583:
767:
1788:[However, lest anyone accuse us of falsification according to the Lex Cornelia—that we have scattered false or invented images like counterfeit coins among the public: let pardon be granted to our confession (for no one is bound to do the impossible). For in the case of the men of ancient times who are said to have lived before the Flood and before the invention of the arts of painting and carving, for example Adam, Abraham, and the Patriarchs, their images we do not deny have been created by us imaginatively: and since we had no model, the images have been shaped from the description of their nature, from their manners, age, region, and deeds, by imagination.]
368:
237:
35:
886:
he used as the sources of the depictions. The book instead appealed as a collection of brief, well-written and illustrated history lessons to a broader audience. Many of the similar iconographic collections published in Europe from the mid-16th to 17th centuries referenced and copied from the work, partly because Rouillé had used a variety of diverse sources and chosen individuals based on more daring criteria than what was generally accepted at the time.
3044:
2935:
1740:
1255:
1090:
818:; the dedications to the royals were an indirect advertising technique. Several subsequent editions in these languages were published in the following years. In the 1577 French edition, Rouillé gave a more prominence to humanists who had contributed to the European development of law and medicine in the first half of the 16th century—such as the jurist
328:. Many of the portraits were based on depictions from ancient coins, but Rouillé did not intend his work to be a numismatic or academic reference text. The book instead appealed as a collection of brief, well-written and illustrated history lessons to a broader audience and became a bestseller in its era.
781:
The book was published in Lyon, in 1553, in three editions simultaneously: Latin, French, and
Italian. Rouillé often published different language editions of what he thought would sell internationally and distributed them throughout Europe, aided by his in-law connections. The title page of the first
885:
was a bestseller in its era. Although many of the book's portraits were based on depictions from ancient coins and emulated their artistic styles, Rouillé did not intend his work to be a reference text for academics or numismatists: for example, he entirely disregarded the reverse sides of the coins
617:
Each portrait is accompanied by a summarized biographical text below it and has the individual's name in a circular inscription inside the edge of the medallion. The medallions are arranged in pairs so that a couple, regardless of their marital status or legitimacy of their union, is often displayed
363:
to the public. He admits that such portraits were drawn with the help of imagination, yet in accordance with the characteristics of the individual's deeds, customs, personality, and the region they were said to be from; likewise for the images of historical figures whose attested iconographic traces
336:
Portrait books, which featured genuine or fictitious woodcut portraits of renowned individuals of different eras and places, were highly popular in 16th-century Europe. Guillaume Rouillé, an established publisher and bookseller in Lyon by mid-century, saw an opportunity for a profitable business in
1785:
Cæterùm ne quis lege
Cornelia nos falsi arguat, quod commentitias, seu factitias quasdam figuras velut adulterina numismata in publicum sparserimus: concedatur confessioni venia: εις το γαρ αδυνατον ουτις αναρτωται. Priscorum enim hominum qui ante diluvium, & ante inventas pingendi, &
1102: "Paris, also called Alexander, was the son of Priam and Hecuba. His father ordered him to be exposed because his mother, while pregnant, had dreamed that she had given birth to a burning torch. However, Hecuba, moved by maternal affection, ensured that he was raised by shepherds on
618:
on the same page next to each other. Some of those who had more than one spouse due to remarriage have their portrait appear multiple times, alongside each of their spouses. The biographical texts have been partially taken from compendia of history from the antiquity, such as
1786:
scalpendi artes vixisse memorantur. Ut Adæ, Abrahæ, & Patriarcharum εικωνας non negamus à nobis fuisse per imaginationem effictas: & cum nullum haberemus
Prototypum ex descripta eorum Natura, moribus, ætate, regione & rebus gestis φανταστικως fuisse conformatas.
693:
The second part opens with a title page depicting the
Nativity and deals with the portraits and biographies of individuals from Christ's time, the Roman Empire after Christ's death, Middle Ages, and Rouillé's contemporary era—the mid-16th century: Christ himself,
309:('second part') deals with those who did during or after his lifetime. The two parts are usually bound into one book, albeit with separate pagination. The book does not mention the engraver's name; the portraits have been typically attributed, however, to
936:, declared Rouillé's work to be "not one of much numismatic interest"; however he added that the portrait book had been "pronounced to be one of the marvels of early wood-engraving". In her 2006 essay, art historian Ilaria Andreoli commented on
2073:
SECONDA PARTE DEL PRONTVARIO DELLE MEDAGLIE, LA QVALE comincia dà la natiuità del nostro
Saluatore GIESV CHRISTO, & continoua insino al Christianissimo Rè di Francia & di Pologna, HENRICO III. di nome, il quale al presente regna
238:
425:
34:
1581:[Clodia Metelli in the Roman Literary Tradition and Modern Numismatic Tradition, i.e. Remarks Based on Agnieszka Dziuba's Book "Klodia Metelli. Literacki portret patrycjuszki", KUL Publishing House, Lublin 2016, pp. 320].
