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131:. Lawrence was twenty when he painted Queen Charlotte. It represented a major commission for him and the first time he painted a member of the
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the following year. Although considered a resounding success neither the King nor Queen cared for it and it was not acquired for the
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Norrie, Aidan, Harris, Carolyn, Laynesmith, J.L., Messer, Danna R. and
Woodacre, Elena (ed.)
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239.5 cm × 147 cm (94.3 in × 58 in)
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Slavery in Art and
Literature: Approaches to Trauma, Memory and Visuality
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203:, 1821 portrait by Lawrence of Charlotte's son in his coronation robes
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A self-portrait by
Lawrence around the time he painted Charlotte.
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Hanoverian to
Windsor Consorts: Power, Influence, and Dynasty
170:. His painting of Charlotte is now in the collection of the
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elite and was commissioned by
Charlotte's son George to
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127:for a number of years before relocating to
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734:Paintings in the National Gallery, London
267:The Oxford Dictionary of Art and Artists
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181:Regarding the debate over Charlotte's
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272:Haehnel, Birgit & Ulz, Melanie.
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269:. Oxford University Press, 2015.
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147:can be seen in the background.
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16:Painting by Thomas Lawrence
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119:Lawrence had emerged as a
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164:paint European leaders
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200:Portrait of George IV
112:of the British queen
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548:Francis I of Austria
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620:The Red Boy
160:Regency era
143:and nearby
713:Categories
444:George III
208:References
137:George III
104:is a 1789
68:Dimensions
564:George IV
332:Portraits
652:Maria II
193:See also
168:Napoleon
76:Location
62:portrait
671:Related
663:(1830)
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176:London
129:London
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36:Artist
223:p.62
125:Bath
54:Type
49:1789
46:Year
174:in
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317:e
310:t
303:v
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