2782:
Aloupi E., Stalios A.D., 1993. "New
Evidence for the Nature of the Attic Black Gloss". Archaeometry 35(1), 23-34, Aloupi-Siotis E., "Recovery and Revival of Attic Vase-Decoration Techniques: What can they offer Archaeological Research?", in "Papers on Special Techniques in Athenian Vases" 2008: 113–128, Walton, M., Trentelman, K., Cummings, M., Poretti, G., Maish, J., Saunders, D., Foran, B., Brodie, M., Mehta, A. (2013), "Material Evidence for Multiple Firings of Ancient Athenian Red-Figure Pottery". Journal of the American Ceramic Society, 96: 2031–2035., and Walton, M. S., Doehne, E., Trentelman, K., Chiari, G., Maish, J. and Buxbaum, A. (2009), "Characterization of coral red slips on Green Attic pottery". Archaeometry, 51: 383–396, Lühl L, Hesse B, Mantouvalou I, Wilke M, Mahlkow S, Aloupi-Siotis E, Kanngiesser B., 2014. "Confocal XANES and the Attic black glaze: the three-stage firing process through modern reproduction". Anal Chem. Jul 15;86(14), 6924-30, Chaviara, A. & Aloupi-Siotis, E., 2016. "The story of a soil that became a glaze: Chemical and microscopic fingerprints on the Attic vases". Journal of Archaeological Science: Reports, 7, 510-518.
586:
1949:
802:
44:
219:
816:
1621:
1383:, etc., as well as a repertory of non-mythological animals arranged in friezes across the belly of the vase. In these friezes, painters also began to apply lotuses or palmettes. Depictions of humans were relatively rare. Those that have been found are figures in silhouette with some incised detail, perhaps the origin of the incised silhouette figures of the black-figure period. There is sufficient detail on these figures to allow scholars to discern a number of different artists' hands. Geometrical features remained in the style called proto-Corinthian that embraced these Orientalizing experiments, yet which coexisted with a conservative sub-geometric style.
695:
that used for the body of the vase in terms of the calcium content, the exact mineral composition and the particle size. The fine clay suspension used for the paint was either produced by using several deflocculating additives to clay (potash, urea, dregs of wine, bone ashes, seaweed ashes, etc.) or by collecting it in situ from illitic clay beds following rain periods. Recent studies have shown that some trace elements in the black glaze (i.e. Zn in particular) can be characteristic of the clay beds used in antiquity. In general, different teams of scholars suggest different approaches concerning the production of the clay slip used in antiquity.
939:
931:
1817:
2074:
1294:
828:
1092:
1387:
preference for the typical scenes of the
Geometrical Period, like processions of chariots. However, they adopt the principle of line drawing to replace the silhouette. In the middle of the 7th century BC, there appears the black and white style: black figures on a white zone, accompanied by polychromy to render the color of the flesh or clothing. Clay used in Athens was much more orange than that of Corinth, and so did not lend itself as easily to the representation of flesh. Attic Orientalising Painters include the
762:
faithful reproduction of the process involving extensive experimental work that led to the creation of a modern production unit in Athens since 2000, has shown that the ancient vases may have been subjected to multiple three-stage firings following repainting or as an attempt to correct color failures The technique which is mostly known as the "iron reduction technique" was decoded with the contribution of scholars, ceramists and scientists from the mid 18th century onwards to the end of the 20th century, i.e.
1455:
291:
1889:
704:
790:
1680:
1347:
1142:
1114:. It is one of the few modes of artistic expression besides jewelry in this period since the sculpture, monumental architecture and mural painting of this era are unknown to us. By 1050 BC life in the Greek peninsula seems to have become sufficiently settled to allow a marked improvement in the production of earthenware. The style is confined to the rendering of circles, triangles, wavy lines and arcs, but placed with evident consideration and notable dexterity, probably aided by
1578:
653:
409:
627:
615:
595:
687:
2020:
7081:
7091:
7101:
30:
766:(1752), Durand-Greville (1891), Binns and Fraser (1925), Schumann (1942), Winter (1959), Bimson (1956), Noble (1960, 1965), Hofmann (1962), Oberlies (1968), Pavicevic (1974), Aloupi (1993). More recent studies by Walton et al. (2009), Walton et al.(2014), Lühl et al.(2014) and Chaviara & Aloupi-Siotis (2016) by using advanced analytical techniques provide detailed information on the process and the raw materials used.
1162:
758:); at this stage the temperature decreases due to incomplete combustion. In a final reoxidizing phase (at about 800–850 °C) the kiln was opened and oxygen reintroduced causing the unslipped reserved clay to go back to orange-red while the slipped area on the vase that had been sintered/vitrified in the previous phase, could no longer be oxidized and remained black.
319:'s folios record the shapes or attempt to supply a date and are therefore unreliable as an archaeological record. Serious attempts at scholarly study made steady progress over the 19th century starting with the founding of the Instituto di Corrispondenza in Rome in 1828 (later the German Archaeological Institute), followed by
1936:. Next to her stands a male figure, naked and winged. Both figures wear wreaths made of leaves and their hair preserve traces of golden paint. The features of their faces are stylized. The vase has a white ground and maintains in several parts the traces of bluish, greenish and reddish paint. It dates to the 4th century BC.
1510:
figure the animal frieze declined in size relative to the human scene during the middle to late phase. By the mid-6th century BC, the quality of
Corinthian ware had fallen away significantly to the extent that some Corinthian potters would disguise their pots with a red slip in imitation of superior Athenian ware.
669:. Once the clay is on the wheel the potter can shape it into any of the many shapes shown below, or anything else he desires. Wheel-made pottery dates back to roughly 2500 BC. Before this, the coil method of building the walls of the pot was employed. Most Greek vases were wheel-made, though as with the
1440:, which copied bronze models, and dishes, with or without feet. The decoration is organized in superimposed registers in which stylized animals, in particular of feral goats (from whence the name) pursue each other in friezes. Many decorative motifs (floral triangles, swastikas, etc.) fill the empty spaces.
2104:
respectively. Trademarks are found from the start of the 6th century on
Corinthian pieces; these may have belonged to an exporting merchant rather than the pottery workfield and this remains a matter of conjecture. Patrons' names are also sometimes recorded, as are the names of characters and objects
1917:
Relief and plastic vases became particularly popular in the 4th century BC and continued being manufactured in the
Hellenistic period. They were inspired by the so-called "rich style" developed mainly in Attica after 420 BC. The main features were the multi-figured compositions with use of added
1509:
and
Darrell Amyx, can be traced though the parallel treatment of animal and human figures. The animal motifs have greater prominence on the vase and show the greatest experimentation in the early phase of Corinthian black-figure. As Corinthian artists gained confidence in their rendering of the human
682:
After the pot was made, the potter painted it with an ultra fine grained clay slip; the paint was applied on the areas intended to become black after firing, according to the two different styles, i.e. the black figure and the red figure. For the decoration the vase painters used brushes of different
1939:
In the same room is kept a small lekythos with a plastic decoration, depicting a winged dancer. The figure wears a
Persian head cover and an oriental dress, indicating that already in that period oriental dancers, possibly slaves, had become quite fashionable. The figure is also covered with a white
2146:
Several clay vases owed their inspiration to metalwork forms in bronze, silver and sometimes gold. These were increasingly used by the elite when dining, but were not placed in graves, where they would have been robbed, and were often treated as a store of value to be traded as bullion when needed.
420:
are often a matter of convention rather than historical fact. A few do illustrate their own use or are labeled with their original names, while others are the result of early archaeologists' attempt to reconcile the physical object with a known name from Greek literature—not always successfully. To
2069:
Inscriptions on Greek pottery are of two kinds; the incised (the earliest of which are contemporary with the beginnings of the Greek alphabet in the 8th century BC), and the painted, which only begin to appear a century later. Both forms are relatively common on painted vases until the
Hellenistic
1386:
The ceramics of
Corinth were exported all over Greece, and their technique arrived in Athens, prompting the development of a less markedly Eastern idiom there. During this time described as Proto-Attic, the orientalizing motifs appear but the features remain not very realistic. The painters show a
761:
While the description of a single firing with three stages may seem economical and efficient, some scholars claim that it is equally possible that each of these stages was confined to separate firings in which the pottery is subjected to multiple firings, of different atmosphere. In any case, the
694:
A series of analytical studies have shown that the striking black gloss with a metallic sheen, so characteristic of Greek pottery, emerged from the colloidal fraction of an illitic clay with very low calcium oxide content. This clay slip was rich in iron oxides and hydroxides, differentiating from
673:
mould-made pieces (so-called "plastic" pieces) are also found and decorative elements either hand-formed or by mould were added to thrown pots. More complex pieces were made in parts then assembled when it was leather hard by means of joining with a slip, where the potter returned to the wheel for
2150:
In recent decades many scholars have questioned the conventional relationship between the two materials, seeing much more production of painted vases than was formerly thought as made to be placed in graves, as a cheaper substitute for metalware in both Greece and
Etruria. The painting itself may
1229:, called "dipylon shield" because of its characteristic drawing, covers the central part of the body. The legs and the necks of the horses, the wheels of the chariots are represented one beside the other without perspective. The hand of this painter, so called in the absence of signature, is the
1177:
With the early geometrical style (approximately 900–850 BC) one finds only abstract motifs, in what is called the "Black Dipylon" style, which is characterized by extensive use of black varnish, with the Middle Geometrical (approx. 850–770 BC), figurative decoration makes its appearance: they are
350:
of the Pinakothek, Munich, that set the standard for the scientific description of Greek pottery, recording the shapes and inscriptions with a previously unseen fastidiousness. Jahn's study was the standard textbook on the history and chronology of Greek pottery for many years, yet in common with
2781:
For an extended review on the studies of Attic black slip and research published by several authors see R.E. Jones 1985, Tite M.S., M. Bimson and I. Freestone, "An examination of the high Gloss Surface Finishes on Greek Attic and roman Samian Ware", Archaeometry 24.2(1982):117-26, Maniatis, Y.,
991:
After many centuries dominated by styles of geometric decoration, becoming increasingly complex, figurative elements returned in force in the 8th century. From the late 7th century to about 300 BC evolving styles of figure-led painting were at their peak of production and quality and were
1862:
but through the use of paints and gilding on a surface of white clay. It allowed for a higher level of polychromy than the other techniques, although the vases end up less visually striking. The technique gained great importance during the 5th and 4th centuries, especially in the form of small
1762:'s control of the city, and had been in slow decline over the 4th century along with the political fortunes of Athens itself. However, vase production continued in the 4th and 3rd centuries in the Greek colonies of southern Italy where five regional styles may be distinguished. These are the
1616:
signal that they were something approaching a self-conscious movement, though they left behind no testament other than their own work. John Boardman said of the research on their work that "the reconstruction of their careers, common purpose, even rivalries, can be taken as an archaeological
542:
dominated down to the end of the 4th century BC. An idea of the extent of this trade can be gleaned from plotting the find maps of these vases outside of Greece, though this could not account for gifts or immigration. Only the existence of a second hand market could account for the number of
1592:
The innovation of the red-figure technique was an Athenian invention of the late 6th century. It was quite the opposite of black-figure which had a red background. The ability to render detail by direct painting rather than incision offered new expressive possibilities to artists such as
1157:
periods: meanders, triangles and other geometrical decoration (hence the name of the style) as distinct from the predominantly circular figures of the previous style. However, our chronology for this new art form comes from exported wares found in datable contexts overseas.
1178:
initially identical bands of animals such as horses, stags, goats, geese, etc. which alternate with the geometrical bands. In parallel, the decoration becomes complicated and becomes increasingly ornate; the painter feels reluctant to leave empty spaces and fills them with
377:
Where the 19th century was a period of Greek discovery and the laying out of first principles, the 20th century has been one of consolidation and intellectual industry. Efforts to record and publish the totality of public collections of vases began with the creation of the
729:
involving alternating oxidizing –reducing conditions. First, the kiln was heated to around 920–950 °C, with all vents open bringing oxygen into the firing chamber and turning both pot and slip a reddish-brown (oxidising conditions) due to the formation of
2652:
Artal-Isbrand, Paula, and Philip Klausmeyer. "Evaluation of the relief line and the contour line on Greek red-figure vases using reflectance transformation imaging and three-dimensional laser scanning confocal microscopy." Studies in Conservation 58.4 (2013):
530:
contained the oil used as funerary offerings and appear to have been made solely with that object in mind. Many examples have a concealed second cup inside them to give the impression of being full of oil, as such they would have served no other useful gain.
80:. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer
1069:. Production of vases was largely the prerogative of Athens – it is well attested that in Corinth, Boeotia, Argos, Crete and Cyclades, the painters and potters were satisfied to follow the Attic style. By the end of the Archaic period the styles of
644:
When clay is first dug out of the ground it is full of rocks and shells and other useless items that need to be removed. To do this the potter mixes the clay with water and lets all the impurities sink to the bottom. This is called levigation or
1802:, both active in the late 4th century, whose crowded polychromatic scenes often essay a complexity of emotion not attempted by earlier painters. Their work represents a late mannerist phase to the achievement of Greek vase painting.
1489:
to 480 BC. The technique of incising silhouetted figures with enlivening detail which we now call the black-figure method was a Corinthian invention of the 7th century and spread from there to other city states and regions including
724:
Greek pottery, unlike today's pottery, was only fired once, using a very sophisticated process. The black color effect was achieved by means of changing the amount of oxygen present during firing. This was done in a process known as
132:, as were later terracotta figurines. Some were highly decorative and meant for elite consumption and domestic beautification as much as serving a storage or other function, such as the krater with its usual use in diluting wine.
906:
The most familiar aspect of ancient Greek pottery is painted vessels of fine quality. These were not the everyday pottery used by most people but were sufficiently cheap to be accessible to a wide range of the population.
2665:
Aloupi-Siotis, Ε., 2008. Recovery and Revival of Attic Vase-Decoration Techniques. Special Techniques. In: Lapatin, K. (Ed.), Papers on Special Techniques in Athenian Vases. The J. Paul Getty Museum, Los Angeles, pp.
1122:
is one of our most important sources of ceramics from this period where a cache of grave goods has been found giving evidence of a distinctive Euboian protogeometric style which lasted into the early 8th century.
1473:
Black-figure is the most commonly imagined when one thinks about Greek pottery. It was a popular style in ancient Greece for many years. The black-figure period coincides approximately with the era designated by
1857:
The white-ground technique was developed at the end of the 6th century BC. Unlike the better-known black-figure and red-figure techniques, its coloration was not achieved through the application and firing of
1405:, and especially the islands of the Cyclades, are characterized by their attraction to the vases known as "plastic", i.e. those whose paunch or collar is moulded in the shape of head of an animal or a man. At
563:
The few ways that clay pottery can be damaged is by being broken, being abraded or by coming in contact with fire. The process of making a pot and firing it is fairly simple. The first thing a potter needs is
393:
Beazley and others following him have also studied fragments of Greek pottery in institutional collections, and have attributed many painted pieces to individual artists. Scholars have called these fragments
2742:
Walton, M.; Trentelman, K.; Cummings, M.; Poretti, G.; Maish, J.; Saunders, D.; Foran, B.; Brodie, M.; Mehta, A. (2013). "Material Evidence for Multiple Firings of Ancient Athenian Red-Figure Pottery".
