399:; Heppner had written much of the band's debut album himself and his bandmates helped him in arranging the material, but the sophomore album featured more contributions from each band member. Nudo once again wrote and sang a song for the record, and although Watchorn did not write the lyrics to an entire song by himself for this album, he and Heppner collaborated on several of them, including "Lady Killer". Watchorn explained that the songs changed drastically between the time they were first written and when they got recorded, and that the songs "weren't complete until they actually made the record." He also said that the album's protracted production history enabled the group to experiment with the songs and repeatedly alter them to taste, thus ironically yielding a record that was considered better than if they had been able to simply record it and be done with it sooner.
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that the house had not previously been served with noise violations of any kind, but after they had finished recording drums and many of the guitar parts, they learned that they had the volume set too high when working on the bass guitar tracks; law enforcement came to the door and forced them to take their work elsewhere because they were shaking neighboring houses with the noise they were generating. The band did so with no objection, quickly moving their equipment to another studio, although they recalled the incident rather humorously later. Schiffman was able to arrange for the group to use another facility as early as the following day, and the band moved production to that new location the night of the incident. The sessions were completed in
November 2008.
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phased out of their concert setlist) the label still had no confidence in the new material. "We really were in an amazing place, writing, jamming four to five times a week and coming up with great stuff," recalled
Heppner. "We felt at the peak of our creativity. And they were like, 'Can you write more songs?' (We were, like), 'This is insane.'" The laborious work on Priestess' sophomore album and the record label issues throughout 2008 ultimately forced bassist Mike Dyball to quit his side project,
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contain 11 tracks, but with the deluxe edition from Tee Pee
Records comes a code to obtain a 13-track edition from the Internet. It contains the original 11 tracks, plus two bonus tracks. (As the band are signed only to Indica Records in Canada, all deluxe editions from Tee Pee Records are only released outside of Canada.) Two deluxe editions were released by Tee Pee Records: both came with the code for the Internet download, and one came with an exclusive T-shirt as well.
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the band a lot of creative freedom as well, not interfering with song arrangements and simply allowing the band to record as they desired, which led
Heppner to enthusiastically state that he was "all about recording it and not fucking with it." Heppner noted that if Schiffman had any suggestions, he never forced them onto the group, which made them more willing to consider his suggestions. At least 14 of the 20 songs the band wrote were recorded at the sessions.
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problematic, RCA ultimately refused to release the album, fearing it was not commercial enough, but allowed the group to release it on another label. Tee Pee
Records signed the group thereafter and released the album internationally. Priestess were still signed to Indica Records, but only for Canadian distribution; the release on Indica was withheld until an international distributor was found.
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March 2009, but RCA's reluctance caused
Priestess to miss this anticipated timeframe completely. Indica Records has always been the band's label for material released in their native Canada, but the album was withheld from release altogether until the band could find a new label to replace RCA. By all accounts, the band lost a year trying to get
383:. The change in style was largely adopted so they could challenge themselves musically, but not specifically to be heavier: "I don't think we go in wanting to write a heavier record," guitarist Dan Watchorn stated. "I don't think we have a preconceived notion of what we want, the riffs and melodies just kind of come. The fact that
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as they instead wrote about personal interests. For his part, Heppner described the songs as being about "mega geek shit", and recalled some advice he had been given to simply write about things he liked, which became how most of the songs on the album were written. Heppner wrote "Murphy's Law" as an
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was, as he put it, a "studio production". The recording was not specifically intended to emulate their live concert sound, but to sound more natural – "This is
Priestess playing in a room," Heppner clarified, thus emphasizing that they wanted to simply record the band and nothing else. Schiffman gave
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scored the record 5 out of 10 stars and wondered if RCA's instincts were right in regards to the album's lack of "catchier" material, as Adrien
Begrand said that Heppner's vocals were in general weaker on this album as compared to the band's previous record. Nonetheless, he did compliment Vince Nudo
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was released on
October 20, 2009, in Canada, and on February 2, 2010 (the soonest possible date Tee Pee Records could give the band) in the United States. Priestess chose for an earlier release in Canada so that they could begin touring in support of the record at last. All CD pressings of the album
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but was unsuccessful; as a result, the process did not begin in earnest for six more months. This also meant they could not plan a concert tour until they had the problems with their studio schedule resolved. Following several more attempts at securing a producer, Priestess finally got the recording
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screaming right now." The video features the band members performing quite prominently in spite of
Heppner's previous assertion that no music video made for the album would feature the band members performing, citing his embarrassment from the production process of the band's previous music videos.
