228:, with American influences. Bands from the era utilized specific elements from 1970s British rock and pop music. Drawn from across the United Kingdom, the themes of their music tended to be less parochially centred on British, English and London life, and more introspective than had been the case with Britpop at its height. This, beside a greater willingness to woo the American press and fans, may have helped a number of them in achieving international success. They have been seen as presenting the image of the rock star as an ordinary person, or "boy-next-door" and their increasingly melodic music was criticised for being bland or derivative.
297:
205:
471:
2121:
581:, that sprang up in that period were welcomed by the musical press as "the saviours of rock and roll". However, a number of the bands of this era, particularly Travis, Stereophonics and Coldplay, continued to record and enjoy commercial success into the new millennium. The notion of a "second wave" of Britpop has also been applied to bands originating in the new millennium, including
605:
Bands in the post-Britpop era have been credited with revitalising the
British rock music scene in the late 1990s and 2000s, and of reaping the commercial benefits opened up by Britpop. They have also been criticised for providing a "homogenised and conformist" version of Britpop that serves as music
461:
would emerge from
Teignmouth and sign to (Australian record company) Mushroom Records' new British arm via independent company Taste Media. Initially dismissed in certain sections of the press as 'Radiohead wannabes', the band would go on to top the UK albums chart seven times, with every studio
249:
as a movement began to dissolve, emerging bands began to avoid the
Britpop label while still producing music derived from it. Bands that had enjoyed some success during the mid-1990s, but did not find major commercial success until the late 1990s included
215:
Many bands in the post-Britpop era avoided the
Britpop label while still producing music derived from it. The music of most bands was guitar based, often mixing elements of British traditional rock, particularly
325:, also from Glasgow, were one of the first major rock bands to emerge in the post-Britpop era. Utilising the hooks and guitar rock favoured by Oasis in a song-based format, they moved from the personal on
196:, achieved much wider international success than most of the Britpop groups that had preceded them, and were some of the most commercially successful acts of the late 1990s and early 2000s.
557:
Bands like
Coldplay, Starsailor and Elbow, with introspective lyrics and even tempos, began to be criticised at the beginning of the new millennium as bland and sterile, and the wave of
879:
164:
influences, as well as experimental music. Bands in the post-Britpop era that had been established acts, but gained greater prominence after the decline of
Britpop, such as
264:(1997) was a worldwide hit and their commercial peak before they broke up in 1999, while Radiohead – although having achieved moderate recognition with
1247:
311:
The cultural and musical scene in
Scotland, dubbed "Cool Caledonia" by some elements of the press, produced a number of successful alternative acts, including
1300:
1273:
1171:
597:, These bands have been seen as looking less to music of the 1960s and more to 1970s punk and post-punk, while still being influenced by Britpop.
388:(1998) reached number one, but they were unable to make much impact in the US and, after personal problems, broke up at the end of the century.
367:", reaching numbers 3 and 9 in the respective UK charts. Although garnering some international attention, they did not break through in the US.
1675:
876:
414:, who were initially more influenced by American post-grunge, producing a hard rock sound that led to their breakthrough single "
1427:
321:(1997) entered the top ten, but who failed to sustain their success or achieve the anticipated international breakthrough.
317:
530:
447:(known as 'the album that killed Britpop' in some parts of the press), with Radiohead's album being followed by Mansun's
787:
1401:
1645:
1603:
1582:
1507:
1056:
949:
925:
847:
756:
732:
643:
2169:
2164:
2064:
1764:
406:
211:, one of the first bands in the post-Britpop era to enjoy international success, performing in Los Angeles in 2007.
2174:
2159:
2154:
364:
1668:
704:
152:, when the media were identifying a "new generation" or "second wave" of guitar bands influenced by acts like
545:
437:
There was also a number of
British bands getting more 'progressive' in their music style. Radiohead released
1636:
I. Collinson, "Devopop: pop
Englishness and post-Britpop guitar bands", in A. Bennett and J. Stratton, eds,
384:
315:
from
Glasgow, whose re-released single "Smile" (1997) reached number 25 in the UK charts, and whose album
525:
519:
327:
258:. After the decline of Britpop they began to gain more critical and popular attention. The Verve's album
2179:
1808:
434:(2002), their most commercially successful album to that point, which spawned a series of hit singles.
