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Pleyel et Cie

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38: 22: 139:. Although not the first company to experiment with building two pianos into the same frame, Pleyel's instrument, patented as the "Duo-Clave", was by far the most successful and produced the largest instruments. The company manufactured a very small number of double pianos in the 1890s and continued to make them until the 1920s. CDs can be bought today of performances on some of these pianos. 200:
built a new factory in the south of France and started making a line of newly designed and improved pianos. Then, in 2008, they decided to downsize the factory and lines of pianos. They moved the factory back to Paris and opened a new factory where they began introducing new pianos designed by famous designers. The
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In the early 1920s, Pierre Hans (1886-1960), an engineer with very thick fingers, commissioned Pleyel to build a piano he designed with an upper keyboard and a lower keyboard tuned a half tone apart, which became known as the Hans piano. Pleyel produced several Hans pianos, but they fell out of use
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At the end of 2013, the company announced it would cease manufacturing pianos. In 2017, Pleyel was bought by Algam, a company based in Nantes, France. Algam has invested heavily in the brand and production of new Pleyel pianos has now recommenced making Pleyel the oldest piano company in the world
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piano companies which also manufactured pianos in France. The Pleyel pianos of today incorporated improvements of these companies and others. In the last two decades, the company was bought by the same family which had bought the Salle Pleyel concert hall in order to revive the name Pleyel. They
72:, where Chopin performed his first – and last – Paris concerts. Pleyel's major contribution to piano development was the first use of a metal frame in a piano. Pleyel pianos were the choice of composers such as 237: 726: 168:). It was fitted with pedal attachments (to operate like an organ pedal-keyboard) and built with tropical woods that would acclimate to conditions there. 563: 392: 731: 439: 632: 721: 135:
The company's success led them to invest in experiments, resulting in the double piano in 1890, invented by Hungarian composer
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Pleyel continued to manufacture pianos through 2013, under the corporate auspices of the French Piano Manufacturing Company ("
412: 690: 660: 638: 460: 105: 132:. Their pianos were such a success that in 1834 the company employed 250 workers and produced 1000 pianos annually. 476: 669: 539: 635:
by Stephen Birkett of the University of Waterloo; includes pictures of Pleyel and of historical Pleyel pianos
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In September 2009, the company produced a replica of the Pleyel piano, produced in 1830, that was used by
686: 500: 513: 463:. By Chopin, Frédéric, 1810-1849; Voynich, E. L. (Ethel Lillian), 1864-1960; Opienski, Henryk, 1870-1942 68:, who considered Pleyel pianos to be "non plus ultra". Pleyel et Cie. also operated a concert hall, the 264: 212:, Italy. After full assembly of a piano, the instrument received a further 30–40 hours of fine-tuning. 229: 339: 26: 677: 311:. Played on a replica of the 1830 Pleyel piano made in 2010 by Paul McNulty. Label: Passacaille 42: 706: 404: 447: 294: 192: 65: 8: 300: 540:"Grand finale: European piano-makers hear their centuries-old industry's closing notes" 333: 243: 559: 408: 270: 179:
with the Pleyela line of pianos. These were often small pianos of an unusual design.
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Around 1815, Pleyel was the first to introduce the short, vertically strung cottage
56:("Pleyel and Company") is a French piano manufacturing firm founded by the composer 400: 347: 256: 113: 236:, was used as the source for the plans for this replica. This replica was used in 682: 544: 225: 150: 701: 649: 695: 644: 304: 276: 61: 336:
piano from ca 1825-1826 made by Paul McNulty. Label: Fryderyk Chopin Institute
