601:
not so much a listable series of characteristics "as an interplay of forces, a place to confront and resolve the tensions that extended through the century, the court and the field of literature". In assessing the career of
956:, "The Marvelous in Context: The Place of the Contes de Fées in Late Seventeenth Century France", Jack Zipes, ed., The Great Fairy Tale Tradition: From Straparola and Basile to the Brothers Grimm, pp. 920-1,
645:. The stories tended to vary from the folk tradition, for example the characters were made to be of genteel origin. Whilst the heroes and heroines of fairy tales written by the
612:
in 1653, Patricia Howard noted, "For if in French theatre in the second half of the century, women's roles are preeminent, it was the précieux movement which made them so."
859:"...Qu'un jeu de forces, un lieu d'affrontement et réglage mutuel de certaines des tensions qui traversent le siècle, la cour et le champ littéraire". Myriam Maître,
980:
268:
526:
843:
1978:51, noted in
Patricia Howard, "The Influence of the Précieuses on Content and Structure in Quinault's and Lully's Tragédies Lyriques"
432:
170:
623:
as if spontaneously (though the tales were in fact carefully prepared), was to have great effects. Many of these fairy tales, in the
985:
539:) offered a Parisian refuge from the dangerous political factionalism and coarse manners of the royal court during the regency of
1042:
261:
928:
887:
636:
185:
1008:
Howard, Patricia. "The
Influence of the Précieuses on Content and Structure in Quinault's and Lully's Tragédies Lyriques"
180:
1047:
254:
999:
961:
915:
709:
and the aristocratic leisure of its authors, at least for the upper classes. Later, Roxane, a critical character in
425:
303:
150:
17:
467:
347:
343:
339:
335:
331:
88:
83:
78:
73:
68:
839:
to denote a literary patron of formidable powers of taste and judgment dates to 1654, according to W. Zimmer,
327:
63:
1018:
Howard, Patricia. "Quinault, Lully, and the
Precieuses: Images of Women in Seventeenth-Century France." in
1052:
666:
574:
418:
380:
323:
307:
211:
58:
44:
753:
715:
165:
160:
773:
1022:
ed. Susan C. Cook and Judy S. Tsou, editors, pp 70–89. Urbana: University of
Illinois Press, 1994.
631:. This fashion for fairy tales, and the writers themselves, were a notable influence later upon
372:
221:
155:
783:
736:
La Rhétorique française où pour principale augmentation l'on trouve les secrets de nostre langue
553:
548:
506:
The movement arose in the 17th century from the lively conversations and playful word games of
37:
788:
697:
in establishing French literary classicism was first revived by Louis
Roederer in 1838. His
674:
brought Molière and his company to the attention of
Parisians and attracted the patronage of
175:
641:
368:
364:
201:
535:
8:
734:
675:
607:
540:
758:
748:
628:
376:
216:
995:
957:
911:
671:
603:
522:
474:
401:
295:
242:
206:
119:
33:
632:
586:" (fictional courts which judged lovers' behavior) that were a feature of medieval
564:
that were hugely popular with female audiences, but scorned by most men, including
477:. The main features of this style are the refined language of aristocratic salons,
129:
706:
891:
793:
517:
462:
450:
291:
881:
778:
768:
730:
710:
583:
1036:
976:
953:
763:
561:
470:
397:
237:
134:
124:
587:
495:
805:
726:
114:
1027:
Les Précieuses: naissance des femmes de lettres en France au XVIIe siècle
861:
Les Précieuses: naissance des femmes de lettres en France au XVIIe siècle
478:
903:
739:
published in Paris in 1653 for the female audience of the précieuses.
683:
620:
556:. She wrote voluminous romance novels that embodied the refinements of
109:
661:
565:
489:
on the theme of gallant love. The movement was similar to the
Italian
406:
482:
650:
560:
including the concepts of feminine elegance, etiquette and courtly
500:
490:
521:), the intellectual, witty and educated women who frequented the
908:
When Dreams Came True: Classical Fairy Tales and Their
Tradition
699:
Mémoires pour servir à l'histoire de la société polie en France
546:
One of the central figures of the salon that gathered at the
1020:
Cecilia
Reclaimed: Feminist Perspectives on Gender and Music
653:
settings, these figures were often secretly royal or noble.
1029:, H. Champion, collection "Lumière classique", Paris, 1999
593:
None of the women ever actually used or defined the term
578:(1659). The "questions of love" that were debated in the
486:
886:
Les Contes des Fées: The
Literary Fairy Tales of France
670:(1659). After years touring the provinces, this bitter
984:
817:
649:often appeared as shepherds and shepherdesses, in
1034:
527:Catherine de Vivonne, marquise de Rambouillet
426:
262:
944:, p xi, Alfred A. Knopf, Inc., New York 1956
701:, evoked an atmosphere of nostalgia for the
660:are also remembered through the filter of
433:
419:
269:
255:
994:(4th ed.). Oxford University Press.