2125:
1661:
1325:
1120:
453:
album the next year (released on Parlophone at the time, but now available on progressive rock label
400:
100:
1521:
860:
2091:
379:
533:, establishing them as one of the most popular acts in the world by the time of their third album
270:
in 1995 – achieved near-universal critical acclaim with their experimental albums
160:, but with less overt British concerns in their lyrics and making more use of American rock and
494:
343:(2003) and have been credited with a major role in disseminating a new Britpop. From Edinburgh
2024:
976:
806:
900:
392:, also from Wales, used elements of a post-grunge and hardcore on their breakthrough albums
1969:
481:
These acts were followed by a number of bands who shared aspects of their music, including
1222:
8:
2054:
1882:
1774:
1546:
443:
74:
1196:
998:
779:
665:
449:
415:
221:
181:
95:
684:
2081:
2011:
1984:
1918:
1786:
1641:
1599:
1578:
1503:
1052:
945:
921:
843:
783:
752:
728:
639:
578:
562:
498:
425:
420:
370:
The first major band to breakthrough from the post-Britpop Welsh rock scene, dubbed "
353:
312:
266:
105:
1615:
1031:
2149:
1911:
1684:
1482:
1453:
570:
430:
394:
375:
284:
145:
32:
1940:
1906:
1351:
1274:"Noel Gallagher reflects on 'Be Here Now' criticism: "I started to overthink it""
883:
359:
344:
1145:
2106:
2059:
1779:
1730:
822:
590:
486:
477:, the most commercially successful post-Britpop band to date, on stage in 2008.
242:
126:
110:
1301:"'Flattened by the cocaine panzers' – the toxic legacy of Oasis's Be Here Now"
296:
2143:
1877:
1845:
1718:
1713:
586:
411:
389:
322:
304:
208:
189:
185:
173:
2101:
2076:
2001:
1818:
1813:
540:
513:
from England. The most commercially successful band in the millennium were
510:
506:
502:
490:
470:
204:
177:
153:
1376:
1248:"It's been 20 years since Oasis' Be Here Now signalled the end of Britpop"
1087:
1071:
1015:
2096:
1855:
1838:
1803:
1750:
1172:"Inside 'OK Computer': Radiohead Look Back on Their Paranoid Masterpiece"
1103:
574:
558:
482:
458:
348:
339:
333:
300:
272:
260:
225:
217:
157:
59:
1547:"And the most-played song on UK radio is... Chasing Cars by Snow Patrol"
1454:"Muse | full Official Chart History | Official Charts Company"
148:
subgenre and is the period in the late 1990s and early 2000s, following
2019:
1994:
1979:
1935:
1923:
1872:
1867:
1862:
1740:
1735:
1723:
1708:
1698:
594:
582:
371:
351:, just failed to break into the British top 50 with their second album
161:
131:
2086:
2034:
1989:
1974:
1955:
1945:
1889:
1833:
1745:
1703:
566:
255:
251:
169:
165:
1049:
All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul
918:
All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul
725:
All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul
2029:
1950:
1899:
1894:
1823:
1653:
1551:
636:
Britpop!: Cool Britannia and the Spectacular Demise of English Rock
514:
474:
193:
64:
840:
Popular Music and the State in the UK: Culture, Trade or Industry?
549:) is the most widely played song of the 21st century on UK radio.
1960:
1791:
246:
149:
79:
37:
357:(1998), but subsequently produced 3 top 20 albums, peaking with
1850:
910:
535:
454:
69:
773:
1928:
278:
241:
From about 1997, as dissatisfaction grew with the concept of
428:, they moved to a more reflective and introspective mode on
2070:
1828:
1041:
606:
for TV soundtracks, shopping malls, bars and nightclubs.