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Chopin's last piano made by the Pleyel company (no 14810) displayed in the
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link to Pleyel 1830 copy by Paul McNulty built for Chopin Institute Warsaw
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Towards the end of the 19th century, the Pleyel firm produced the first
440:"Chopin's true sound can be heard at last after discovery of his piano" 286: 283:.  Played on the original 1843 upright Pleyel piano. Label: NIFCCD 201: 93: 621: 590:"I MiÄ™dzynarodowy Konkurs Chopinowski na Instrumentach Historycznych" 332:
Played on the 1842 Pleyel piano, the 1837 Erard piano and a copy of
589: 321:. Played on the 1848 Pleyel piano. Label: Fryderyk Chopin Institute 244:
Recordings made with originals and replicas of Pleyel et Cie pianos
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Rachel Donadio, "Storied French Piano Manufacturer to Close".
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International Chopin Competition on Period Instruments website
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The 1st International Chopin Competition on Period Instruments
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joined him as a business partner. The firm provided pianos to
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in his hospital in Lambaréné (French Equatorial Africa – now
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Sonata in B Minor, Ballade in F minor, Polonaises, Mazurkas
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Philip Manuel visited the plant of Pleyel, Wolff et Cie.
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Musical instrument manufacturing companies of France
346:. Played on the 1842 Pleyel piano. Released under a 291:
Piano Concertos No 1 & 2. Version for one piano.
191:"). In the 1980s, the Pleyel company bought out the 160:
In 1913, Pleyel built the "Jungle Piano" for use by
263:Played on a copy of the 1830 Pleyel piano made by 713: 652:and their pianos with many pictures and details 493:The New Grove Dictionary of Music and Musicians 629:, a Paris concert hall built in the late 1920s 380:Edmond Leung's piano performance through time. 683:Documents and clippings about Pleyel et Cie 149:In the early 20th century, performances by 641:, 2001 s.v., Pleyel (ii), pp. 923–924 558: 434: 702:Pleyel replica to make its concert debut 297:pianos. Label: Fryderyk Chopin Institute 36: 20: 639:Grove Dictionary of Music and Musicians 537: 405:10.1093/gmo/9781561592630.article.21940 293:Played on the 1848 Pleyel and the 1838 25:Chopin's Pleyel piano in Cell No. 4 in 714: 390: 503:(London: Macmillan Publishers, 2001). 189:Manufacture Française de Pianos, Cie. 732:French companies established in 1807 491:Margaret Cranmer, "Pleyel (ii)", in 273:. Chopin evening around 1831 Pleyel. 279:. Chopin, Bach, Mozart, Beethoven: 251:Ballades Nos 1-4/Impromptus Nos 1-4 13: 678:Chopin's last piano (Pleyel 14810) 309:Complete works for cello and piano 14: 743: 707:Fryderyk Chopin Institute website 665:"ArtsBeat" blog, 14 November 2013 645:Pictures of several Pleyel pianos 610: 373: 216:which is still producing pianos. 363:, company head from 1855 to 1887 324:Tomasz Ritter. Fryderyk Chopin. 696:Official McNulty pianos website 672:The Piano in Polish Collections 582: 219: 60:in 1807. In 1815, Pleyel's son 33:, one of only two in the world. 617:Official Pleyel pianos website 552: 538:Hundley, Tom (30 April 2008). 531: 506: 485: 466: 454: 428: 384: 153:helped revive interest in the 1: 722:Piano manufacturing companies 518:Repertoire and Opera Explorer 367: 249:Yuan Sheng. Frederic Chopin. 204:used by Pleyel came from the 96:and of pianists and teachers 495:, second edition, edited by 7: 687:20th Century Press Archives 633:A web site on Pleyel pianos 354: 10: 748: 622:Pleyel of Paris newsletter 175:Pleyel also pioneered the 119: 16:French piano manufacturer 568:Weekend Edition Saturday 446:. London. Archived from 340:Kimiko Douglass-Ishizaka 182: 27:Valldemossa Charterhouse 570:. National Public Radio 281:at Chopin’s home piano 50: 43:Fryderyk Chopin Museum 34: 391:Benton, Rita (2001). 330:Polonaise in D minor. 