927:
932:('Discourse on antique medals and engravings') as one of the texts he felt more useful for their abridgements of history than the fictitious portraits they contained. Julian Sharman, the 19th-century author of
252: 'The first part of the storehouse of images of the more notable men from the beginning of time, with their biographies subjoined, taken in abbreviated form from the most approved authors.'
444:
750:, wearing her more commonly depicted headdress. In a 1577 edition, approximately 100 more portraits—mostly those of individuals from Rouillé's era—were added to the second part and those of
2436:[Of 'those who use their power to help and encourage the public': Guillaume Rouillé, bookseller in Lyon]. In Bénévent, Christine; Charon, Anne; Diu, Isabelle; Vène, Magali (eds.).
1401:
Bibliography of Lyon: Research on the printers, booksellers, bookbinders, and founders of letters in Lyon in the 16th century by
President Baudrier, published and continued by J. Baudrier
1396:
Bibliographie lyonnaise: recherches sur les imprimeurs, libraires, relieurs et fondeurs de lettres de Lyon au XVIe siècle par le Président
Baudrier, publiées et continuées par J. Baudrier
1272:
Bibliography of Lyon: Research on the printers, booksellers, bookbinders, and founders of letters in Lyon in the 16th century by
President Baudrier, published and continued by J. Baudrier
1267:
Bibliographie lyonnaise: recherches sur les imprimeurs, libraires, relieurs et fondeurs de lettres de Lyon au XVIe siècle par le Président
Baudrier, publiées et continuées par J. Baudrier
1762:
The first part of the storehouse of images of the more notable men from the beginning of time, with their biographies subjoined, taken in abbreviated form from the most approved authors.
893:
290:
and ending with those of individuals from the mid-16th century, each accompanied by a summarized biographical text. In a 1577 edition, approximately 100 more portraits were added.
471:
565:
Promptuarii iconum pars secunda incipit à Christo nato, perpetuam ducens seriem ad usque
Christianissimũ Francorum regem Henricum hoc nomine secundum, hodie feliciter regnantem
538:. The individuals who supposedly or historically lived before Christ are grouped together in the first part, and each major event of their lives is given two dates: one in
502:, whose engraving skills he praised. Reverdy was a resident of Lyon at the time of the book's authorship and had gained wide recognition by then, having been compared to
942:: "Rouillé's ambition is to speak to the eyes thanks to which the reader will be able to peer into the features and hear them speak, as if they were actors' masks".
2742:
Rouillé, uomo di mondo e dagli svariati contatti internazionali, si lanciò in prima persona nel circo letterario, confezionando quello che divenne un vero e proprio
390:
The bases for the rest of the portraits were drawn from various sources. Rouillé and the engraver relied on paintings, earlier portrait books as well as some of the
1305:"Fine Books & Manuscripts – 2730B: 269. Rouillé, Guillaume (c. 1518–1589) Prima [et Secunda] Pars Promptuarii Iconum Insigniorum a Seculo Hominum"
840:
286:, of renowned figures some of whom are mythical and some historical. The portraits are largely listed in supposed chronological order, beginning with those of
450:
340:
2079:
The second part of the Handbook of Medals begins with the birth of Christ, leading a continuous series to the most Christian king of France and Poland,
3027:
l'ambizione di Rouillé è di parlare agl'occhi grazie ai quali il lettore potrà scrutare i tratti e sentir parlare, come se fossero maschere d'attori,
573: 'The second part of the storehouse of images begins with the birth of Christ, leading a continuous series to the most Christian king of France,
477:
908:
314:
1439:
The Gentle Art of Faking: A history of the methods of producing imitations & spurious works of art from the earliest times up to the present day
3048:
1114:, where he abducted Helen and brought her to Troy in the year 2768 of the world, 1194 years before the birth of Christ, during the first year of
1110:, by whom he fathered Idaios and Daphnis. Finally recognized and accepted by his parents, undertook a mission to Greece to demand the return of
1057:
582:
431:
3143:
1056:
for 'storehouse' / 'repository') was a term medieval authors often used to name their lexicographical works. Art historian
579:) in the initial Latin edition. The two parts, nevertheless, are usually bound into one book, although they maintain separate pagination.
2094:
1991:
229:
Prima pars Promptuarii iconum insigniorum à seculo hominum, subiectis eorum vitis, per compendium ex probatissimis autoribus desumptis.
1443:
1758:
Prima pars Promptuarii iconum insigniorum à seculo hominum, subiectis eorum vitis, per compendium ex probatissimis autoribus desumptis
1575:"Klodia Metelli w rzymskiej tradycji literackiej i nowożytnej tradycji numizmatycznej, czyli uwagi na kanwie książki Agnieszki Dziuby
2182:
1622:
510:, or Reverdy and Corneille worked jointly, because the artistic style in some of the book's contemporary portraits—such as that of
904:
with fewer portraits and a lower price, in 1559. It did not sell as well as Rouillé's work and no further editions were released.
2762:
Perkinson, Stephen (2002). "From an 'Art De Memoire' to the Art of Portraiture: Printed Effigy Books of the Sixteenth Century".
