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and does not cause political activism. Frith also said the main purpose of pop music is to create revenue. It is not a medium of free articulation of the people. Instead, pop music seeks to supply the nature of personal desire and achieve the instant empathy with cliche personalities, stereotypes, and melodrama that appeals to listeners. It is mostly about how much revenue pop music makes for record companies. Music scholar
Timothy Warner said pop music typically has an emphasis on recording, production, and technology, rather than live performance; a tendency to reflect existing trends rather than
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1263:, "Western-derived pop styles, whether coexisting with or marginalizing distinctively local genres, have spread throughout the world and have come to constitute stylistic common denominators in global commercial music cultures". Some non-Western countries, such as Japan, have developed a thriving pop music industry, most of which is devoted to Western-style pop. Japan has for several years produced a greater quantity of music than everywhere except the US. The spread of Western-style pop music has been interpreted variously as representing processes of Americanization,
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855:. The structure of many popular songs is that of a verse and a chorus, the chorus serving as the portion of the track that is designed to stick in the ear through simple repetition both musically and lyrically. The chorus is often where the music builds towards and is often preceded by "the drop" where the bass and drum parts "drop out". Common variants include the verse-chorus form and the
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987:(from the 1980s) have also been used as methods for the creation and elaboration of pop music. During the mid-1960s, pop music made repeated forays into new sounds, styles, and techniques that inspired public discourse among its listeners. The word "progressive" was frequently used, and it was thought that every song and single was to be a "progression" from the last.
1128:. At the same time, pop music on radio and in both American and British film moved away from refined Tin Pan Alley to more eccentric songwriting and incorporated reverb-drenched electric guitar, symphonic strings, and horns played by groups of properly arranged and rehearsed studio musicians. A 2019 study held by
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The latter half of the 20th century included a large-scale trend in
American culture in which the boundaries between art and pop music were increasingly blurred. Between 1950 and 1970, there was a debate of pop versus art. Since then, certain music publications have embraced the music's legitimacy, a
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According to Frith, characteristics of pop music include an aim of appealing to a general audience, rather than to a particular sub-culture or ideology, and an emphasis on craftsmanship rather than formal "artistic" qualities. Besides, Frith also offers three identifying characteristics of pop music:
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One of the reasons pop can be hard to summarize is because thereâs no real sonic or musical definition to it. There are common elements to a lot of the biggest pop songs, but at the end of the day, "pop" means "popular" first and foremost, and just about any song that becomes popular enough...can be
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tradition. Pop music is more conservative than other music genres such as folk, blues, country, and tradition. Many pop songs do not contain themes of resistance, opposition, or politics, rather focusing more on love and relationships. Therefore, pop music does not challenge its audiences socially,
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not art", and is "designed to appeal to everyone" but "doesn't come from any particular place or mark off any particular taste". Frith adds that it is "not driven by any significant ambition except profit and commercial reward and, in musical terms, it is essentially conservative". It is, "provided
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Pop music continuously evolves along with the term's definition. According to music writer Bill Lamb, popular music is defined as "the music since industrialization in the 1800s that is most in line with the tastes and interests of the urban middle class." The term "pop song" was first used in 1926,
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At the beginning of the 2000s, the trends that dominated during the late 1990s still continued, but the music industry started to change as people began to download music from the internet. People were able to discover genres and artists that were outside of the mainstream and propel them to fame,
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design allowed a more intimate singing style and, ten or twenty years later, inexpensive and more durable 45 rpm records for singles "revolutionized the manner in which pop has been disseminated", which helped to move pop music to "a record/radio/film star system". Another technological change was
657:. As a genre, pop music is seen to exist and develop separately. Therefore, the term "pop music" may be used to describe a distinct genre, designed to appeal to all, often characterized as "instant singles-based music aimed at teenagers" in contrast to rock music as "album-based music for adults".
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study that examined over 464,000 recordings of popular music recorded between 1955 and 2010 found that, compared to 1960s pop music, contemporary pop music uses a smaller variety of pitch progressions, greater average volume, less diverse instrumentation and recording techniques, and less timbral
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of the late 1960s, performers were typically unable to decide on the artistic content of their music. Assisted by the mid-1960s economic boom, record labels began investing in artists, giving them the freedom to experiment, and offering them limited control over their content and marketing. This
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stated, "The new bubble is all the collective clubs around the world. Radio is just doing its best to keep up." Songs that talked of escapism through partying became the most popular, influenced by the impulse to forget the economic troubles that had taken over the world after the
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s John Matson reported that this "seems to support the popular anecdotal observation that pop music of yore was "better", or at least more varied, than today's top-40 stuff". However, he also noted that the study may not have been entirely representative of pop in each generation.
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In the 1960s, the majority of mainstream pop music fell in two categories: guitar, drum and bass groups or singers backed by a traditional orchestra. Since early in the decade, it was common for pop producers, songwriters, and engineers to freely experiment with musical form,
1235:, whose influence has made pop music something of an international monoculture, but most regions and countries have their own form of pop music, sometimes producing local versions of wider trends, and lending them local characteristics. Some of these trends (for example
637:, pop music is "professional music which draws upon both folk music and fine arts music". David Boyle, a music researcher, states pop music as any type of music that a person has been exposed to by the mass media. Most individuals think that pop music is just the
879:. The beat and the melodies tend to be simple, with limited harmonic accompaniment. The lyrics of modern pop songs typically focus on simple themes â often love and romantic relationships â although there are notable exceptions.
1148:, which developed in the late 1970s, marked another departure from the glamour of contemporary pop music, with guitar bands formed on the then-novel premise that one could record and release their own music without having to procure a
1401:. Pop music often came from many different genres, with each genre in turn influencing the next one, blurring the lines between them and making them less distinct. This change was epitomized in Spears' highly influential 2007 album
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states that while pop's "earlier meaning meant concerts appealing to a wide audience since the late 1950s, however, pop has had the special meaning of non-classical mus, usually in the form of songs, performed by such artists as
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in the sense of a piece of music "having popular appeal". Hatch and
Millward indicate that many events in the history of recording in the 1920s can be seen as the birth of the modern pop music industry, including in
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meant that teenagers in the developed world could listen to music outside of the home. By the early 1980s, the promotion of pop music had been greatly affected by the rise of music television channels like
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writes that beginning with 1967, a divide would exist between "progressive" pop and "mass/chart" pop, a separation which was "also, broadly, one between boys and girls, middle-class and working-class."
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the widespread availability of television in the 1950s with televised performances, which meant that "pop stars had to have a visual presence". In the 1960s, the introduction of inexpensive, portable
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in which 643 participants had to rank how familiar a pop song is to them, songs from the 1960s turned out to be the most memorable, significantly more than songs from recent years 2000 to 2015.
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From about 1967, the term "pop music" was increasingly used in opposition to the term rock music, a division that gave generic significance to both terms. While rock aspired to
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By 2010, pop music impacted by dance music came to be dominant on the charts. Instead of radio setting the trends, it was now the club. At the beginning of the 2010s,
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seeing success within pop music charts, 1990s pop successes stayed popular in both their original genres and in broader pop music. Latin pop hit singles, such as "
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The main medium of pop music is the song, often between two and a half and three and a half minutes in length, generally marked by a consistent and noticeable
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that originated in its modern form during the mid-1950s in the United States and the United
Kingdom. During the 1950s and 1960s, pop music encompassed
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and an expansion of the possibilities of popular music, pop was more commercial, ephemeral, and accessible. According to
British musicologist
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The story of pop music is largely the story of the intertwining pop culture of the United States and the United
Kingdom in the postwar era.