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to replace RCA in late 2009; Tee Pee Records had offered to sign the group years earlier, but the band chose RCA over Tee Pee. They enjoy being signed to Tee Pee Records rather than RCA, where they feel more "at home". The band have stated that they feel less pressure to succeed on Tee Pee Records,
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Much as the label had argued with the band over the quality of the songs before production, RCA continued to debate the issue with Priestess after the album sessions were finished in the fall of 2008. Despite the confidence the band themselves had in the strength of the album's material, RCA still
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the group were sending in, believing that none of the songs could perform as commercially successful singles. RCA continually delayed the band from entering the studio in hopes that they could write such a song, but by the time the group had written 20 songs (including material that was eventually
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writer Craig Hubert rated the album 5 out of 10, and said it had more "definable hooks" than most other metal albums, but that still made the record no better or more accessible. He did note that he looked forward to when the band reached their full potential, which he felt the new record's music
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RCA subsequently released the group from their contract. Despite having funded the album's production, RCA gave the band the opportunity to find another label to release the finished product instead, thus losing any money the company had invested in it. The group had hoped to release the album in
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Once the recording sessions got off the ground, Priestess encountered another problem – this time with the law. The band were working in a house in a neighborhood, and the close proximity to other houses meant that they had to keep the amount of noise generated to a minimum. They had been assured
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Because of RCA's leniency in the end, the band's departure was peaceful despite complications, and they still hold respect for RCA for what the label allowed them to do. Heppner credits the label for allowing the record that RCA funded to go to some other company who would want it instead, while
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served as the basis for a song that he wrote that did not make it into the final track listing; outtakes from the album were set for separate release on 7" singles. Watchorn has noted that this album was not the first time the band had described their favorite films in songs; although he did not
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consumed much of the time they would have used to write new material, and after they began doing so, they had disputes with RCA Records, their international distributor at the time, as to whether the new songs were acceptable. After the completion of the recording sessions, which were themselves
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would have mandated that record labels only keep "the things that are going to sell" on their rosters. Heppner noted that labels usually shelve albums permanently if they are deemed unfit for commercial sale rather than give them to the artists who recorded them, and that the band were "really,
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in his youth, wrote things that he initially withheld from the band, because he felt that his bandmates would not understand him - he described his work as being "way too proggy". Despite his initial doubt, they loved his work when he showed it to them. Thereafter, Heppner began describing the
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gave the album a grade of B. He described the album as “a pleasant surprise”, saying that he was not a fan of metal from recent years but that the album has “a lot more in common with the late-‘70s and early-‘80s-era Judas Priest and Iron Maiden”, which he liked.
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did not share that sentiment and refused to release the album, as they felt it still lacked a potential single. Reflecting on the situation, Heppner remarked, "You can't force write a single, it's impossible to do that. At least it's impossible for us. We're not
931:'s Phil Freeman said that the album, which he gave 4 out of 5 stars, was well worth the wait after the amount of time it took to get released, and that the stylistic variety of material, combined with the cover art (which bore a striking resemblance to that of
601:] stoked to be labelmates with so many wicked bands." He additionally noted that the only advantage the band had when signed to RCA was more money, and that having a different kind of music meant that Priestess were not as lucrative as a band such as the
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The artwork was designed by a friend named Mike Yardley in response to a mass e-mail Hepper sent to all the artists he knew. The band do not ascribe any particular meaning to it; Heppner commented that the artwork, combined with the title, could be "a
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reviewer Mikael Wood gave the album a star and a half out of four, and wrote that despite the cleverness behind the album's title, the songs within were empty, and while fans of the style would be comfortable with it, "Everybody else should seek out
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where a detective commented on a woman's death in a house fire. He said something to the effect of, "The amount of carbon monoxide in the victim's lungs proves that she had died prior to the fire," and Heppner liked the way the last words sounded.
