31:
553:
322:
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577:
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679:
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124:
477:(d. 1534), on the grounds that the lady bears a resemblance to Jane, especially around the nose and chin, and wears widow's black. Derek Wilson observed that "in August 1537 Cromwell succeeded in marrying his son, Gregory, to Elizabeth Seymour", the queen's younger sister. He was therefore related by marriage to the king, "an event worth recording for posterity, by a portrait of his daughter-in-law".
640:
on her left sleeve represent those in the
Seymour augmentation and that of Cromwell. In the Cromwell arms "the pelican carried an evangelical message, yet it could also echo the main motif of the original Seymour family coat, birds' wings conjoined." It is clear that this 21-year-old lady has close
201:
edged with white, heavily embroidered in gold, with a falling black veil. She has auburn hair, parted in the middle and blue-grey eyes. Around her neck she wears a necklace set with pearls and diamonds, to which is attached a pendant jewel. Her black satin gown, with a square black velvet yoke, is
321:
356:. Cust's identification stood unchallenged until doubts were raised about the sitter's identity in the catalogue of The Kings and Queens of England exhibition held at Liverpool in 1953. A further attempt to identify the lady as Queen Catherine Howard was made by
552:
498:
302:
286:
218:
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should by rights depict a lady with strong ties to the
Cromwell family who was 21 in around 1535 to 1540. He stated that a dated parallel for costume (a short-lived style), notably the distinctive cut of the sleeves, is Holbein's
690:
275:
457:. On 3 August 1537, when she was about nineteen or twenty, Elizabeth, Lady Ughtred, married Thomas Cromwell's 17-year-old son, Gregory, with whom she would have three sons and two daughters. She served in the household of
265:
238:
736:
in the lifetime of Oliver
Cromwell (1742–1821), who listed it as "Mary Tudor, Queen of France and Duchess of Suffolk"; labels formerly on the reverse called it " Cromwell's Mother" and "Duchess of Suffolk";
1392:
1558:. Catalogue of an exhibition held at the galleries of Philip Mould Ltd, 6–18 March 2007. London: Philip Mould Ltd. pp. 70–75, ill. (col.), 109–124: Inventory is BL Stowe MS 599, ff. 55–68.
790:
1769:
1685:
712:
observed that "One of the most striking portraits of a woman
Holbein ever delivered was of Cromwell's daughter-in-law, painted probably in 1539 as she turned twenty-one."
170:. The painting shows an elegantly but demurely dressed young woman sitting against a blue-grey background. The subject of this portrait is thought to be a member of the
30:
659:
398:
of 1538. John
Rowlands agreed that stylistically the portrait belonged to the period c. 1535–40, but considered that the French Hood "suggests a date towards its end."
510:
522:
140:
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families: the angels and the fleurs-de-lis symbolise a
Seymour-Cromwell marital alliance. "There can be little doubt that this Holbein masterpiece, the original in
533:
375:, noted that both the Toledo portrait and the National Portrait Gallery version appear in the context of a series of portraits of members of the family of the
1752:
1400:
1727:
1848:
1911:
405:'s family Strong identified two women who might have been around the right age to be the sitter: Frances Murfyn (c. 1520 – c. 1543), the wife of
2087:
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following the marriage of his son to the queen's sister in August 1537; the second and third quarters have a division of six, with
1165:
1147:
1943:
1785:
426:
1720:
582:
Medal with bust of Thomas
Cromwell. Reverse: Armorial shield of Cromwell, being two coats quarterly, within the Garter, 1538.
1430:
813:
1919:
1008:, fifth consort of Henry VIII. The sitter is now thought to be a member of the Cromwell family, perhaps Elizabeth Seymour (
540:
514:
446:
422:
617:
was also an
English gold coin patterned after the French angelot or ange. The name derived from its representation of the
2012:
1596:
1499:
Roskill, Mark (2001). "Lady with a
Squirrel and a Starling by Holbein: Incursions of the Figurative in his Portraits".