1256:. Here however the interpretation constitutes a risk for the modern observer: a confrontation between two warriors can be a Homeric duel or simple combat; a failed boat can represent the shipwreck of
2105:
depicted. At times we may find a snatch of dialogue to accompany a scene, as in 'Dysniketos's horse has won', announces a herald on a Panathenaic amphora (BM, B 144). More puzzling, however, are the
2115:
inscriptions, which might have formed part of courtship ritual in Athenian high society, yet are found on a wide variety of vases not necessarily associated with a social setting. Finally there are
1660:
to 480 BC) brought an increasing naturalism to the style as seen in the gradual change of the profile eye. This phase also sees the specialization of painters into pot and cup painters, with the
1263:
Lastly, are the local schools that appear in Greece. Production of vases was largely the prerogative of Athens – it is well attested that as in the proto-geometrical period, in Corinth, Boeotia,
2676:
Walton, M.; Trentelman, K.; Cianchetta, I.; Maish, J.; Saunders, D.; Foran, B.; Mehta, A. (2014). "Zn in Athenian Black Gloss Ceramic Slips: A Trace Element Marker for Fabrication Technology".
1225:; transport of the coffin to the cemetery). The bodies are represented in a geometrical way except for the calves, which are rather protuberant. In the case of soldiers, a shield in form of a
1413:, exhibit little knowledge of Corinthian developments. They present a marked taste for the epic composition and a horror vacui, which is expressed in an abundance of swastikas and meanders.
516:. Not all of their uses are known, but where there is uncertainty scholars make good proximate guesses of what use a piece would have served. Some have a purely ritual function, for example
1608:, whose figural work was exclusively in red-figure, though they retained the use of black-figure for some early floral ornamentation. The shared values and goals of The Pioneers such as
1720:
hold to the archaic features of stiff drapery and awkward poses and combine that with exaggerated gestures. By contrast, the school of the Berlin Painter in the form of the
1724:
and his peers (who may have been the Berlin Painter's pupils) favoured a naturalistic pose usually of a single figure against a solid black background or of restrained
1279:. From about the 8th century BC on, they created their own styles, Argos specializing in the figurative scenes, Crete remaining attached to a more strict abstraction.
1077:, from the early 5th to late 4th centuries BC. Corinth was eclipsed by Athenian trends since Athens was the progenitor of both the red-figure and white ground styles.
339:
1846. It was Gerhard who first outlined the chronology we now use, namely: Orientalizing (Geometric, Archaic), Black Figure, Red Figure, Polychromatic (Hellenistic).
1604:; the latter was developed at the same time as red-figure. However, within twenty years, experimentation had given way to specialization as seen in the vases of the
2042:. Inscriptions on the left: (ΕΕΝΕΜΕΚΝΕRINE (meaning unclear), HERMOΓΕΝΕS KALOS ("Hermogenes kalos" – "Hermogenes is beautiful"). Inscriptions on the right: HEOS ("
1563:. Red-figure quickly eclipsed black-figure, yet in the unique form of the Panathanaic Amphora, black-figure continued to be utilised well into the 4th century BC.
1918:
colours (pink/reddish, blue, green, gold) and an emphasis on female mythological figures. Theatre and performing constituted yet one more source of inspiration.
2332:
Thanks to the ability of scholars to compare Greek finds with Italian ones following the Greek War of Independence, however the textual analysis in g. Kramer,
1932:. The base is round, cylindrical, and its handle vertical, with bands, covered with black colour. The female figure (Aphrodite) is depicted seated, wearing an
3713:
2206:
400:(Latin for "scattered parts") and in a number of instances have been able to identify fragments now in different collections that belong to the same vase.
523:. Craters marked the places of males and amphorae marked those of females. This helped them to survive, and is why some will depict funeral processions.
585:
239:
in the 1630s. Though modest collections of vases recovered from ancient tombs in Italy were made in the 15th and 16th centuries these were regarded as
231:
The interest in Greek art lagged behind the revival of classical scholarship during the Renaissance and was revived in the academic circle surrounding
3419:
1948:
1528:), this perhaps indicative of their increasing ambition as artists in producing the monumental work demanded as grave markers, as for example with
2349:
Aaron J. Paul, Fragments of Antiquity: Drawing Upon Greek Vases, Harvard University Art Museums Bulletin, Vol. V, No. 2 (Spring 1997), pp.. 4, 10.
4228:
367:
and his students in the 1880s and 90s to date the strata of his archaeological digs by the nature of the pottery found within them, a method of
2820:, 1952. The picture is further complicated with the presence of a lingering sub-Mycenaean style in some Greek centres during this period, see
2585:
1975:, saw the virtual disappearance of black and red-figure pottery yet also the emergence of new styles such as West Slope Ware in the east, the
421:
understand the relationship between form and function, Greek pottery may be divided into four broad categories, given here with common types:
351:
Gerhard he dated the introduction of the red figure technique to a century later than was in fact the case. This error was corrected when the
3803:
2837:
Papadopoulos, John K.; Vedder, James F.; Schreiber, Toby (1998). "Drawing Circles: Experimental Archaeology and the Pivoted Multiple Brush".
2703:
Chaviara, A.; Aloupi-Siotis, E. (2016). "The story of a soil that became a glaze: Chemical and microscopic fingerprints on the Attic vases".
2130:
were another important type of pottery, initially mostly religious, but increasingly representing purely decorative subjects. The so-called
3734:
1744:
sculptures both in theme (e.g., Polygnotos's centauromachy, Brussels, Musées Royaux A. & Hist., A 134) and in feeling for composition.
1343:. The new idiom developed initially in Corinth (as Proto-Corinthian) and later in Athens between 725 BC and 625 BC (as Proto-Attic).
1193:
In the middle of the century there begin to appear human figures, the best known representations of which are those of the vases found in
2556:
2315:, 1754-8, however Winckelmann had access to greater resources including the first plates of the Hamilton collection. See D. von Bothmer,
278:
1316:, the artifacts of the East influenced a highly stylized yet recognizable representational art. Ivories, pottery and metalwork from the
742:) in both the paint and the clay body. Then the vent was closed and green wood introduced, creating carbon monoxide which turns the red
5828:
2640:
For a detailed presentation of the painting process see Penthesilea bowl | Greek vase painting in practice | The red figure technique,
2609:
2166:
from about 320 BC, weighing 40 kilograms, and finely decorated with a 32-centimetre-tall frieze of figures in relief representing
1149:
Geometric art flourished in the 9th and 8th centuries BC. It was characterized by new motifs, breaking with the representation of the
312:
17:
801:
3411:, a collection catalog from The Metropolitan Museum of Art containing information on the pottery of ancient Greece (pages 315–322)
2241:"The Corpus Vasorum Antiquorum ('Corpus of Ancient Vases') is the oldest research project of the Union Académique Internationale"
1038:, where the previous stick-figures of the geometric pottery become fleshed out amid motifs that replaced the geometric patterns.
1751:
is reflected in contemporary vase painting with an ever-greater attention to incidental detail, such as hair and jewellery. The
43:
3098:
John H. Oakley (2012). "Greek Art and Architecture, Classical: Classical Greek Pottery," in Neil Asher Silberman et al. (eds),
2791:
John H. Oakley (2012). "Greek Art and Architecture, Classical: Classical Greek Pottery," in Neil Asher Silberman et al. (eds),
2456:
John H. Oakley (2012). "Greek Art and Architecture, Classical: Classical Greek Pottery," in Neil Asher Silberman et al. (eds),
2277:
John H. Oakley (2012). "Greek Art and Architecture, Classical: Classical Greek Pottery," in Neil Asher Silberman et al. (eds),
1170:
1045:
vase painting. Attic production was the first to resume after the Greek Dark Age and influenced the rest of Greece, especially
3460:
3176:
3107:
2800:
2465:
2286:
1073:, red-figure pottery and the white ground technique had become fully established and would continue in use during the era of
5216:
3665:
1834:
in her right hand, her left is swinging a leopard through the air, and a snake is winding through the diadem in her hair –
1716:
BC), a number of distinct schools had evolved. The Mannerists associated with the workshop of Myson and exemplified by the
4221:
4021:
3587:
1201:. The fragments of these large funerary vases show mainly processions of chariots or warriors or of the funerary scenes:
548:
97:
311:
Much of the early study of Greek vases took the form of production of albums of the images they depict, however neither
7140:
5838:
5528:
5221:
5155:
2404:
2096:
A number of sub-classes of inscription can be distinguished. Potters and painters occasionally signed their works with
983:, some later examples of which show the ambitious figurative painting that was to become highly developed and typical.
218:
2254:
2070:
period when the practice of inscribing pots seems to die out. They are by far most frequently found on Attic pottery.
5226:
5201:
3796:
3211:
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551:
came to dominate the export trade in the Western Mediterranean as Athens declined in political importance during the
316:
39:, stacked the way they were probably transported in antiquity, display in the Bodrum Museum of Underwater Archaeology
2627:
2417:
1596:
The first generation of red-figure painters worked in both red- and black-figure as well as other methods including
1513:
At Athens researchers have found the earliest known examples of vase painters signing their work, the first being a
7035:
5784:
5211:
5206:
2216:
1960:
352:
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1782:. Red-figure work flourished there with the distinctive addition of polychromatic painting and in the case of the
5678:
5538:
5533:
4810:
3947:
3432:
3424:
3201:
3187:
2839:
1409:, the most popular form of the plastic vase is the head of the griffin. The Melanesian amphoras, manufactured at
1620:
1110:
BC) represent the return of craft production after the collapse of the Mycenaean Palace culture and the ensuing
815:
7135:
7125:
7062:
5703:
5117:
4214:
2924:
618:
2193:, from which it was originally made. Glass was also used, mostly for fancy small perfume bottles, though some
7057:
6614:
6107:
5623:
5543:
5241:
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3770:
3408:
417:
104:
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5013:
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and Eastern Mediterranean of the 8th and 7th centuries BC. Fostered by trade links with the city-states of
520:
89:
3425:
S. Bleecker-Luce, A Brief History of the Study of Greek Vase Painting, American Philosophical Society 1918
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5693:
5569:
5231:
5185:
5140:
4916:
4605:
4142:
1630:—used for drinking wine—is shaped like a donkey's head on one side of its body and a ram's on the other.
1547:
Circa 520 BC the red-figure technique was developed and was gradually introduced in the form of the
775:
270:
171:
6624:
2935:
The relationship between the iconography of grave markers and social change is essayed in James Whitley
6746:
6619:
5752:
5747:
5723:
5633:
5150:
4248:
3760:
2916:
2522:
2134:, in fact made elsewhere as well, are one of the most important types. Earlier figurines were usually
2127:
2073:
1475:
513:
260:
7104:
7047:
6003:
5806:
5713:
5648:
4968:
4863:
4337:
4271:
4175:
3991:
3718:
3607:
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2245:
1729:
73:
5615:
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to the west. Outside of mainland Greece other regional Greek traditions developed, such as those in
5801:
5764:
5698:
5364:
5251:
3978:
3968:
2981:
The terminus ante quem of the late Corinthian black-figure style was established by M. T. Campbell
2578:
2336:
1837 and Otto Jahn's catalogue of the Vulci finds contributed to the changing consensus. See Cook,
1650:
1479:
919:
630:
2147:
Very few metal vessels have survived as at some point they were melted down and the metal reused.
1030:, beginning in the 8th century BC and lasting until the late 5th century BC, saw the birth of the
77:
7130:
7084:
6208:
6008:
5993:
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4825:
4327:
4039:
3831:
3562:
2004:
1673:
938:
930:
918:
partly through ancient Greek vase-painting, which survives in large quantities and is also, with
368:
3206:
1236:
At the end of the period there appear representations of mythology, probably at the moment when
7042:
6045:
5816:
5774:
5708:
5673:
5125:
5109:
4805:
4746:
4595:
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4112:
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4029:
3963:
3953:
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3597:
3414:
2544:
2368:
2008:
1996:
1811:
1601:
1136:
1115:
893:
598:
524:
199:
1420:, allotted traditionally to Rhodes because of an important discovery within the necropolis of
911:
649:. This process can be done many times. The more times this is done, the smoother clay becomes.
7094:
6323:
6313:
6303:
6288:
5978:
5718:
5688:
5643:
5638:
5269:
5236:
5038:
4943:
4929:
4585:
4456:
4420:
4049:
4034:
3996:
3958:
3902:
3524:
3389:
An Archaeology of Representations: Ancient Greek Vase-Painting and Contemporary Methodologies
2048:
2000:
1992:
1748:
1669:
683:
thickness, pinpoint tools for incisions and probably single-hair tools for the relief lines.
544:
160:
93:
1816:
508:
As well as these utilitarian functions, certain vase shapes were especially associated with
6566:
6560:
6546:
6030:
5988:
5960:
5845:
5658:
4888:
4684:
4180:
4001:
3933:
3917:
3907:
3856:
3567:
3446:
2250:
2221:
1940:
colour. The total height of the vase is 18 centimeters and it dates to the 4th century BC.
1449:
1288:
1070:
1031:
602:
466:
191:
183:
123:
2730:
364:
8:
6697:
6667:
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5950:
5945:
5382:
4697:
4610:
4580:
4534:
4297:
3986:
3678:
3640:
2824:
The Last Mycenaeans and their Successors: An Archaeological Survey, c. 1200 – c. 1000 B.C
1972:
1869:
that became typical grave offerings. Important representatives include its inventor, the
1759:
1706:
1665:
1593:
three-quarter profiles, greater anatomical detail and the representation of perspective.
1169:, mid-8th century BC, with human figures for scale. The vase was used as a grave marker.