368:"Riffs, at this point, to not be all too typical, almost need to have a second hook to them. There's the base riff, and it needs something that shoots off from what it would normally be; there's the standard and you've got to throw it for a loop."
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After Heppner introduced his bandmates to progressive rock, the band integrated minor influences from the genre in their songwriting and compositions, including touches of keyboards, while trying not to deviate too much from the sound of
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Realizing that the arguments were only consuming time, RCA relented for the time being and allowed the band to make studio arrangements. In December 2007, the band made their first attempt at recording the album with producer
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outside their native Canada in all other territories starting in 2006, became hopeful that the band's next record would have similar success. As a result, the label continually rejected the material represented by the
178:. Recorded in Los Angeles with producer David Schiffman, the album was initially released on October 20, 2009, by Indica Records in Canada. By design, the album lacks the production values of the band's debut album,
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has a bit more edge to it is just where we're at right now with music." Of the end result, drummer Vince Nudo said, "Our individual tastes came out more . It's more organic. We're not holding back so much."
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influences and applied them to their songwriting, they changed their lyrical focus and wrote about themes considered to be more unusual for rock music, such as film and television characters, for this album.
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chart in 2006. Even though the group have admitted that they were ultimately displeased with the sound of the record, which they described as "so tight and really produced", they remain proud of their
256:. During that time they concentrated mostly on the existing material and had little chance to write anything new, and writing for the new album would not begin in earnest until the summer of 2007.
413:; he was inspired to write it when he was writing songs in his room and saw his poster for the movie on the wall. His lyrics to "It Baffles the Mind" recount a tournament in the manga/anime series
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sessions scheduled for October 2008 when David Schiffman signed on to the project after meeting with the group through their A&R representative; Schiffman, whose résumé included artists from
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and other classic metal he heard on the album, and went as far as to say that despite being released in early 2010 it was already the best metal record of the year. David Marchese, writing for
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for "Lady Killer"; it was shot in the band's hometown of Montreal and directed by David Valiquette. Released on February 4, 2010, via Pitchfork Media, the video made extensive use of fur and
959:, with its songs having "an alarming amount of depth", but referred to the track "Murphy's Law" as "questionable" in an otherwise favorable review which gave the album 4 out of 5 stars.
535:." In any case, the meaning of the artwork and title has been left open to interpretation, and the artwork was chosen specifically because it did not conform to an existing standard.
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By contrast, Pitchfork Media's Tom Breihan offered a mixed opinion of 5.9 out of 10, stating that on its own the album is good, but it pales in comparison to an album like
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that it "is a little more musically complex; deeper into the sort of metal side where we started out from", but that "It still sounds like us". He also told
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310:, who after only a few days was dismissed as he "wasn't really the right fit". In 2008, after the band spent the winter looking for another producer, their
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contestants. "Tee Pee is the perfect label for us right now, because they totally understand what we want to do," Heppner stated. "I am alas [
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The record is known for the difficulty Priestess encountered in trying to release it. The band's extensive touring schedule for their previous album
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indicated would be soon. Speaking from his perspective as an aged listener and someone who is not a fan of modern rock music, Jay Bennett of the
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The band were enthusiastic about working with David Schiffman. His approach was more minimalistic compared to that of Gus van Go (who produced
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1467:"Priestess tell us about their long-awaited new album, give us a listen and reveal how they first discovered Black Sabbath in a video game"
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During the sessions, the band played a single "secret" show in Los Angeles where they showed fans everything being recorded for the album.
975:, also praised the album with a score of 8 out of 10, even saying that "Someone should be fired for the delay , because this baby burns".
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222:, which spawned two minor hits: "Lay Down" became popular because it was included as a playable track in the best-selling video game
354:) and did not involve many of the studio techniques van Go employed. Heppner stated, "Everything was way simpler ." He noted that
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was frequently noted for better or for worse, and comparisons of the group to influential hard rock and heavy metal acts such as
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553:"We just thought it was insane that the label wasn’t understanding it. I think they were hoping we’d make the transition into a
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was written for the album, but it is not clear whether he was referring to a song already on the album or an outtake from it.
