tide
2286:
2269:
2258:Lew Landers
2245:
2222:Paul Kelly,
2215:
2205:
2188:
2164:
2141:
2110:
2107:Sep 6, 1946
2100:Lew Landers
2087:
2059:
2056:May 3, 1946
2049:Lew Landers
2036:
2033:Feb 8, 1946
2001:
1978:Regis Toomey
1969:
1952:George Zucco
1932:
1921:
1917:
1899:Scared Stiff
1897:
1875:High Powered
1873:
1847:
1823:
1797:
1770:
1760:Ozzie Nelson
1741:Jack Haley,
1734:
1707:
1678:The Navy Way
1676:
1647:Timber Queen
1645:
1619:
1589:
1586:August 1943
1570:Wendy Barrie
1561:
1538:
1502:
1499:May 9, 1943
1474:
1446:
1423:Arline Judge
1414:
1388:
1376:John Rawlins
1364:Torpedo Boat
1362:
1338:
1307:Flying Blind
1305:
1289:Gordon Wiles
1264:
1233:
1193:
1183:
1175:
1167:
1161:
1151:
1147:
1143:
1137:
1132:
1128:
1122:
1116:
1108:
1102:
1100:
1093:
1083:
1079:
1073:
1067:
1060:
1055:Lucy Gallant
1053:
1051:
1041:
1033:Lucy Gallant
1031:
1022:(1955) with
1017:
1014:Nicholas Ray
1012:directed by
1010:James Cagney
1003:
1001:
998:
995:
991:
982:
977:
974:High Tension
973:
969:
967:
960:
958:
951:
945:
935:
930:
926:Hedda Hopper
923:
918:
914:
912:
908:
901:
895:
889:
884:
876:
865:
862:Joseph Losey
860:
851:
845:
841:
835:
829:
823:
821:
816:
812:
809:High Tension
808:
806:
794:
790:Passage West
788:
783:(1950) with
778:
772:
766:
764:
759:
755:
754:
734:
732:
724:Gail Russell
709:
707:
696:
694:
689:
685:
681:
665:Rory Calhoun
663:(1947) with
658:
655:Brenda Joyce
653:(1948) with
648:
646:
639:
637:
628:
625:
621:
617:
610:
608:
605:
598:
592:
586:
583:Phillip Reed
576:
570:
568:
562:
553:
551:
544:
540:Mr. Reckless
538:
528:
522:
516:
506:
500:
493:
487:
481:
475:
469:
464:
445:
442:RKO Pictures
432:
425:
421:Scared Stiff
419:
414:(1944) with
409:
403:
397:
385:
381:
374:
367:
361:
355:
349:
345:High Powered
343:
337:
331:
327:The Navy Way
325:
319:
307:
301:
299:
292:
287:
285:
280:Timber Queen
278:
272:
266:
260:
258:
255:
243:
237:
235:
228:
218:
216:
208:
206:
199:
193:
187:
185:
176:Torpedo Boat
174:
172:
168:
161:
159:
148:
146:
135:
127:
118:Flying Blind
116:
106:
104:
89:
88:
80:Flying Blind
79:
75:
71:
65:
59:
51:
40:
16:
15:
4995:Short Films
4896:Jamaica Run
4888:Tropic Zone
4832:The Lawless
4720:Albuquerque
4544:Take It Big
4512:Minesweeper
2921:Jamaica Run
2898:Tropic Zone
2831:Nigel Bruce
2737:Will Price
2699:The Lawless
2388:David Lang
2352:Albuquerque
2010:Rudy Vallee
1990:Lew Landers
1956:David Lang
1920:; retitled
1856:Jack La Rue
1806:Bela Lugosi
1736:Take It Big
1719:Irving Reis
1621:Minesweeper
1598:Nancy Kelly
1511:Jimmy Lydon
1314:Jean Parker
1277:Nils Asther
1245:Jean Parker
1190:Later Films
1152:Key Witness
950:(1953) and
940:(1953) and
937:Jamaica Run
934:starred in
932:Ray Milland
903:Tropic Zone
900:(1951) and
867:The Lawless
856:Arlene Dahl
854:co-starred
793:(1951) and
698:Albuquerque
597:(1948) and
492:(1947) and
424:(1945) and
416:Bela Lugosi
405:Take It Big
324:who was in
277:(1943) and
274:Minesweeper
242:(1943) and
181:Jean Parker
96:Jean Parker
91:Power Drive
5032:Categories
4792:Manhandled
4728:Caged Fury
4648:Swamp Fire
4624:Tokyo Rose
4408:Power Dive
4324:Swamp Fire
3430:References
3113:Donna Reed
2801:Crosswinds
2583:Dan Duryea
2569:Manhandled
2380:Caged Fury
2204:sequel to
2112:Swamp Fire
2038:Tokyo Rose
2018:Sam White
1982:Byron Barr
1948:Leo Gorcey
1944:Ann Savage
1695:Filmed at
1658:June Havoc
1235:Power Dive
1172:Lex Barker
1038:Jane Wyman
796:Crosswinds
760:Manhandled
751:John Payne
745:Dan Duryea
736:Manhandled
716:John Payne
524:Caged Fury
508:Tokyo Rose
503:Byron Barr
447:Swamp Fire
439:Sol Lesser
400:Jack Haley
394:Jack Haley
72:Power Dive
4968:Nightmare
4872:Caribbean
4864:Hong Kong
4640:Hot Cargo
4391:Films of
3354:Director
3285:Director
3191:Nightmare
3178:Director
3101:Aug 1955
3063:Story by
2870:Dec 1952
2851:Caribbean
2846:Sep 1952
2824:Hong Kong
2366:Based on
2285:based on
2089:Hot Cargo
1402:Sam White
1293:Music by
1273:Eva Gabor
1222:Director
1104:Nightmare
970:The Rebel
928:in 1952.