1150:
68:, due to its relative durability, comprises a large part of the archaeological record of
1293:
363:
invaders in 480 BC. With a more soundly established chronology it was possible for
6914:
6811:
6717:
6361:
6278:
6166:
5668:
5492:
5008:
4988:
4845:
4716:
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4395:
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3943:
3874:
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3826:
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3673:
3582:
2965:
2864:
2856:
2813:
2499:
2028:
1878:
1799:
1638:
1597:
1572:
1396:
1187:
1100:
1086:
1035:
1000:
897:
726:
552:
207:
195:
164:
269:
of 1764 first refuted the Etruscan origin of what we now know to be Greek pottery yet
135:
Earlier Greek styles of pottery, called "Aegean" rather than "Ancient Greek", include
7090:
6989:
6576:
6125:
5973:
5925:
5769:
5738:
5683:
5600:
5477:
5349:
5170:
5003:
4956:
4896:
4770:
4752:
4728:
4710:
4665:
4620:
4615:
4266:
4190:
4160:
3841:
3728:
3572:
3516:
3172:
3103:
2920:
2887:
2868:
2796:
2603:
2461:
2400:
2282:
2194:
2107:
1552:
1548:
976:
915:
876:
779:
666:
360:
244:
148:
3429:
534:
There was an international market for Greek pottery since the 8th century BC, which
6919:
6451:
6416:
6233:
6090:
5968:
5855:
5850:
5175:
5130:
4961:
4868:
4484:
4317:
4302:
4292:
3755:
2848:
2752:
2712:
2685:
2491:
2299:
2211:
2131:
2119:
and nonsense inscriptions, though these are largely confined to black-figure pots.
1882:
1870:
1733:
1721:
1392:
1388:
1352:
1154:
1074:
1003:, predominantly using circular and wavy decorative patterns. This was succeeded in
999:, spanning the 11th to 8th centuries BC, the prevalent early style was that of the
827:
187:
140:
72:, and since there is so much of it (over 100,000 painted vases are recorded in the
61:, Athens. Metropolitan Museum of Art, New York, N.Y. (Accession Number: 14.130.14).
1747:
Toward the end of the century, the "Rich" style of Attic sculpture as seen in the
1533:
1091:
690:
Black Figure style: incision of the paint slip layer before firing with a pin tool
6934:
6692:
6480:
6293:
6035:
5901:
5833:
5160:
4758:
4740:
4734:
4648:
4625:
4499:
4410:
4370:
4307:
4011:
4006:
3846:
3745:
3723:
3615:
3592:
3166:
2716:
2373:
2135:
1968:
1953:
1859:
1752:
1417:
1166:
1111:
1004:
889:
763:
396:
371:
232:
203:
6959:
6672:
2812:
The diffusion of protogeometric pottery is a complex subject best summarized by
1454:
355:
undertook the excavation of the Acropolis in 1885 and discovered the so-called "
290:
6816:
6756:
6751:
6707:
6488:
6436:
6426:
6406:
6396:
6140:
6135:
6130:
4983:
4782:
4776:
4764:
4564:
4539:
4312:
4237:
4080:
3493:
2432:
2155:
2089:
2024:
1976:
1888:
1825:
1795:
1737:
1691:
1661:
1541:
1230:
1027:
1008:
996:
972:
922:, the best guide we have to the customary life and mind of the ancient Greeks.
872:
866:
703:
442:
383:
320:
274:
179:
156:
136:
128:
76:), it has exerted a disproportionately large influence on our understanding of
69:
3781:
2770:
2641:
2517:
942:
Bowl, Greek Prehistory Gallery, National Museum of Archaeology, Athens, Greece
7119:
7052:
6969:
6944:
6634:
6556:
6238:
6181:
6080:
6070:
6040:
6022:
5896:
5048:
4830:
4722:
4678:
4640:
4479:
4400:
4102:
4062:
3912:
3506:
2163:
1988:
1984:
1687:
1679:
1605:
1346:
1264:
1179:
1141:
1132:
1020:
412:
Diagram of the parts of a typical Athenian vase, in this case a volute krater
294:
175:
3438:
1577:
1233:, could be identified on several pieces, in particular monumental amphorae.
1190:(fear of the empty) and will not cease until the end of geometrical period.
789:
674:
the final shaping or turning. Sometimes, a young man helped turn the wheel.
652:
255:; however the connection between them and the examples excavated in central
6869:
6821:
6687:
6541:
6411:
6050:
5886:
5392:
5354:
5053:
4155:
4120:
4057:
3534:
3501:
3102:, Second Edition, 641–644. Oxford & New York: Oxford University Press.
3076:
However, the earliest red-figure vase was not a bilingual, see Beth Cohen,
2795:, Second Edition, 641–644. Oxford & New York: Oxford University Press.
2552:
2548:
2460:, Second Edition, 641–644. Oxford & New York: Oxford University Press.
2281:, Second Edition, 641–644. Oxford & New York: Oxford University Press.
2240:
2159:
1683:
1506:
1459:
1058:
845:
606:
486:
387:
356:
277:, were still published as "Etruscan vases"; it would take until 1837 with
240:
3230:. Oxford Journal of Archaeology, 25 January 2018, doi: 10.1111/ojoa.12134.
3119:
Henry R. Immerwahr 2008, "Aspects of Literacy in the Athenian Ceramicus".
2954:
Greek Geometric Pottery: A Survey of Ten Local Styles and Their Chronology
2077:
Signature (written retrograde) SOΦΙLOS MEΓΡΑΦSEN ("Sophilos megraphsen" –
686:
408:
6889:
6781:
6761:
6589:
6097:
6075:
6065:
6060:
5983:
5940:
5487:
5397:
5387:
5274:
5264:
5028:
4405:
4380:
3882:
3645:
3542:
3483:
2623:
2302:
made an offer of 3 vases as an addition to an implied existing collection
2116:
2019:
1924:
has some particularly good examples of this style, including a vase with
1836:
1791:
1787:
1717:
1317:
1313:
1276:
646:
619:
Exekias, Attic black figure amphora with Ajax and Achilles playing a game
248:
144:
6594:
934:
Greek Prehistory Gallery, National Museum of Archaeology, Athens, Greece
6826:
6796:
6791:
6776:
6662:
6629:
6298:
6268:
5935:
5663:
5497:
5339:
5334:
5324:
5309:
5294:
5284:
5259:
4635:
4390:
4345:
4185:
3630:
3625:
3228:
Rethinking Standardization: the Social Meanings of Mycenaean Metal Cups
2756:
2689:
2503:
2479:
2186:
1613:
1609:
1425:
1309:
1194:
1066:
980:
862:
501:
152:
3089:
J. Boardman: Athenian Red Figure Vases: The Archaic Period, 1975, p29.
2860:
6801:
6727:
6712:
6682:
6677:
6609:
6533:
6518:
6503:
6446:
6346:
5998:
5930:
5502:
5482:
5452:
5447:
5442:
5407:
5402:
5372:
5319:
5279:
5058:
4924:
4878:
4858:
4489:
4360:
4195:
3750:
3740:
3650:
3620:
2190:
1925:
1894:
1783:
1775:
1741:
1642:
1437:
1416:
Finally one can identify the last major style of the period, that of
1339:, yet there was little contact with the cultural centers of Egypt or
1325:
1220:
1208:
952:
747:
497:
470:
450:
343:
108:
96:. There were a multitude of specific regional varieties, such as the
3396:
Epigraphy of Art: Ancient Greek Vase-Inscriptions and Vase-Paintings
2495:
1758:
Vase production in Athens stopped around 330–320 BC possibly due to
29:
6851:
6841:
6831:
6806:
6584:
6551:
6513:
6456:
6371:
6356:
6213:
6203:
6120:
6115:
5512:
5507:
5467:
5462:
5437:
5417:
5344:
5299:
5289:
5145:
5043:
4978:
4906:
4514:
3655:
3577:
2852:
2334:
Uber den Styl und die Herunft der bemalten griechischen Thongefasse
2167:
1933:
1865:
1767:
1529:
1518:
1421:
1329:
1308:
The orientalizing style was the product of cultural ferment in the
1272:
1257:
1183:
1119:
1054:
1012:
743:
731:
527:
493:
482:
298:
111:
6604:
2661:
2659:
1794:. Several noteworthy artists' work comes down to us including the
914:
have survived so modern scholars have to trace the development of
6994:
6984:
6929:
6924:
6909:
6899:
6884:
6879:
6766:
6654:
6644:
6523:
6498:
6493:
6466:
6461:
6441:
6431:
6421:
6386:
6376:
6366:
6318:
6308:
6283:
6248:
6243:
6218:
5871:
5653:
5314:
5304:
5063:
5033:
5023:
5018:
4998:
4993:
4873:
4820:
4529:
4519:
4509:
4504:
4494:
4206:
3683:
2171:
1830:
1779:
1544:, who are noted for their feeling for composition and narrative.
1537:
1495:
1429:
1376:
1340:
1336:
1252:
1226:
1161:
1062:
1050:
1046:
849:
539:
478:
426:
178:
in Greek pottery was contiguous with the late Dark Age and early
115:
81:
65:
53:
35:
6939:
6253:
2141:
1536:. Many scholars consider the finest work in the style to belong
51:, mid-8th century BC, from the late Geometric period, depicting
6964:
6894:
6874:
6836:
6702:
6508:
6401:
6338:
6328:
6273:
5891:
5876:
5472:
5457:
5432:
5427:
5412:
5073:
5068:
4835:
4815:
4559:
4549:
4544:
4415:
4375:
4365:
4350:
3693:
3688:
3635:
3052:
Necrocorinthia: A Study of Corinthian Art in the Archaic Period
2952:
Diffusion of the style is detailed in John Nicolas Coldstream,
2741:
2675:
2656:
2179:
2151:
also copy that on metal vessels more closely than was thought.
2062:
2054:
1980:
1847:
1821:
1771:
1763:
1626:
1499:
1491:
1406:
1372:
1357:
1332:
1198:
1042:
960:
956:
670:
535:
509:
474:
455:
438:
434:
430:
252:
119:
85:
6974:
6949:
6846:
6786:
6771:
6639:
6599:
6351:
6263:
6258:
6228:
6223:
6198:
5881:
5422:
5377:
5329:
4901:
4853:
4554:
4524:
4471:
4446:
4385:
4355:
2175:
2039:
1899:
1874:
1842:
1560:
1556:
1514:
1433:
1410:
1402:
1321:
1268:
1246:
1237:
1214:
1202:
1016:
709:
459:
256:
3284:
Early Greek Vase Painting: 11th–6th Centuries BC: A Handbook
2313:
In regii herculanensis musaei tabulas hercleenes commentarii
1740:, as their work indicates something of the influence of the
492:
vases for oils, perfumes and cosmetics, including the large
6979:
6954:
6904:
6391:
6381:
3277:
Athenian Red Figure Vases: The Classical Period: A Handbook
2836:
1929:
1380:
1241:
707:
A potter's workshop. Side B from a Corinthian black-figure
631:
Mixing Vessel with Odysseus Escaping from the Cyclops' Cave
565:
236:
1371:
It was characterized by an expanded vocabulary of motifs:
971:
More elaborate painting on Greek pottery goes back to the
3270:
Athenian Red Figure Vases: The Archaic Period: A Handbook
3013:
Boiotian Black Figure Vase Painting of the Archaic Period
2939:, 1991. See also Gudrun Ahlberg, Gudrun Ahlberg-Cornell,
2043:
568:. Attica's high-iron clay gave its pots an orange color.
273:'s two collections, one lost at sea the other now in the
3340:
The Cambridge History of Painting In the Classical World
3298:
The Colors of Clay: Special Techniques In Athenian Vases
2377:. Oxford: Classical Art Research Centre. 22 October 2012
1275:, the painters and potters were satisfied to follow the
2731:
http://www.atticvases.gr/attika-aggeia/1280x720_web.swf
665:
The clay is then kneaded by the potter and placed on a
3361:
Red Figure Vases of South Italy and Sicily: A Handbook
2996:
Lakonische Vasenmaler des sechsten Jahrhunderts v.chr.
2311:
Though the first conjecture belongs to A.S Mazochius,
3100:
The Oxford Companion to Archaeology, Vol 1: Ache-Hoho
2793:
The Oxford Companion to Archaeology, Vol 1: Ache-Hoho
2702:
2458:
The Oxford Companion to Archaeology, Vol 1: Ache-Hoho
2279:
The Oxford Companion to Archaeology, Vol 1: Ache-Hoho
2207:
Conservation and restoration of ancient Greek pottery
3319:
Greek Vase-Painting and the Origins of Visual Humour
1755:
is usually most closely identified with this style.
2452:
2450:
2448:
2446:
1041:The classical ceramic decor is dominated mostly by
2273:
2271:
2197:rivalled metalwork in quality and probably price.
1991:with the various styles in South Italy, including
925:
374:was later to apply to unpainted Egyptian pottery.
107:were used. Not all were purely utilitarian; large
3391:. Athens: Institut du Livre, A. Kardamitsa, 2009.
3244:. Berkeley: University of California Press, 1951.
329:(1840 to 1858), the establishment of the journal
7117:
3028:, Annu. Brit. Sch. Athens, xlvii, 1952, pp. 1–48
2443:
1023:, which employed neat rows of geometric shapes.
4442:
3811:
3382:Die Antike Glanztonkeramik: Praktische Versuche
3140:(Ashmolean Handbooks) by Michael Vickers (1991)
2268:
88:was imported by other civilizations throughout
3420:Journey through art history: Ancient Greek Art
3356:. Cambridge: Cambridge University Press, 2007.
3349:. Cambridge: Cambridge University Press, 1992.
3293:. Cambridge: Cambridge University Press, 2005.
3065:Corinthian Vase-painting of the Archaic Period
1505:The Corinthian fabric, extensively studied by
213:
4222:
3797:
3664:
3468:
3454:
3377:. New York: Metropolitan Museum of Art, 1987.
3342:. New York: Cambridge University Press, 2014.
3321:. New York: Cambridge University Press, 2009.
2983:A Well of the Black-figured Period at Corinth
2142:Relationship to metalwork and other materials
2057:"), KALIAΔES EΠOIESEN ("Kaliades epoiesen" –
1328:found their way to Greece, as did goods from
656:Pottery being made on a wheel, by Dolon Prova
425:storage and transport vessels, including the
167:, which begins Ancient Greek pottery proper.
155:, followed by the cultural disruption of the
3347:The Art of Vase-Painting In Classical Athens
3000:Laconian Iconography of the Sixth Century BC
2941:Prothesis and Ekphora in Greek Geometric Art
330:
324:
282:
264:
2771:https://www.youtube.com/watch?v=4ILGcewvm0k
2642:https://www.youtube.com/watch?v=TBB6qArnVDw
2477:
1912:
1725:
222:
57:, the act of carrying a body to its grave.
5108:
4229:
4215:
3804:
3790:
3461:
3447:
3335:. Los Angeles: J. Paul Getty Museum, 2013.
3300:. Los Angeles: J. Paul Getty Museum, 2006.
3265:. New York: Oxford University Press, 1974.
2821:
2705:Journal of Archaeological Science: Reports
139:, very sophisticated by its final stages,
2881:
2539:
2537:
2321:Paper on the Amasis Painter and his World
1805:
1443:
1356:with registers of lions, bulls, ibex and
3258:. Oxford: Oxford University Press, 1971.
3251:. Oxford: Oxford University Press, 1956.
3237:. Oxford: Oxford University Press, 1942.