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as being a good thing because it wipes humanity off the planet; whoever sets it in motion (Heppner explained as by "open
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band Vision Lunar. RCA would continue to differ with Priestess on the issue, even after the album was finished.
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while at a hotel on tour. Flipping through the channels on the hotel television in search of shows like
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331:, had expressed interest in helming the album for the band if they were in need of his services. After
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for "The Gem", giving the album a score of 9 out of 10. The PRP described the album as "heavier" than
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and they do not feel any less important to the label compared to its higher-profile artists, such as
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Lyrically, the album focused on more unusual themes for rock music than the band had written for
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458:," according to Heppner, and its distinctive intro was created by generating feedback on a 1976
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965:'s Stuart Gadd also gave the album 4 out of 5 stars, as he enjoyed the stylistic reminders of
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Critical reaction to the album was mixed, but largely positive. The departure in style from
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influence, and its topic of revenge against a serial killer is comparable to songs such as
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achievement. The band spent roughly two and a half years performing concerts on behalf of
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478:") is hailed as a hero for having done the right thing. "Communicating Via-Eyes" is "the
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After the album's release in Canada, the band embarked on a tour in that country with
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Other themes were more general. "Lady Killer" has been cited as having a considerable
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454:'s "The Ripper". The song emerged when the band attempted to "write a theme song for
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2451:"Priestess Ink Deal With Tee Pee, Post New Song And Line Up Tour With Early Man"
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937:, also released that year), could make Priestess "retro hard rock's answer to
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1780:"Priestess 'No Longer Dead Last' on a Roster With American Idol Contestants"
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forthcoming record in progressive rock terms during interviews. He told the
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really lucky" in comparison. Priestess found and signed with New York City
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in November 2009. February 2010 saw them return to the UK and Europe with
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The writing process for this album was more communal compared to that for
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2019:"Vision Lunar Band Members on Encyclopaedia Metallum: The Metal Archives"
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song", as Heppner put it; he wrote much of that song while on tour with
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that the new songs were "leaning toward progressive (rock) territory".
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2353:. September 15, 2009. Archived from the original on September 21, 2013
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Critical opinions of the album have been mixed, but largely positive.
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171:
79:
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1633:"Priestess fuses prog and metal for hard-rocking Prior to the Fire"
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467:
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3030:. February 8, 2010. Archived from the original on October 23, 2013
2883:"High On Fire Expand Spring Tour With Priestess, Black Cobra, Etc"
2128:"Priestess Album Brings Good Things for Those Who Wait in America"
1901:. April 11, 2006. Archived from the original on September 21, 2013
182:, in order to achieve a more natural sound. As the band took more
3132:
2857:"Full Dates Revealed For Priestess And Bigelf's European/UK Tour"
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30:
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in Montreal, Priestess went to Los Angeles to record the album.
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Vince Nudo – drums, backing vocals, lead vocals on "Lunar"
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gave the album a rating of 68 out of 100, based on 12 reviews.
