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sequences depicting impossible shots, such as the balls jumping off the table and re-racking themselves on the wall. Though innovative for the time, they are poorly animated, with obvious edits, and the animator's hand can actually be seen moving the balls along in one of the frames.
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show. In the final film, however, there is only a brief shot of Fields juggling several billiard balls, as his act was largely replaced with several poorly edited
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bowl, soaking the woman they are fighting over and leaving goldfish in her hair. She storms into the pool hall and rejects both men.
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in this film, as he did in all of his silent films. His character and mannerisms bear some resemblance to
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critiques the film as an "auspicious debut", with Fields' routines and pacing already finely honed.
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The animators hands being seen in a poorly edited sequence in the
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was intended to highlight a pool ball juggling act that featured in the actor's
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it would be nine years before he made his next known film, 1924's
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is best remembered as Fields' first film effort. Film historian
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It was one of two short films Fields made for a company called
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Following a standard style of the era, the film is a
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257:Fields helped make this film in
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413:Pool Sharks, with soundtrack
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115:September 19, 1915
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603:Films shot in New York City
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310:. As with his early films,
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165:(also sometimes known as
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349:The Films of W.C. Fields
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271:His Lordship's Dilemma
246:His Lordship's Dilemma
306:Fields was an expert
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187:stop-motion animation
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84:W.C. Fields
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538:1915 films
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343:References
316:vaudeville
235:Production
179:short film
119:1915-09-19
61:Written by
294:Animation
206:slapstick
16:1915 film
507:Wildfire
396:AllMovie
327:Reaction
229:goldfish
213:Bud Ross
203:romantic
149:Language
87:Bud Ross
81:Starring
418:YouTube
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331:Today,
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