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from on high (by record companies, radio programmers, and concert promoters) rather than being made from below (...) Pop is not a
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and
Stephen Millward describe pop music as "a body of music which is distinguishable from popular, jazz, and folk music". According to
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but at the same time smaller artists had a harder time making a living because their music was being pirated. Popular artists were
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genres featuring non-traditional instruments increasing in popularity. By 2014, pop music worldwide had been permeated by
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Throughout its development, pop music has absorbed influences from other genres of popular music. Early pop music drew on
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light entertainment, commercial imperatives, and personal identification. Pop music grew out of a light entertainment and
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1039:, however compared to the pop of European countries, traditional pop originally emphasized influences ranging from
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The
Consumption of Music and the Expression of Values: A Social Economic Explanation for the Advent of Pop Music
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and brightness have eventually been replaced with electronic beats making pop music more 'sad yet danceable'.
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3338:"For The Record: Why Lana Del Rey's 'Born To Die' Is One Of Pop's Most Influential Albums In The Past Decade"
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compiled a list of "the 500 best pop songs". In doing so, they noted the difficulty of defining "pop songs":
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Music in
American Life: An Encyclopedia of the Songs, Styles, Stars, and Stories that Shaped our Culture
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and not the sum of all chart music. The music charts contain songs from a variety of sources, including
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music that is popular and includes many disparate styles. Although much of the music that appears on
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Often referred to in interviews, cover stories and promotional material as the new 'princess of pop'
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3174:"Still No.1, Record-Breaking 'Despacito' Ties 'Macarena' Streak On Hot 100, But Is Snubbed By MTV"
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1785:"Q&A with Theo Cateforis, author of Are We Not New Wave? Modern Pop at the Turn of the 1980s"
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790:" ranks as the most frequently played song in US radio history. It is described by music writers
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Musicologist Allan Moore surmises that the term "pop music" itself may have been popularized by
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saw large-scale popularity in the 1980s and 1990s, along with crossover appeal with fans of
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730:, while in the US its coverage overlapped (as it still does) with that of 'rock and roll'".
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3352:"5 Ways Lorde's 'Pure Heroine' Helped Pave The Way For The Unconventional Modern Superstar"
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2932:"New study finds pop music has gotten extremely depressing but also more fun to dance to"
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905:-influenced harmony. There was a lessening of the influence of traditional views of the
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was one of the first artists to be nicknamed "King of Pop" or "King of
Popular Music".
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SerrĂ , Joan; Corral, Ălvaro; Boguñå, MariĂĄn; Haro, MartĂn; Arcos, Josep Ll. (2012).
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Hip Hop Matters: Politics, Pop Culture, and the Struggle for the Soul of a Movement
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Notable pop artists of the late 20th century that became global superstars include
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also states that " in the early 1960s, 'pop music' competed terminologically with
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2671:"Making ArrangementsâA Rough Guide To Song Construction & Arrangement, Part 1"
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in the early 2010s and later inspiring other highly influential artists including
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Institutional Economics and the Formation of Preferences: The Advent of Pop Music
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situation declined after the late 1970s and would not reemerge until the rise of
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Continuum Encyclopedia of Popular Music of the World: Performance and production
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This article is about a specific music genre. For popular music in general, see
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Pop music has been dominated by the American and (from the mid-1960s) British
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between the mid-1950s and the late 1970s, including less predominance for the
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are often used interchangeably, although the former more accurately describes
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3366:"Taylor Swift Believes Lana Del Rey Is 'The Most Influential Artist In Pop'"
2766:"The greatest decade for pop music has been revealed (according to science)"
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Expression in Pop-rock Music: A Collection of Critical and Analytical Essays
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Pop Music: Technology and Creativity: Trevor Horn and the Digital Revolution
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marked a period when the US charts were inundated with British acts such as
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One of the pop music styles that developed alongside other music styles is
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3309:"Bopping Through the Bailouts: Why the Great Recession Led to Great Music"
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states that the term "pop" refers to music performed by such artists as
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1662:"Show 1 â Play A Simple Melody: Pete Seeger on the origins of pop music"
1458:. Throughout the 2010s, a lot of pop music also began to take cues from
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Identifying factors of pop music usually include repeated choruses and
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Boyle, J. David; Hosterman, Glenn L.; Ramsey, Darhyl S. (1981-04-01).
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John Matson, "Is Pop Music Evolving, or Is It Just Getting Louder?",
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music remained roughly synonymous until the late 1960s, after which
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America's Musical Pulse: Popular Music in Twentieth-Century Society
3101:
2704:. In Cook, Nicholas; Clarke, Eric; Leech-Wilkinson, Daniel (eds.).
1345:, have seen record-breaking success on worldwide pop music charts.
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1290:'' and is one of the most successful pop vocalists since the 1980s.
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Pop Chronicles the 40s: The Lively Story of Pop Music in the 40s.
1974:
1817:"Hyperpop or overhyped? The rise of 2020's most maximalist sound"
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1357:
1239:) have had a significant impact on the development of the genre.
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The Righteous Brothers â "You've Lost That Lovin' Feelin'" (1965)
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P. Manuel, "Pop. Non-Western cultures 1. Global dissemination",
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The 1980s are commonly remembered for an increase in the use of
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4301:
4151:
3629:
2571:"Measuring the Evolution of Contemporary Western Popular Music"
2538:"No Apologies: A Critique of the Rockist v. Poptimist Paradigm"
1478:, it gave space to a more sad and moody tone within pop music.
1311:
1112:, and other sound effects. Some of the best known examples are
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is considered to be pop music, the genre is distinguished from
3451:
Popular Music: Critical Concepts in Media and Cultural Studies
2238:"Amr Diab to perform in Beirut for the first time in 12 years"
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gained in popularity during the 1970s and 1980s, and musician
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4205:
4183:
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Intra- and International Identities in American Popular Music
3482:
Who Needs Classical Music?: Cultural Choice and Musical Value
1925:(New Brunswick, NJ: Transaction Publishers, 3rd edn., 1986),
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1071:, and other popular genres became more prominent. In 2016, a
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3205:"A nostalgic look back at digital music piracy in the 2000s"
1946:
Song Means: Analysing and Interpreting Recorded Popular Song
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1095:
Known for his flamboyant style and virtuosic piano playing,
3057:"The Voice at 60: On Whitney Houston's immortal instrument"
2262:"Egypt's megastar Amr Diab releases 'Katar Men Orbak' song"
1867:"Factors Influencing Pop Music Preferences of Young People"
719:
646:
3386:, (1942) "On Popular Music", Institute of Social Research.
1124:'s use of homemade electronic sound effects for acts like
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Winkler, Peter (1978). "Toward a theory of pop harmony",
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3109:"Los Lobos, Ritchie Valens, and the Day the Music Died"
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2820:
2172:
Encyclopedia of Great Popular Song Recordings, Volume 2
568:
became associated with music that was more commercial,
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From Blues to Rock: an Analytical History of Pop Music
2999:(Berkeley, CA: University of California Press, 2005),
2140:"Van's Brown Eyed Girl hits the 10 million mark in US"
2042:
From Blues to Rock: an Analytical History of Pop Music
1844:
From Blues to Rock: an Analytical History of Pop Music
3424:
Valuing Pop Music: Institutions, Values and Economics
3016:"Star profiles" in S. Frith, W. Stray and J. Street,
2568:
2200:. Polity; 1st edition (June 13, 2011). pp. 2â3.
3137:
2864:"Rap Music, Brash And Swaggering, Enters Mainstream"
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2422:
D. Buckley, "Pop" "II. Implications of technology",
2225:. Polity; 1st edition (June 13, 2011). pp. 2â3.