2213:
1699:
Perkinson, Stephen (2002). "From an 'Art De Memoire' to the Art of Portraiture: Printed Effigy Books of the Sixteenth Century".
1312:
349:, which contained 204 busts of individuals engraved in the styles of antique coins. Rouillé humorously states in his preface of
3133:
2963:
1827:
2588:
Il tutto accompagnato da scaltre 'tecniche pubblicitarie' basate sulle richieste di privilegi e dediche a personaggi famosi.
3128:
1592:
3123:
2660:
Cunnally, John (1999). "Appendix: A Biographical and Bibliographical Guide to Renaissance Numismatists and Their Books".
2363:
Dubu, Jean (1988). "Le Promptuaire des medalles de Gvillavme Roville". In Possenti, Antonio; Mastrangelo, Giulia (eds.).
2288:
Dubu, Jean (1988). "Le Promptuaire des medalles de Gvillavme Roville". In Possenti, Antonio; Mastrangelo, Giulia (eds.).
1222:
Dubu, Jean (1988). "Le Promptuaire des medalles de Gvillavme Roville". In Possenti, Antonio; Mastrangelo, Giulia (eds.).
3079:
851:
2609:
337:
the genre like many of his competitors did. Rouillé got the idea for the medallion portrait format from the 1517 book
2907:
2863:
2677:
2618:
2523:
2463:
2336:
1985:
1937:
1665:
1534:
1494:
1366:
1187:
522:
The work, which contains 828 medallion portraits in the initial editions, is chronologically divided into two parts:
845:
2469:
1848:
eben ein solches Bild der behelmten Athena von einer mazedonischen Goldmünze als Vorlage für sein Alexanderporträt
860:(' to the very high and very powerful lord Don Carlos, by the grace of God, Prince of the Spains')", referring to
773:, to whom Rouillé dedicated the first Latin edition in 1553. The first Italian edition was dedicated to his wife,
1193:
3010:
2820:
2725:
2571:
2445:
2259:
2144:
2041:
1881:
3153:
1175:
Editing Sixteenth-Century Texts: Papers Given at the Editorial Conference, University of Toronto October 1965
723:
562:. Those who lived during Christ's lifetime or after his death are listed in the second part, which is titled
1810:. Die Bedeutung der Münz- und Gemmenkunde für die Altertumsforschungen des Ciriaco d'Ancona" [Ciriaco's
367:
3138:
3098:
1570:
1179:
1019:
auction house. The two parts are usually bound into one book, although they maintain separate pagination.
1009:
is the title of the book's first part, so the inclusion of the second part has been indicated by adding
832:
Promptuario de las medallas de todos las más insignes varones que ha habido desde el principio del mundo
626:, who are depicted as an elderly couple. They are followed by the patriarchs, prophets and kings of the
2899:
2855:
2669:
2515:
2328:
1929:
1657:
1526:
1358:
861:
535:
2008:
Georges Reverdy n'en était pas l'unique auteur mais que Corneille en avait exécuté un certain nombre.
786:—an eagle atop a globe flanked by two serpents, which symbolizes worldly triumph—as well as his Latin
534:('second part'), separated by the birth of Christ, which Rouillé placed in the 3,962nd year after the
2764:
2502:
Cunnally, John (1999). "9. Comme au Clair Miroir de l'Âme: Rouille, Physiognomy, and the Renaissance
2315:
Cunnally, John (1999). "9. Comme au Clair Miroir de l'Âme: Rouille, Physiognomy, and the Renaissance
1916:
Cunnally, John (1999). "9. Comme au Clair Miroir de l'Âme: Rouille, Physiognomy, and the Renaissance
1701:
1644:
Cunnally, John (1999). "9. Comme au Clair Miroir de l'Âme: Rouille, Physiognomy, and the Renaissance
1513:
Cunnally, John (1999). "9. Comme au Clair Miroir de l'Âme: Rouille, Physiognomy, and the Renaissance
1345:
Cunnally, John (1999). "9. Comme au Clair Miroir de l'Âme: Rouille, Physiognomy, and the Renaissance
430:('The ancient and modern genealogies of the Kings of France'), authored by French poet and historian
2947:
The Library of Mary Queen of Scots, with an historical introduction and a rare portrait of the queen
2890:
Cunnally, John (1999). "8. Ceux Qui Ont Escrit des Medalles: The Earliest Numismatic Bibliography".
766:
359:
or the invention of the art of painting and engraving, in order not to be accused for having spread
503:
124:
2434:"De «ceux qui de leur pouvoir aydent et favorisent au publiq» Guillaume Rouillé, libraire à Lyon"
811:
774:
731:
546:('in the year of the world'), which is based on the world creation narrative as described in the
490:
Rouillé's book does not disclose the portrait engraver's identity; however, 19th-century Lyonese
356:
2071:
1966:
1172:(1966). "Publisher Guillaume Rouillé, Businessman and Humanist". In Schoeck, Richard J. (ed.).
459:
455:
419:
415:
399:
1079:—who was Rouillé's rival in the Lyonese publishing business—for another portrait book's title.