2072:
2046:"), ΔΟRIS EΓRAΦSEN ("Doris Egraphsen" –
2018:
1947:
1887:
1815:
1678:
1619:
1576:
1453:
1424:. In fact, it is widespread over all of
1345:
1292:
1160:
1140:
1090:
1080:
937:
929:
702:
685:
651:
454:or male drinking parties, including the
407:
289:
217:
42:
28:
3326:The Techniques of Painted Attic Pottery
3164:
3149:
2745:Journal of the American Ceramic Society
2678:Journal of the American Ceramic Society
2484:The Metropolitan Museum of Art Bulletin
2433:"1. Grave Markers of the Ancient Elite"
1566:
1213:; exposure and lamentation of dead) or
852:, Achilles and Ajax engaged in a game,
14:
7118:
6162:
3384:. Mainz am Rhein: P. von Zabern, 1978.
3333:The Greek Vase: Art of the Storyteller
3314:. Sparks, NV: Falcon Hill Press, 1995.
2608:: CS1 maint: archived copy as title (
2534:
2053:). Inscription on the right: MEMNON ("
1705:By the early to high classical era of
1581:Reveller and courtesan by Euphronios,
1282:
1145:Boeotian Geometric Hydria lamp, Louvre
206:were characteristic of the subsequent
186:. The pottery produced in Archaic and
126:seem to have been looked on partly as
7019:
6161:
5590:
5094:
4441:
4261:
4210:
3785:
3442:
3430:The evolution of Greek vase painting.
3242:The Development of Attic Black-Figure
2430:
1943:
1892:Janus-faced Attic red-figure plastic
1736:can be included in the school of the
1502:, the east Greek islands and Athens.
287:to conclusively end the controversy.
227:(a fragment of ancient Greek pottery)
210:, which saw vase painting's decline.
6630:Illicitanus Limin/Portus Illicitanus
4262:
3409:The Metropolitan Museum of Art Guide
3363:. London: Thames & Hudson, 1989.
2985:, Hesperia, vii (1938), pp. 557–611.
2937:Style and Society in Dark Age Greece
2905:
2886:. New York: Routledge. p. 102.
2559:from the original on January 3, 2014
2437:Art 230: Ancient Art Digital Exhibit
865:scene of women playing music by the
3291:Music and Image In Classical Athens
2729:ATTIC VASES : precious earth.
1668:notable in the former category and
1118:and multiple brushes. The site of
326:Auserlesene Griechische Vasenbilder
266:Geschichte der Kunst des Alterthums
194:, yet other styles emerged such as
98:South Italian ancient Greek pottery
24:
5591:
4236:
3307:. 2nd ed. London: Routledge, 2003.
3286:. London: Thames and Hudson, 1998.
3279:. London: Thames and Hudson, 1989.
3272:. London: Thames and Hudson, 1975.
3220:
2769:The lost art of black glaze ware.
1126:
359:" of red figure pots destroyed by
25:
7152:
3402:
3370:. Oxford: Ashmolean Museum, 1999.
3328:. New York: Watson-Guptill, 1965.
3312:A Handbook of Greek Vase Painting
2298:A letter of 1491 to Lorenzo from
1971:, ushered in by the conquests of
1686:depicting an athlete running the
1019:by the style of pottery known as
403:
105:various types and shapes of vases
7099:
7089:
7080:
7079:
3415:Beazley Archive of Greek pottery
3310:Herford, Mary Antonie Beatrice.
3249:Attic Black-Figure Vase Painters
2630:from the original on 2016-10-21.
2530:from the original on 2016-10-22.
2431:Scott, Natalie (30 March 2016).
2217:Kerameikos Archaeological Museum
1961:Kerameikos Archaeological Museum
1428:, with centers of production at
826:
814:
800:
788:
769:
625:
613:
593:
584:
512:, others with athletics and the
465:jugs and cups, several types of
353:Archaeological Society of Athens
7100:
3433:Ure Museum of Greek Archaeology
3143:
3130:
3113:
3092:
3083:
3070:
3057:
3044:
3031:
3018:
3005:
2988:
2975:
2959:
2946:
2929:
2900:Excavations at Lefkandi, Euboea
2875:
2840:American Journal of Archaeology
2830:
2806:
2785:
2775:
2763:
2735:
2723:
2696:
2669:
2646:
2634:
2616:
2591:from the original on 2016-10-19
2571:
2510:
2471:
2424:
2410:
2255:Union Académique Internationale
2014:
951:Greek pottery goes back to the
926:Development of pottery painting
259:was not made until much later.
3235:Attic Red-Figure Vase Painters
3168:Greek Pottery: An Introduction
2882:Snodgrass, Anthony M. (2001).
2478:Von Bothmer, Dietrich (1962).
2389:
2361:
2352:
2343:
2326:
2305:
2292:
2233:
2023:The so-called "Memnon pieta",
1171:National Archaeological Museum
571:
519:Some vessels were designed as
59:National Archaeological Museum
13:
1:
4701:
4688:
4669:
4652:
3398:. Oxford: Archaeopress, 2016.
2227:
2082:
2032:
1903:
1710:
1695:
1654:
1631:
1582:
1522:
1483:
1463:
1361:
1298:
1104:
966:
880:
853:
714:
639:
302:
122:served as tomb offerings and
5829:Funeral and burial practices
5014:Military of Mycenaean Greece
3305:Geometric Greece: 900–700 BC
3212:Resources in other libraries
2717:10.1016/j.jasrep.2015.08.016
2397:An Introduction To Greek Art
2122:
1922:Delphi Archaeological Museum
1852:Staatliche Antikensammlungen
1649:The next generation of late
1221:
1209:
946:
677:
297:"Black Basalt" Ware vase by
182:, which saw the rise of the
114:were used as grave markers,
7:
4143:List of Greek vase painters
3813:Ancient Greek vase painting
3387:Yatromanolakis, Dimitrios.
3263:Athenian Black Figure Vases
2200:
1320:principalities of northern
1240:codifies the traditions of
1197:, one of the cemeteries of
986:
776:List of Greek vase painters
448:mixing vessels, mainly for
386:and the Beazley archive of
214:Rediscovery and scholarship
174:saw increasing decoration.
159:. As the culture recovered
10:
7157:
5753:Greek Revival architecture
5095:
3158:
2998:, 2 vols, 1972. M. Pipili
2917:Cambridge University Press
2913:The Art of Greece and Rome
2898:See also Popham, Sackett,
2523:World History Encyclopedia
2128:Greek terracotta figurines
1809:
1570:
1447:
1297:Proto-Corinthian skyphos,
1286:
1215:
1203:
1130:
1095:Protogeometric amphora, BM
1084:
773:
633:all hosted at Smarthistory
7141:Economy of ancient Greece
7075:
7026:
7020:
7015:
6860:
6737:
6726:
6653:
6575:
6532:
6479:
6337:
6189:
6180:
6176:
6157:
6106:
6021:
5959:
5921:
5914:
5864:
5824:
5815:
5737:
5614:
5610:
5586:
5552:
5521:
5363:
5250:
5194:
5161:Attalid kings of Pergamon
5116:
5107:
5103:
5090:
4969:Antigonid Macedonian army
4942:
4915:
4887:
4844:
4801:
4792:
4634:
4573:
4470:
4466:
4437:
4336:
4285:
4281:
4257:
4244:
4176:Corpus vasorum antiquorum
4168:
4149:
4133:
4111:
4093:
4071:
4048:
4020:
3977:
3926:
3895:
3873:
3855:
3819:
3719:Corpus vasorum antiquorum
3706:
3606:
3555:
3533:
3515:
3492:
3476:
3470:Pottery of ancient Greece
3207:Resources in your library
3193:Pottery of ancient Greece
3037:R. M. Cook and P. Dupont
2972:, Routledge, 1997, p. 43.
2246:Corpus vasorum antiquorum
955:, such as those found in
698:
624:
612:
592:
583:
578:
380:Corpus vasorum antiquorum
163:finally blended into the
103:Throughout these places,
74:Corpus vasorum antiquorum
18:Pottery of Ancient Greece
2911:Woodford, Susan. (1982)
1913:Relief and plastic vases
920:Ancient Greek literature
660:
3373:Von Bothmer, Dietrich.
3317:Mitchell, Alexandre G.
3165:Sparkes, Brian (1991).
2624:"ancient Greek pottery"
1790:the gilded work of the
1260:or any hapless sailor.
1101:protogeometrical period
558:
469:also just called cups,
332:Archaeologische Zeitung
5195:Artists & scholars
5110:List of ancient Greeks
4747:Second Athenian League
4596:Greco-Bactrian Kingdom
4421:Ancient Greek colonies
3226:Aulsebrook, S. (2018)
2884:The Dark Age of Greece
2818:Protogeometric Pottery
2174:and her procession of
2093:
2066:
1964:
1909:
1854:
1812:White ground technique
1806:White ground technique
1702:
1646:
1589:
1478:as the middle to late
1470:
1444:Black-figure technique
1368:
1305:
1186:. This phase is named
1174:
1146:
1137:Boeotian vase painting
1096:
943:
935:
912:ancient Greek painting
721:
691:
657:
543:panathenaics found in
413:
331:
325:
308:
283:
265:
243:. It is possible that
228:
223:
200:white ground technique
62:
40:
7136:Archaeology of Greece
7126:Ancient Greek pottery
6314:Sybaris on the Traeis
5039:Sacred Band of Thebes
4779:(c. 300 BC–c. 300 AD)
4293:Cycladic civilization
3556:Ancient Greece proper
3368:Ancient Greek Pottery
3331:Oakley, John Howard.
3324:Noble, Joseph Veach.
3289:Bundrick, Sheramy D.
3138:Ancient Greek Pottery
2970:Greek Painted Pottery
2480:"Painted Greek Vases"
2338:Greek Painted Pottery
2189:'s name derives from
2076:
2022:
1951:
1891:
1819:
1726:white-ground lekythoi
1682:
1623:
1580:
1457:
1349:
1296:
1164:
1144:
1094:
1081:Protogeometric styles
1065:colonies in the east
941:
933:
774:Further information:
706:
689:
655:
416:The names we use for
411:
293:
221:
161:Sub-Mycenaean pottery
84:from regions such as
46:
32:
5839:mythological figures
5560:Ancient Greek tribes
4685:Peloponnesian League
4181:East Greek Bird Bowl
3761:Terracotta figurines
3366:Vickers, Michael J.
3026:Pottery from Eretria
2545:"Making Greek Vases"
2251:University of Oxford
2222:Ancient Greek crafts
2162:, is a large bronze
1666:Kleophrades Painters
1567:Red-figure technique
1450:Black-figure pottery
1436:. Two forms prevail
1289:Orientalizing period
1071:black-figure pottery
1032:Orientalizing period
603:J. Paul Getty Museum
323:'s pioneering study
271:Sir William Hamilton
192:black-figure pottery
184:Orientalizing period
165:Protogeometric style
124:Panathenaic Amphorae
5951:Tunnel of Eupalinos
5946:Theatre of Dionysus
5570:Ancient Macedonians
5186:Tyrants of Syracuse
4698:Amphictyonic League
4298:Minoan civilization
3375:Greek Vase Painting
3354:Reading Greek Vases
3345:Robertson, Martin.
2822:Desborough (1964).
2399:, 1986, Duckworth,
2317:Greek vase-painting
1973:Alexander the Great
1760:Alexander the Great
1707:red-figure painting
1521:(illus. below, BM,
1283:Orientalizing style
892:and his raven on a
549:South Italian wares
284:Gräber der Hellenen
6625:Menestheus's Limin
6279:Pandosia (Lucania)
6167:Greek colonisation
5529:Athenian statesmen
5290:Diogenes of Sinope
5151:Kings of Macedonia
5141:Kings of Commagene
5009:Macedonian phalanx
4989:Hellenistic armies
4737:(c. 424–c. 395 BC)
4601:Indo-Greek Kingdom
4323:Hellenistic Greece
3927:Stylistic regions
3827:Three-phase firing
3766:Three-phase firing
3303:Coldstream, J. N.
3078:The Colors of Clay
3039:East Greek Pottery
2966:Robert Manuel Cook
2757:10.1111/jace.12395
2690:10.1111/jace.13337
2506:– via JSTOR.
2094:
2067:
1969:Hellenistic period
1965:
1944:Hellenistic period
1910:
1879:Pistoxenos Painter
1855:
1800:Underworld Painter
1703:
1647:
1639:Walters Art Museum
1590:
1573:Red-figure pottery
1471:
1397:Polyphemos Painter
1369:
1306:
1175:
1147:
1097:
1087:Protogeometric art
1001:protogeometric art
944:
936:
898:Pistoxenos Painter
840:From left to right
727:three-phase firing
722:
692:
658:
601:, produced by the
599:Making Greek Vases
553:Hellenistic period
414:
346:'s 1854 catalogue
309:
229:
208:Hellenistic period
196:red-figure pottery
190:included at first
94:Etruscans in Italy
63:
41:
7113:
7112:
7071:
7070:
7011:
7010:
7007:
7006:
7003:
7002:
6577:Iberian Peninsula
6509:Lipara/Meligounis
6475:
6474:
6153:
6152:
6149:
6148:
6126:Cypriot syllabary
6017:
6016:
5926:Athenian Treasury
5910:
5909:
5582:
5581:
5578:
5577:
5171:Ptolemaic dynasty
5131:Archons of Athens
5086:
5085:
5082:
5081:
4957:Athenian military
4938:
4937:
4771:League of Corinth
4753:Thessalian League
4729:Chalcidian League
4711:Acarnanian League
4621:Ptolemaic Kingdom
4433:
4432:
4429:
4428:
4204:
4203:
4191:Kalos inscription
4161:Adolf Furtwangler
4129:
4128:
4089:
4088:
3948:Pseudo-Chalkidian
3896:Stylistic periods
3891:
3890:
3842:Black-glazed Ware
3779:
3778:
3729:Hellenistic glass
3702:
3701:
3573:Black-glazed Ware
3551:
3550:
3188:Library resources
3178:978-0-7190-2936-3
3108:978-0-19-973578-5
2801:978-0-19-973578-5
2466:978-0-19-973578-5
2395:Woodford, Susan,
2287:978-0-19-973578-5
2195:Hellenistic glass
2132:Tanagra figurines
1553:Andokides Painter
1350:Proto-Corinthian
1034:, led largely by
992:widely exported.
