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90:, after which the upper body was hand-formed while the clay was still malleable. Some have feet peeping out from under their skirt. They always have raised hands, normally with palms pointing sideways or out, and there is often a hole at the top of the head, perhaps to help firing, while the openings at the ears may be intended to suggest readiness to hear prayers. Most are unpainted. They relate to other, less stylized, types of Minoan clay goddess figures.
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believed that a second meaning of the depiction and use of poppies in the Greco-Roman myths is the symbolism of the bright scarlet colour as signifying the promise of resurrection after death and that the poppy was the emblem of the goddess
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The figurines found at Gazi, which are larger than any previously produced on Minoan Crete, are rendered in an extremely stylized manner. The bodies are rigid, the skirts simple cylinders, and the poses stereotyped.
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figurines were found in public sanctuaries, not only in palace-sanctuaries, as is usual in earlier periods. Clay figurines of the goddess with raised hands also were found in the shrine of double axes in
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Interpreters speculate that the raised hands of the figurine who gazes toward the visitor indicate that it is a deity and that the gesture of the two upraised hands with open palms is an
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influence particularly on art was strong over the island, showing that Crete had become little more than a province of the
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gesture of the goddess. It is possible that the goddess is giving a greeting, or a blessing, or is praying, or it may symbolize her appearance in earth in human form.
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Terracottas from Gazi in AM Heraklion, 1300-1100 BC, including the poppy goddess, but birds are more common here.
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shared the view that the imagery of the gathered poppy reeds in the figurine's hands are associated with the
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asserted that poppies were connected with a Cretan cult that was transmitted to the
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The Poppy: A Cultural
History from Ancient Egypt to Flanders Fields to Afghanistan
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is perhaps a representation of the goddess as the bringer of sleep or death.
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is often used for a famous example of a distinctive type of large female
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and it is almost certain that in the Cretan cult sphere
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showing a seated goddess bearing three poppy seedcases
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Type of large female terracotta figurine in Minoan art
170:for the Greeks Demeter was a poppy goddess bearing
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goddess" figurine from the sanctuary at Gazi, Crete
380:Dionysos. Archetypal image of Indestructible life.
279:Herakleion Museum. Illustrated guide to the Museum
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235:"Mother of the Gods".
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208:who bore the names
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256:References
178:vii 157).
168:Theocritus
41:Minoan art
457:Figurines
327:, (2013)
51:, rather
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239:See also
152:epiphany
103:Mycenean
214:Eleusis
187:Mycenae
172:sheaves
164:Demeter
128:Prinias
116:Gournia
112:Knossos
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120:Myrtos
76:diadem
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176:Idyll
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210:Rhea
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