506:. Either Reverdy modeled some of the engravings after drawings and paintings of Dutch painter
2369:
The Renaissance in Lyon: Proceedings of the International Congress (Macerata, May 6–11, 1985)
2294:
The Renaissance in Lyon: Proceedings of the International Congress (Macerata, May 6–11, 1985)
1228:
The Renaissance in Lyon: Proceedings of the International Congress (Macerata, May 6–11, 1985)
815:
796:('In virtue, and fortune'). The abbreviated inscription "D. MEM. S.", framed by a
511:
355:
that he included fictitious images of individuals who were supposed to have lived before the
1965:
1437:
422:
from the correct coins. The portraits of French monarchs were reproduced from the 1528 book
3148:
2486:
1753:
1394:
1265:
1029:
857:
al muy alto y muy poderoso señor don Carlos, por la gracia de Dios, Príncipe de las Españas
495:
323:
2170:
2067:
1818:. The Importance of Numismatics and Gemology for the Archeology of Ciriaco d'Ancona].
1749:
414:
on the obverse, mistaking her depiction for that of Alexander while getting depictions of
275:
66:
8:
3118:
2080:
1574:
1478:
1169:
608:
553:
482:
403:
372:
819:
2892:
2848:
2781:
2662:
2508:
2411:
2365:
Il Rinascimento a Lione: atti del congresso internazionale (Macerato, 6–11 Maggio 1985)
2321:
2290:
Il Rinascimento a Lione: atti del congresso internazionale (Macerato, 6–11 Maggio 1985)
1922:
1839:
1718:
1650:
1614:
1519:
1351:
1224:
Il Rinascimento a Lione: atti del congresso internazionale (Macerato, 6–11 Maggio 1985)
869:
807:
797:
770:
574:
319:
3067:
1403:] (in French). Vol. 9. Lyon: Librairie ancienne d'Auguste Brun. p. 204.
1274:] (in French). Vol. 9. Lyon: Librairie ancienne d'Auguste Brun. p. 207.
2955:
2903:
2859:
2673:
2642:
2519:
2481:
2459:
2415:
2372:
2332:
2297:
2205:
2086:
1981:
1933:
1831:
1765:
1661:
1618:
1606:
1530:
1490:
1455:
1404:
1362:
1304:
1275:
1231:
1183:
679:
663:
587:
507:
360:
191:
1047:
449:('Epitome of the deeds of the 58 kings of France'), published by Lyonese bookseller
3062:
2920:
2876:
2773:
2690:
2632:
2622:
2536:
2449:
2403:
2349:
1950:
1780:
1710:
1678:
1596:
1547:
1482:
1419:
1379:
1290:
1139:
913:
823:
735:
218:
3054:
2945:
2407:
890:, who was Rouillé's main competitor in the Lyonese publishing industry, published
209:
3085:
2178:
1433:
1076:
1075:, which would have been a more common term for a portrait book, had been used by
1062:
1037:
951:
887:
715:
711:
547:
436:
300:
1601:
597:, with his biographical text below them giving the year of Helen's abduction as
2390:
Milwright, Marcus (2017). "The martyred sultan: Tuman Bay II in André Thevet's
1135:
1053:
992:
957:
699:
695:
465:
2090:
1070:
3112:
2939:
2646:
2607:[Juan Martín Cordero in Flanders: Humanism, patronage and printing].
1835:
1769:
1744:
1610:
1583:
1308:
1259:
1118:'s reign. As a result, the war between the Greeks and the Trojans broke out.
1094:
1016:
865:
738:
appears in two different portraits of hers: one alongside her first husband,
683:
627:
594:
491:
395:
346:
2376:
2301:
1235:
850:. His dedication of the work, dated September 8, 1558, and written from the
806:('Sacred to the Remembering Gods '). Rouillé dedicated the Latin edition to
299:('first part') covers those who supposedly or historically lived before the
3093:
3022:
2959:
2951:
2832:
2737:
2583:
2271:
2156:
2053:
2003:
1893:
1408:
1279:
1205:
739:
623:
287:
2454:
1486:
198:
1131:
751:
719:
559:
391:
271:
263:
114:
2627:
2604:
2433:
1843:
402:
collections they had access to. For example, they based the portrait of
2975:
2785:
2637:
1722:
600:
541:
977:
An eagle atop a globe flanked by serpents, symbolizing worldly triumph
2894:
Images of the Illustrious: the Numismatic Presence in the Renaissance
2850:
Images of the Illustrious: the Numismatic Presence in the Renaissance
2664:
Images of the Illustrious: the Numismatic Presence in the Renaissance
2510:
Images of the Illustrious: the Numismatic Presence in the Renaissance
2323:
Images of the Illustrious: the Numismatic Presence in the Renaissance
1924:
Images of the Illustrious: the Numismatic Presence in the Renaissance
1652:
Images of the Illustrious: the Numismatic Presence in the Renaissance
1521:
Images of the Illustrious: the Numismatic Presence in the Renaissance
1353:
Images of the Illustrious: the Numismatic Presence in the Renaissance
1119:
1115:
1103:
747:
727:
675:
283:
119:
2777:
1714:
1173:
2990:
2800:
2705:
2551:
2239:
2124:
2021:
1861:
1127:
836:
707:
687:
671:
659:
639:
619:
499:
310:
267:
2442:
Couriers of Texts: Printers and Booksellers in the Age of Humanism
2438:
Passeurs de textes: Imprimeurs et libraires à l'âge de l'humanisme
2371:] (in French and Italian). Edizioni dell'Ateneo. p. 190.