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1485:
1051:. As the genre evolved more influences ranging from
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music but is professionally produced and packaged".
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and the new youth music styles that it influenced".
2702:"Recording practices and the role of the producer"
2342:The Pop Formulas: Harmonic Tools of the Hit Makers
3595:Starr, Larry & Waterman, Christopher, (2002)
3391:The Singing Thing: A Case for Congregational Song
3138:Aldama, A.J.; Sandoval, C.; GarcĂa, P.J. (2012).
1980:
1847:(Manchester: Manchester University Press, 1987),
1099:became one of the biggest pop stars of the 1970s.
4586:
3461:The Sound of the City. The Rise of Rock and Roll
2366:Sargeant, p. 198. cited in Winkler (1978), p. 4.
897:, only more simple-minded." Clichés include the
3141:Performing the US Latina and Latino Borderlands
2734:"Orchestral Pop, the Way It Was (More or Less)"
2384:
2300:"Characteristics of Pop Music: An Introduction"
1725:"Pop/Rock » Punk/New Wave » New Wave"
694:The New Grove Dictionary of Music and Musicians
41:"Pop song" redirects here. For other uses, see
3597:American Popular Music: From Minstrelsy to MTV
3165:
1221:(right) have been dubbed respectively as the "
851:, a mainstream style and a simple traditional
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3266:Girl heroes: The New Force In Popular Culture
2531:
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2435:
2289:(London: Taylor & Francis, 2000), p. 272.
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1922:Tarnished Gold: the Record Industry Revisited
871:that contrasts melodically, rhythmically and
554:and the youth-oriented styles it influenced.
2890:
2888:
934:
625:
3640:American Journal of Economics and Sociology
3466:Hatch, David and Stephen Millward, (1987),
2803:. Princeton University Press. p. 217.
2085:
2083:
1696:
1694:
1692:
1690:
1688:
1686:
1684:
83:Mid-1950s, United States and United Kingdom
3669:
3655:
3439:, Straw, Will, Street, John, eds, (2001),
3081:
3075:
3038:
3036:
3034:
2708:. Cambridge University Press. p. 45.
2526:
2418:
2416:
2414:
2412:
2106:
3171:
3144:. Indiana University Press. p. 224.
3010:
2894:
2885:
2706:The Cambridge Companion to Recorded Music
2642:
2640:
2620:
2586:
2494:
2472:On Record: Rock, Pop and the Written Word
2095:(Oxford: Oxford University Press, 2001),
2023:(Oxford: Oxford University Press, 1989).
1919:R. Serge Denisoff and William L. Schurk,
1706:(Cambridge: Cambridge University Press),
1656:
1445:" for revitalizing teen pop in the 2000s.
1267:, modernization, creative appropriation,
1187:International spread and crosspollination
2462:
2168:
2080:
1700:S. Frith, W. Straw, and J. Street, eds,
1681:
1433:
1407:, which under the influence of producer
1277:
1090:
1010:
969:, which "favoured those artists such as
943:
827:
741:, pop music is produced "as a matter of
675:
3441:The Cambridge Companion to Pop and Rock
3285:"2010 in Music: The Year That Went Pop"
3282:
3263:
3235:"Studio Stories: Danja [Pg. 2]"
3202:
3172:Villafañe, Veronica (August 14, 2017).
3084:"A Voice of Triumph, the Queen of Pain"
3031:
3018:The Cambridge Companion to Pop and Rock
2861:
2728:
2409:
1703:The Cambridge Companion to Pop and Rock
1622:
1620:
1618:
939:
14:
4587:
3119:from the original on November 30, 2020
2912:from the original on December 20, 2019
2841:"Twee as Fuck: The Story of Indie Pop"
2793:
2637:
2235:
1871:Journal of Research in Music Education
1576:List of largest recorded music markets
1006:
701:in the mid-1950s as a description for
697:, the term "pop music" "originated in
687:(pictured here in a 2006 performance).
3650:
3082:Caramanica, Jon (February 12, 2012).
2959:
2838:
2826:
2699:
2436:Hewitt, Paolo; Hellier, John (2015).
2220:
2195:
2175:. Scarecrow Press. pp. 101â103.
1942:
1797:from the original on 25 November 2021
1652:
1650:
3232:
3020:(Cambridge University Press, 2001),
2997:Audiotopia: Music, Race, and America
2535:
2387:"The 500 Best Pop Songs: Staff List"
2385:Billboard staff (October 19, 2023).
2344:(Mel Bay Publications, 2007), p. 61.
2150:from the original on 27 October 2018
1986:
1615:
1546:Honorific nicknames in popular music
1031:, an American counterpart to German
3547:Music Genres and Corporate Cultures
2550:from the original on April 16, 2022
2495:Edmondson, Jacqueline, ed. (2013).
2011:
1765:from the original on 1 October 2017
1675:University of North Texas Libraries
24:
3416:The Rise and Fall of Popular Music
3376:
2977:from the original on June 26, 2015
2442:. Dean Street Press. p. 162.
1999:from the original on 17 April 2019
1647:
760:
753:
25:
4631:
3619:
3203:Ghoshal, Abhimanyu (2018-12-28).
3184:from the original on May 22, 2020
2839:Abebe, Nitsuh (24 October 2005),
2746:from the original on July 4, 2022
2439:Steve Marriott: All Too Beautiful
1735:from the original on 8 March 2021
1462:. Popularized by artists such as
977:who had a strong visual appeal".
2536:Loss, Robert (August 10, 2015).
2501:. ABC-CLIO. pp. 317, 1233.
1987:Lamb, Bill (29 September 2018).
1530:
1516:
1502:
1488:
1204:
1195:
1177:University of California, Irvine
899:barbershop quartet-style harmony
889:in pop music are often "that of
806:Problems playing this file? See
776:
3582:Popular Music: The Key Concepts
3565:Serious Music and All That Jazz
3470:, Manchester University Press,
3463:, Outerbridge & Dienstfrey.
3358:
3344:
3330:
3319:from the original on 2022-07-08
3301:
3276:
3256:
3245:from the original on 2022-07-27
3226:
3215:from the original on 2022-07-27
3196:
3131:
3049:
2989:
2953:
2942:from the original on 2018-05-21
2924:
2874:from the original on 2019-05-01
2855:
2832:
2787:
2776:from the original on 2019-03-31
2758:
2722:
2693:
2663:
2562:
2515:from the original on 2023-04-12
2488:
2456:
2429:
2397:
2378:
2369:
2360:
2347:
2334:
2321:
2310:from the original on 2020-07-08
2292:
2279:
2254:
2229:
2214:
2189:
2162:
2132:
2055:
2034:
1967:
1936:
1913:
1858:
1561:List of music genres and styles
1371:
1271:, or a more general process of
1159:, associated with the usage of
788:You've Lost That Lovin' Feelin'
3283:Herrera, Monica (2010-12-10).
3113:Strachwitz Frontera Collection
2677:. October 1997. Archived from
2064:The Oxford Dictionary of Music
1835:
1809:
1777:
1747:
1717:
1593:
1175:. In 2018, researchers at the
707:The Oxford Dictionary of Music
681:The Oxford Dictionary of Music
13:
1:
3676:
3443:, Cambridge University Press,
2905:The Barnes & Noble Review
2900:"Anti-Rockism's Hall of Fame"
2862:Collins, Glenn (1988-08-29).
2092:The Oxford Companion to Music
1755:"The 50 Best New Wave Albums"
1586:
1327:Hispanic and Latino Americans
798:as "the ultimate pop record".