1465:
1222:
509:
and possess "the same unusual threefold structure, same metal and colours, fleurs de lys, and a feral creature" as the
197:— the sitter's age: 21; her sumptuous clothing and jewellery indicates that she is a lady of high status. She wears a
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1537:
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In the Toledo portrait
Holbein provides visual puns and heraldic clues to identify the sitter: firstly, an angel, a
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Medallion of Lot with his family, guided by an angel, fleeing from Sodom. Hans Holbein the Younger. (
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2082:
1736:
1015:–1568), sister of Henry VIII's third wife, Jane Seymour, and wife of Thomas Cromwell's son Gregory.
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41:
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The golden vines (a Biblical motif) on her wing-like sleeves, symbolising abundance and wealth (
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open at the neck and turned back to show the white lining. The sleeves, decorated with stylised
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who was turned to a pillar of salt because she disobeyed God and looked back to Sodom. A
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1512:
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245:. Another larger circular jewel, probably also designed by Holbein, is attached to her
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625:. It has been suggested that the coin may have been the inspiration for the portrait.
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1368:(July 1910). "A portrait of Queen Catherine Howard, by Hans Holbein the Younger".
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72.1 cm × 49.5 cm (28.4 in × 19.5 in)
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Or, on a pile, gules, between six fleurs de lys, azure three lions of England
742:
729:
563:
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361:
234:
469:. He suggested that Elizabeth Seymour might be the subject of the painting.
1705:
1650:
1503:. Symposium Papers XXXVII: Hans Holbein: Paintings, Prints, and Reception.
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the year before) and noticed striking similarities. Cromwell was granted a
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128:
91:
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Armorial shield of Cromwell, being two coats quarterly, within the Garter.
925:"Medallion of Lot with his family, guided by an angel, fleeing from Sodom"
524:
Or, on a pile gules between six fleurs-de-lys azure three lions of England
142:
Or, on a pile gules between six fleurs-de-lys azure three lions of England
1365:
473:
argued that the sitter is Jane Seymour's sister, Elizabeth, the widow of
458:
345:
256:
Two related copies of the portrait are extant: a 16th-century version at
198:
1697:
Medallion of Lot with his family, guided by an angel, fleeing from Sodom
1516:
1563:
368:
187:
136:
123:
1581:
1383:
986:"Unknown woman, formerly known as Catherine Howard, late 17th-century"
364:
and Alasdair Hawkyard in the Lost faces exhibition catalogue in 2007.
1467:
A Book of Knights Banneret, Knights of the Bath, and Knights Bachelor
1170:
1168:
1125:
454:
438:
211:
155:
65:
902:
434:
1770:
Double Portrait of Jakob Meyer zum Hasen and Dorothea Kannengießer
848:
Per bend, argent and gules, three roses, bend-wise, counterchanged
704:. Reverse: A ship surmounted by a shield bearing the King's arms
348:
identified the portrait which had been in the possession of the
217:
On the bodice of her gown, is a brooch from which hangs a large
110:
1624:
The Tudor and Stuart Monarchy: Pageantry, Painting, Iconography
1393:"All that Glitters: Hans Holbein's Lady of the Cromwell Family"
701:
622:
596:
246:
1967:
Portrait of a Lady, probably a Member of the Cromwell Family
1556:
Lost Faces: Identity and Discovery in Tudor Royal Portraiture
600:
226:
1677:
Portrait of a Lady, probably a Member of the Cromwell Family
793:
Portrait of a Lady, probably a Member of the Cromwell Family
151:
Portrait of a Lady, probably a Member of the Cromwell Family
24:
Portrait of a Lady, probably a Member of the Cromwell Family
261:
210:
motif, are fastened at intervals with gold aiglets; richly
203:
1228:
965:
963:
961:
1256:
1104:, p. 43. Frances was still living in June 1542. See
1319:(September 1964). "Portraiture Problems and Genealogy".