1067:
1065:
382:" (1998) reached the top ten in the UK, and whose album
404:(1999), before moving into more melodic territory with
743:
741:
1428:"Muse's latest album sounds like a Radiohead rip-off"
1062:
719:
717:
685:"Roll over Britpop ... it's the rebirth of art rock"
1478:
1476:
1474:
738:
410:(2001) and subsequent albums. Also from Wales were
337:(1999), to the socially conscious and political on
1519:
331:(1997), through the general on their breakthrough
920:(Milwaukee, WI: Backbeat Books, 3rd edn., 2002),
727:(Milwaukee, WI: Backbeat Books, 3rd edn., 2002),
714:
2141:
2010:
1632:
1630:
1628:
1471:
441:in May 1997, a few months before Oasis released
1575:This Is It-: the First Biography of the Strokes
1326:"NEW DELUXE REISSUE OF SIX ANNOUNCED BY KSCOPE"
751:(Edinburgh: Edinburgh University Press, 2004),
1609:
974:
679:
677:
1669:
1625:
1047:V. Bogdanov, C. Woodstra and S. T. Erlewine,
916:V. Bogdanov, C. Woodstra and S. T. Erlewine,
907:, 26 February 2004, retrieved 2 January 2010.
723:V. Bogdanov, C. Woodstra and S. T. Erlewine,
711:, 2 September 2002, retrieved 3 January 2010.
699:
697:
691:, 14 February 2004, retrieved 2 January 2010.
660:
658:
656:
654:
652:
1402:"The 6 Most Shameless Rip-Off Bands In Rock"
942:Blerwytirhwng?: the Place of Welsh Pop Music
801:
799:
630:
628:
626:
624:
622:
620:
618:
936:
934:
674:
671:, 19 August 2005, retrieved 2 January 2010.
1676:
1662:
694:
649:
462:album reaching the top from 2003 to 2022.
1598:(Oxford: Oxford University Press, 2009),
1121:"OK Computer was profoundly prog rock..."
796:
615:
424:(2001). After the death of their drummer
1502:(London: Rough Guides, 3rd end., 2003),
931:
877:"Whatever happened to our Rock and Roll"
469:
295:
203:
1638:Britpop and the English Music Tradition
1298:
1197:"Oasis - 'Be Here Now', 20 Years Later"
890:, 2002-12-23, retrieved 6 January 2010.
776:Britpop and the English Music Tradition
774:Bennett, Andy and Jon Stratton (2010).
769:
767:
765:
457:). At the end of the 1990s, Devon band
307:performing in Hamburg, Germany in 2007.
2142:
1169:
1657:
1596:101 Albums That Changed Popular Music
749:Popular Music Genres: an Introduction
1683:
1352:"Mansun - Record Collector Magazine"
762:
291:
13:
1520:Stephen M. Deusner (1 June 2009),
1299:Lynskey, Dorian (6 October 2016).
1051:(Backbeat Books, 3rd edn., 2002),
666:"Are we in Britpop's second wave?"
465:
199:
14:
2191:
1522:"Coldplay LeftRightLeftRightLeft"
2120:
2119:
1146:"RADIOHEAD - OK Computer (1997)"
965:, Aug 22, 1998, 110 (34), p. 41.
961:D. Pride, "Global music pulse",
552:
407:Just Enough Education to Perform
1588:
1577:(London: Omnibus Press, 2003),
1567:
1539:
1513:
1510:, pp. 310, 333, 337 and 1003-4.
1492:
1446:
1420:
1394:
1369:
1344:
1318:
1292:
1266:
1240:
1215:
1189:
1163:
1138:
1113:
1097:
1081:
1025:
1008:
991:
968:
955:
893:
870:
853:
832:
600:
365:You Held the World in Your Arms
861:"Travis: The boy with no name"
816:
813:, retrieved, 17 December 2011.
807:"Travis: The Boy With No Name"
1:
1005:, retrieved 17 December 2011.
609:
1640:(Aldershot: Ashgate, 2010),
1489:, retrieved 3 December 2010.
1170:Greene, Andy (31 May 2017).
1110:, retrieved 3 December 2010.
1094:, retrieved 3 December 2010.