3799:Contemporary Christian music
3528:Maultsby, Portia K., (7907)
3270:University of Michigan Press
2236:Maisey, Sarah (2023-06-27).
2121:(Aldershot: Ashgate, 2003),
1282:Known for her vocal talent,
691:According to the website of
7:
4495:
3513:Lonergan, David F., (2004)
3484:, Oxford University Press,
3403:Bindas, Kenneth J., (1992)
2468:"New Pop and its Aftermath"
1634:, retrieved 14 March 2010.
1612:. Retrieved 25 August 2016
1481:
10:
4636:
3602:Watkins, S. Craig, (2005)
3599:, Oxford University Press.
3433:, Edward Elgar Publishing.
3046:, retrieved 14 March 2010.
2474:. Routledge. p. 398.
2426:, retrieved 15 March 2010.
2331:(Continuum, 2003), p. 508.
2040:D. Hatch and S. Millward,
2017:J. Simpson and E. Weiner,
1841:D. Hatch and S. Millward,
1790:. University of Michigan.
1286:has been referred to as ''
843:for the last three decades
40:
36:Pop music (disambiguation)
29:
4466:
4286:
4097:
4049:
4021:
4014:
3710:
3684:
3500:The Rise and Fall of Rock
3429:Dolfsma, Wilfred, (2004)
3422:Dolfsma, Wilfred, (1999)
3233:Hova, Tray (2011-02-07).
2660:. Retrieved 30 March 2016
2067:, retrieved 9 March 2010.
2020:Oxford English Dictionary
935:Development and influence
626:Definitions and etymology
485:
480:
314:
309:
193:
188:
111:
106:
87:
79:
55:
50:
3584:, Routledge, (2nd edn.)
3542:, Open University Press.
3480:Johnson, Julian, (2002)
2403:Gilliland, John (1994).
2169:Sullivan, Steve (2013).
2074:12 November 2017 at the
1943:Moore, Allan F. (2016).
1551:Origins of rock and roll
823:progressive developments
3577:, Grosset & Dunlap.
3567:, Simon & Schuster.
3264:Hopkins, Susan (2002),
2069:(subscription required)
1641:13 January 2011 at the
1636:(subscription required)
955:In the 1940s, improved
4520:Popular music pedagogy
3540:Studying Popular Music
3515:Hit Records, 1950â1975
3389:Bell, John L., (2000)
2700:Blake, Andrew (2009).
2375:Winkler (1978), p. 22.
2223:Pop music, pop culture
2198:Pop music, pop culture
1626:R. Middleton, et al.,
1556:Popular music pedagogy
1446:
1411:, mixed the sounds of
1291:
1246:
1173:electronic dance music
1100:
1024:
999:trend referred to as "
952:
932:
930:considered a pop song.
901:(i.e. ii â V â I) and
844:
765:
688:
581:verseâchorus structure
34:. For other uses, see
4525:Rockism and poptimism
3115:. February 16, 2017.
2656:23 March 2016 at the
2221:Rojek, Chris (2011).
2196:Rojek, Chris (2011).
1437:
1281:
1242:
1223:King and Queen of Pop
1094:
1014:
983:(from the 1960s) and
981:Multi-track recording
947:
927:
831:
764:
679:
4515:Pop music automation
3580:Shuker, Roy, (2002)
3419:, St Martin's Press.
3393:, GIA Publications,
3315:. 14 February 2019.
2732:(October 31, 2008).
1989:"What Is Pop Music?"
1269:cultural imperialism
1152:from a major label.
940:Technology and media
524:pop music automation
207:contemporary R&B
4505:Honorific nicknames
3752:Paisley Underground
3637:, Wilfred Dolfsma,
3545:Negus, Bob, (1999)
3517:, Scarecrow Press,
2963:(August 20, 2008).
2851:on 24 February 2011
2649:Scientific American
2597:2012NatSR...2E.521S
2357:, 4, pp. 3â26.
2306:. 9 December 2019.
1761:. 13 October 2020.
1571:Public domain music
1130:New York University
1081:Scientific American
1007:Stylistic evolution
857:thirty-two-bar form
3720:Adult contemporary
3536:Middleton, Richard
3532:, Trading Culture.
3384:Adorno, Theodor W.
3088:The New York Times
3044:Grove Music Online
2868:The New York Times
2739:The New York Times
2575:Scientific Reports
2424:Grove Music Online
2146:. 5 October 2011.
1823:. 27 December 2020
1714:, pp. 95â105.
1632:Grove music online
1608:2017-10-19 at the
1447:
1391:Christina Aguilera
1292:
1260:Grove Music Online
1225:" since the 1980s.
1101:
1074:Scientific Reports
1025:
953:
887:chord progressions
859:, with a focus on
845:
766:
724:Grove Music Online
716:The Rolling Stones
689:
685:the Rolling Stones
572:, and accessible.
4582:
4581:
4564:Verseâchorus form
4510:Music and fashion
4462:
4461:
4169:Hong Kong English
4015:Regional variants
3685:Stylistic origins
3575:Rock Encyclopedia
3368:. April 26, 2024.
3354:. April 26, 2024.
3340:. April 26, 2024.
3151:978-0-253-00295-2
2965:"Madonna Pop Art"
2896:Christgau, Robert
2810:978-1-4008-6514-7
2715:978-1-139-82796-6
2605:10.1038/srep00521
2508:978-0-313-39348-8
2481:978-1-134-93951-0
2449:978-1-910570-69-2
2182:978-0-8108-8296-6
2089:Kenneth Gloag in
1960:978-1-317-05265-4
1600:Traditional Pop,
1383:Justin Timberlake
1157:digital recording
962:transistor radios
919:In October 2023,
781:
541:
540:
72:contemporary folk
56:Stylistic origins
16:(Redirected from
4627:
4605:1920s neologisms
4498:
4298:Balkan pop-folk
4019:
4018:
3671:
3664:
3657:
3648:
3647:
3606:, Beacon Press,
3561:Pleasants, Henry
3457:Gillett, Charlie
3370:
3369:
3362:
3356:
3355:
3348:
3342:
3341:
3334:
3328:
3327:
3325:
3324:
3305:
3299:
3298:
3296:
3295:
3280:
3274:
3273:
3260:
3254:
3253:
3251:
3250:
3230:
3224:
3223:
3221:
3220:
3200:
3194:
3193:
3191:
3189:
3169:
3163:
3162:
3160:
3158:
3135:
3129:
3128:
3126:
3124:
3105:
3099:
3098:
3096:
3094:
3079:
3073:
3072:
3070:
3068:
3063:. August 9, 2023
3053:
3047:
3040:
3029:
3014:
3008:
2993:
2987:
2986:
2984:
2982:
2957:
2951:
2950:
2948:
2947:
2928:
2922:
2921:
2919:
2917:
2892:
2883:
2882:
2880:
2879:
2859:
2853:
2852:
2847:, archived from
2836:
2830:
2824:
2815:
2814:
2791:
2785:
2784:
2782:
2781:
2762:
2756:
2755:
2753:
2751:
2726:
2720:
2719:
2697:
2691:
2690:
2688:
2686:
2667:
2661:
2644:
2635:
2634:
2624:
2590:
2566:
2560:
2559:
2557:
2555:
2533:
2524:
2523:
2521:
2520:
2492:
2486:
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2460:
2454:
2453:
2433:
2427:
2420:
2407:
2401:
2395:
2394:
2382:
2376:
2373:
2367:
2364:
2358:
2351:
2345:
2338:
2332:
2325:
2319:
2318:
2316:
2315:
2296:
2290:
2283:
2277:
2276:
2274:
2273:
2258:
2252:
2251:
2249:
2248:
2233:
2227:
2226:
2218:
2212:
2211:
2193:
2187:
2186:
2166:
2160:
2159:
2157:
2155:
2136:
2130:
2113:
2104:
2087:
2078:
2070:
2059:
2053:
2038:
2032:
2015:
2009:
2008:
2006:
2004:
1984:
1978:
1971:
1965:
1964:
1940:
1934:
1917:
1911:
1910:
1862:
1856:
1839:
1833:
1832:
1830:
1828:
1813:
1807:
1806:
1804:
1802:
1796:
1789:
1781:
1775:
1774:
1772:
1770:
1751:
1745:
1744:
1742:
1740:
1721:
1715:
1698:
1679:
1678:
1666:
1654:
1645:
1637:
1624:
1613:
1597:
1566:History of music
1540:
1535:
1534:
1533:
1526:
1521:
1520:
1519:
1512:
1507:
1506:
1505:
1498:
1496:Pop music portal
1493:
1492:
1441:has been named "
1316:Tejano musicians
1253:
1233:music industries
1208:
1199:
1167:music and other
1110:unnatural reverb
1086:
1069:electronic music
1045:Broadway theatre
1023:(pictured 1964).
