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243:(2:38- And coming up at that very hour she gave thanks to God, and spoke of him to all who were looking for the redemption of Jerusalem.) Behind the altar is a priest with the pigeons for the sacrifice on the altar fire and, in the left hand, the knife. The sacrificial pigeons appear on the edge of the painting rather than the center to focus on the purification offering. Two other priests are partly visible at his left behind the architectural elements.
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219:, an event which, according to the Hebraic Law, should occur forty days after a child's birth, to allow the mother to purify herself. Within two central, slender columns are the
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250:(somewhat similar to the Cathedral of Siena) with a nave and two aisles, each surmounted by three-foiled ogival arches. Above the priests, within the church, is a
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from 1351 (altar of St. Victor). All the paintings should represent stories of the Life of the
Madonna, and were crowned by
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of the aisles show prophets with cartouches, while above the columns in the foreground are depicted two small statues of
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223:(holding the cloth in which the child was kept), the child (with moving feet and a finger in the mouth), and
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executed copies of the painting. It was later disassembled and placed in a nunnery in Siena. Grand Duke
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180:. The use of expensive lacquer in the paintings and lapis lazuli shows the prestige of the commission.
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304:"Distinguishing Signs: Ear-Rings, Jews and Franciscan Rhetoric in the Italian Renaissance City"
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257 cm Ă— 168 cm (101 in Ă— 66 in)
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The painting originally decorated the altar of St. Crescentius in the
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Finally, the central top arch includes the figures of Moses and
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in 1822. It became part of the Uffizi collection in 1913.
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is a 1342 painting by the
Italian late medieval painter
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and St. Victor) during 1330–1350. These included the
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The scene is set within church, finely decorated in
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Two 15th century descriptions mention the work as a
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18:Presentation in the Temple (Ambrogio Lorenzetti)
141:Annunciation with St. Margaret and St. Ansanus
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191:. A century later, artists including
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359:Paintings by Ambrogio Lorenzetti
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27:Painting by Ambrogio Lorenzetti
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254:with two angels; they hold a
327:Pietro e Ambrogio Lorenzetti
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217:presentation at the temple
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99:Presentation at the Temple
33:Presentation at the Temple
215:The painting depicts the
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329:. Florence: Le Lettere.
325:Frugoni, Chiara (2010).
270:, with the table of the
201:Ferdinand III of Tuscany
369:Paintings in the Uffizi
203:had his transferred to
310:: 8 – via JSTOR.
302:Hughes, Diane (1986).
155:Nativity of the Virgin
132:St. Sabinus of Spoleto
172:Duccio di Buoninsegna
225:Simeon the Righteous
168:Bartolomeo Bulgarini
104:Ambrogio Lorenzetti
51:Ambrogio Lorenzetti
374:Paintings of Moses
308:Past & Present
124:Cathedral of Siena
336:978-88-71-66668-6
193:Giovanni di Paolo
160:Pietro Lorenzetti
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16:(Redirected from
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364:Gothic paintings
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272:Ten Commandments
197:Bartolo di Fredi
68:Tempera on panel
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241:Gospel of Luke
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379:Altarpieces
211:Description
150:Lippo Memmi
128:St. Ansanus
348:Categories
289:References
73:Dimensions
258:with the
264:lunettes
233:aureolae
205:Florence
189:predella
185:triptych
164:Nativity
112:Florence
89:Florence
81:Location
319:Sources
283:Malachi
256:clipeus
221:Madonna
118:History
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276:Joshua
274:, and
262:. The
229:Joseph
177:MaestĂ
152:, the
65:Medium
47:Artist
268:Moses
331:ISBN
237:Anna
195:and
148:and
96:The
60:1342
57:Year
174:'s
158:by
144:by
110:of
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20:)
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