45:, reviewed an exhibition of four young artists whom he called 'Les Plasticiens'. The name itself expressed their exclusive concern with the abstract properties of painting. They focused on colors, lines, contrast; completely rejecting the idea of Surrealism and their attachment to the idealism of the European Constructivist movement. He pointed out the difference of their approach from automatism. In his criticism he wrote:
69:. In the manifesto they acknowledged a kind of debt to the Automatists, recognizing their place in the revolutions that had helped to free the arts from “servitude to a materialistic ritual”.
76:. The Plasticiens sought to objectify paintings instead of paint objects. For example, Toupin shaped his own canvases into geometric shapes so that they would be objects of another kind.
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created
Plasticien works between 1959 and 1962. Other artists associated with the movement are
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was a
Canadian non-figurative painting movement, which appeared around 1955 in
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In Grove Art Online. Oxford Art Online, (accessed
February 3, 2012;
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Professional Native Indian
Artists Inc. (Indian Group of Seven)
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In 1954, a young critic and painter newly returned from Paris,
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They also called on artists to follow the example of
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55:Manifeste des plasticiens
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159:"Plasticiens, Les."
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141:"Les Plasticiens"
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65:and
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