259:. Felix Mendelssohn. 40: 24: 562:(28 December 2013). 172:after World War II. 393:"Pleyel family (i)" 342:. Frederic Chopin. 328:. Karol Kurpinski. 317:. Fryderyk Chopin. 307:. Frederyk Chopin. 301:Viviana Sofronitsky 289:. Fryderyk Chopin. 240:in September 2018. 560:Beardsley, Eleanor 514:"Boeck, August de" 397:Grove Music Online 51: 35: 650:History of Pleyel 450:on 19 March 2007. 438:(17 March 2007). 414:978-1-56159-263-0 271:Janusz Olejniczak 162:Albert Schweitzer 739: 670:Pleyel Pianos – 605: 604: 602: 600: 586: 580: 579: 577: 575: 556: 550: 549: 535: 529: 528: 526: 524: 510: 504: 489: 483: 480:1–2. 1935, S. 14 470: 464: 461:Chopin's letters 458: 452: 451: 432: 426: 425: 423: 421: 388: 382: 377: 348:Creative Commons 261:Piano Concertos. 257:Ronald Brautigam 230:Chopin Institute 114:Georges Pfeiffer 106:Gavin Williamson 747: 746: 742: 741: 740: 738: 737: 736: 712: 711: 613: 608: 598: 596: 588: 587: 583: 573: 571: 557: 553: 545:Chicago Tribune 536: 532: 522: 520: 512: 511: 507: 490: 486: 471: 467: 459: 455: 433: 429: 419: 417: 415: 389: 385: 378: 374: 370: 357: 246: 226:Fryderyk Chopin 222: 185: 151:Wanda Landowska 122: 66:FrĂ©dĂ©ric Chopin 17: 12: 11: 5: 745: 735: 734: 729: 724: 710: 709: 704: 699: 693: 680: 675: 667: 663:New York Times 658: 653: 647: 642: 636: 630: 624: 619: 612: 611:External links 609: 607: 606: 581: 551: 530: 505: 484: 465: 453: 436:Macintyre, Ben 427: 413: 383: 371: 369: 366: 365: 364: 356: 353: 352: 351: 337: 322: 312: 305:Sergei Istomin 298: 284: 277:Alexei Lubimov 274: 268: 254: 245: 242: 221: 218: 184: 181: 144:chromatic harp 121: 118: 110:Joseph O'Kelly 54:Pleyel et Cie. 15: 9: 6: 4: 3: 2: 744: 733: 730: 728: 725: 723: 720: 719: 717: 708: 705: 703: 700: 697: 694: 692: 688: 684: 681: 679: 676: 674: 673: 668: 666: 664: 659: 657: 654: 651: 648: 646: 643: 640: 637: 634: 631: 628: 625: 623: 620: 618: 615: 614: 595: 591: 585: 569: 565: 561: 555: 547: 546: 541: 534: 519: 515: 509: 502: 498: 497:Stanley Sadie 494: 488: 481: 479: 474: 469: 462: 457: 449: 445: 441: 437: 431: 416: 410: 406: 402: 398: 394: 387: 381: 376: 372: 362: 361:Auguste Wolff 359: 358: 349: 345: 341: 338: 335: 331: 327: 323: 320: 316: 313: 310: 306: 302: 299: 296: 292: 288: 285: 282: 278: 275: 272: 269: 266: 262: 258: 255: 252: 248: 247: 241: 239: 235: 231: 227: 217: 213: 211: 207: 206:Fiemme Valley 203: 198: 194: 190: 180: 178: 173: 169: 167: 163: 158: 156: 152: 147: 145: 140: 138: 133: 131: 130:Robert Wornum 127: 126:upright piano 117: 115: 111: 107: 103: 102:Philip Manuel 99: 98:Alfred Cortot 95: 91: 87: 83: 79: 75: 71: 67: 63: 59: 58:Ignace Pleyel 55: 48: 44: 39: 32: 28: 23: 19: 671: 662: 627:Salle Pleyel 597:. Retrieved 593: 584: 572:. Retrieved 567: 554: 543: 533: 521:. Retrieved 517: 508: 501:John Tyrrell 492: 487: 477: 472: 468: 456: 448:the original 443: 430: 418:. Retrieved 396: 386: 375: 343: 329: 325: 319:4 Impromptus 318: 315:Kevin Kenner 308: 290: 280: 267:. Label: Bis 265:Paul McNulty 260: 250: 223: 220:2009 replica 214: 188: 186: 177:player piano 174: 170: 159: 148: 141: 137:Emánuel MoĂłr 134: 123: 70:Salle Pleyel 53: 52: 18: 574:14 December 344:24 Preludes 155:harpsichord 82:Saint-SaĂ«ns 716:Categories 368:References 287:Dina Yoffe 202:red spruce 94:Stravinsky 444:The Times 334:Buchholtz 594:iccpi.eu 523:11 March 355:See also 350:license. 210:Trentino 90:de Falla 689:of the 685:in the 599:19 June 478:Letters 420:19 June 120:History 78:Debussy 62:Camille 31:Majorca 411:  234:Warsaw 197:Gaveau 74:Chopin 47:Warsaw 295:Erard 193:Erard 183:Today 166:Gabon 86:Ravel 601:2021 576:2014 525:2023 499:and 475:In: 422:2021 409:ISBN 195:and 112:and 104:and 92:and 691:ZBW 401:doi 232:in 208:in 45:in 29:in 718:: 592:. 566:. 542:. 516:. 442:. 407:. 399:. 395:. 303:, 157:. 146:. 116:. 100:, 88:, 84:, 80:, 76:, 603:. 578:. 548:. 527:. 482:. 424:. 403::

Index


Valldemossa Charterhouse
Majorca

Fryderyk Chopin Museum
Warsaw
Ignace Pleyel
Camille
Frédéric Chopin
Salle Pleyel
Chopin
Debussy
Saint-Saëns
Ravel
de Falla
Stravinsky
Alfred Cortot
Philip Manuel
Gavin Williamson
Joseph O'Kelly
Georges Pfeiffer
upright piano
Robert Wornum
Emánuel Moór
chromatic harp
Wanda Landowska
harpsichord
Albert Schweitzer
Gabon
player piano

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