944:(Aldershot: Ashgate, 2007),
842:(Aldershot: Ashgate, 2007),
7:
1622:, retrieved 3 January 2010.
1078:, retrieved 3 January 2010.
1038:, retrieved 3 January 2010.
1022:, retrieved 7 January 2010.
975:Hans Eisenbeis (Jul 2001).
867:, retrieved 2 January 2010.
829:, retrieved 3 January 2010.
705:"Catatonia – Greatest Hits"
526:A Rush of Blood to the Head
485:from Northern Ireland, and
10:
2196:
1809:Christian alternative rock
1104:"Feeder: Comfort in Sound"
782:. pp. 164, 166, 173.
236:
231:
49:Late 1990s, United Kingdom
2115:
2047:
1763:
1691:
977:"the Empire Strikes Back"
901:"And the bland played on"
747:S. Borthwick and R. Moy,
543:" (from their 2006 album
517:, whose first two albums
401:Performance and Cocktails
318:It Doesn't Matter Anymore
123:
118:
92:
87:
53:
45:
26:
21:
16:Alternative rock subgenre
2092:Independent record label
363:(2002), and the single "
2170:British styles of music
2165:Alternative rock genres
1500:The Rough Guide to Rock
638:(Da Capo Press, 2004),
539:(2005). Snow Patrol's "
172:, and new acts such as
2175:2010s in British music
2160:2000s in British music
2155:1990s in British music
1356:Recordcollectormag.com
1201:Thestudentplaylist.com
478:
308:
212:
473:
347:, more influenced by
299:
207:
1970:New wave of new wave
1223:"Oasis: Be Here Now"
385:International Velvet
2055:Alternative Airplay
2025:Neue Deutsche Härte
1883:Paisley Underground
1775:Alternative country
928:, pp. 911 and 1192.
823:"British Trad Rock"
192:, and particularly
54:Typical instruments
1458:Officialcharts.com
1408:. 23 November 2009
882:2019-05-11 at the
780:Ashgate Publishing
479:
309:
222:the Rolling Stones
213:
2180:Rock music genres
2135:
2134:
2082:Independent music
2043:
2042:
2012:Alternative metal
1985:Post-punk revival
1919:Latin alternative
1787:Alternative dance
999:"Travis: Singles"
579:The White Stripes
563:post punk revival
380:Mulder and Scully
354:Hope Is Important
313:the Supernaturals
292:Developing scenes
139:
138:
27:Stylistic origins
2187:
2123:
2122:
2008:
2007:
1912:Industrial metal
1685:Alternative rock
1678:
1671:
1664:
1655:
1654:
1649:
1634:
1623:
1613:
1607:
1592:
1586:
1585:, pp. 42 and 45.
1571:
1565:
1564:
1562:
1560:
1543:
1537:
1535:
1534:
1532:
1517:
1511:
1496:
1490:
1480:
1469:
1468:
1466:
1464:
1450:
1444:
1443:
1441:
1439:
1434:. 4 October 1999
1424:
1418:
1417:
1415:
1413:
1398:
1392:
1391:
1389:
1387:
1373:
1367:
1366:
1364:
1362:
1348:
1342:
1341:
1339:
1337:
1332:. 9 January 2019
1322:
1316:
1315:
1313:
1311:
1296:
1290:
1289:
1287:
1285:
1280:. 7 October 2020
1270:
1264:
1263:
1261:
1259:
1254:. 20 August 2017
1244:
1238:
1237:
1235:
1233:
1219:
1213:
1212:
1210:
1208:
1203:. 21 August 2017
1193:
1187:
1186:
1184:
1182:
1176:Rollingstone.com
1167:
1161:
1160:
1158:
1156:
1150:Progarchives.com
1142:
1136:
1135:
1133:
1131:
1117:
1111:
1101:
1095:
1085:
1079:
1069:
1060:
1045:
1039:
1029:
1023:
1012:
1006:
995:
989:
988:
972:
966:
959:
953:
938:
929:
914:
908:
897:
891:
874:
868:
857:
851:
836:
830:
820:
814:
805:S. T. Erlewine,
803:
794:
793:
771:
760:
745:
736:
721:
712:
701:
692:
681:
672:
662:
647:
632:
431:Comfort in Sound
418:" and the album
395:Word Gets Around
378:, whose single "
146:alternative rock
101:Northern Ireland
46:Cultural origins
33:Alternative rock
19:
18:
2195:
2194:
2190:
2189:
2188:
2186:
2185:
2184:
2140:
2139:
2136:
2131:
2111:
2039:
2006:
1941:Neo-psychedelia
1907:Industrial rock
1766:
1759:
1687:
1682:
1652:
1635:
1626:
1614:
1610:
1593:
1589:
1572:
1568:
1558:
1556:
1545:
1544:
1540:
1530:
1528:
1518:
1514:
1497:
1493:
1481:
1472:
1462:
1460:
1452:
1451:
1447:
1437:
1435:
1426:
1425:
1421:
1411:
1409:
1400:
1399:
1395:
1385:
1383:
1381:Kscopemusic.com
1375:
1374:
1370:
1360:
1358:
1350:
1349:
1345:
1335:
1333:
1324:
1323:
1319:
1309:
1307:
1305:Theguardian.com
1297:
1293:
1283:
1281:
1272:
1271:
1267:
1257:
1255:
1246:
1245:
1241:
1231:
1229:
1221:
1220:
1216:
1206:
1204:
1195:
1194:
1190:
1180:
1178:
1168:
1164:
1154:
1152:
1144:
1143:
1139:
1129:
1127:
1119:
1118:
1114:
1102:
1098:
1086:
1082:
1072:"Stereophonics"
1070:
1063:
1046:
1042:
1030:
1026:
1013:
1009:
996:
992:
973:
969:
960:
956:
939:
932:
915:
911:
898:
894:
888:Stylus Magazine
884:Wayback Machine
875:
871:
858:
854:
837:
833:
821:
817:
804:
797:
790:
772:
763:
746:
739:
722:
715:
702:
695:
682:
675:
663:
650:
633:
616:
612:
603:
555:
468:
466:Commercial peak
360:The Remote Part
294:
239:
234:
202:
200:Characteristics
88:Regional scenes
17:
12:
11:
5:
2193:
2183:
2182:
2177:
2172:
2167:
2162:
2157:
2152:
2133:
2132:
2130:
2129:
2116:
2113:
2112:
2110:
2109:
2107:Outsider music
2104:
2099:
2094:
2089:
2084:
2079:
2074:
2067:
2062:
2057:
2051:
2049:
2048:Related topics
2045:
2044:
2041:
2040:
2038:
2037:
2032:
2027:
2022:
2016:
2014:
2005:
2004:
1999:
1998:
1997:
1987:
1982:
1977:
1972:
1967:
1966:
1965:
1964:
1963:
1958:
1948:
1938:
1933:
1932:
1931:
1921:
1916:
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1902:
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1887:
1886:
1885:
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1859:
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1848:
1843:
1842:
1841:
1831:
1826:
1821:
1816:
1811:
1806:
1801:
1800:
1799:
1789:
1784:
1783:
1782:
1780:Gothic country
1771:
1769:
1761:
1760:
1758:
1757:
1756:
1755:
1754:
1753:
1743:
1738:
1733:
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1711:
1701:
1695:
1693:
1689:
1688:
1681:
1680:
1673:
1666:
1658:
1651:
1650:
1648:, pp. 163–178.