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representative at RCA Records tried to schedule sessions with
38:
2194:"Interview with Dan Watchorn of Priestess - July 17th, 2010"
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specify which ones, he did note that there were songs from
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for his vocals on "Lunar", which he favorably compared to
2805:"Priestess Set U.S. Release Date For "Prior To The Fire""
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inspired him to write "Sideways Attack". The influential
358:
more accurately reflected the band's live sound, whereas
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Jon Cranfeld & Brian Kehew – second engineers
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in the UK. He later stated a song loosely inspired by
2778:"Priestess: Prior to the Fire, in "Nothing Not New""
2989:"Priestess Debut Entrancing Video for "Ladykiller""
2391:"Priestess: Not Just Your Average Stoner-Prog Band"
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1981:
1289:Dan Watchorn – rhythm guitar, backing vocals
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1693:. Archived from the original on October 23, 2013
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3014:
2963:"Priestess Debut Video For "Ladykiller" Online"
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518:, he was just in time to witness a segment on
373:—Dan Watchorn on the use of riffs on the album
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1859:. Archived from the original on June 29, 2012
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1286:Mikey Heppner – lead guitar, lead vocals
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508:, but Heppner was inspired to use the phrase
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2831:"Trigger Effect To Tour Canada w/ Priestess"
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2522:
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1579:"Priestess w/Iron Giant, Eco-Shock and more"
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860:
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218:In 2005, Priestess released its debut album
2909:"PRIESTESS Announce Canadian Dates in July"
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2596:"Priestess, 'Prior to the Fire' (Tee Pee)"
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2379:
2259:"Exclusive Song: New Music from Priestess"
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2023:Encyclopaedia Metallum: The Metal Archives
1952:
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1606:
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29:
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2154:Cummins, Johnson (December 11–17, 2008).
2067:
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1948:
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1438:Delisle, Maxyme G. (September 25, 2009).
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1321:Mike Yardley – illustrations, design
228:, and "Talk to Her" peaked at #33 on the
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1893:"Priestess Sign Worldwide Deal With RCA"
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504:reported that the album had been titled
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1956:
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1073:as the tenth best metal song of 2010.
170:is the second studio album by Canadian
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2713:
2711:
2443:
2125:
2073:
1987:
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1809:Miller, Jennifer (November 27, 2008).
1808:
1685:"How Priestess Made Prior to the Fire"
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1630:
1355:
1261:
1250:
1207:
1196:
2474:
2472:
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2257:Marchese, David (November 17, 2009).
2222:
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1185:
1174:
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1152:
1141:
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997:, and also compared "Lady Killer" to
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387:was a bit more on the poppy side and
2656:Begrand, Adrien (February 1, 2010).
2627:"Priestess | Prior To The Fire"
2624:
2594:Marchese, David (January 25, 2010).
2422:DeClerq, Katie (November 26, 2009).
2223:Fryer, Melissa (November 30, 2009).
2029:from the original on August 15, 2018
1999:from the original on August 15, 2018
1957:Dunlevy, T'Cha (November 18, 2009).
1849:MacNeil, Jason (November 13, 2008).
1469:. Midnight Poutine. October 18, 2009
1396:"Priestess - Awards : AllMusic"
495:
3062:
2747:Hubert, Craig (February 19, 2010).
2708:
2285:Parks, Bryson (November 22, 2009).
2126:Harris, Chris (November 18, 2009).
1813:. Whistler Question. Archived from
1811:"Hard, melodic rock with Priestess"
1778:Summers, Geoff (January 13, 2010).
1631:Newton, Steve (November 26, 2009).
1366:
760:
450:'s "Murders in the Rue Morgue" and
345:
13:
3179:Albums produced by David Schiffman
2995:. February 4, 2010. Archived from
2469:
2389:Epstein, Dan (February 11, 2010).
1683:Mihsin, Andre (October 30, 2009).
1552:. February 3, 2010. Archived from
1233:Tee Pee Records vinyl bonus tracks
1064:would not approve of: "I can hear
791:
605:, who were more heavily promoted.
283:, their former label who released
18:2009 studio album by Priestess
14:
3190:
3120:
2914:Brave Words & Bloody Knuckles
2776:Bennett, Jay (January 28, 2010).
2625:Wood, Mikael (January 27, 2010).
2345:"Priestess Album, Tour This Fall"
2048:Baker, Brian (November 9, 2010).
1993:"Vision Lunar Official Biography"
1959:"Montreal's Priestess is red hot"
862:
710:
662:
548:songwriters; we're a rock band."
439:that pertained to films as well.
2557:
2076:"Montreal band finds their hero"
2074:Kelley, Ken (October 29, 2009).
1345:Lee Smith – drum technician
1076:
881:
876:
871:
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861:
835:
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729:
724:
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676:
671:
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661:
225:Guitar Hero III: Legends of Rock
3101:
3084:
3056:
2955:
2929:
2901:
2875:
2849:
2823:
2797:
2749:"Priestess - Prior To The Fire"
2719:"Priestess - Prior To The Fire"
2688:"Priestess - Prior To The Fire"
2527:Breihan, Tom (April 14, 2010).