2296:] (in French and Italian). Edizioni dell'Ateneo. p. 191.
1393:
Baudrier, Henri-Louis; Baudrier, Julien; Tricou, Georges (1912) .
1264:
Baudrier, Henri-Louis; Baudrier, Julien; Tricou, Georges (1912) .
1230:] (in French and Italian). Edizioni dell'Ateneo. p. 189.
1126:, thereby deserving to receive her from her husband. Paris killed
3075:
2938:
This article incorporates text from this source, which is in the
2605:"Juan Martín Cordero en Flandes: Humanismo, mecenazgo e imprenta"
1977:
1974:
Corneille de La Haye, known as Corneille de Lyon (1500/1510–1575)
1743:
This article incorporates text from this source, which is in the
1258:
This article incorporates text from this source, which is in the
1111:
1093:
This article incorporates text from this source, which is in the
667:
631:
282:. The book's initial editions contain 828 portraits, designed as
3088:
Promptuario de las medallas de todos las más insignes varones...
800:
above the book's title on the page, represents the Latin phrase
674:, and historical figures who lived before Christ's era, such as
476:('Lives of Emperors and Caesars'), authored by German historian
3043:
1123:
1107:
783:
743:
703:
655:
650:. Pagan deities as well as mythical creatures and heroes, like
643:
411:
407:
383:
379:
266:
collection of wood engravings authored and published by French
44:
3070:
Promptuaire des médailles des personnages les plus renommés...
1764:] (in Latin and Ancient Greek). Lyon: Guillaume Rouillé.
787:
755:
651:
192:
48:
40:
1968:
Corneille de La Haye, dit Corneille de Lyon (1500/1510–1575)
1122:
writes that abducted her despite resistance, and conquered
826:—thus paying tribute to the humanist movement of his time.
647:
635:
279:
371:
Rouillé and the engraver mistakenly based the portrait of
622:'s epigrams. The first part begins with the portraits of
2085:] (in Italian). Lyon: Guillaume Rouillé. p. 3.
1820:
Mitteilungen des Kunsthistorischen Institutes in Florenz
872:. The Spanish edition was published in 1561 by Rouillé.
426:
Les Anciennes et modernes genealogies des Roys de France
1392:
1263:
2427:
2425:
2819:] (in Italian). Udine: Forum. pp. 263–264.
2570:] (in Italian). Udine: Forum. pp. 235–236.
1442:. London: Seeley Service & Co. Ltd. p. 93.
854:
where he was a student at the time, was addressed "
726:, and a large number of contemporary royals such as
2598:
2596:
1957:
1436:(1922). "VIII. Imitation, Plagiarism, and Faking".
1067:speculated that Rouillé picked such a term because
2997:[History 'in a nutshell': Guillaume Rouillé's
2891:
2847:
2807:[History 'in a nutshell': Guillaume Rouillé's
2712:[History 'in a nutshell': Guillaume Rouillé's
2661:
2558:[History 'in a nutshell': Guillaume Rouillé's
2507:
2431:
2422:
2320:
2246:[History 'in a nutshell': Guillaume Rouillé's
2131:[History 'in a nutshell': Guillaume Rouillé's
2028:[History 'in a nutshell': Guillaume Rouillé's
1921:
1868:[History 'in a nutshell': Guillaume Rouillé's
1734:
1732:
1649:
1518:
1350:
51:. "D. MEM. S." is an abbreviation for
3057:Promptuarium iconum insigniorum a seculo hominum
2392:Les vrais pourtraits et vies des hommes illustrés
1694:
1692:
1690:
1688:
498:attributed the portraits to Georges Reverdy from
345:('Images of the famous') by Renaissance humanist
3110:
2593:
2233:
2231:
2118:
2116:
2114:
2112:
1911:
1909:
1907:
1905:
1903:
1130:with an arrow but was himself killed in turn by
1042:Promptuarium iconum insigniorum a seculo hominum
1015:('and second'), as practiced by—for example—the
898:('Images of some notable men'), an imitation of
3009:] (in Italian). Udine: Forum. p. 264.
2724:] (in Italian). Udine: Forum. p. 235.
2258:] (in Italian). Udine: Forum. p. 236.
2143:] (in Italian). Udine: Forum. p. 238.
2040:] (in Italian). Udine: Forum. p. 237.
1963:
1880:] (in Italian). Udine: Forum. p. 259.