1624:
1608:
1587:
1566:
1555:. 17 July 2019
1538:
1512:
1491:
1470:
1445:
1419:
1393:
1368:
1343:
1317:
1291:
1265:
1252:Independent.ie
1239:
1214:
1188:
1162:
1137:
1126:. 15 June 2017
1112:
1096:
1080:
1061:
1040:
1024:
1007:
990:
967:
954:
930:
909:
905:Guardian.co.uk
892:
869:
852:
831:
815:
795:
789:978-0754668053
788:
761:
737:
713:
693:
673:
648:
613:
611:
608:
602:
599:
591:Arctic Monkeys
554:
551:
531:multi-platinum
467:
464:
293:
290:
243:Cool Britannia
238:
235:
233:
230:
201:
198:
137:
136:
135:
134:
129:
127:Cool Britannia
121:
120:
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113:
108:
103:
98:
90:
89:
85:
84:
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82:
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62:
55:
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28:
24:
23:
15:
9:
6:
4:
3:
2:
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2176:
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2015:
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1996:
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1879:
1878:Dunedin Sound
1876:
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1768:
1767:fusion genres
1762:
1752:
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1747:
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1739:
1737:
1734:
1732:
1729:
1725:
1722:
1720:
1719:Post-hardcore
1717:
1716:
1715:
1714:Hardcore punk
1712:
1710:
1707:
1706:
1705:
1702:
1700:
1697:
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1646:0-7546-6805-3
1643:
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1605:
1604:0-19-537371-5
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1583:0-7119-9601-6
1580:
1576:
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1508:1-84353-105-4
1505:
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1459:
1455:
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1433:
1432:Gwhatchet.com
1429:
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1406:Mandatory.com
1403:
1397:
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1227:Pitchfork.com
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1057:0-87930-653-X
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927:
926:0-87930-653-X
923:
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902:
899:A. Petridis,
896:
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848:0-7546-5373-0
845:
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733:0-87930-653-X
730:
726:
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690:
686:
683:A. Petridis,
680:
678:
670:
667:
661:
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646:, pp. 369–70.
645:
644:0-306-81367-X
641:
637:
631:
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623:
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598:
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592:
588:
587:Kaiser Chiefs
584:
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553:Fragmentation
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397:
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391:
390:Stereophonics
387:
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305:Stereophonics
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186:Stereophonics
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31:
30:
29:
25:
20:
2137:
2124:
2102:Lollapalooza
2077:Campus radio
2069:
2002:Slacker rock
1819:Dark cabaret
1814:College rock
1797:Post-Britpop
1796:
1637:
1619:
1611:
1595:
1590:
1574:
1569:
1557:. Retrieved
1550:
1541:
1529:, retrieved
1525:
1515:
1499:
1498:P. Buckley,
1494:
1486:
1461:. Retrieved
1457:
1448:
1436:. Retrieved
1431:
1422:
1410:. Retrieved
1405:
1396:
1384:. Retrieved
1380:
1371:
1359:. Retrieved
1355:
1346:
1334:. Retrieved
1330:Mansun.co.uk
1329:
1320:
1308:. Retrieved
1304:
1294:
1282:. Retrieved
1277:
1268:
1256:. Retrieved
1251:
1242:
1230:. Retrieved
1226:
1217:
1205:. Retrieved
1200:
1191:
1179:. Retrieved
1175:
1165:
1153:. Retrieved
1149:
1140:
1128:. Retrieved
1124:Berfrois.com
1123:
1115:
1107:
1099:
1091:
1083:
1075:
1048:
1043:
1035:
1027:
1019:
1010:
1002:
993:
984:
980:
970:
962:
957:
941:
917:
912:
904:
895:
887:
872:
864:
859:A. Begrand,
855:
839:
838:M. Cloonan,
834:
826:
818:
810:
775:
748:
724:
708:
703:J. Goodden,
689:The Guardian
688:
668:
664:S. Dowling,
635:
604:
601:Significance
565:bands, like
556:
544:
541:Chasing Cars
534:
529:(2002) went
524:
518:
480:
448:
442:
438:
436:
429:
419:
405:
399:
393:
383:
369:
358:
352:
338:
332:
328:Good Feeling
326:
316:
310:
283:
282:(2000), and
277:
271:
265:
259:
240:
214:
142:Post-Britpop
141:
140:
119:Other topics
22:Post-Britpop
2097:Lo-fi music
1856:Post-grunge
1839:Wizard rock
1804:Chamber pop
1751:Gothic rock
1032:"Catatonia"
1014:J. Ankeny,
997:M. Collar,
865:Pop matters
634:J. Harris,
575:The Strokes
559:garage rock
523:(2000) and
483:Snow Patrol
444:Be Here Now
439:OK Computer
416:Buck Rogers
398:(1997) and
349:post-grunge
340:12 Memories
334:The Man Who
301:Kelly Jones
273:OK Computer
261:Urban Hymns
226:Small Faces
218:the Beatles
182:Snow Patrol
2144:Categories
2020:Funk metal
1995:Post-metal
1980:Pagan rock
1936:Mangue bit
1924:Madchester
1873:Jangle pop
1868:Indie folk
1863:Indie rock
1765:Styles and
1741:Proto-punk
1736:Noise rock
1724:Riot grrrl
1709:Avant-punk
1699:Jangle pop
1692:Precursors
1594:C. Smith,
1573:M. Roach,
1483:"Coldplay"
1059:, p. 1076.