1056:
892:
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886:
884:
493:
of Thomas Cromwell of 1537 with that of Edward Seymour (
1292:
1083:
1073:
1071:
1044:
1032:
1020:
958:
311:. 16th-century. Follower of Hans Holbein the Younger. (
1481:
The King's Painter: The Life and Times of Hans Holbein
1268:
671:
Gules, a pair of "angels' wynges" conjoined in lure Or
610:
Gules, a pair of "angels' wynges" conjoined in lure Or
521:, following his sister, Jane's, marriage to the king:
330:. Late 17th-century. After Hans Holbein the Younger. (
1192:"Medal with bust of Thomas Cromwell: armorial shield"
1153:
881:
720:
Probably by descent to the Cromwell-Bush family from
603:
in the sitter's pendant jewel represents the arms of
1280:
1068:
728:; first recorded in the family home, Cheshunt Park,
946:
869:
852:
Argent, on a bend, gules, three leopards’ heads, or
632:) encircle the angels' wings in her pendant jewel (
221:with a diamond at the centre and a biblical theme:
1526:Holbein: The Paintings of Hans Holbein the Younger
857:
309:Portrait of a Lady, thought to be Catherine Howard
267:Portrait of a Lady, thought to be Catherine Howard
1849:Portrait of a Lady with a Squirrel and a Starling
1687:Unknown woman, formerly known as Catherine Howard
1345:
908:
696:Henry VIII angel, struck 1513–1526. Obverse: The
328:Unknown woman, formerly known as Catherine Howard
277:Unknown woman, formerly known as Catherine Howard
2064:
429:(c. 1510 – 1576). Elizabeth was the daughter of
270:. and another from the late 17th-century at the
1912:Portrait of Charles de Solier, Sieur de Morette
409:, and a lady of the highest social standing:
1721:
1566:(May 1967). "Holbein in England – I and II".
764:List of paintings by Hans Holbein the Younger
413:(c. 1518 – 1568), who married, successively,
383:, and have provenances linking them with the
1735:
1338:A Manual of Heraldry, Historical and Popular
1115:Memoirs of the Protectoral House of Cromwell
1346:Bätschmann, Oskar; Griener, Pascal (2014).
1004:This portrait was previously identified as
214:cambric ruffles are showing at the wrists.
1728:
1714:
1439:
1390:
1274:
1262:
1246:
1174:
1131:
1105:
896:
162:portrait completed in around 1535–1540 by
29:
1889:Portrait of Hermann Hillebrandt de Wedigh
1225:. Sir John Seymour, was knighted in 1497.
1647:Hans Holbein: Portrait of an Unknown Man
1523:
1463:
1350:(2nd ed.). London: Reaktion Books.
1298:
1218:
1089:
122:
1944:Portrait Miniature of Hans Schwarzwaldt
1786:The Body of the Dead Christ in the Tomb
1546:
1498:
1331:
1234:
1117:. Vol. I (3rd ed.). pp.
969:
844:Argent, three demi-lions rampant, gules
819:
795:, c. 1535-40, Hans Holbein the Younger"
427:John Paulet, 2nd Marquess of Winchester
2065:
1644:
1626:. Vol. I: Tudor. Woodbridge, UK:
1621:
1588:
1562:
1415:
1159:
1143:
1101:
1077:
1050:
1038:
980:
978:
952:
919:
917:
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836:gules, two wings conjoined in lure, or
599:being depicted with birds' wings. The
562:, 1st Earl of Essex, KG, 16th-century
2088:Paintings in the Toledo Museum of Art
2073:Portraits by Hans Holbein the Younger
1709:
1474:
1315:
1286:
1109:
1062:
785:
783:
781:
779:
387:. He argued that the portrait in the
1920:Portrait Miniature of Margaret Roper
1364:
1184:
1026:
863:
423:Gregory Cromwell, 1st Baron Cromwell
233:. To the left of the central gem is
193:The painting is inscribed in gold —
16:Painting by Hans Holbein the Younger
2013:Portrait of Johann von Schwarzwaldt
1391:Fitzgerald, Teri (18 August 2019).