1729:
1565:
1563:
1561:
1559:
1557:
1508:
1506:
1249:
1247:
1245:
928:Discours sur les médailles et gravures antiques
558:('before Christ born'), a Latin equivalent to
2755:
1797:
1795:
1685:
1577:Klodia Metelli. Literacki portret patrycjuszki
1340:
1338:
1336:
1334:
1332:
1330:
3001:]. In Rozzo, Ugo; Gabriele, Mino (eds.).
2982:
2839:
2811:]. In Rozzo, Ugo; Gabriele, Mino (eds.).
2792:
2716:]. In Rozzo, Ugo; Gabriele, Mino (eds.).
2697:
2562:]. In Rozzo, Ugo; Gabriele, Mino (eds.).
2308:
2250:]. In Rozzo, Ugo; Gabriele, Mino (eds.).
2228:
2135:]. In Rozzo, Ugo; Gabriele, Mino (eds.).
2109:
2032:]. In Rozzo, Ugo; Gabriele, Mino (eds.).
2013:
1900:
1872:]. In Rozzo, Ugo; Gabriele, Mino (eds.).
1853:
1028:19th-century Lyonese bibliographer
855:
830:
2883:
2602:
2283:
2281:
1637:
1554:
1503:
1386:
1242:
925:
423:
2210:Armstrong Institute of Biblical Archaeology
1801:
1792:
1756:[Guillaume Rouillé to the reader].
1327:
1217:
1215:
1164:
1162:
1160:
1068:
1045:
1010:
1004:
986:
937:
919:
899:
891:
880:
801:
791:
606:
598:
563:
551:
539:
529:
523:
469:
442:
350:
338:
304:
294:
256:
227:
210:
52:
24:
1477:. Lexicographica. Series Maior. Tübingen:
1134:, the son of Achilles. Herodotus, Book 2.
33:
2761:
2636:
2626:
2603:Lluís Martos, Josep (January–June 2015).
2453:
2389:
2356:
2278:
1698:
1600:
293:The contents are divided into two parts:
278:in Latin, French and Italian in 1553, in
2988:
2889:
2845:
2798:
2703:
2659:
2549:
2501:
2314:
2237:
2122:
2105:– via Digital Libraries Connected.
2019:
1915:
1859:
1643:
1579:, Wydawnictwo KUL, Lublin 2016, ss. 320"
1512:
1344:
1212:
1157:
1036:, while Italian painter and antiquarian
765:
581:
366:
2943:
2927:
2066:
1802:Chatzidakis, Michail (2010). "Ciriacos
1748:
1569:
1446:from the original on September 14, 2024
1315:from the original on September 19, 2024
1032:abbreviated the Latin edition title as
536:biblical accounts of the world creation
3111:
2472:from the original on February 27, 2023
1432:
995:for 'In virtue, and fortune')
761:
730:of England, Marguerite de Navarre and
2204:Eames, Christopher (April 13, 2023).
2203:
2185:from the original on December 6, 2023
1828:Kunsthistorisches Institut in Florenz
1475:The English Dictionary Before Cawdrey
1468:
1168:
445:Epitome gestorum LVIII regum Franciae
331:
3013:from the original on January 1, 2023
2966:from the original on August 19, 2023
2823:from the original on January 1, 2023
2728:from the original on January 1, 2023
2574:from the original on January 1, 2023
2362:
2287:
2262:from the original on January 1, 2023
2147:from the original on January 1, 2023
2097:from the original on August 19, 2023
2044:from the original on January 1, 2023
1884:from the original on January 1, 2023
1221:
1196:from the original on January 1, 2023
746:, and the other next to her second,
57:('Sacred to the Remembering Gods ').
3144:History books about the ancient era
1098:
569:
514:—very closely matches Corneille's.
248:
18:1553 book published in Lyon, France
13:
2432:Rajchenbach-Teller, Élise (2012).
2216:from the original on March 1, 2024
1625:from the original on June 20, 2023
1469:Stein, Gabriele (2014) . "12. The
934:The Library of Mary Queen of Scots
14:
3165:
3036:
2619:Spanish National Research Council
2083:, who reigns happily to this day.
1994:from the original on July 8, 2023
1593:Maria Curie-Skłodowska University
907:French physician and numismatist
577:, who reigns happily to this day'
3080:Bibliothèque nationale de France
3042:
3003:Storia per parole e per immagini
2933:
2846:Cunnally, John (1999). "Notes".
2813:Storia per parole e per immagini
2718:Storia per parole e per immagini
2564:Storia per parole e per immagini
2252:Storia per parole e per immagini
2137:Storia per parole e per immagini
2034:Storia per parole e per immagini
1874:Storia per parole e per immagini
1738:
1253:
1088:
960: – Currency of ancient Rome
894:Insignium aliquot virorum icones
852:Université catholique de Louvain
822:and the anatomist and physician
3101:Promptuarium Iconum Insigniorum
2653:
2543:
2495:
2383:
2197:
2163:
2060:
1462:
1426:
1082:
1022:
939:Promptuarium Iconum Insigniorum
921:Promptuarium Iconum Insigniorum
901:Promptuarium Iconum Insigniorum
882:Promptuarium Iconum Insigniorum
718:, the Holy Roman Emperors from
352:Promptuarium Iconum Insigniorum
258:Promptuarium Iconum Insigniorum
212:Promptuarium Iconum Insigniorum
26:Promptuarium Iconum Insigniorum
3049:Promptuarii Iconum Insigniorum
2175:Merriam-Webster.com Dictionary
1964:Dubois de Groër, Anne (1996).