1016:"Idlewild"
735:, p. 1157.
610:References
595:Bloc Party
583:Razorlight
520:Parachutes
499:Starsailor
372:Cool Cymru
132:Cool Cymru
2087:Indie pop
2035:Rap metal
1990:Post-rock
1975:Noise pop
1956:Blackgaze
1946:Dream pop
1890:Math rock
1834:Geek rock
1746:Post-punk
1704:Punk rock
1606:, p. 240.
1526:Pitchfork
1463:7 January
1438:7 January
1412:7 January
1386:7 January
1361:7 January
1336:7 January
1310:7 January
1284:7 January
1258:7 January
1232:7 January
1207:7 January
1181:7 January
1155:7 January
1130:7 January
987:(7): 103.
963:Billboard
952:, p. 190.
940:S. Hill,
759:, p. 188.
709:BBC Wales
571:The Vines
567:The Hives
546:Eyes Open
421:Echo Park
376:Catatonia
267:The Bends
256:Radiohead
252:the Verve
170:the Verve
166:Radiohead
75:keyboards
2126:Category
2030:Nu metal
1951:Shoegaze
1900:Slowcore
1895:New rave
1824:Dolewave
1731:New wave
1620:Allmusic
1616:"Travis"
1552:BBC News
1487:Allmusic
1377:"Mansun"
1108:Allmusic
1092:Allmusic
1088:"Feeder"
1076:Allmusic
1036:Allmusic
1020:Allmusic
1003:Allmusic
880:Archived
850:, p. 21.
827:Allmusic
811:Allmusic
669:BBC News
515:Coldplay
475:Coldplay
374:", were
345:Idlewild
288:(2001).
285:Amnesiac
276:(1997),
224:and the
194:Coldplay
106:Scotland
2150:Britpop
2065:Artists
1961:Nu gaze
1792:Britpop
1559:17 July
1531:25 July
1278:Nme.com
536:X&Y
495:Embrace
487:Athlete
426:Jon Lee
247:Britpop
237:Origins
232:History
150:Britpop
96:England
38:Britpop
2060:Anorak
1851:Grunge
1644:
1602:
1581:
1506:
1055:
948:
924:
846:
786:
755:
731:
642:
577:, and
455:Kscope
412:Feeder
323:Travis
209:Travis
190:Feeder
174:Travis
144:is an
80:vocals
70:guitar
1929:Baggy
1846:Grebo
511:Keane
507:Gomez
503:Doves
491:Elbow
279:Kid A
178:Keane
162:indie
154:Oasis
111:Wales
65:drums
1642:ISBN
1600:ISBN
1579:ISBN
1561:2019
1533:2011
1504:ISBN
1465:2021
1440:2021
1414:2021
1388:2021
1363:2021
1338:2021
1312:2021
1286:2021
1260:2021
1234:2021
1209:2021
1183:2021
1157:2021
1132:2021
1053:ISBN
981:SPIN
946:ISBN
922:ISBN
844:ISBN
784:ISBN
753:ISBN
729:ISBN
640:ISBN
593:and
509:and
459:Muse
254:and
245:and
168:and
158:Blur
156:and
60:Bass
2071:C86
1829:Emo
561:or
450:Six
303:of
2146::
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1473:^
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1236:.
1211:.
1185:.
1159:.
1134:.
792:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