975:
914:
684:Seymour: coat of augmentation, 1536
13:
776:
14:
2109:
1928:Portrait of Sir Richard Southwell
1691:National Portrait Gallery, London
1669:
745:, 1915, who presented it to the
339:
272:National Portrait Gallery, London
241:for this pendant survives in the
1959:Portrait of Christina of Denmark
1802:Portrait of Erasmus of Rotterdam
1649:(revised ed.). London, UK:
1108:. Strong has been led astray by
689:
677:
658:
575:
551:
532:
320:
301:
285:
2031:Hans Holbein the Elder (father)
1778:Portrait of Bonifacius Amerbach
1308:
1095:
1865:Portrait of the Artists Family
1470:. London: Mitchell and Hughes.
1341:. London: Winsor & Newton.
653:, depicts Elizabeth Seymour".
453:as well as aunt to the future
445:. She was a younger sister of
253:enthroned, flanked by angels.
225:with his family, guided by an
1:
1986:
1971:
1948:
1901:
1814:
1501:Studies in the History of Art
1009:
909:Bätschmann & Griener 2014
834:. (Augmentation) 2. Seymour:
769:
715:
51:
1997:Portrait of a Young Merchant
1857:Portrait of Nicolaus Kratzer
1592:Tudor and Jacobean Portraits
1464:Metcalfe, Walter C. (1885).
741:, London; James Dunn, 1911;
630:manche: ailes de vignes d'or
590:
7:
2036:Ambrosius Holbein (brother)
1897:Portrait of Thomas Cromwell
1841:Portrait of Sir Thomas More
1422:The Six Wives of Henry VIII
1134:, pp. 421–426, pl. 27.
752:
480:
10:
2114:
1833:Sir Thomas More and Family
1321:The Genealogists' Magazine
759:Artists of the Tudor court
607:(a pair of golden wings):
2044:
2023:
1761:
1753:List of portrait drawings
1743:
1253:–8, pl. 8–9, 679 (n. 21).
991:National Portrait Gallery
838:. 3. Beauchamp of Hache:
332:National Portrait Gallery
105:
97:
83:
75:
61:
47:
37:
28:
23:
1737:Hans Holbein the Younger
1484:. London: Head of Zeus.
634:ange: ailes divines d'or
371:, following the lead of
164:Hans Holbein the Younger
42:Hans Holbein the Younger
1873:Portrait of Georg Giese
1595:. Vol. 1. London:
1569:The Burlington Magazine
1524:Rowlands, John (1985).
1509:National Gallery of Art
1446:Thomas Cromwell: A Life
1425:. London, UK: Phoenix.
1371:The Burlington Magazine
1317:Adams, Charles Kingsley
830:. Quarterly of six. 1.
485:Cromwell's biographer,
1982:Portrait of Jane Small
1936:Portrait of Henry VIII
1645:Wilson, Derek (2006).
1449:. London: Allen Lane.
743:Edward Drummond Libbey
734:George Perfect Harding
373:Charles Kingsley Adams
146:
133:augmentation of honour
2098:God the Father in art
425:(c. 1520 – 1551) and
126:
2052:Northern Renaissance
1681:Toledo Museum of Art
1622:Strong, Roy (1995).
1589:Strong, Roy (1969).
1441:MacCulloch, Diarmaid
799:Toledo Museum of Art
747:Toledo Museum of Art
722:Sir Richard Cromwell
511:coat of augmentation
499:coat of augmentation
491:heraldic achievement
407:Sir Richard Cromwell
395:Christina of Denmark
389:Toledo Museum of Art
178:'s daughter-in-law,
168:Toledo Museum of Art
88:Toledo Museum of Art
1397:queenanneboleyn.com
1237:, pp. 179–180.
1065:, pp. 386–387.
1029:, pp. 193–199.
911:, pp. 245–246.