1017:British Invasion
985:digital sampling
907:circle of fifths
849:rhythmic element
783:
782:
763:
504:experimental pop
88:Derivative forms
80:Cultural origins
48:
47:
21:
4635:
4634:
4630:
4629:
4628:
4626:
4625:
4624:
4600:Western culture
4585:
4584:
4583:
4578:
4458:
4366:French Mandopop
4282:
4093:
4067:Brazilian (MPB)
4045:
4010:
3706:
3697:Traditional pop
3680:
3675:
3643:, October 1999.
3622:
3617:
3502:, Witan Books,
3379:
3377:Further reading
3374:
3373:
3364:
3363:
3359:
3350:
3349:
3345:
3336:
3335:
3331:
3322:
3320:
3307:
3306:
3302:
3293:
3291:
3281:
3277:
3261:
3257:
3248:
3246:
3231:
3227:
3218:
3216:
3201:
3197:
3187:
3185:
3170:
3166:
3156:
3154:
3152:
3136:
3132:
3122:
3120:
3107:
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3102:
3092:
3090:
3080:
3076:
3066:
3064:
3055:
3054:
3050:
3041:
3032:
3015:
3011:
2994:
2990:
2980:
2978:
2958:
2954:
2945:
2943:
2930:
2929:
2925:
2915:
2913:
2893:
2886:
2877:
2875:
2860:
2856:
2845:Pitchfork Media
2837:
2833:
2825:
2818:
2811:
2800:Profane Culture
2795:Willis, Paul E.
2792:
2788:
2779:
2777:
2764:
2763:
2759:
2749:
2747:
2727:
2723:
2716:
2698:
2694:
2684:
2682:
2669:
2668:
2664:
2658:Wayback Machine
2645:
2638:
2567:
2563:
2553:
2551:
2534:
2527:
2518:
2516:
2509:
2493:
2489:
2482:
2464:Reynolds, Simon
2461:
2457:
2450:
2434:
2430:
2421:
2410:
2402:
2398:
2383:
2379:
2374:
2370:
2365:
2361:
2352:
2348:
2339:
2335:
2326:
2322:
2313:
2311:
2298:
2297:
2293:
2284:
2280:
2271:
2269:
2260:
2259:
2255:
2246:
2244:
2234:
2230:
2219:
2215:
2208:
2194:
2190:
2183:
2167:
2163:
2153:
2151:
2138:
2137:
2133:
2129:, pp. 3â4.
2114:
2107:
2088:
2081:
2076:Wayback Machine
2068:
2060:
2056:
2039:
2035:
2016:
2012:
2002:
2000:
1985:
1981:
1972:
1968:
1961:
1941:
1937:
1918:
1914:
1883:10.2307/3344679
1863:
1859:
1840:
1836:
1826:
1824:
1815:
1814:
1810:
1800:
1798:
1794:
1787:
1783:
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1778:
1768:
1766:
1753:
1752:
1748:
1738:
1736:
1723:
1722:
1718:
1699:
1682:
1664:
1658:Gilliland, John
1655:
1648:
1643:Wayback Machine
1635:
1625:
1616:
1610:Wayback Machine
1598:
1594:
1589:
1536:
1531:
1529:
1522:
1517:
1515:
1508:
1503:
1501:
1494:
1487:
1484:
1460:Alternative pop
1443:Princess of Pop
1395:Destiny's Child
1374:
1354:Michael Jackson
1350:Whitney Houston
1284:Whitney Houston
1255:
1248:
1229:
1228:
1227:
1226:
1215:Michael Jackson
1211:
1210:
1209:
1201:
1200:
1189:
1150:record contract
1137:progressive pop
1084:
1029:traditional pop
1009:
971:Michael Jackson
942:
937:
813:
812:
804:
802:
801:
800:
799:
784:
777:
774:
767:
761:
756:
754:Characteristics
671:hillbilly music
628:
310:Regional scenes
287:psychedelic pop
177:
115:Alternative pop
62:Traditional pop
46:
39:
28:
23:
22:
15:
12:
11:
5:
4633:
4623:
4622:
4617:
4615:1960s in music
4612:
4610:1950s in music
4607:
4602:
4597:
4580:
4579:
4577:
4576:
4571:
4566:
4561:
4560:
4559:
4554:
4544:
4543:
4542:
4535:Talent manager
4532:
4527:
4522:
4517:
4512:
4507:
4502:
4501:
4500:
4491:
4486:
4481:
4470:
4468:
4467:Related topics
4464:
4463:
4460:
4459:
4457:
4456:
4451:
4450:
4449:
4439:
4437:SFR Yugoslavia
4434:
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4016:
4012:
4011:
4009:
4008:
4003:
3998:
3993:
3992:
3991:
3986:
3976:
3971:
3966:
3961:
3956:
3954:Schlager music
3951:
3946:
3941:
3940:
3939:
3934:
3929:
3924:
3919:
3909:
3904:
3903:
3902:
3892:
3887:
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3870:
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3845:
3840:
3839:
3838:
3828:
3823:
3818:
3817:
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3811:
3801:
3796:
3791:
3786:
3784:Brill Building
3781:
3776:
3771:
3766:
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3756:
3755:
3754:
3744:
3743:
3742:
3737:
3732:
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3651:
3645:
3644:
3632:
3621:
3620:External links
3618:
3616:
3615:
3600:
3593:
3578:
3571:Roxon, Lillian
3568:
3558:
3543:
3533:
3526:
3511:
3493:
3478:
3464:
3454:
3444:
3434:
3427:
3420:
3411:Clarke, Donald
3408:
3401:
3387:
3380:
3378:
3375:
3372:
3371:
3357:
3343:
3329:
3300:
3275:
3255:
3225:
3209:TNW | Insights
3195:
3164:
3150:
3130:
3100:
3074:
3048:
3030:
3028:, pp. 199â200.
3009:
2988:
2952:
2923:
2884:
2854:
2831:
2829:, p. 202.