1297:
998:
980:
971:
954: – Ancient Greek currency
782:Latin edition bears Rouillé's
714:, post-classical writers like
710:, a complete set of the early
702:, most of the Roman emperors,
468:were taken from the 1534 book
464:. Most portraits of the early
1:
3078:, the digital library of the
3007:History in words and pictures
2817:History in words and pictures
2722:History in words and pictures
2610:Revista de Filología Española
2568:History in words and pictures
2408:10.1080/02666286.2016.1228279
2256:History in words and pictures
2141:History in words and pictures
2038:History in words and pictures
1878:History in words and pictures
1754:"Gulielmus Rovillius lectori"
1150:
864:, who was the eldest son and
472:Imperatorum et Caesarum vitae
357:biblical account of the Flood
3134:Books of Christian biography
2991:"La storia 'in soldoni': il
2801:"La storia 'in soldoni': il
2706:"La storia 'in soldoni': il
2552:"La storia 'in soldoni': il
2240:"La storia 'in soldoni': il
2125:"La storia 'in soldoni': il
2022:"La storia 'in soldoni': il
1862:"La storia 'in soldoni': il
924:in his posthumous 1579 work
875:
814:, and the French edition to
758:were added to the appendix.
7:
3129:16th-century books in Latin
2446:École Nationale des Chartes
2206:"B.C./A.D. or B.C.E./C.E.?"
1602:10.17951/rh.2018.45.359-371
1180:University of Toronto Press
1106:. As a young man, he loved
1044:in his 1922 text. The noun
945:
517:
420:Mithridates VI Eupator
416:Demetrius I of Macedon
274:, publisher and bookseller
43:edition, bearing Rouillé's
10:
3170:
3124:16th-century history books
2976:HathiTrust Digital Library
2900:Princeton University Press
2856:Princeton University Press
2670:Princeton University Press
2516:Princeton University Press
2444:] (in French). Paris:
2329:Princeton University Press
1976:] (in French). Paris:
1930:Princeton University Press
1658:Princeton University Press
1527:Princeton University Press
1359:Princeton University Press
839:theologian and translator
690:are included in the part.
2989:Andreoli, Ilaria (2006).
2799:Andreoli, Ilaria (2006).
2765:Sixteenth Century Journal
2748:Promptuaire des medailles
2704:Andreoli, Ilaria (2006).
2550:Andreoli, Ilaria (2006).
2238:Andreoli, Ilaria (2006).
2123:Andreoli, Ilaria (2006).
2020:Andreoli, Ilaria (2006).
1860:Andreoli, Ilaria (2006).
1702:Sixteenth Century Journal
862:Prince Carlos of Asturias
829:The Spanish translation,
810:, the Italian edition to
441:, and from the 1546 book
204:
190:
167:
159:
151:
141:
133:
107:
80:
72:
62:
32:
2999:Promptuaire des medalles
2993:Promptuaire des medalles
2944:Sharman, Julian (1889).
2809:Promptuaire des medalles
2803:Promptuaire des medalles
2714:Promptuaire des medalles
2708:Promptuaire des medalles
2560:Promptuaire des medalles
2554:Promptuaire des medalles
2248:Promptuaire des medalles
2242:Promptuaire des medalles
2133:Promptuaire des medalles
2127:Promptuaire des medalles
2030:Promptuaire des medalles
2024:Promptuaire des medalles
1870:Promptuaire des medalles
1864:Promptuaire des medalles
964:
504:Hans Holbein the Younger
125:Historicity of the Bible
39:Title page of the first
1471:Promptuarium parvulorum
1006:Prima pars Promptuarii
870:Philip II of Spain
808:Henry II of France
771:Henry II of France
742:, in which she wears a
382:from a Macedonian gold
1069:
1046:
1011:
1005:
988:In virtute, et fortuna
987:
938:
926:
920:
900:
892:
881:
856:
831:
802:
793:In virtute, et fortuna
792:
778:
614:
607:
599:
564:
552:
540:
530:
524:
470:
443:
424:
387:
351:
339:
305:
295:
257:
228:
211:
53:
25:
2995:di Guillaume Rouillé"
2805:di Guillaume Rouillé"
2710:di Guillaume Rouillé"
2556:di Guillaume Rouillé"
2455:10.4000/books.enc.533
2244:di Guillaume Rouillé"
2129:di Guillaume Rouillé"
2026:di Guillaume Rouillé"
1866:di Guillaume Rouillé"
1487:10.1515/9783111664873
816:Marguerite de Navarre
769:
585:
512:Marguerite de Navarre
406:on a Macedonian gold
370:
3154:Biographies in Latin
3051:at Wikimedia Commons
2954:. pp. 152–153.