977:Mycenaean pottery
916:ancient Greek art
894:white-ground bowl
877:Andokides Painter
873:Bilingual amphora
780:Ancient Greek art
637:
636:
418:Greek vase shapes
365:Adolf Furtwängler
245:Lorenzo de Medici
202:. Styles such as
149:Mycenaean pottery
90:the Mediterranean
49:Hirschfeld Krater
16:(Redirected from
7148:
7103:
7102:
7093:
7083:
7082:
7017:
7016:
6735:
6734:
6234:Heraclea Lucania
6187:
6186:
6178:
6177:
6159:
6158:
5919:
5918:
5851:Twelve Olympians
5822:
5821:
5612:
5611:
5588:
5587:
5176:Seleucid dynasty
5156:Kings of Paionia
5105:
5104:
5092:
5091:
4962:Scythian archers
4869:Graphe paranomon
4799:
4798:
4706:
4703:
4693:
4690:
4674:
4671:
4661:
4657:
4654:
4468:
4467:
4439:
4438:
4318:Classical Greece
4303:Mycenaean Greece
4283:
4282:
4259:
4258:
4231:
4224:
4217:
4208:
4207:
4046:
4045:
3975:
3974:
3853:
3852:
3806:
3799:
3792:
3783:
3782:
3756:Tanagra figurine
3662:
3661:
3490:
3489:
3463:
3456:
3449:
3440:
3439:
3359:Trendall, A. D.
3261:Boardman, John.
3182:
3153:
3147:
3141:
3134:
3128:
3117:
3111:
3096:
3090:
3087:
3081:
3074:
3068:
3061:
3055:
3048:
3042:
3035:
3029:
3022:
3016:
3009:
3003:
2992:
2986:
2979:
2973:
2963:
2957:
2950:
2944:
2933:
2927:
2909:
2903:
2897:
2879:
2873:
2872:
2834:
2828:
2827:
2810:
2804:
2789:
2783:
2779:
2773:
2767:
2761:
2760:
2751:(7): 2031–2035.
2739:
2733:
2727:
2721:
2720:
2700:
2694:
2693:
2673:
2667:
2663:
2654:
2650:
2644:
2638:
2632:
2631:
2620:
2614:
2613:
2607:
2599:
2597:
2596:
2590:
2583:
2575:
2569:
2568:
2566:
2564:
2541:
2532:
2531:
2514:
2508:
2507:
2475:
2469:
2454:
2441:
2440:
2428:
2422:
2421:
2414:
2408:
2393:
2387:
2386:
2384:
2382:
2365:
2359:
2356:
2350:
2347:
2341:
2330:
2324:
2309:
2303:
2300:Angelo Poliziano
2296:
2290:
2275:
2266:
2265:
2263:
2261:
2237:
2212:Tanagra figurine
2136:votive offerings
2092:, GR 1971.11–1.1
2087:
2084:
2079:Sophilos drew me
2059:Kaliades made it
2037:
2034:
1908:
1905:
1898:with heads of a
1883:Thanatos Painter
1871:Achilles Painter
1734:Kleophon Painter
1722:Achilles Painter
1715:
1712:
1700:
1697:
1659:
1656:
1636:
1633:
1587:
1584:
1527:
1524:
1488:
1485:
1468:
1465:
1393:Mesogeia Painter
1389:Analatos Painter
1366:
1363:
1303:
1300:
1224:
1218:
1217:
1212:
1206:
1205:
1109:
1106:
1075:Classical Greece
910:Few examples of
885:
882:
858:
855:
830:
818:
804:
792:
719:
716:
629:
628:
617:
616:
597:
596:
588:
576:
575:
496:, and the small
335:in 1843 and the
334:
328:
307:
304:
286:
268:
226:
188:Classical Greece
141:Cycladic pottery
21:
7156:
7155:
7151:
7150:
7149:
7147:
7146:
7145:
7116:
7115:
7114:
7109:
7067:
7022:
6999:
6862:
6856:
6739:
6730:
6722:
6693:Melaina Korkyra
6649:
6571:
6528:
6481:Aeolian Islands
6471:
6333:
6191:
6172:
6171:
6145:
6102:
6013:
5955:
5906:
5860:
5811:
5733:
5724:Wedding customs
5606:
5605:
5574:
5565:Thracian Greeks
5548:
5539:Olympic victors
5517:
5359:
5246:
5190:
5181:Kings of Sparta
5166:Kings of Pontus
5136:Kings of Athens
5112:
5099:
5078:
4974:Army of Macedon
4934:
4911:
4883:
4840:
4788:
4761:(370–c. 230 BC)
4759:Arcadian League
4743:(c. 400–188 BC)
4741:Aetolian League
4735:Boeotian League
4717:Hellenic League
4704:
4691:
4681:(c. 650–404 BC)
4672:
4666:Italiote League
4659:
4655:
4649:Doric Hexapolis
4639:
4630:
4626:Seleucid Empire
4569:
4462:
4461:
4425:
4332:
4308:Greek Dark Ages
4277:
4276:
4253:
4240:
4235:
4205:
4200:
4164:
4145:
4125:
4107:
4085:
4067:
4044:
4016:
4012:Caeretan hydria
3973:
3922:
3887:
3869:
3851:
3847:West Slope Ware
3815:
3810:
3780:
3775:
3724:Disjecta membra
3698:
3660:
3602:
3593:West Slope Ware
3547:
3529:
3511:
3488:
3472:
3467:
3405:
3338:Pollitt, J. J.
3233:Beazley, John.
3223:
3221:Further reading
3218:
3217:
3216:
3196:
3195:
3191:
3179:
3161:
3156:
3148:
3144:
3135:
3131:
3118:
3114:
3097:
3093:
3088:
3084:
3075:
3071:
3062:
3058:
3050:H. G. G. Payne
3049:
3045:
3036:
3032:
3023:
3019:
3011:K. Kilinski II
3010:
3006:
2993:
2989:
2980:
2976:
2964:
2960:
2951:
2947:
2934:
2930:
2910:
2906:
2894:
2880:
2876:
2835:
2831:
2811:
2807:
2790:
2786:
2780:
2776:
2768:
2764:
2740:
2736:
2728:
2724:
2701:
2697:
2674:
2670:
2664:
2657:
2651:
2647:
2639:
2635:
2622:
2621:
2617:
2601:
2600:
2594:
2592:
2588:
2581:
2579:"Archived copy"
2577:
2576:
2572:
2562:
2560:
2543:
2542:
2535:
2518:"Greek Pottery"
2516:
2515:
2511:
2496:10.2307/3258463
2476:
2472:
2455:
2444:
2429:
2425:
2418:"Dipylon vases"
2416:
2415:
2411:
2394:
2390:
2380:
2378:
2374:Beazley Archive
2367:
2366:
2362:
2358:Woodford, 12–14
2357:
2353:
2348:
2344:
2331:
2327:
2310:
2306:
2297:
2293:
2276:
2269:
2259:
2257:
2239:
2238:
2234:
2230:
2203:
2144:
2125:
2085:
2063:Musée du Louvre
2035:
2017:
1954:West Slope Ware
1946:
1915:
1906:
1814:
1808:
1753:Meidias Painter
1749:Nike Balustrade
1713:
1698:
1676:in the latter.
1657:
1653:vase painters (
1634:
1598:Six's technique
1585:
1575:
1569:
1525:
1486:
1469:BC, BM. London.
1466:
1452:
1446:
1418:Wild Goat Style
1364:
1301:
1291:
1285:
1167:Dipylon Amphora
1139:
1129:
1127:Geometric style
1112:Greek dark ages
1108: 1050–900
1107:
1089:
1083:
1057:(in particular
1036:ancient Corinth
1005:mainland Greece
989:
969:
949:
928:
904:
903:
902:
901:
890:Cylix of Apollo
887:
883:
870:
860:
856:
843:
836:
835:
834:
831:
823:
822:
819:
810:
809:
808:
805:
797:
796:
793:
782:
772:
764:Comte de Caylus
757:
753:
741:
737:
717:
701:
680:
663:
642:
626:
614:
594:
579:External videos
574:
561:
406:
397:disjecta membra
372:Flinders Petrie
342:Finally it was
313:D'Hancarville's
305:
247:bought several
233:Nicolas Poussin
224:Disjecta membra
216:
204:West Slope Ware
23:
22:
15:
12:
11:
5:
7154:
7144:
7143:
7138:
7133:
7131:Ancient Greece
7128:
7111:
7110:
7108:
7107:
7097:
7087:
7076:
7073:
7072:
7069:
7068:
7066:
7065:
7060:
7055:
7050:
7045:
7040:
7039:
7038:
7027:
7024:
7023:
7013:
7012:
7009:
7008:
7005:
7004:
7001:
7000:
6998:
6997:
6992:
6987:
6982:
6977:
6972:
6967:
6962:
6957:
6952:
6947:
6942:
6937:
6932:
6927:
6922:
6917:
6912:
6907:
6902:
6897:
6892:
6887:
6882:
6877:
6872:
6866:
6864:
6858:
6857:
6855:
6854:
6849:
6844:
6839:
6834:
6829:
6824:
6819:
6814:
6809:
6804:
6799:
6794:
6789:
6784:
6779:
6774:
6769:
6764:
6759:
6754:
6749:
6743:
6741:
6732:
6724:
6723:
6721:
6720:
6715:
6710:
6705:
6700:
6695:
6690:
6685:
6680:
6675:
6670:
6665:
6659:
6657:
6651:
6650:
6648:
6647:
6642:
6637:
6632:
6627:
6622:
6617:
6612:
6607:
6602:
6597:
6592:
6587:
6581:
6579:
6573:
6572:
6570:
6569:
6564:
6554:
6549:
6544:
6538:
6536:
6530:
6529:
6527:
6526:
6521:
6516:
6511:
6506:
6501:
6496:
6491:
6485:
6483:
6477:
6476:
6473:
6472:
6470:
6469:
6464:
6459:
6454:
6449:
6444:
6439:
6434:
6429:
6427:Megara Hyblaea
6424:
6419:
6414:
6409:
6407:Hybla Gereatis
6404:
6399:
6397:Heraclea Minoa
6394:
6389:
6384:
6379:
6374:
6369:
6364:
6359:
6354:
6349:
6343:
6341:
6335:
6334:
6332:
6331:
6326:
6321:
6316:
6311:
6306:
6301:
6296:
6291:
6286:
6281:
6276:
6271:
6266:
6261:
6256:
6251:
6246:
6241:
6236:
6231:
6226:
6221:
6216:
6211:
6206:
6201:
6195:
6193:
6184:
6174:
6173:
6170:
6169:
6163:
6155:
6154:
6151:
6150:
6147:
6146:
6144:
6143:
6141:Attic numerals
6138:
6136:Greek numerals
6133:
6131:Greek alphabet
6128:
6123:
6118:
6112:
6110:
6104:
6103:
6101:
6100:
6095:
6094:
6093:
6088:
6083:
6078:
6073:
6068:
6063:
6058:
6053:
6043:
6038:
6033:
6027:
6025:
6019:
6018:
6015:
6014:
6012:
6011:
6006:
6001:
5996:
5991:
5986:
5981:
5976:
5971:
5965:
5963:
5957:
5956:
5954:
5953:
5948:
5943:
5938:
5933:
5928:
5922:
5916:
5912:
5911:
5908:
5907:
5905:
5904:
5899:
5894:
5889:
5884:
5879:
5874:
5868:
5866:
5862:
5861:
5859:
5858:
5853:
5848:
5843:
5842:
5841:
5831:
5825:
5819:
5813:
5812:
5810:
5809:
5804:
5799:
5794:
5789:
5788:
5787:
5785:Musical system
5777:
5772:
5767:
5762:
5757:
5756:
5755:
5744:
5742:
5735:
5734:
5732:
5731:
5726:
5721:
5716:
5711:
5706:
5701:
5696:
5691:
5686:
5681:
5676:
5671:
5666:
5661:
5656:
5651:
5646:
5641:
5636:
5631:
5626:
5620:
5618:
5608:
5607:
5604:
5603:
5598:
5592:
5584:
5583:
5580:
5579:
5576:
5575:
5573:
5572:
5567:
5562:
5556:
5554:
5550:
5549:
5547:
5546:
5541:
5536:
5531:
5525:
5523:
5519:
5518:
5516:
5515:
5510:
5505:
5500:
5495:
5490:
5485:
5480:
5475:
5470:
5465:
5460:
5455:
5450:
5445:
5440:
5435:
5430:
5425:
5420:
5415:
5410:
5405:
5400:
5395:
5390:
5385:
5380:
5375:
5369:
5367:
5361:
5360:
5358:
5357:
5352:
5347:
5342:
5337:
5332:
5327:
5322:
5317:
5312:
5307:
5302:
5297:
5292:
5287:
5282:
5277:
5272:
5267:
5262:
5256:
5254:
5248:
5247:
5245:
5244:
5239:
5234:
5229:
5224:
5219:
5217:Mathematicians
5214:
5209:
5204:
5198:
5196:
5192:
5191:
5189:
5188:
5183:
5178:
5173:
5168:
5163:
5158:
5153:
5148:
5143:
5138:
5133:
5128:
5126:Kings of Argos
5122:
5120:
5114:
5113:
5101:
5100:
5088:
5087:
5084:
5083:
5080:
5079:
5077:
5076:
5071:
5066:
5061:
5056:
5051:
5046:
5041:
5036:
5031:
5026:
5021:
5016:
5011:
5006:
5001:
4996:
4991:
4986:
4984:Cretan archers
4981:
4976:
4971:
4966:
4965:
4964:
4954:
4948:
4946:
4940:
4939:
4936:
4935:
4933:
4932:
4927:
4921:
4919:
4913:
4912:
4910:
4909:
4904:
4899:
4893:
4891:
4885:
4884:
4882:
4881:
4876:
4871:
4866:
4861:
4856:
4850:
4848:
4842:
4841:
4839:
4838:
4833:
4828:
4823:
4818:
4813:
4808:
4802:
4796:
4790:
4789:
4787:
4786:
4783:Achaean League
4780:
4777:Euboean League
4774:
4768:
4765:Epirote League
4762:
4756:
4750:
4744:
4738:
4732:
4726:
4720:
4714:
4713:(c. 500–31 BC)
4708:
4695:
4682:
4676:
4663:
4645:
4643:
4641:Confederations
4632:
4631:
4629:
4628:
4623:
4618:
4613:
4608:
4603:
4598:
4593:
4588:
4583:
4577:
4575:
4571:
4570:
4568:
4567:
4565:Lissus (Crete)
4562:
4557:
4552:
4547:
4542:
4537:
4532:
4527:
4522:
4517:
4512:
4507:
4502:
4497:
4492:
4487:
4482:
4476:
4474:
4464:
4463:
4460:
4459:
4454:
4449:
4443:
4435:
4434:
4431:
4430:
4427:
4426:
4424:
4423:
4418:
4413:
4408:
4403:
4398:
4393:
4388:
4383:
4378:
4373:
4368:
4363:
4358:
4353:
4348:
4342:
4340:
4334:
4333:
4331:
4330:
4325:
4320:
4315:
4313:Archaic Greece
4310:
4305:
4300:
4295:
4289:
4287:
4279:
4278:
4275:
4274:
4269:
4263:
4255:
4254:
4252:
4251:
4245:
4242:
4241:
4238:Ancient Greece
4234:
4233:
4226:
4219:
4211:
4202:
4201:
4199:
4198:
4193:
4188:
4183:
4178:
4172:
4170:
4169:Special topics
4166:
4165:
4163:
4158:
4153:
4151:
4147:
4146:
4141:
4139:
4138:
4137:
4131:
4130:
4127:
4126:
4124:
4123:
4117:
4115:
4109:
4108:
4106:
4105:
4099:
4097:
4091:
4090:
4087:
4086:
4084:
4083:
4081:Centuripe ware
4077:
4075:
4069:
4068:
4066:
4065:
4060:
4054:
4052:
4043:
4042:
4037:
4032:
4026:
4024:
4018:
4017:
4015:
4014:
4009:
4004:
3999:
3994:
3989:
3983:
3981:
3972:
3971:
3966:
3961:
3956:
3951:
3941:
3936:
3930:
3928:
3924:
3923:
3921:
3920:
3915:
3910:
3908:Protogeometric
3905:
3899:
3897:
3893:
3892:
3889:
3888:
3886:
3885:
3879:
3877:
3871:
3870:
3868:
3867:
3861:
3859:
3850:
3849:
3844:
3839:
3834:
3829:
3823:
3821:
3817:
3816:
3809:
3808:
3801:
3794:
3786:
3777:
3776:
3774:
3773:
3768:
3763:
3758:
3753:
3748:
3743:
3738:
3731:
3726:
3721:
3716:
3710:
3708:
3707:Special topics
3704:
3703:
3700:
3699:
3697:
3696:
3691:
3686:
3681:
3676:
3670:
3668:
3666:Little Masters
3659:
3658:
3653:
3648:
3643:
3638:
3633:
3628:
3623:
3618:
3612:
3610:
3604:
3603:
3601:
3600:
3595:
3590:
3585:
3580:
3575:
3570:
3565:
3559:
3557:
3553:
3552:
3549:
3548:
3546:
3545:
3539:
3537:
3531:
3530:
3528:
3527:
3521:
3519:
3513:
3512:
3510:
3509:
3504:
3498:
3496:
3487:
3486:
3480:
3478:
3474:
3473:
3466:
3465:
3458:
3451:
3443:
3437:
3436:
3427:
3422:
3417:
3412:
3404:
3403:External links
3401:
3400:
3399:
3392:
3385:
3380:Winter, Adam.