487:Diarmaid MacCulloch
475:Sir Anthony Ughtred
415:Sir Anthony Ughtred
381:Sir Oliver Cromwell
186:, third consort of
2078:Portraits of women
1630:. pp. 78–81.
1196:The British Museum
545:Viscount Beauchamp
519:Viscount Beauchamp
147:
2060:
2059:
1825:Darmstadt Madonna
1794:Solothurn Madonna
1748:List of paintings
1628:The Boydell Press
1552:Grosvenor, Bendor
1432:978-1-8421-2633-2
1403:on 6 October 2019
1053:, pp. 42–43.
972:, pp. 70–75.
698:Archangel Michael
641:ties to both the
619:Archangel Michael
517:when he was made
505:alternating with
443:Margery Wentworth
411:Elizabeth Seymour
352:for centuries as
239:design by Holbein
180:Elizabeth Seymour
139:on her marriage:
121:
120:
2105:
1991:
1988:
1976:
1975: 1535–1540
1973:
1953:
1952: 1535–1540
1950:
1906:
1905: 1532–1534
1903:
1819:
1816:
1730:
1723:
1716:
1707:
1706:
1664:
1641:
1618:
1599:pp. 41–44.
1585:
1576:(770): 276–281.
1559:
1543:
1520:
1495:
1471:
1460:
1436:
1412:
1410:
1408:
1399:. Archived from
1387:
1361:
1342:
1333:Boutell, Charles
1328:
1302:
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1048:
1042:
1041:, p. 42-43.
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1030:
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1006:Catherine Howard
1001:
999:
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846:5. MacWilliams:
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681:
667:Sir John Seymour
662:
605:Sir John Seymour
579:
568:Bodleian Library
558:Coat of arms of
555:
539:Coat of arms of
536:
467:Catherine Howard
431:Sir John Seymour
358:Bendor Grosvenor
354:Catherine Howard
324:
305:
289:
219:circular pendant
127:Coat of Arms of
117:
114:
112:
56:
53:
33:
21:
20:
2113:
2112:
2108:
2107:
2106:
2104:
2103:
2102:
2083:1530s paintings
2063:
2062:
2061:
2056:
2040:
2019:
1989:
1974:
1951:
1939:(1536–37, lost)
1904:
1881:The Ambassadors
1817:
1810:Lais of Corinth
1757:
1739:
1734:
1672:
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1661:
1638:
1607:
1540:
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1433:
1417:Fraser, Antonia
1406:
1404:
1378:(88): 193–199.
1358:
1311:
1306:
1305:
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1293:
1285:
1281:
1275:MacCulloch 2018
1273:
1269:
1263:MacCulloch 2018
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1247:MacCulloch 2018
1245:
1241:
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1229:
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1198:
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1189:
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1175:MacCulloch 2018
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1166:
1158:
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1142:
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1132:MacCulloch 2018
1130:
1126:
1106:Fitzgerald 2019
1100:
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897:Fitzgerald 2019
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726:Thomas Cromwell
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560:Thomas Cromwell
556:
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403:Thomas Cromwell
385:Cromwell family
350:Cromwell family
346:Sir Lionel Cust
342:
335:
325:
316:
306:
297:
290:
229:, fleeing from
206:in gold with a
176:Thomas Cromwell
172:Cromwell family
109:
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1701:British Museum
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1670:External links
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1548:Starkey, David
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1343:
1329:
1327:(11): 382–388.
1312:
1310:
1307:
1304:
1303:
1301:, p. 140.
1291:
1289:, p. 484.
1279:
1267:
1265:, p. 428.
1255:
1239:
1227:
1211:
1183:
1164:
1162:, p. 215.
1152:
1136:
1124:
1094:
1092:, p. 146.
1082:
1067:
1055:
1043:
1031:
1019:
974:
957:
945:
931:British Museum
913:
901:
880:
868:
866:, p. 193.