2816:
2809:
2786:
2757:
2721:
2714:
2692:
2675:Sound on Sound
2662:
2651:, 26 July 2012
2636:
2561:
2525:
2507:
2487:
2480:
2455:
2448:
2428:
2408:
2396:
2377:
2368:
2359:
2355:In Theory Only
2346:
2333:
2320:
2291:
2278:
2253:
2228:
2213:
2207:978-0745642642
2206:
2188:
2181:
2161:
2131:
2105:
2079:
2054:
2033:
2010:
1979:
1966:
1959:
1935:
1912:
1857:
1834:
1808:
1776:
1746:
1716:
1680:
1670:Pop Chronicles
1646:
1614:
1591:
1590:
1588:
1585:
1584:
1583:
1578:
1573:
1568:
1563:
1558:
1553:
1548:
1542:
1541:
1527:
1513:
1499:
1483:
1480:
1439:Britney Spears
1399:Britney Spears
1373:
1370:
1362:George Michael
1300:Ritchie Valens
1265:homogenization
1241:
1213:
1212:
1203:
1202:
1194:
1193:
1192:
1191:
1190:
1188:
1185:
1008:
1005:
992:Simon Reynolds
941:
938:
936:
933:
818:easy listening
803:
785:
775:
770:
769:
768:
759:
758:
757:
755:
752:
748:do-it-yourself
639:singles charts
627:
624:
546:is a genre of
539:
538:
537:
536:
531:
526:
521:
516:
511:
506:
501:
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483:
482:
478:
477:
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473:Western Europe
470:
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458:United Kingdom
455:
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299:
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259:
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237:hypnagogic pop
234:
229:
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214:
209:
204:
199:
191:
190:
186:
185:
184:
183:
172:
167:
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145:orchestral pop
142:
137:
132:
127:
125:Brill Building
122:
117:
109:
108:
104:
103:
102:
101:
96:
89:
85:
84:
81:
77:
76:
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69:
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57:
53:
52:
27:Genre of music
26:
9:
6:
4:
3:
2:
4632:
4621:
4618:
4616:
4613:
4611:
4608:
4606:
4603:
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4598:
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4575:
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4406:
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4364:
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4219:
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4209:
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4199:
4197:
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4190:
4187:
4185:
4182:
4180:
4177:
4176:
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4172:
4170:
4167:
4163:
4160:
4158:
4157:Zhongguo feng
4155:
4153:
4150:
4146:
4143:
4142:
4141:
4138:
4136:
4133:
4131:
4128:
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4037:
4035:
4032:
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4027:
4026:
4024:
4020:
4017:
4013:
4007:
4004:
4002:
3999:
3997:
3994:
3990:
3987:
3985:
3982:
3981:
3980:
3977:
3975:
3972:
3970:
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3955:
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3947:
3945:
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3930:
3928:
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3923:
3920:
3918:
3915:
3914:
3913:
3910:
3908:
3905:
3901:
3898:
3897:
3896:
3893:
3891:
3888:
3884:
3881:
3879:
3878:Dunedin sound
3876:
3875:
3874:
3871:
3869:
3866:
3864:
3861:
3859:
3856:
3854:
3851:
3849:
3846:
3844:
3841:
3837:
3834:
3833:
3832:
3829:
3827:
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3822:
3819:
3815:
3812:
3810:
3807:
3806:
3805:
3802:
3800:
3797:
3795:
3792:
3790:
3787:
3785:
3782:
3780:
3777:
3775:
3772:
3770:
3767:
3765:
3762:
3760:
3757:
3753:
3750:
3749:
3748:
3745:
3741:
3738:
3736:
3733:
3731:
3728:
3726:
3723:
3722:
3721:
3718:
3717:
3715:
3713:
3709:
3703:
3702:Rock and roll
3700:
3698:
3695:
3693:
3692:Tin Pan Alley
3690:
3689:
3687:
3683:
3679:
3672:
3667:
3665:
3660:
3658:
3653:
3652:
3649:
3642:
3641:
3636:
3633:
3631:
3627:
3624:
3623:
3613:
3612:0-8070-0982-2
3609:
3605:
3601:
3598:
3594:
3591:
3590:0-415-28425-2
3587:
3583:
3579:
3576:
3572:
3569:
3566:
3562:
3559:
3556:
3555:0-415-17399-X
3552:
3549:, Routledge,
3548:
3544:
3541:
3537:
3534:
3531:
3527:
3524:
3523:0-8108-5129-6
3520:
3516:
3512:
3509:
3508:0-9508981-0-4
3505:
3501:
3497:
3494:
3491:
3490:0-19-514681-6
3487:
3483:
3479:
3477:
3476:0-7190-1489-1
3473:
3469:
3465:
3462:
3458:
3455:
3452:
3448:
3445:
3442:
3438:
3435:
3432:
3428:
3425:
3421:
3418:
3417:
3412:
3409:
3406:
3402:
3400:
3399:1-57999-100-9
3396:
3392:
3388:
3385:
3382:
3381:
3367:
3361:
3353:
3347:
3339:
3333:
3318:
3314:
3310:
3304:
3290:
3286:
3279:
3271:
3267:
3259:
3244:
3240:
3236:
3229:
3214:
3210:
3206:
3199:
3183:
3179:
3175:
3168:
3153:
3147:
3143:
3142:
3134:
3118:
3114:
3110:
3104:
3089:
3085:
3078:
3062:
3058:
3052:
3045:
3039:
3037:
3035:
3027:
3026:0-521-55660-0
3023:
3019:
3013:
3006:
3005:0-520-24424-9
3002:
2998:
2992:
2976:
2972:
2971:
2966:
2962:
2956:
2941:
2937:
2933:
2927:
2911:
2907:
2906:
2901:
2897:
2891:
2889:
2873:
2869:
2865:
2858:
2850:
2846:
2842:
2835:
2828:
2823:
2821:
2812:
2806:
2802:
2801:
2796:
2790:
2775:
2771:
2767:
2761:
2745:
2741:
2740:
2735:
2731:
2725:
2717:
2711:
2707:
2703:
2696:
2681:on 8 May 2014
2680:
2676:
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2641:
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2400:
2392:
2388:
2381:
2372:
2363:
2356:
2350:
2343:
2337:
2330:
2327:J. Shepherd,
2324:
2309:
2305:
2301:
2295:
2288:
2282:
2267:
2263:
2257:
2243:
2239:
2232:
2224:
2217:
2209:
2203:
2199:
2192:
2184:
2178:
2174:
2173:
2165:
2149:
2145:
2141:
2135:
2128:
2127:0-7546-3132-X
2124:
2120:
2119:
2112:
2110:
2102:
2101:0-19-866212-2
2098:
2094:
2093:
2086:
2084:
2077:
2073:
2066:
2065:
2058:
2051:
2050:0-7190-1489-1
2047:
2043:
2037:
2030:
2029:0-19-861186-2
2026:
2022:
2021:
2014:
1998:
1994:
1990:
1983:
1976:
1970:
1962:
1956:
1952:
1948:
1947:
1939:
1932:
1931:0-88738-618-0
1928:
1924:
1923:
1916:
1908:
1904:
1900:
1896:
1892:
1888:
1884:
1880:
1876:
1872:
1868:
1861:
1854:
1853:0-7190-1489-1
1850:
1846:
1845:
1838:
1822:
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1793:
1786:
1780:
1764:
1760:
1756:
1750:
1734:
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1712:0-521-55660-0
1709:
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1528:
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1514:
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1500:
1497:
1491:
1486:
1479:
1477:
1473:
1472:Billie Eilish
1469:
1465:
1461:
1457:
1452:
1444:
1440:
1436:
1432:
1430:
1426:
1422:
1418:
1414:
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1406:
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1400:
1396:
1392:
1388:
1384:
1380:
1379:Avril Lavigne
1369:
1367:
1363:
1359:
1355:
1351:
1346:
1344:
1340:
1336:
1332:
1328:
1325:. With later
1324:
1320:
1319:Lydia Mendoza
1317:
1313:
1309:
1305:
1301:
1297:
1289:
1285:
1280:
1276:
1274:
1273:globalization
1270:
1266:
1262:
1261:
1257:According to
1254:
1252:
1245:
1240:
1238:
1234:
1224:
1220:
1216:
1207:
1198:
1184:
1182:
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1158:
1153:
1151:
1147:
1143:
1138:
1133:
1131:
1127:
1123:
1119:
1118:Wall of Sound
1115:
1111:
1107:
1106:orchestration
1098:
1093:
1089:
1083:
1082:
1076:
1075:
1070:
1066:
1062:
1058:
1054:
1050:
1046:
1043:songwriting,
1042:
1041:Tin Pan Alley
1038:
1034:
1030:
1022:
1018:
1013:
1004:
1002:
996:
993:
990:
986:
982:
978:
976:
972:
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950:
946:
931:
926:
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923:
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908:
904:
900:
896:
892:
888:
884:
880:
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870:
866:
862:
858:
854:
850:
842:
838:
834:
830:
826:
824:
819:
811:
809:
797:
796:Bob Woffinden
793:
789:
786:As of 2011, "
773:
751:
749:
744:
740:
736:
731:
729:
725:
721:
717:
713:
708:
704:
703:rock and roll
700:
696:
695:
686:
682:
678:
674:
672:
668:
664:
658:
656:
655:novelty songs
652:
648:
644:
640:
636:
632:
623:
621:
617:
616:record charts
613:
609:
605:
604:popular music
600:
598:
594:
590:
586:
582:
578:
573:
571:
567:
563:
559:
558:
553:
552:rock and roll
549:
548:popular music
545:
535:
532:
530:
527:
525:
522:
520:
517:
515:
512:
510:
507:
505:
502:
500:
497:
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487:
486:
484:
479:
474:
471:
469:
466:
464:
463:United States
461:
459:
456:
454:
451:
449:
446:
444:
441:
439:
436:
434:
431:
429:
426:
424:
423:South America
421:
419:
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386:
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331:
329:
326:
324:
321:
319:
316:
315:
313:
308:
303:
300:
298:
295:
293:
292:space age pop
290:
288:
285:
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280:
278:
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273:
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268:
265:
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258:
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218:
217:dancehall pop
215:
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210:
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200:
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195:
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189:Fusion genres
187:
181:
180:complete list
176:
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68:
67:rock and roll
65:
63:
60:
59:
58:
54:
49:
44:
37:
33:
32:Popular music
19:
4620:Music genres
4569:Virtual band
4540:Talent agent
4050:The Americas
3959:Sophisti-pop
3853:Experimental
3677:
3638:
3603:
3596:
3581:
3574:
3564:
3546:
3539:
3529:
3514:
3499:
3481:
3467:
3460:
3453:, Routledge.
3450:
3447:Frith, Simon
3440:
3437:Frith, Simon
3430:
3423:
3414:
3404:
3390:
3360:
3346:
3332:
3321:. Retrieved
3312:
3303:
3292:. Retrieved
3288:
3278:
3272:, p. 60
3265:
3258:
3247:. Retrieved
3238:
3228:
3217:. Retrieved
3208:
3198:
3188:February 14,
3186:. Retrieved
3177:
3167:
3157:February 14,
3155:. Retrieved
3140:
3133:
3123:November 18,
3121:. Retrieved
3112:
3103:
3093:February 18,
3091:. Retrieved
3087:
3077:
3065:. Retrieved
3060:
3051:
3043:
3017:
3012:
2996:
2991:
2979:. Retrieved
2970:The Guardian
2968:
2955:
2944:. Retrieved
2935:
2926:
2914:. Retrieved
2903:
2876:. Retrieved
2867:
2857:
2849:the original
2844:
2834:
2799:
2789:
2778:. Retrieved
2769:
2760:
2748:. Retrieved
2737:
2730:Pareles, Jon
2724:
2705:
2695:
2683:. Retrieved
2679:the original
2674:
2665:
2648:
2578:
2574:
2564:
2552:. Retrieved
2541:
2517:. Retrieved
2497:
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2341:
2340:V. Kramarz,
2336:
2328:
2323:
2312:. Retrieved
2303:
2294:
2286:
2285:W. Everett,
2281:
2270:. Retrieved
2268:. 2021-12-27
2265:
2256:
2245:. Retrieved
2242:The National
2241:
2231:
2222:
2216:
2197:
2191:
2171:
2164:
2152:. Retrieved
2143:
2134:
2116:
2090:
2063:
2057:
2041:
2036:
2018:
2013:
2001:. Retrieved
1992:
1982:
1969:
1945:
1938:
1920:
1915:
1877:(1): 47â55.
1874:
1870:
1860:
1842:
1837:
1825:. Retrieved
1820:
1811:
1799:. Retrieved
1779:
1767:. Retrieved
1758:
1749:
1737:. Retrieved
1729:allmusic.com
1728:
1719:
1701:
1668:
1631:
1601:
1595:
1538:1960s portal
1524:1950s portal
1510:Music portal
1476:Taylor Swift
1464:Lana Del Rey
1448:
1402:
1375:
1372:21st century
1347:
1308:Chicano rock
1293:
1258:
1256:
1247:
1243:
1230:
1161:synthesizers
1154:
1134:
1126:the Tornados
1114:Phil Spector
1102:
1079:
1072:
1026:
997:
989:Music critic
979:
954:
928:
921:
918:
881:
873:harmonically
846:
814:
805:
735:authenticity
732:
723:
706:
692:
690:
680:
659:
629:
619:
611:
607:
603:
601:
574:
565:
561:
555:
543:
542:
481:Other topics
160:sunshine pop
155:sophisti-pop
140:operatic pop
4489:Teenybopper
4484:Sasaeng fan
4479:Bobby soxer
4233:Kazakhstani
4226:Shibuya-kei
4162:Chinoiserie
4115:Azerbaijani
4001:Traditional
3949:Psychedelic
3944:Progressive
3809:Bro-country
3747:Alternative
3730:Quiet storm
2961:McGee, Alan
2115:T. Warner,
1821:Independent
1581:Music genre
1425:dance music
1335:Los del RĂo
1251:Bob Stanley
1217:(left) and
1135:Before the
1035:and French
1021:the Beatles
949:Bing Crosby
903:blues scale
863:and catchy
837:Middle East
739:Simon Frith
712:The Beatles
635:Pete Seeger
631:David Hatch
620:chart music
494:Afro fusion
489:African pop
428:South Korea
418:Scandinavia
408:Philippines
388:Middle East
267:ambient pop
202:country pop
197:Baroque pop
4589:Categories
4557:Girl group
4530:Songwriter
4388:Macedonian
4361:French pop
4322:Turbo-folk
4278:Vietnamese
4268:Philippine
4196:Indonesian
3984:Electropop
3895:Orchestral
3868:Hypnagogic
3843:Disco polo
3496:Kent, Jeff
3407:, Praeger.
3323:2022-07-27
3294:2022-07-27
3249:2022-07-27
3219:2022-07-27
2946:2018-05-21
2916:August 18,
2878:2019-07-10
2827:Moore 2016
2780:2019-03-31
2543:PopMatters
2519:2016-10-25
2314:2020-07-07
2272:2023-11-26
2266:EgyptToday
2247:2023-11-26
2031:, cf. pop.
2003:4 November
1933:, pp. 2â3.