3378:
3371:
3364:
3357:
3352:Steiner, Ann.
3350:
3343:
3336:
3329:
3322:
3315:
3308:
3301:
3294:
3287:
3280:
3273:
3266:
3259:
3252:
3245:
3238:
3231:
3222:
3219:
3215:
3214:
3209:
3204:
3198:
3197:
3186:
3185:
3184:
3183:
3177:
3160:
3157:
3155:
3154:
3142:
3129:
3112:
3091:
3082:
3069:
3067:, 3 vols, 1991
3056:
3043:
3030:
3017:
3004:
2987:
2974:
2958:
2945:
2928:
2904:
2892:
2874:
2853:10.2307/506399
2847:(3): 507–529.
2829:
2805:
2784:
2774:
2762:
2734:
2722:
2695:
2684:(2): 430–436.
2668:
2655:
2645:
2633:
2615:
2570:
2533:
2509:
2470:
2442:
2423:
2409:
2405:978-0801419942
2388:
2360:
2351:
2342:
2325:
2304:
2291:
2267:
2231:
2229:
2226:
2225:
2224:
2219:
2214:
2209:
2202:
2199:
2170:surrounded by
2156:Derveni Krater
2143:
2140:
2124:
2121:
2090:British Museum
2038:–480 BC, from
2016:
2013:
1977:Centuripe ware
1959:, 330–300 BC,
1945:
1942:
1914:
1911:
1846:, 490–480 BC,
1828:– she holds a
1826:Brygos Painter
1807:
1804:
1796:Darius Painter
1738:Niobid Painter
1714: 480–425
1692:Berlin Painter
1568:
1565:
1549:bilingual vase
1542:Amasis Painter
1445:
1442:
1365: 640–630
1284:
1281:
1231:Dipylon Master
1128:
1125:
1082:
1079:
1028:Archaic Greece
1026:The period of
997:Greek Dark Age
988:
985:
973:Minoan pottery
968:
965:
948:
945:
927:
924:
867:Niobid Painter
857: 540–530
838:
837:
832:
825:
824:
820:
813:
812:
811:
806:
799:
798:
794:
787:
786:
785:
784:
783:
771:
770:Vase painting
768:
755:
751:
739:
735:
718: 575–550
700:
697:
679:
676:
662:
659:
641:
638:
635:
634:
622:
621:
610:
609:
590:
589:
581:
580:
573:
570:
560:
557:
506:
505:
490:
463:
446:
405:
404:Uses and types
402:
384:Edmond Pottier
357:Persian debris
337:Ecole d'Athens
321:Eduard Gerhard
306: 1815 AD
275:British Museum
251:directly from
215:
212:
180:Archaic Greece
157:Greek Dark Age
137:Minoan pottery
92:, such as the
70:ancient Greece
9:
6:
4:
3:
2:
7153:
7142:
7139:
7137:
7134:
7132:
7129:
7127:
7124:
7123:
7121:
7106:
7098:
7096:
7092:
7088:
7086:
7078:
7077:
7074:
7064:
7061:
7059:
7056:
7054:
7051:
7049:
7046:
7044:
7041:
7037:
7034:
7033:
7032:
7029:
7028:
7025:
7018:
7014:
6996:
6993:
6991:
6988:
6986:
6983:
6981:
6978:
6976:
6973:
6971:
6968:
6966:
6963:
6961:
6958:
6956:
6953:
6951:
6948:
6946:
6943:
6941:
6938:
6936:
6933:
6931:
6928:
6926:
6923:
6921:
6918:
6916:
6913:
6911:
6908:
6906:
6903:
6901:
6898:
6896:
6893:
6891:
6888:
6886:
6883:
6881:
6878:
6876:
6873:
6871:
6868:
6867:
6865:
6859:
6853:
6850:
6848:
6845:
6843:
6840:
6838:
6835:
6833:
6830:
6828:
6825:
6823:
6820:
6818:
6815:
6813:
6810:
6808:
6805:
6803:
6800:
6798:
6795:
6793:
6790:
6788:
6785:
6783:
6780:
6778:
6775:
6773:
6770:
6768:
6765:
6763:
6760:
6758:
6755:
6753:
6750:
6748:
6745:
6744:
6742:
6736:
6733:
6729:
6725:
6719:
6716:
6714:
6711:
6709:
6706:
6704:
6701:
6699:
6696:
6694:
6691:
6689:
6686:
6684:
6681:
6679:
6676:
6674:
6671:
6669:
6666:
6664:
6661:
6660:
6658:
6656:
6652:
6646:
6643:
6641:
6638:
6636:
6633:
6631:
6628:
6626:
6623:
6621:
6618:
6616:
6613:
6611:
6608:
6606:
6605:Hemeroscopion
6603:
6601:
6598:
6596:
6593:
6591:
6588:
6586:
6583:
6582:
6580:
6578:
6574:
6568:
6565:
6562:
6558:
6555:
6553:
6550:
6548:
6545:
6543:
6540:
6539:
6537:
6535:
6531:
6525:
6522:
6520:
6517:
6515:
6512:
6510:
6507:
6505:
6502:
6500:
6497:
6495:
6492:
6490:
6487:
6486:
6484:
6482:
6478:
6468:
6465:
6463:
6460:
6458:
6455:
6453:
6450:
6448:
6445:
6443:
6440:
6438:
6435:
6433:
6430:
6428:
6425:
6423:
6420:
6418:
6415:
6413:
6410:
6408:
6405:
6403:
6400:
6398:
6395:
6393:
6390:
6388:
6385:
6383:
6380:
6378:
6375:
6373:
6370:
6368:
6365:
6363:
6360:
6358:
6355:
6353:
6350:
6348:
6345:
6344:
6342:
6340:
6336:
6330:
6327:
6325:
6322:
6320:
6317:
6315:
6312:
6310:
6307:
6305:
6302:
6300:
6297:
6295:
6292:
6290:
6287:
6285:
6282:
6280:
6277:
6275:
6272:
6270:
6267:
6265:
6262:
6260:
6257:
6255:
6252:
6250:
6247:
6245:
6242:
6240:
6237:
6235:
6232:
6230:
6227:
6225:
6222:
6220:
6217:
6215:
6212:
6210:
6207:
6205:
6202:
6200:
6197:
6196:
6194:
6188:
6185:
6183:
6182:Magna Graecia
6179:
6175:
6168:
6165:
6164:
6160:
6156:
6142:
6139:
6137:
6134:
6132:
6129:
6127:
6124:
6122:
6119:
6117:
6114:
6113:
6111:
6109:
6105:
6099:
6096:
6092:
6089:
6087:
6084:
6082:
6079:
6077:
6074:
6072:
6069:
6067:
6064:
6062:
6059:
6057:
6056:Arcadocypriot
6054:
6052:
6049:
6048:
6047:
6044:
6042:
6039:
6037:
6034:
6032:
6029:
6028:
6026:
6024:
6020:
6010:
6009:Zeus, Olympia
6007:
6005:
6002:
6000:
5997:
5995:
5994:Hera, Olympia
5992:
5990:
5987:
5985:
5982:
5980:
5977:
5975:
5972:
5970:
5967:
5966:
5964:
5962:
5958:
5952:
5949:
5947:
5944:
5942:
5939:
5937:
5934:
5932:
5929:
5927:
5924:
5923:
5920:
5917:
5913:
5903:
5900:
5898:
5897:Mount Olympus
5895:
5893:
5890:
5888:
5885:
5883:
5880:
5878:
5875:
5873:
5870:
5869:
5867:
5865:Sacred places
5863:
5857:
5854:
5852:
5849:
5847:
5844:
5840:
5837:
5836:
5835:
5832:
5830:
5827:
5826:
5823:
5820:
5818:
5814:
5808:
5805:
5803:
5800:
5798:
5795:
5793:
5790:
5786:
5783:
5782:
5781:
5778:
5776:
5773:
5771:
5768:
5766:
5763:
5761:
5758:
5754:
5751:
5750:
5749:
5746:
5745:
5743:
5740:
5736:
5730:
5727:
5725:
5722:
5720:
5717:
5715:
5712:
5710:
5707:
5705:
5702:
5700:
5697:
5695:
5692:
5690:
5689:Olympic Games
5687:
5685:
5682:
5680:
5679:Homosexuality
5677:
5675:
5672:
5670:
5667:
5665:
5662:
5660:
5657:
5655:
5652:
5650:
5647:
5645:
5642:
5640:
5637:
5635:
5632:
5630:
5627:
5625:
5622:
5621:
5619:
5617:
5613:
5609:
5602:
5599:
5597:
5594:
5593:
5589:
5585:
5571:
5568:
5566:
5563:
5561:
5558:
5557:
5555:
5551:
5545:
5542:
5540:
5537:
5535:
5532:
5530:
5527:
5526:
5524:
5520:
5514:
5511:
5509:
5506:
5504:
5501:
5499:
5496:
5494:
5491:
5489:
5486:
5484:
5481:
5479:
5476:
5474:
5471:
5469:
5466:
5464:
5461:
5459:
5456:
5454:
5451:
5449:
5446:
5444:
5441:
5439:
5436:
5434:
5431:
5429:
5426:
5424:
5421:
5419:
5416:
5414:
5411:
5409:
5406:
5404:
5401:
5399:
5396:
5394:
5391:
5389:
5386:
5384:
5381:
5379:
5376:
5374:
5371:
5370:
5368:
5366:
5362:
5356:
5353:
5351:
5348:
5346:
5343:
5341:
5338:
5336:
5333:
5331:
5328:
5326:
5323:
5321:
5318:
5316:
5313:
5311:
5308:
5306:
5303:
5301:
5298:
5296:
5293:
5291:
5288:
5286:
5283:
5281:
5278:
5276:
5273:
5271:
5268:
5266:
5263:
5261:
5258:
5257:
5255:
5253:
5249:
5243:
5240:
5238:
5235:
5233:
5230:
5228:
5225:
5223:
5220:
5218:
5215:
5213:
5210:
5208:
5205:
5203:
5200:
5199:
5197:
5193:
5187:
5184:
5182:
5179:
5177:
5174:
5172:
5169:
5167:
5164:
5162:
5159:
5157:
5154:
5152:
5149:
5147:
5144:
5142:
5139:
5137:
5134:
5132:
5129:
5127:
5124:
5123:
5121:
5119:
5115:
5111:
5106:
5102:
5098:
5093:
5089:
5075:
5072:
5070:
5067:
5065:
5062:
5060:
5057:
5055:
5052:
5050:
5049:Seleucid army
5047:
5045:
5042:
5040:
5037:
5035:
5032:
5030:
5027:
5025:
5022:
5020:
5017:
5015:
5012:
5010:
5007:
5005:
5002:
5000:
4997:
4995:
4992:
4990:
4987:
4985:
4982:
4980:
4977:
4975:
4972:
4970:
4967:
4963:
4960:
4959:
4958:
4955:
4953:
4950:
4949:
4947:
4945:
4941:
4931:
4928:
4926:
4923:
4922:
4920:
4918:
4914:
4908:
4905:
4903:
4900:
4898:
4895:
4894:
4892:
4890:
4886:
4880:
4877:
4875:
4872:
4870:
4867:
4865:
4862:
4860:
4857:
4855:
4852:
4851:
4849:
4847:
4843:
4837:
4834:
4832:
4829:
4827:
4824:
4822:
4819:
4817:
4814:
4812:
4809:
4807:
4804:
4803:
4800:
4797:
4795:
4791:
4784:
4781:
4778:
4775:
4772:
4769:
4766:
4763:
4760:
4757:
4754:
4751:
4748:
4745:
4742:
4739:
4736:
4733:
4730:
4727:
4724:
4723:Delian League
4721:
4718:
4715:
4712:
4709:
4699:
4696:
4686:
4683:
4680:
4679:Ionian League
4677:
4667:
4664:
4660: 560 BC
4650:
4647:
4646:
4644:
4642:
4637:
4633:
4627:
4624:
4622:
4619:
4617:
4614:
4612:
4609:
4607:
4604:
4602:
4599:
4597:
4594:
4592:
4589:
4587:
4584:
4582:
4579:
4578:
4576:
4572:
4566:
4563:
4561:
4558:
4556:
4553:
4551:
4548:
4546:
4543:
4541:
4538:
4536:
4533:
4531:
4528:
4526:
4523:
4521:
4518:
4516:
4513:
4511:
4508:
4506:
4503:
4501:
4498:
4496:
4493:
4491:
4488:
4486:
4483:
4481:
4478:
4477:
4475:
4473:
4469:
4465:
4458:
4455:
4453:
4450:
4448:
4445:
4444:
4440:
4436:
4422:
4419:
4417:
4414:
4412:
4409:
4407:
4404:
4402:
4401:Magna Graecia
4399:
4397:
4394:
4392:
4389:
4387:
4384:
4382:
4379:
4377:
4374:
4372:
4369:
4367:
4364:
4362:
4359:
4357:
4354:
4352:
4349:
4347:
4344:
4343:
4341:
4339:
4335:
4329:
4326:
4324:
4321:
4319:
4316:
4314:
4311:
4309:
4306:
4304:
4301:
4299:
4296:
4294:
4291:
4290:
4288:
4284:
4280:
4273:
4270:
4268:
4265:
4264:
4260:
4256:
4250:
4247:
4246:
4243:
4239:
4232:
4227:
4225:
4220:
4218:
4213:
4212:
4209:
4197:
4194:
4192:
4189:
4187:
4184:
4182:
4179:
4177:
4174:
4173:
4171:
4167:
4162:
4159:
4157:
4154:
4152:
4148:
4144:
4140:
4136:
4135:
4132:
4122:
4119:
4118:
4116:
4114:
4110:
4104:
4103:Kabiria Group
4101:
4100:
4098:
4096:
4092:
4082:
4079:
4078:
4076:
4074:
4070:
4064:
4063:Gnathia vases
4061:
4059:
4056:
4055:
4053:
4051:
4047:
4041:
4038:
4036:
4033:
4031:
4028:
4027:
4025:
4023:
4022:South Italian
4019:
4013:
4010:
4008:
4005:
4003:
4000:
3998:
3995:
3993:
3990:
3988:
3985:
3984:
3982:
3980:
3976:
3970:
3967:
3965:
3962:
3960:
3957:
3955:
3952:
3949:
3945:
3942:
3940:
3937:
3935:
3932:
3931:
3929:
3925:
3919:
3918:Orientalizing
3916:
3914:
3911:
3909:
3906:
3904:
3903:Sub-Mycenaean
3901:
3900:
3898:
3894:
3884:
3881:
3880:
3878:
3876:
3872:
3866:
3863:
3862:
3860:
3858:
3854:
3848:
3845:
3843:
3840:
3838:
3835:
3833:
3830:
3828:
3825:
3824:
3822:
3818:
3814:
3807:
3802:
3800:
3795:
3793:
3788:
3787:
3784:
3772:
3769:
3767:
3764:
3762:
3759:
3757:
3754:
3752:
3749:
3747:
3744:
3742:
3739:
3737:
3736:
3732:
3730:
3727:
3725:
3722:
3720:
3717:
3715:
3712:
3711:
3709:
3705:
3695:
3692:
3690:
3687:
3685:
3682:
3680:
3677:
3675:
3672:
3671:
3669:
3667:
3663:
3657:
3654:
3652:
3649:
3647:
3644:
3642:
3639:
3637:
3634:
3632:
3629:
3627:
3624:
3622:
3619:
3617:
3614:
3613:
3611:
3609:
3605:
3599:
3596:
3594:
3591:
3589:
3588:South Italian
3586:
3584:
3581:
3579:
3576:
3574:
3571:
3569:
3566:
3564:
3561:
3560:
3558:
3554:
3544:
3541:
3540:
3538:
3536:
3532:
3526:
3525:Sub-Mycenaean
3523:
3522:
3520:
3518:
3514:
3508:
3507:Vasiliki ware
3505:
3503:
3500:
3499:
3497:
3495:
3491:
3485:
3482:
3481:
3479:
3475:
3471:
3464:
3459:
3457:
3452:
3450:
3445:
3444:
3441:
3434:
3431:
3428:
3426:
3423:
3421:
3418:
3416:
3413:
3410:
3407:
3406:
3397:
3393:
3390:
3386:
3383:
3379:
3376:
3372:
3369:
3365:
3362:
3358:
3355:
3351:
3348:
3344:
3341:
3337:
3334:
3330:
3327:
3323:
3320:
3316:
3313:
3309:
3306:
3302:
3299:
3296:Cohen, Beth.