856:
842:. 4. Esturmy:
812:
801:. Toledo, Ohio
774:
773:
771:
768:
767:
766:
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707:
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695:
688:
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584:British Museum
581:
574:
572:
557:
550:
548:
541:Edward Seymour
538:
531:
515:Edward Seymour
482:
479:
471:Antonia Fraser
463:Anne of Cleves
369:Sir Roy Strong
341:
340:Identification
338:
337:
336:
326:
319:
317:
307:
300:
298:
294:British Museum
291:
284:
251:God the Father
243:British Museum
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34:
26:
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15:
9:
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4:
3:
2:
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2093:Angels in art
2091:
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2015:
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2007:
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2005:Self-portrait
2002:
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1969:
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1491:9781788541206
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1476:Moyle, Franny
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1456:9780141967660
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1299:Rowlands 1985
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1243:
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1231:
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1220:
1219:Metcalfe 1885
1215:
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1197:
1193:
1187:
1181:–8, pl. 8, 9.
1180:
1176:
1171:
1169:
1161:
1156:
1149:
1145:
1140:
1133:
1128:
1120:
1116:
1112:
1107:
1103:
1098:
1091:
1090:Rowlands 1985
1086:
1080:, p. 43.
1079:
1074:
1072:
1064:
1059:
1052:
1047:
1040:
1035:
1028:
1023:
1016:
1007:
993:
992:
987:
981:
979:
971:
966:
964:
962:
955:, p. 44.
954:
949:
933:
932:
926:
920:
918:
910:
905:
898:
893:
891:
889:
887:
885:
878:, p. 41.
877:
872:
865:
860:
853:
849:
845:
841:
837:
833:
829:
826:. Impaled by
825:
821:
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800:
796:
794:
786:
784:
782:
780:
775:
765:
762:
760:
757:
756:
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748:
744:
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735:
731:
730:Hertfordshire
727:
723:
713:
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703:
699:
692:
687:
680:
675:
672:
668:
661:
656:
655:
654:
652:
648:
644:
639:
638:fleurs-de-lis
635:
631:
626:
624:
620:
616:
612:
611:
606:
602:
598:
585:
578:
573:
569:
565:
564:stained glass
561:
554:
549:
546:
542:
535:
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529:
528:
526:
525:
520:
516:
512:
508:
504:
503:fleurs-de-lis
500:
496:
492:
489:compared the
488:
478:
476:
472:
468:
464:
460:
456:
452:
448:
444:
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424:
420:
416:
412:
408:
404:
399:
397:
396:
390:
386:
382:
378:
374:
370:
367:In the 1960s
365:
363:
362:David Starkey
359:
355:
351:
347:
333:
329:
323:
318:
314:
310:
304:
299:
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209:
205:
200:
196:
195:ETATIS SVÆ 21
191:
189:
185:
181:
177:
173:
169:
165:
161:
157:
153:
152:
144:
143:
138:
134:
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125:
116:
113:.toledomuseum
108:
104:
100:
96:
93:
89:
86:
82:
78:
74:
71:
67:
64:
60:
50:
46:
43:
40:
36:
32:
27:
22:
19:
2011:
2003:
1995:
1980:
1966:
1965:
1957:
1942:
1934:
1926:
1918:
1910:
1895:
1887:
1879:
1871:
1863:
1855:
1847:
1839:
1836:(1527, lost)
1831:
1823:
1808:
1800:
1792:
1784:
1776:
1768:
1696:
1686:
1676:
1651:Random House
1646:
1623:
1591:
1573:
1567:
1555:
1525:
1504:
1500:
1480:
1466:
1445:
1421:
1405:. Retrieved
1401:the original
1396:
1375:
1369:
1366:Cust, Lionel
1348:Hans Holbein
1347:
1337:
1324:
1320:
1309:Bibliography
1294:
1282:
1270:
1258:
1242:
1235:Roskill 2001
1230:
1214:
1206:
1199:. Retrieved
1195:
1186:
1155:
1139:
1127:
1114:
1097:
1085:
1058:
1046:
1034:
1022:
1003:
996:. Retrieved
989:
970:Starkey 2007
948:
936:. Retrieved
928:
904:
871:
859:
851:
850:. 6. Coker:
847:
843:
839:
835:
831:
820:Boutell 1863
815:
803:. Retrieved
798:
792:
724:, nephew of
719:
710:Franny Moyle
708:
670:
633:
629:
627:
609:
594:
523:
484:
418:
400:
394:
366:
343:
327:
313:Hever Castle
308:
276:
266:
258:Hever Castle
255:
249:, depicting
216:
208:fleur-de-lis
194:
192:
182:, sister to
150:
149:
148:
141:
129:Jane Seymour
92:Toledo, Ohio
18:
1990: 1540
1915:(1534–1535)
1868:(1528–1529)
1852:(1526–1528)
1818: 1524
1789:(1520–1522)
1564:Strong, Roy
1511:: 174–185.