2337:
2321:. July 21, 2010. Archived from
2216:
2147:
1885:
947:made a favorable comparison to
2658:"Priestess: Prior to the Fire"
2560:"Priestess/ Prior To The Fire"
2529:"Priestess: Prior to the Fire"
2315:"Priestess Doesn't Compromise"
2156:"Getting drunk with your boss"
1851:"Priestess high on tour plans"
1388:
1318:Gordon Ball – photography
1292:Mike Dyball – bass guitar
1238:
1085:
951:for the track "Lunar", and to
489:An American Werewolf in London
1:
3114:. Retrieved December 3, 2012.
2192:Young, Alex (July 17, 2010).
1349:
1304:Credits taken from AllMusic.
1211:"Trapped in Space & Time"
562:—Mikey Heppner, November 2009
213:
2937:"Priestess, Naam tour dates"
1440:"Priestess: Meet thy Master"
1280:
1275:
1069:"Lady Killer" was listed by
300:
7:
2480:"Prior To The Fire Reviews"
1546:"Priestess - Mikey Heppner"
576:Watchorn acknowledges that
539:Continuing dispute with RCA
10:
3195:
3065:"Best Metal Songs of 2010"
3022:"Priestess - "LadyKiller""
2514:. Retrieved June 24, 2013.
1367:Ali, Reyan (May 6, 2009).
557:–type band or something."
407:ode to his favorite film,
259:Lead singer and guitarist
240:, supporting such acts as
230:Hot Mainstream Rock Tracks
54:October 20, 2009
3048:: CS1 maint: unfit URL (
2371:: CS1 maint: unfit URL (
1919:: CS1 maint: unfit URL (
1877:: CS1 maint: unfit URL (
1711:: CS1 maint: unfit URL (
1245:
1242:
1237:
1092:
1089:
1084:
649:
646:
626:
623:
470:. "The Gem" portrays the
133:
125:
115:
101:
85:
73:
65:
50:
37:
28:
23:
2080:The Musicnerd Chronicles
1156:"Communicating Via-Eyes"
583:independent record label
578:recent economic troubles
3164:Priestess (band) albums
2287:"Interview - Priestess"
1995:. Abridged Pause Blog.
1327:Adrian Popovich –
1308:David Schiffman –
295:atmospheric black metal
3174:Tee Pee Records albums
1056:, which were noted by
559:
370:
210:were once again made.
3169:Indica Records albums
2325:on September 21, 2013
1969:on September 21, 2013
1643:on September 21, 2013
1178:"It Baffles the Mind"
985:Snakes for the Divine
609:Release and reception
551:
366:
69:October–November 2008
2403:on February 16, 2010
2235:on February 18, 2010
1300:Additional personnel
614:Professional ratings
533:Billy Joel reference
462:run through a 1970s
419:, while the seminal
2811:. November 13, 2009
2506:Freeman, Phil.
2225:"Monsters of metal"
2054:Cincinnati CityBeat
2025:. August 29, 2015.
1991:(August 29, 2015).
1817:on December 7, 2008
1556:on February 7, 2010
1374:Cincinnati CityBeat
1234:
615:
502:Cincinnati CityBeat
2969:. February 4, 2010
2943:. October 11, 2010
2863:. January 14, 2010
2837:. November 8, 2009
2725:. January 31, 2010
2457:. October 22, 2009
1637:Vancouver Straight
1445:Nightlife Magazine
1333:Ryan Morey –
1232:
1004:The Boston Phoenix
753:The Boston Phoenix
613:
531:thing" or even "a
263:, who listened to
3139:Prior to the Fire
3128:Prior to the Fire
3108:Prior to the Fire
3092:Prior to the Fire
3063:Ramirez, Carlos.