3295:
3292:
3288:
3285:
3281:
3278:
3274:
3271:
3267:
3264:
3260:
3257:
3253:
3250:
3246:
3243:
3239:
3236:
3232:
3229:
3225:
3224:
3213:
3210:
3208:
3205:
3203:
3200:
3199:
3194:
3189:
3180:
3174:
3170:
3169:
3163:
3162:
3151:
3146:
3139:
3133:
3126:
3122:
3116:
3110:, p. 642-643.
3109:
3105:
3101:
3095:
3086:
3079:
3073:
3066:
3060:
3053:
3047:
3040:
3034:
3027:
3021:
3014:
3008:
3001:
2997:
2994:C. M. Stibbe
2991:
2984:
2978:
2971:
2967:
2962:
2955:
2949:
2942:
2938:
2932:
2926:
2922:
2918:
2915:. Cambridge:
2914:
2908:
2901:
2895:
2893:0-415-93635-7
2889:
2885:
2878:
2870:
2866:
2862:
2858:
2854:
2850:
2846:
2842:
2841:
2833:
2825:
2819:
2815:
2814:V. Desborough
2809:
2803:, p. 641-642.
2802:
2798:
2794:
2788:
2778:
2772:
2766:
2758:
2754:
2750:
2746:
2738:
2732:
2726:
2718:
2714:
2710:
2706:
2699:
2691:
2687:
2683:
2679:
2672:
2662:
2660:
2649:
2643:
2637:
2629:
2625:
2619:
2611:
2605:
2587:
2580:
2574:
2558:
2554:
2550:
2546:
2540:
2538:
2529:
2525:
2524:
2519:
2513:
2505:
2501:
2497:
2493:
2489:
2485:
2481:
2474:
2467:
2463:
2459:
2453:
2451:
2449:
2447:
2438:
2434:
2427:
2419:
2413:
2406:
2402:
2398:
2392:
2376:
2375:
2370:
2364:
2355:
2346:
2340:, 1997, p.283
2339:
2335:
2329:
2322:
2318:
2314:
2308:
2301:
2295:
2288:
2284:
2280:
2274:
2272:
2256:
2252:
2248:
2247:
2242:
2236:
2232:
2223:
2220:
2218:
2215:
2213:
2210:
2208:
2205:
2204:
2198:
2196:
2192:
2188:
2183:
2181:
2177:
2173:
2169:
2165:
2164:volute krater
2161:
2157:
2152:
2148:
2139:
2137:
2133:
2129:
2120:
2118:
2114:
2110:
2109:
2103:
2099:
2091:
2080:
2075:
2071:
2064:
2060:
2056:
2052:
2050:
2045:
2041:
2030:
2026:
2025:Ancient Greek
2021:
2012:
2010:
2006:
2002:
1998:
1994:
1990:
1989:Magna Graecia
1986:
1985:Gnathia vases
1982:
1978:
1974:
1970:
1962:
1958:
1955:
1950:
1941:
1937:
1935:
1931:
1927:
1923:
1919:
1902:and a woman,
1901:
1897:
1896:
1890:
1886:
1884:
1880:
1876:
1873:, as well as
1872:
1868:
1867:
1861:
1853:
1849:
1845:
1844:
1839:
1838:
1833:
1832:
1827:
1823:
1818:
1813:
1803:
1801:
1797:
1793:
1789:
1785:
1781:
1777:
1773:
1769:
1765:
1761:
1756:
1754:
1750:
1745:
1743:
1739:
1735:
1731:
1727:
1723:
1719:
1708:
1693:
1689:
1688:hoplitodromos
1685:
1681:
1677:
1675:
1671:
1667:
1663:
1652:
1644:
1640:
1629:
1628:
1622:
1618:
1615:
1611:
1607:
1606:Pioneer Group
1603:
1599:
1594:
1579:
1574:
1564:
1562:
1558:
1554:
1550:
1545:
1543:
1539:
1535:
1534:François Vase
1531:
1520:
1516:
1511:
1508:
1503:
1501:
1497:
1493:
1481:
1477:
1461:
1458:Achilles and
1456:
1451:
1441:
1439:
1435:
1431:
1427:
1423:
1419:
1414:
1412:
1408:
1404:
1400:
1398:
1394:
1390:
1384:
1382:
1378:
1374:
1359:
1355:
1354:
1348:
1344:
1342:
1338:
1334:
1331:
1327:
1323:
1319:
1315:
1311:
1295:
1290:
1280:
1278:
1274:
1270:
1266:
1261:
1259:
1255:
1254:
1249:
1248:
1244:cycle in the
1243:
1239:
1234:
1232:
1228:
1223:
1211:
1200:
1196:
1191:
1189:
1185:
1181:
1172:
1168:
1163:
1159:
1156:
1152:
1143:
1138:
1134:
1133:Geometric art
1124:
1121:
1117:
1113:
1102:
1099:Vases of the
1093:
1088:
1078:
1076:
1072:
1068:
1064:
1060:
1056:
1052:
1048:
1044:
1039:
1037:
1033:
1029:
1024:
1022:
1021:geometric art
1018:
1014:
1010:
1006:
1002:
998:
993:
984:
982:
978:
974:
964:
962:
958:
954:
940:
932:
923:
921:
917:
913:
908:
899:
895:
891:
878:
874:
868:
864:
851:
847:
841:
829:
817:
803:
791:
781:
777:
767:
765:
759:
749:
745:
733:
728:
712:
711:
705:
696:
688:
684:
675:
672:
668:
654:
650:
648:
632:
623:
620:
611:
608:
604:
600:
591:
587:
582:
577:
569:
567:
556:
554:
550:
546:
541:
537:
532:
529:
526:
522:
521:grave markers
517:
515:
511:
503:
499:
495:
491:
488:
484:
480:
476:
472:
468:
464:
461:
457:
453:
452:
447:
444:
440:
436:
432:
428:
424:
423:
422:
419:
410:
401:
399:
398:
391:
389:
385:
381:
375:
373:
370:
366:
362:
358:
354:
349:
348:Vasensammlung
345:
340:
338:
333:
327:
322:
318:
314:
300:
296:
292:
288:
285:
280:
276:
272:
267:
262:
258:
254:
250:
246:
242:
238:
234:
225:
220:
211:
209:
205:
201:
197:
193:
189:
185:
181:
177:
176:Geometric art
173:
172:vase painting
168:
166:
162:
158:
154:
150:
146:
142:
138:
133:
131:
130:
125:
121:
117:
113:
110:
106:
101:
99:
95:
91:
87:
83:
79:
78:Greek society
75:
71:
67:
60:
56:
55:
50:
45:
38:
37:
31:
27:
19:
6900:Dionysopolis
6870:Abonoteichos
6822:Pantikapaion
6412:Hybla Heraea
5791:
5748:Architecture
5704:Prostitution
5393:Aristophanes
5252:Philosophers
5222:Philosophers
5054:Spartan army
4785:(280–146 BC)
4773:(338–322 BC)
4767:(370–168 BC)
4755:(374–196 BC)
4749:(378–355 BC)
4731:(430–348 BC)
4725:(478–404 BC)
4719:(499–449 BC)
4406:Peloponnesus
4328:Roman Greece
4156:John Beazley
4121:Pontic Group
4058:Canosa vases
3938:
3857:Black-figure
3837:White-ground
3812:
3733:
3714:Conservation
3598:White ground
3568:Black-figure
3502:Kamares ware
3469:
3395:
3388:
3381:
3374:
3367:
3360:
3353:
3346:
3339:
3332:
3325:
3318:
3311:
3304:
3297:
3290:
3283:
3276:
3269:
3262:
3256:Paralipomena
3255:
3248:
3241:
3234:
3227:
3202:Online books
3192:
3167:
3152:, p. 70
3150:Sparkes 1991
3145:
3137:
3132:
3124:
3120:
3115:
3099:
3094:
3085:
3077:
3072:
3064:
3063:D. A. Amyx,
3059:
3051:
3046:
3038:
3033:
3025:
3024:J. Boardman
3020:
3012:
3007:
2999:
2995:
2990:
2982:
2977:
2969:
2961:
2953:
2948:
2940:
2936:
2931:
2912:
2907:
2899:
2883:
2877:
2844:
2838:
2832:
2823:
2817:
2808:
2792:
2787:
2777:
2765:
2748:
2744:
2737:
2725:
2708:
2704:
2698:
2681:
2677:
2671:
2648:
2636:
2618:
2593:. Retrieved
2573:
2561:. Retrieved
2553:Khan Academy
2549:Smarthistory
2521:
2512:
2487:
2483:
2473:
2457:
2436:
2426:
2412:
2396:
2391:
2379:. Retrieved
2372:
2363:
2354:
2345:
2337:
2333:
2328:
2320:
2316:
2312:
2307:
2294:
2278:
2258:. Retrieved
2244:
2235:
2184:
2160:Thessaloniki
2158:, from near
2153:
2149:
2145:
2138:at temples.
2126:
2112:
2106:
2101:
2097:
2095:
2078:
2068:
2058:
2047:
2015:Inscriptions
1966:
1956:
1938:
1920:
1916:
1893:
1864:
1856:
1841:
1835:
1829:
1757:
1746:
1704:
1684:Neck amphora
1648:
1625:
1602:white-ground
1595:
1591:
1546:
1512:
1507:Humfry Payne
1504:
1472:
1462:by Exekias,
1460:Penthesileia
1415:
1401:
1385:
1370:
1351:
1307:
1262:
1251:
1245:
1235:
1192:
1188:horror vacui
1176:
1148:
1098:
1040:
1025:
994:
990:
970:
950:
909:
905:
886:BC (Munich);
846:Black-figure
839:
760:
723:
708:
693:
681:
664:
643:
607:Smarthistory
562:
533:
525:White ground
518:
507:
487:loutrophoros
449:
415:
395:
392:
388:John Beazley
379:
376:
347:
341:
336:
310:
295:Neoclassical
230:
170:The rise of
169:
134:
129:objets d'art
127:
102:
64:
58:
52:
48:
34:
33:Hellenistic
26:
7048:Place names
6960:Salmydessus
6782:Kalos Limen
6762:Chersonesus
6752:Borysthenes
6457:Tauromenion
6269:Metapontion
6031:Proto-Greek
5984:Erechtheion
5979:Athena Nike
5941:Philippeion
5770:Mathematics
5741:and science
5624:Agriculture
5488:Stesichorus
5398:Bacchylides
5388:Archilochus
5275:Antisthenes
5265:Anaximander
5237:Seven Sages
5227:Playwrights
5207:Geographers
5202:Astronomers
5029:Pezhetairos
4656: 1100
4636:Federations
4535:Megalopolis
4472:City states
4447:City states
3992:Klazomenian
3646:Nikosthenes
3543:Frying pans
3484:Minyan ware
3136:Preface to
3127:(1–2)
2711:: 510–518.