850:.1 (January 1991, pp. 57-72) p 58, note.
987:The Oxford Dictionary of Literary Terms
975:
823:
627:style, were written, mostly notably by
597:themselves. Myriam Maître has found in
14:
1035:
841:Di literarische Kritik am Preciösentum
742:
682:is considered to be the origin of the
637:Gabrielle-Suzanne Barbot de Villeneuve
516:
461:
942:The Borzoi Book of French Folk-Tales
24:
25:
1064:
1043:17th-century French literature
947:
934:
920:
897:
875:
866:
853:
829:
619:parlor game, the retelling of
13:
1:
1015:.1 (January 1991), pp. 57–72.
466:, i.e. "preciousness") was a
811:
407:French literature Wikisource
7:
799:
10:
1069:
969:
1048:French literary movements
863:(Paris:Champion) 1999:19.
754:Jean-Louis Guez de Balzac
319:French literary history
774:Henriette-Julie de Murat
729:(died in 1680) a French
680:Les Précieuses ridicules
667:Les Précieuses ridicules
575:Les Précieuses ridicules
533:(the "blue room" of her
27:French literary movement
733:and rhetorician wrote
693:The phenomenon of the
582:salons reflected the "
463:[lapʁesjɔzite]
454:
360:Literature by country
38:Francophone literature
606:, which began at the
514:French pronunciation:
459:French pronunciation:
194:Countries and regions
929:Beauty and the Beast
784:Madeleine de Scudéry
719:, is described as a
642:Beauty and the Beast
568:, who satirized the
554:Madeleine de Scudéry
549:Hôtel de Rambouillet
743:Significant authors
664:'s one-act satire,
518:[lepʁesjøz]
468:17th-century French
181:Short story writers
156:Writers by category
1053:Baroque literature
890:2014-03-28 at the
759:Isaac de Benserade
716:Cyrano de Bergerac
609:Hôtel de Bourgogne
186:Children's writers
151:Chronological list
1010:Acta Musicologica
845:Acta Musicologica
835:The first use of
806:Rococo#Literature
672:comedy of manners
604:Philippe Quinault
536:hôtel particulier
443:
442:
279:
278:
16:(Redirected from
1060:
1025:Maître, Myriam.
1005:
993:
992:(Online Version)
990:
981:"Préciosité, la"
964:
951:
945:
938:
932:
926:Terri Windling,
924:
918:
901:
895:
879:
873:
870:
864:
857:
851:
833:
827:
821:
703:douceur de vivre
639:, the author of
633:Charles Perrault
520:
515:
465:
460:
435:
428:
421:
409:
289:
281:
280:
271:
264:
257:
30:
29:
21:
1068:
1067:
1063:
1062:
1061:
1059:
1058:
1057:
1033:
1032:
1002:
991:
972:
967:
952:
948:
939:
935:
925:
921:
902:
898:
892:Wayback Machine
880:
876:
872:Howard 1991:58.
871:
867:
858:
854:
834:
830:
822:
818:
814:
802:
794:Vincent Voiture
749:Madame d'Aulnoy
745:
731:historiographer
690:as "affected".
686:connotation of
629:Madame d'Aulnoy
513:
458:
439:
405:
404:
395:
381:Franco-American
379:
371:
362:
342:
334:
326:
321:
290:
285:
275:
212:Franco-American
28:
23:
22:
15:
12:
11:
5:
1066:
1056:
1055:
1050:
1045:
1031:
1030:
1023:
1016:
1006:
1000:
977:Baldick, Chris
971:
968:
966:
965:
946:
940:Paul Delarue,
933:
919:
896:
882:Terri Windling
874:
865:
852:
828:
815:
813:
810:
809:
808:
801:
798:
797:
796:
791:
786:
781:
779:Paul Pellisson
776:
771:
769:Antoine Godeau
766:
761:
756:
751:
744:
741:
711:Edmond Rostand
584:courts of love
572:in his comedy
509:les précieuses
499:, and English
471:literary style
441:
440:
438:
437:
430:
423:
415:
412:
411:
389:
388:
385:
384:
356:
355:
352:
351:
315:
314:
311:
310:
308:Lit categories
300:
299:
277:
276:
274:
273:
266:
259:
251:
248:
247:
246:
245:
240:
232:
231:
227:
226:
225:
224:
219:
214:
209:
204:
196:
195:
191:
190:
189:
188:
183:
178:
173:
168:
163:
158:
153:
145:
144:
140:
139:
138:
137:
132:
127:
122:
117:
112:
107:
99:
98:
94:
93:
92:
91:
86:
81:
76:
71:
66:
61:
53:
52:
48:
47:
41:
40:
26:
9:
6:
4:
3:
2:
1065:
1054:
1051:
1049:
1046:
1044:
1041:
1040:
1038:
1028:
1024:
1021:
1017:
1014:
1011:
1007:
1003:
1001:9780191783234
997:
989:
988:
982:
978:
974:
973:
963:
962:0-393-97636-X
959:
955:
954:Lewis Seifert
950:
943:
937:
931:
930:
923:
917:
916:0-415-92151-1
913:
909:
905:
900:
894:
893:
889:
883:
878:
869:
862:
856:
849:
846:
842:
838:
832:
825:
820:
816:
807:
804:
803:
795:
792:
790:
789:Honoré d'Urfé
787:
785:
782:
780:
777:
775:
772:
770:
767:
765:
764:Charles Cotin
762:
760:
757:
755:
752:
750:
747:
746:
740:
738:
737:
732:
728:
724:
722:
718:
717:
713:'s 1897 play
712:
708:
707:Ancien Régime
704:
700:
696:
691:
689:
685:
681:
677:
673:
669:
668:
663:
659:
654:
652:
648:
644:
643:
638:
634:
630:
626:
622:
618:
613:
611:
610:
605:
600:
596:
591:
589:
585:
581:
577:
576:
571:
567:
563:
562:Platonic love
559:
555:
551:
550:
544:
542:
538:
537:
532:
531:Chambre bleue
528:
524:
519:
511:
510:
504:
502:
498:
497:
492:
488:
484:
480:
476:
472:
469:
464:
456:
455:la préciosité
452:
448:
436:
431:
429:
424:
422:
417:
416:
414:
413:
410:
408:
403:
399:
394:
391:
390:
387:
386:
383:
382:
378:
374:
370:
366:
361:
358:
357:
354:
353:
350:
349:
345:
341:
337:
333:
329:
325:
320:
317:
316:
313:
312:
309:
305:
302:
301:
298:
297:
293:
288:
283:
282:
272:
267:
265:
260:
258:
253:
252:
250:
249:
244:
241:
239:
236:
235:
234:
233:
229:
228:
223:
220:
218:
215:
213:
210:
208:
205:
203:
200:
199:
198:
197:
193:
192:
187:
184:
182:
179:
177:
174:
172:
169:
167:
164:
162:
159:
157:
154:
152:
149:
148:
147:
146:
142:
141:
136:
135:Nouveau roman
133:
131:
128:
126:
125:Parnassianism
123:
121:
118:
116:
113:
111:
108:
106:
103:
102:
101:
100:
96:
95:
90:
87:
85:
82:
80:
77:
75:
72:
70:
67:
65:
62:
60:
57:
56:
55:
54:
50:
49:
46:
43:
42:
39:
35:
32:
31:
19:
1026:
1019:
1012:
1009:
986:
949:
941:
936:
927:
922:
910:, pp. 38-42
907:
899:
885:
877:
868:
860:
855:
847:
844:
840:
836:
831:
824:Baldick 2015
819:
735:
725:
720:
714:
702:
698:
694:
692:
687:
679:
665:
657:
655:
646:
640:
624:
616:
614:
608:
598:
594:
592:
588:courtly love
579:
573:
569:
557:
547:
545:
534:
530:
508:
507:
505:
496:culteranismo
494:
446:
444:
396:
392:
373:Postcolonial
363:
359:
348:Contemporary
344:20th century
340:19th century
336:18th century
332:17th century
328:16th century
322:
318:
286:
284:
222:Postcolonial
104:
89:Contemporary
84:20th century
621:fairy tales
580:précieuses'
479:periphrases
171:Playwrights
64:Renaissance
45:by category
1037:Categories
904:Jack Zipes
695:précieuses
684:pejorative
658:précieuses
647:précieuses
625:préciosité
617:préciosité
599:préciosité
570:précieuses
558:preciosité
493:, Spanish
447:Précieuses
402:Literature
296:Literature
243:Literature
110:Classicism
105:Précieuses
18:Préciosité
837:précieuse
812:Footnotes
727:René Bary
721:précieuse
688:précieuse
676:Louis XIV
595:Précieuse
541:Louis XIV
483:hyperbole
166:Novelists
161:Essayists
130:Symbolism
97:Movements
979:(2015).
888:Archived
800:See also
651:pastoral
501:euphuism
491:marinism
475:movement
393:Portals
324:Medieval
292:Language
120:Decadent
59:Medieval
970:Sources
705:of the
662:Molière
566:Molière
304:Authors
230:Portals
143:Writers
51:History
998:
960:
914:
635:, and
529:. Her
485:, and
451:French
398:France
369:Quebec
365:France
287:French
238:France
207:Quebec
202:France
115:Rococo
34:French
523:salon
377:Haiti
217:Haiti
176:Poets
996:ISBN
958:ISBN
912:ISBN
656:The
615:One
552:was
487:puns
473:and
445:The
294:and
79:19th
74:18th
69:17th
36:and
525:of
1039::
1013:63
983:.
906:,
884:,
848:63
723:.
678:.
590:.
543:.
503:.
481:,
457:,
453::
400:•
375:•
367:•
346:•
338:•
330:•
306:•
1004:.
826:.
512:(
449:(
434:e
427:t
420:v
270:e
263:t
256:v
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.