1277:, plate 27.
1249:, pp.
1177:, pp.
1160:Wilson 2006
1144:Fraser 2002
1111:Noble, Mark
1102:Strong 1969
1078:Strong 1969
1051:Strong 1969
1039:Strong 1969
1013: 1518
953:Strong 1969
876:Strong 1969
636:). The six
513:granted to
459:Anne Boleyn
212:embroidered
199:French hood
166:now at the
135:granted by
131:, with the
55: 1535
2067:Categories
1637:085115400X
1528:. Oxford:
1287:Moyle 2021
1221:, p.
1146:, p.
1063:Adams 1964
828:Henry VIII
822:, p.
770:References
716:Provenance
700:slaying a
621:slaying a
451:Queen Jane
379:'s uncle,
235:Lot's wife
188:Henry VIII
174:, perhaps
137:Henry VIII
76:Dimensions
2008:(1542–43)
1931:(1536–37)
1923:(1535–36)
1762:Paintings
1615:313527733
1407:14 August
1027:Cust 1910
864:Cust 1910
749:in 1925.
591:Symbolism
495:augmented
455:Edward VI
439:Wiltshire
377:Protector
98:Accession
1597:H.M.S.O.
1550:(2007).
1517:42622769
1478:(2021).
1443:(2018).
1419:(2002).
1335:(1863).
1113:(1787).
994:. London
934:. London
753:See also
739:Colnaghi
665:Arms of
647:Cromwell
645:and the
597:heavenly
570:, Oxford
507:pelicans
481:Heraldry
435:Wulfhall
344:In 1909
84:Location
2045:Related
1554:(ed.).
1530:Phaidon
643:Seymour
421:1534),
106:Website
101:1926.57
2024:Family
2016:(1543)
2000:(1541)
1962:(1538)
1892:(1533)
1884:(1533)
1876:(1532)
1860:(1528)
1844:(1527)
1828:(1526)
1805:(1523)
1797:(1522)
1781:(1519)
1773:(1516)
1657:
1634:
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1582:875299
1580:
1536:
1515:
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1453:
1429:
1384:858358
1382:
1354:
1201:24 May
998:23 May
938:23 May
805:18 May
702:dragon
651:Toledo
623:dragon
613:. The
447:Edward
247:girdle
154:is an
62:Medium
38:Artist
1578:JSTOR
1513:JSTOR
1380:JSTOR
732:, by
615:angel
601:angel
231:Sodom
227:angel
204:vines
160:panel
70:panel
57:–1540
1655:ISBN
1632:ISBN
1611:OCLC
1601:ISBN
1534:ISBN
1486:ISBN
1451:ISBN
1427:ISBN
1409:2023
1352:ISBN
1203:2023
1121:–20.
1000:2023
940:2023
929:The
840:Vair
807:2023
465:and
449:and
441:and
262:Kent
184:Jane
115:.org
48:Year
1574:109
1251:427
1179:427
1148:386
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437:in
433:of
401:In
280:.
260:in
223:Lot
158:on
156:oil
111:www
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1972:c.
1949:c.
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1970:(
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419:.
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315:)
296:)
145:.
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