1801:9 December
1769:9 December
1739:9 December
1587:References
1456:2008 crash
1417:avant-funk
1343:Luis Fonsi
1323:Little Joe
1169:electronic
1097:Elton John
1049:show tunes
1015:The 1960s
957:microphone
808:media help
792:Nick Logan
743:enterprise
728:beat music
602:The terms
534:rock music
398:Netherland
373:Kazakhstan
297:street pop
222:electropop
212:cowboy pop
4595:Pop music
4574:Worldbeat
4547:Teen idol
4474:Celebrity
4454:Ukrainian
4447:VIA music
4378:Hungarian
4351:Eurodance
4339:Nederbeat
4294:Austropop
4263:Pakistani
4258:Malaysian
4216:KayĆkyoku
4089:Nueva ola
4062:Argentine
4034:Afrobeats
3989:Futurepop
3979:Synth-pop
3964:Space age
3927:Pop metal
3836:Freestyle
3826:Dancehall
3789:Bubblegum
3725:Christian
3678:Pop music
3626:Pop music
3573:, (1969)
3538:, (1990)
3498:, (1983)
3459:, (1970)
3426:, Eburon.
3413:, (1995)
3313:afterglow
3289:Billboard
3007:, p. 201.
2981:April 17,
2936:The Fader
2613:2045-2322
2588:1205.5651
2554:April 16,
2391:Billboard
2304:Cmuse.org
2103:, p. 983.
1993:ThoughtCo
1951:Routledge
1907:145122624
1891:0022-4294
1451:Will.i.am
1339:Despacito
1304:Los Lobos
1302:. Later,
1296:Latin pop
1288:The Voice
1181:happiness
1165:synth-pop
1146:Indie pop
1078:variety.
1053:classical
1001:poptimism
922:Billboard
893:European
891:classical
875:with the
853:structure
643:classical
608:pop music
570:ephemeral
544:Pop music
529:poptimism
499:Avant-pop
433:Sri Lanka
353:Indonesia
343:Hong Kong
302:worldbeat
282:power pop
277:pop metal
242:indie pop
175:wonky pop
165:synth-pop
135:dance-pop
130:bubblegum
107:Subgenres
51:Pop music
18:Pop Music
4552:Boy band
4417:Schlager
4400:Romanian
4206:Japanese
4189:Hindutva
4140:Mandopop
4125:Cantopop
4110:Assyrian
4077:Tropipop
4057:American
4039:Moroccan
3969:Sunshine
3932:Pop-punk
3912:Pop rock
3890:Operatic
3863:Hyperpop
3735:Rhythmic
3317:Archived
3243:Archived
3239:VIBE.com
3213:Archived
3182:Archived
3117:Archived
2995:J. Kun,
2975:Archived
2940:Archived
2910:Archived
2898:(2014).
2872:Archived
2797:(2014).
2774:Archived
2744:Archived
2654:Archived
2631:22837813
2548:Archived
2513:Archived
2466:(2006).
2308:Archived
2148:Archived
2072:Archived
2052:, p. 49.
1997:Archived
1792:Archived
1763:Archived
1733:Archived
1660:(1969).
1639:Archived
1606:Archived
1602:AllMusic
1482:See also
1404:Blackout
1331:Macarena
1249: â
1142:Internet
1122:Joe Meek
1033:Schlager
914:function
911:dominant
895:tonality
867:, and a
861:melodies
833:Amr Diab
722:, etc."
509:Hyperpop
448:Thailand
403:Pakistan
378:Malaysia
333:Colombia
272:pop rock
262:pop-soul
252:pop-punk
232:folk-pop
170:teen pop
150:schlager
99:hyperpop
94:New wave
43:Pop Song
4432:Turkish
4427:Swedish
4422:Serbian
4412:Russian
4393:Äalgija
4383:Italian
4356:Europop
4344:New pop
4329:British
4317:Tallava
4237:Korean
4221:RyĆ«kĆka
4201:Iranian
4179:Bhangra
4135:Hokkien
4120:Chinese
4082:Mexican
3907:Pop rap
3900:Baroque
3804:Country
3794:Chamber
3759:Ambient
3563:(1969)
3449:(2004)
3067:May 17,
2750:July 4,
2622:3405292
2593:Bibcode
2581:: 521.
2154:21 July
2061:"Pop",
1975:pop art
1899:3344679
1855:, p. 1.
1827:21 July
1665:(audio)
1429:hip hop
1421:R&B
1358:Madonna
1237:Europop
1219:Madonna
1163:, with
1144:stars.
1065:country
1037:Chanson
975:Madonna
883:Harmony
699:Britain
663:country
597:country
514:New Pop
468:Vietnam
393:Morocco
318:Austria
257:pop rap
247:popiano
227:emo pop
120:art pop
4442:Soviet
4405:Manele
4312:Manele
4302:Chalga
4287:Europe
4174:Indian
4152:Xinyao
4145:French
4105:Arabic
4029:Africa
4022:Africa
3922:Jangle
3821:Cringe
3814:Cowboy
3712:Styles
3630:Curlie
3610:
3588:
3553:
3521:
3506:
3488:
3474:
3397:
3178:Forbes
3148:
3024:
3003:
2807:
2770:Smooth
2712:
2629:
2619:
2611:
2505:
2478:
2446:
2204:
2179:
2125:
2099:
2048:
2027:
1957:
1929:
1905:
1897:
1889:
1851:
1710:
1427:, and
1397:, and
1366:Prince
1364:, and
1312:Selena
1047:, and
869:chorus
841:Africa
669:, and
653:, and
595:, and
453:Turkey
443:Taiwan
438:Sweden
413:Russia
383:Mexico
338:France
323:Brazil
4371:Yé-yé
4334:Dutch
4307:LaĂŻko
4246:South
4241:North
4184:Filmi
4130:Hakka
4072:Latin
4006:Wonky
3974:Swamp
3937:Power
3873:Indie
3848:Dream
3831:Dance
3774:Beach
3769:Avant
3740:Urban
2685:8 May
2583:arXiv
1903:S2CID
1895:JSTOR
1795:(PDF)
1788:(PDF)
1759:Paste
1628:"Pop"
1468:Lorde
1409:Danja
1387:NSYNC
1341:" by
1337:and "
1333:" by
1085:'
877:verse
865:hooks
667:blues
593:Latin
589:dance
585:urban
577:hooks
519:K-Pop
368:Japan
363:Italy
348:India
328:China
4496:Wota
4273:Thai
4211:City
4098:Asia
3996:Teen
3883:Twee
3858:Folk
3779:Beat
3608:ISBN
3586:ISBN
3551:ISBN
3519:ISBN
3504:ISBN
3486:ISBN
3472:ISBN
3395:ISBN
3190:2020
3159:2020
3146:ISBN
3125:2020
3095:2012
3069:2024
3022:ISBN
3001:ISBN
2983:2013
2918:2015
2805:ISBN
2752:2013
2710:ISBN
2687:2014
2627:PMID
2609:ISSN
2556:2022
2503:ISBN
2476:ISBN
2444:ISBN
2202:ISBN
2177:ISBN
2156:2018
2123:ISBN
2097:ISBN
2046:ISBN
2025:ISBN
2005:2018
1955:ISBN
1927:ISBN
1887:ISSN
1849:ISBN
1829:2023
1803:2021
1771:2021
1741:2021
1708:ISBN
1474:and
1466:and
1321:and
1306:and
1120:and
1061:rock
1057:folk
973:and
885:and
839:and
794:and
720:ABBA
651:rock
647:jazz
606:and
560:and
557:Rock
358:Iran
4253:Lao
3917:Emo
3764:Art
3628:at
2617:PMC
2601:doi
2144:BBC
1879:doi
1413:EDM
1116:'s
1003:".
967:MTV
612:all
566:pop
562:pop
4591::
3311:.
3287:.
3268:,
3241:.
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3207:.
3180:.
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1991:.
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1949:.
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