919:Hong Kong
897:Hong Kong
864:directed
842:The Rebel
817:The Rebel
677:Cinecolor
549:(1949)).
533:(1948)),
511:(1946)),
483:Hot Cargo
113:Eva Gabor
21:B-picture
4904:Sangaree
4784:Dynamite
4776:Disaster
4664:Big Town
4348:Dynamite
4340:Disaster
4219:Big Town
3010:Musical
2945:Sangaree
2546:Dynamite
2523:Disaster
2206:Big Town
2166:Big Town
1133:Outposts
956:(1954).
947:Sangaree
906:(1952).
850:(1955).
834:(1952),
828:(1952),
799:(1951).
641:Dynamite
591:(1947),
578:Big Town
572:Big Town
563:Big Town
558:(1948).
530:Disaster
527:(1948),
521:(1947),
498:(1949).
495:Dynamite
486:(1946),
480:(1945),
474:(1945),
437:, whose
430:(1946).
382:Big Town
372:(1947).
363:Big Town
354:(1946),
348:(1945),
342:(1944),
336:(1944),
330:(1944),
271:(1943),
204:(1942).
23:unit of
4840:Tripoli
4808:El Paso
4472:Tornado
4456:Wildcat
4111:Variety
4038:. 1954.
4036:Variety
4018:Variety
3988:Variety
3945:Variety
3896:. 1949.
3894:Variety
3869:. 1948.
3844:Variety
3819:Variety
3801:Variety
3714:. 1942.
3712:Variety
3692:15 June
3666:Variety
3639:Variety
3584:Variety
3522:Variety
3495:. 1955.
3493:Variety
3351:Writer
3282:Writer
3175:Writer
2728:(1950)
2725:Tripoli
2627:El Paso
1591:Tornado
1416:Wildcat
1219:Writer
1168:Outpost
844:), and
780:Tripoli
756:El Paso
711:El Paso
288:Variety
245:Tornado
210:Variety
189:Wildcat
32:History
5018:(1942)
5012:(1942)
5006:(1942)
4987:(1957)
4979:(1957)
4971:(1956)
4963:(1955)
4955:(1955)
4947:(1955)
4939:(1955)
4931:(1954)
4928:Jivaro
4923:(1953)
4915:(1953)
4907:(1953)
4899:(1953)
4891:(1953)
4883:(1952)
4875:(1952)
4867:(1951)
4859:(1951)
4851:(1951)
4843:(1950)
4835:(1950)
4827:(1950)
4819:(1950)
4811:(1949)
4803:(1949)
4795:(1949)
4787:(1948)
4779:(1948)
4771:(1948)
4763:(1948)
4760:Shaggy
4755:(1948)
4747:(1948)
4739:(1948)
4731:(1948)
4723:(1948)
4715:(1947)
4707:(1947)
4699:(1947)
4691:(1947)
4683:(1947)
4675:(1947)
4667:(1947)
4659:(1947)
4651:(1946)
4643:(1946)
4635:(1946)
4627:(1946)
4619:(1946)
4611:(1945)
4603:(1945)
4595:(1945)
4587:(1945)
4579:(1944)
4571:(1944)
4563:(1944)
4555:(1944)
4547:(1944)
4539:(1944)
4531:(1944)
4523:(1944)
4515:(1943)
4507:(1943)
4499:(1943)
4491:(1943)
4483:(1943)
4475:(1943)
4467:(1942)
4459:(1942)
4451:(1942)
4443:(1942)
4435:(1941)
4427:(1941)
4419:(1941)
4411:(1941)
4351:(1949)
4343:(1948)
4335:(1947)
4327:(1946)
4319:(1943)
4254:(1949)
4246:(1948)
4238:(1948)
4230:(1947)
4222:(1946)
4214:(1946)
4206:(1945)
3357:Notes
3348:Stars
3345:Title
3335:Shorts
3288:Notes
3279:Stars
3276:Title
3181:Notes
3172:Stars
3169:Title
3020:Jivaro
2962:In 3D
2477:Shaggy
1225:Notes
1216:Stars
1213:Title
1154:solo.
1030:; and
953:Jivaro
650:Shaggy
565:Series
452:Tarzan
3421:Pine
3406:1942
3399:Pine
3387:1942
3380:Pine
3362:1943
3313:1977
3293:1976
1111:with
1008:with
67:Wings
4154:IMDb
3694:2018
1916:Aka
1182:and
1150:and
1131:and
1082:and
1026:and
976:and
815:and
743:and
722:and
667:and
657:and
78:and
4152:at
2291:by
390:."
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3996:^
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3953:^
3943:.
3932:^
3911:^
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3842:.
3827:^
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3799:.
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