1792:Kerch Style
1788:Panticapeum
1718:Pan Painter
1588:BC, BM E 44
1476:Winckelmann
1318:Neo-Hittite
1277:Attic style
995:During the
848:amphora by
647:elutriation
572:Manufacture
279:Stackelberg
261:Winckelmann
249:Attic vases
145:Minyan ware
7120:Categories
6950:Polemonion
6827:Phanagoria
6797:Kimmerikon
6792:Kerkinitis
6777:Hermonassa
6767:Dioscurias
6663:Aspalathos
6610:Kalathousa
6585:Akra Leuke
6514:Phoenicusa
6299:Scylletium
6284:Poseidonia
6204:Brentesion
6091:Pamphylian
6086:Macedonian
6004:Samothrace
5989:Hephaestus
5936:Long Walls
5915:Structures
5856:Underworld
5802:Technology
5765:Literature
5699:Philosophy
5664:Euergetism
5553:By culture
5498:Thucydides
5340:Pythagoras
5335:Protagoras
5325:Parmenides
5310:Heraclitus
5295:Empedocles
5285:Democritus
5270:Anaximenes
5260:Anaxagoras
5212:Historians
4705: 595
4692: 550
4673: 800
4658: – c.
4586:Cappadocia
4391:Ionian Sea
4381:Hellespont
4346:Aegean Sea
4186:Hadra vase
3979:East Greek
3969:Thessalian
3944:Chalkidian
3875:Red-figure
3820:Techniques
3771:Vase types
3679:Hermogenes
3641:Hypereides
3631:Euthymides
3626:Euphronios
3583:Red-figure
2925:0521298733
2595:2016-10-18
2563:January 2,
2228:References
2187:alabastron
2117:abecedaria
2086: 570
2051:painted it
2036: 490
2029:red-figure
1983:, and the
1907: 420
1881:, and the
1810:See also:
1786:colony of
1730:Polygnotos
1701:BC, Louvre
1699: 480
1658: 500
1635: 450
1617:triumph".
1614:Euthymides
1610:Euphronios
1586: 500
1571:See also:
1526: 580
1487: 620
1467: 540
1448:See also:
1426:Asia Minor
1367:BC, Louvre
1314:Asia Minor
1304:BC, Louvre
1302: 625
1287:See also:
1131:See also:
1085:See also:
1061:) and the
981:Bronze Age
967:Bronze Age
884: 520
863:Red-figure
640:Levigation
605:hosted at
502:alabastron
153:Bronze Age
7036:in Epirus
6985:Trapezous
6930:Mesambria
6915:Eupatoria
6885:Apollonia
6880:Anchialos
6842:Theodosia
6812:Nymphaion
6802:Myrmekion
6772:Gorgippia
6728:Black Sea
6713:Tragurion
6698:Nymphaion
6683:Epidauros
6678:Epidamnos
6668:Apollonia
6645:Zacynthos
6567:Ptolemais
6561:Apollonia
6534:Cyrenaica
6524:Therassía
6519:Strongyle
6499:Ereikousa
6422:Leontinoi
6362:Apollonia
6239:Hipponion
6036:Mycenaean
5999:Parthenon
5931:Lion Gate
5834:Mythology
5797:Sculpture
5760:Astronomy
5694:Pederasty
5669:Festivals
5654:Education
5534:Lawgivers
5503:Timocreon
5483:Sophocles
5478:Simonides
5453:Philocles
5448:Panyassis
5443:Mimnermus
5408:Herodotus
5403:Euripides
5373:Aeschylus
5320:Leucippus
5280:Aristotle
5059:Strategos
4925:Synedrion
4879:Ostracism
4859:Areopagus
4811:Free city
4606:Macedonia
4490:Byzantion
4396:Macedonia
4361:Cyrenaica
4338:Geography
4272:Geography
4196:Name vase
4134:Painters
4040:Campanian
4007:Wild Goat
3913:Geometric
3832:Bilingual
3751:Symposium
3741:Name vase
3674:Ergoteles
3651:Pamphaios
3621:Ergotimos
3563:Bilingual
3517:Mycenaean
2919:, p. 40.
2869:191409965
2468:, p. 642.
2289:, p. 641.
2191:alabaster
2123:Figurines
2102:egraphsen
2005:Campanian
1957:kantharos
1926:Aphrodite
1895:kantharos
1784:Black Sea
1776:Campanian
1742:Parthenon
1643:Baltimore
1438:oenochoes
1330:Anatolian
1326:Phoenicia
1210:prothesis
1184:swastikas
1173:, Athens.
1155:Mycenaean
1116:compasses
953:Stone Age
947:Stone Age
748:magnetite
746:to black
678:Clay slip
514:gymnasium
498:aryballos
471:kantharos
369:seriation
344:Otto Jahn
317:Tischbein
147:and then
109:Geometric
7085:Category
7063:Theatres
6990:Tripolis
6925:Kerasous
6920:Heraclea
6852:Tyritake
6807:Nikonion
6718:Thronion
6640:Salauris
6595:Emporion
6552:Berenice
6542:Balagrae
6494:Euonymos
6467:Tyndaris
6452:Syracuse
6447:Selinous
6417:Kamarina
6372:Casmenae
6357:Akrillai
6274:Neápolis
6209:Caulonia
6190:Mainland
6121:Linear B
6116:Linear A
6046:Dialects
6023:Language
5817:Religion
5775:Medicine
5709:Religion
5674:Folklore
5659:Emporium
5634:Clothing
5629:Calendar
5513:Xenophon
5508:Tyrtaeus
5493:Theognis
5468:Polybius
5463:Plutarch
5438:Menander
5418:Hipponax
5345:Socrates
5300:Epicurus
5146:Diadochi
5044:Sciritae
5004:Hetairoi
4979:Ballista
4944:Military
4907:Gerousia
4897:Ekklesia
4864:Ecclesia
4846:Athenian
4794:Politics
4707:–279 BC)
4694:–366 BC)
4675:–389 BC)
4611:Pergamon
4581:Bithynia
4574:Kingdoms
4515:Pergamon
4457:Military
4452:Politics
4249:Timeline
4150:Scholars
4113:Etruscan
4095:Boeotian
4073:Sicilian
4030:Lucanian
3964:Laconian
3954:Cycladic
3656:Sophilos
3578:Bucchero
3535:Cycladic
2653:338–359.
2628:Archived
2604:cite web
2586:Archived
2557:Archived
2528:Archived
2490:(1): 2.
2369:"Shapes"
2201:See also
2168:Dionysus
2098:epoiesen
2065:, G 155.
2049:Do(u)ris
2009:Sicilian
1997:Lucanian
1963:, Athens
1934:himation
1866:lekythoi
1798:and the
1772:Sicilian
1768:Lucanian
1732:and the
1674:Onesimos
1540:and the
1530:Kleitias
1519:Sophilos
1422:Kameiros
1395:and the
1358:sphinxes
1273:Cyclades
1258:Odysseus
1250:and the
1204:πρόθεσις
1180:meanders
1120:Lefkandi
1055:Cyclades
1013:Anatolia
987:Iron Age
744:hematite
732:hematite
545:Etruscan
528:lekythoi
494:lekythos
483:oinochoe
451:symposia
299:Wedgwood
241:Etruscan
198:and the
112:amphorae
36:Amphorae
7105:Outline
7058:Temples
6995:Zaliche
6975:Thèrmae
6965:Sesamus
6935:Odessos
6910:Cytorus
6905:Cotyora
6655:Illyria
6620:Mainake
6615:Kypsela
6504:Hycesia
6462:Thermae
6442:Segesta
6432:Messana
6387:Helorus
6367:Calacte
6347:Akragas
6309:Sybaris
6294:Rhegion
6249:Krimisa
6199:Alision
6108:Writing
6081:Locrian
6071:Epirote
6041:Homeric
5974:Artemis
5961:Temples
5902:Olympia
5872:Eleusis
5807:Theatre
5792:Pottery
5719:Warfare
5714:Slavery
5649:Economy
5644:Cuisine
5639:Coinage
5616:Society
5601:Culture
5596:Society
5544:Tyrants
5383:Alcaeus
5365:Authors
5315:Hypatia
5305:Gorgias
5242:Writers
5064:Toxotai
5034:Sarissa
5024:Peltast
5019:Phalanx
4999:Hoplite
4994:Hippeis
4917:Macedon
4889:Spartan
4874:Heliaia
4821:Proxeny
4530:Larissa
4525:Kerkyra
4520:Eretria
4510:Miletus
4505:Ephesus
4500:Corinth
4495:Chalcis
4416:Taurica
4286:Periods
4267:History
4050:Apulian
4035:Paestan
3997:Rhodian
3959:Euboean
3684:Phrynos
3608:Potters
3159:Sources
3054:, 1931.
2943:, 1971.
2666:113–127
2504:3258463
2407:, p. 12
2180:maenads
2172:Ariadne
2001:Paestan
1993:Apulian
1831:thyrsos
1824:by the
1820:Raging
1780:Paestan
1764:Apulian
1690:by the
1651:Archaic
1551:by the
1538:Exekias
1496:Boeotia
1482:, from
1480:Archaic
1430:Miletus
1377:griffin
1341:Assyria
1337:Phrygia
1253:Odyssey
1227:diabolo
1222:ekphora
1195:Dipylon
1051:Corinth
1047:Boeotia
979:of the
896:by the
875:by the
850:Exekias
547:tombs.
540:Corinth
510:rituals
479:skyphos
427:amphora
361:Persian
151:in the
116:kraters
82:pottery
66:Pottery
54:ekphora
7095:Portal
7043:People
7031:Cities
6970:Sinope
6955:Rhizos
6945:Phasis
6895:Bathus
6890:Athina
6875:Amisos
6837:Tanais
6832:Pityus
6757:Charax
6708:Pharos
6703:Orikon
6600:Helike
6590:Alonis
6557:Cyrene
6489:Didyme
6402:Himera
6377:Catana
6339:Sicily
6329:Thurii
6324:Terina
6289:Pixous
6244:Hydrus
6219:Croton
6051:Aeolic
5969:Aphaea
5892:Dodona
5877:Delphi
5846:Temple
5522:Others
5473:Sappho
5458:Pindar
5433:Lucian
5428:Ibycus
5413:Hesiod
5350:Thales
5118:Rulers
5097:People
5074:Xyston
5069:Xiphos
4930:Koinon
4836:Tyrant
4826:Stasis
4816:Koinon
4616:Pontus
4591:Epirus
4560:Sparta
4550:Rhodes
4545:Megara
4540:Thebes
4485:Athens
4411:Pontus
4376:Epirus
4366:Cyprus
4351:Aeolis
4002:Samian
3934:Argive
3694:Tleson
3689:Sokles
3636:Gryton
3616:Amasis
3494:Minoan
3477:Aegean
3190:about
3175:
3121:Kadmos
3106:
3080:, p.21
3041:, 1998
3015:, 1990
3002:, 1987
2956:, 1968
2923:
2890:
2867:
2861:506399
2859:
2799:
2502:
2464:
2403:
2323:, 1987
2285:
2260:16 May
2176:satyrs
2055:Memnon
2027:Attic
2007:, and
1981:Sicily
1877:, the
1848:Munich
1822:maenad
1670:Douris
1662:Berlin
1627:rhyton
1500:Euboea
1492:Sparta
1407:Aegina
1391:, the
1373:sphinx
1333:Urartu
1310:Aegean
1242:Trojan
1216:ἐκφορά
1199:Athens
1151:Minoan
1067:Aegean
1063:Ionian
1053:, the
1015:, and
1009:Aegean
1007:, the
961:Dimini
957:Sesklo
699:Firing
671:Rhyton
536:Athens
475:phiale
458:, and
456:krater
439:hydria
435:pelike
431:pithos
382:under
253:Greece
120:Apulia
86:Attica
7053:Stoae
7021:Lists
6940:Oinòe
6863:coast
6861:South
6847:Tyras
6817:Olbia
6787:Kepoi
6740:coast
6738:North
6731:basin
6673:Aulon
6635:Rhode
6547:Barca
6437:Naxos
6392:Henna
6352:Akrai
6319:Taras
6304:Siris
6264:Medma
6259:Locri
6224:Cumae
6214:Chone
6192:Italy
6098:Koine
6076:Ionic
6066:Doric
6061:Attic
5882:Delos
5780:Music
5423:Homer
5378:Aesop
5330:Plato
5232:Poets
4902:Ephor
4854:Agora
4831:Tagus
4806:Boule
4555:Samos
4480:Argos
4386:Ionia
4371:Doris
4356:Crete
3987:Ionic
3939:Attic
3883:Kerch
3865:Six's
2865:S2CID
2857:JSTOR
2589:(PDF)
2582:(PDF)
2500:JSTOR
2381:2 May
2113:kalee
2108:kalos
2040:Capua
2031:cup,
1900:satyr
1875:Psiax
1860:slips
1843:kylix
1840:of a
1837:tondo
1624:This
1561:Psiax
1557:Oltos
1515:dinos
1434:Chios
1411:Paros
1403:Crete
1381:lions
1322:Syria
1269:Crete
1265:Argos
1247:Iliad
1238:Homer
1059:Naxos
1043:Attic
1017:Italy
710:pinax
667:wheel
661:Wheel
467:kylix
460:dinos
443:pyxis
257:Italy
6980:Tium
6747:Akra
6688:Issa
6382:Gela
6254:Laüs
6229:Elea
5887:Dion
5739:Arts
5729:Wine
5355:Zeno
4952:Wars
3746:Slip
3735:LIMC
3394:--.
3282:--.
3275:--.
3268:--.
3254:--.
3247:--.
3240:--.
3173:ISBN
3104:ISBN
2921:ISBN
2902:1968
2888:ISBN
2797:ISBN
2610:link
2565:2014
2462:ISBN
2401:ISBN
2383:2018
2283:ISBN
2262:2016
2185:The
2178:and
2154:The
2111:and
2100:and
2088:BC,
1967:The
1930:Eros
1928:and
1778:and
1672:and
1664:and
1637:BC.
1612:and
1600:and
1559:and
1432:and
1353:olpe
1335:and
1324:and
1271:and
1165:The
1153:and
1135:and
975:and
959:and
888:(4)
871:(3)
861:(2)
844:(1)
778:and
566:clay
559:Clay
538:and
500:and
485:and
315:nor
237:Rome
47:The
5684:Law
2849:doi
2845:102
2753:doi
2713:doi
2686:doi
2551:at
2492:doi
2319:in
2081:),
2061:).
2044:Eos
1979:in
1532:'s
1517:by
1182:or
859:BC;
833:(4)
821:(3)
807:(2)
795:(1)
750:(Fe
734:(Fe
281:'s
263:'s
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4689:c.
4670:c.
4653:c.
3171:.
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3123:,
2968:,
2863:.
2855:.
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2747:.
2707:.
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2680:.
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2626:.
2606:}}
2602:{{
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2033:c.
2011:.
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1952:A
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504:.
489:,
462:,
445:,
20:)
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