2999:on March 22, 2012
2835:Metal Underground
2783:Phoenix New Times
2572:on April 12, 2013
2508:Prior to the Fire
2204:on August 3, 2010
2086:on August 8, 2014
1989:Julien, Alexandre
1341:guitar technician
1272:
1271:
1228:
1227:
1200:"We Ride Tonight"
1189:"Sideways Attack"
1022:Phoenix New Times
915:Prior to the Fire
912:
911:
903:Phoenix New Times
570:Prior to the Fire
510:Prior to the Fire
496:Title and artwork
422:Lone Wolf and Cub
389:Prior to the Fire
356:Prior to the Fire
270:Whistler Question
167:Prior to the Fire
163:
162:
159:
158:
149:Prior to the Fire
107:Indica (Canada),
24:Prior to the Fire
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2568:. Archived from
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2399:. Archived from
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2231:. Archived from
2220:
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2211:
2209:
2200:. Archived from
2198:Lithium Magazine
2189:
2176:
2175:
2173:
2171:
2166:on June 30, 2012
2162:. Archived from
2151:
2145:
2144:
2142:
2140:
2123:
2096:
2095:
2093:
2091:
2082:. Archived from
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2045:
2039:
2038:
2036:
2034:
2015:
2009:
2008:
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1985:
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1978:
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1965:. Archived from
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1639:. Archived from
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1596:
1594:
1592:
1587:. April 16, 2009
1575:
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1364:
1254:"Castle Dracula"
1240:
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1048:The band made a
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619:Aggregate scores
616:
612:
563:
374:
346:Music and lyrics
329:System of a Down
265:progressive rock
184:progressive rock
135:
134:
97:
96:
92:
61:
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2889:. March 4, 2010
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2697:
2696:. March 8, 2010
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2534:Pitchfork Media
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2160:Montreal Mirror
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586:Tee Pee Records
565:
561:
541:
498:
456:Jack the Ripper
376:
372:
348:
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290:demo recordings
216:
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121:David Schiffman
109:Tee Pee Records
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3121:External links
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2917:. May 18, 2010
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2558:Gadd, Stuart.
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1738:Lords of Metal
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1123:"The Firebird"
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1112:"Raccoon Eyes"
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3144:MusicBrainz
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2893:February 7,
2815:January 23,
2632:The Phoenix
2576:January 27,
2461:January 23,
2429:The Fulcrum
2407:January 27,
2350:ChartAttack
2329:January 25,
2296:January 23,
2239:January 26,
2050:"Priestess"
1905:January 26,
1898:ChartAttack
1734:"Priestess"
1560:October 20,
1473:January 26,
1380:January 26,
1339:Ace –
1058:ChartAttack
1050:music video
1045:in the US.
967:Iron Maiden
448:Iron Maiden
416:Dragon Ball
325:Johnny Cash
308:Matt Bayles
281:RCA Records
234:Guitar Hero
3153:Categories
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3003:August 19,
2693:Rock Sound
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1963:Canada.com
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1744:August 19,
1697:August 19,
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1451:August 19,
1401:2013-08-11
1369:"Bow Down"
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1071:Noisecreep
990:PopMatters
949:Thin Lizzy
944:Rock Sound
923:Metacritic
847:Rock Sound
785:PopMatters
633:Metacritic
572:released.
506:Life Giver
472:apocalypse
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320:Adam Jones
318:guitarist
214:Background
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129:chronology
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2867:August 7,
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2565:Artrocker
2424:"Rock on"
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1821:August 3,
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1281:Priestess
1276:Personnel
1265:"Dweller"
1145:"The Gem"
1054:taxidermy
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703:Artrocker
460:Gibson SG
301:Recording
279:However,
246:the Sword
176:Priestess
172:hard rock
127:Priestess
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44:Priestess
3112:AllMusic
3044:cite web
2993:SMN News
2973:June 28,
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2758:June 26,
2729:June 26,
2700:June 26,
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2638:June 26,
2607:June 26,
2601:SPIN.com
2540:June 24,
2512:AllMusic
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2367:cite web
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2264:SPIN.com
2170:July 28,
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1314:engineer
1310:producer
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929:AllMusic
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529:creation
484:Megadeth
480:werewolf
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117:Producer
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