1170:Davis, Natalie Zemon
1030:Henri-Louis Baudrier
812:Catherine de' Medici
803:Dis Memoribus Sacrum
775:Catherine de' Medici
732:Catherine de' Medici
496:Henri-Louis Baudrier
54:Dis Memoribus Sacrum
2628:10.3989/rfe.2015.04
2448:. pp. 99–116.
1479:Max Niemeyer Verlag
1361:. p. 99, 101.
1034:Promptuarium iconum
762:Publication history
609:ante Christum natum
554:ante Christum natum
550:, and the other in
528:('first part') and
451:Balthazar Arnoullet
404:Alexander the Great
373:Alexander the Great
341:Illustrium imagines
29:
3139:French biographies
2518:. pp. 96–98.
2504:Bildnisvitenbücher
2317:Bildnisvitenbücher
2068:Rouillé, Guillaume
1918:Bildnisvitenbücher
1750:Rouillé, Guillaume
1646:Bildnisvitenbücher
1515:Bildnisvitenbücher
1347:Bildnisvitenbücher
1182:. pp. 93–95.
841:Joan Martí Cordero
779:
706:, Islamic prophet
615:
388:
378:on a depiction of
332:Iconographic bases
23:
3086:Spanish edition,
3047:Media related to
2482:OpenEdition Books
1571:Kluczek, Agata A.
1456:Project Gutenberg
740:Charles VIII
680:Thales of Miletus
508:Corneille de Lyon
361:counterfeit money
276:Guillaume Rouillé
224:
223:
152:Publication place
137:Guillaume Rouillé
67:Guillaume Rouillé
3161:
3105:via St-Takla.org
3082:and its partners
3068:French edition,
3063:Internet Archive
3046:
3030:
3029:
3020:
3018:
2986:
2980:
2979:
2973:
2971:
2937:
2936:
2931:
2925:
2924:
2921:Internet Archive
2918:
2916:
2897:
2887:
2881:
2880:
2877:Internet Archive
2874:
2872:
2853:
2843:
2837:
2836:
2830:
2828:
2796:
2790:
2789:
2759:
2753:
2752:
2735:
2733:
2701:
2695:
2694:
2691:Internet Archive
2688:
2686:
2667:
2657:
2651:
2650:
2640:
2630:
2600:
2591:
2590:
2581:
2579:
2547:
2541:
2540:
2537:Internet Archive
2534:
2532:
2513:
2499:
2493:
2492:
2490:
2479:
2477:
2457:
2429:
2420:
2419:
2396:Word & Image
2387:
2381:
2380:
2360:
2354:
2353:
2350:Internet Archive
2347:
2345:
2326:
2312:
2306:
2305:
2285:
2276:
2275:
2269:
2267:
2235:
2226:
2225:
2223:
2221:
2201:
2195:
2194:
2192:
2190:
2167:
2161:
2160:
2154:
2152:
2120:
2107:
2106:
2104:
2102:
2064:
2058:
2057:
2051:
2049:
2017:
2011:
2010:
2001:
1999:
1971:
1961:
1955:
1954:
1951:Internet Archive
1948:
1946:
1927:
1913:
1898:
1897:
1891:
1889:
1857:
1851:
1850:
1799:
1790:
1789:
1781:Internet Archive
1778:
1776:
1742:
1741:
1736:
1727:
1726:
1696:
1683:
1682:
1679:Internet Archive
1676:
1674:
1655:
1641:
1635:
1634:
1632:
1630:
1604:
1567:
1552:
1551:
1548:Internet Archive
1545:
1543:
1524:
1510:
1501:
1500:
1466:
1460:
1459:
1453:
1451:
1434:Nobili, Riccardo
1430:
1424:
1423:
1420:Internet Archive
1417:
1415:
1390:
1384:
1383:
1380:Internet Archive
1377:
1375:
1356:
1342:
1325:
1324:
1322:
1320:
1311:. May 31, 2014.
1301:
1295:
1294:
1291:Internet Archive
1288:
1286:
1257:
1256:
1251:
1240:
1239:
1219:
1210:
1209:
1203:
1201:
1166:
1144:
1143:
1140:Dictys Cretensis
1100:
1092:
1091:
1086:
1080:
1074:
1066:
1051:
1040:shortened it as
1026:
1020:
1014:
1008:
1002:
996:
990:
984:
978:
975:
941:
931:
923:
917:
903:
897:
884:
859:
849:
835:, was a work of
834:
824:Andreas Vesalius
820:François Douaren
805:
795:
736:Anne of Brittany
612:
604:
578:
571:
567:
557:
545:
533:
527:
486:
478:Johannes Huttich
475:
463:
448:
440:
429:
364:did not exist.
354:
344:
327:
308:
298:
262:for short is an
260:
253:
250:
246:
245:
244:
243:
241:
231:
219:Internet Archive
214:
194:
143:Publication date
56:
37:
30:
28:
22:
3169:
3168:
3164:
3163:
3162:
3160:
3159:
3158:
3109:
3108:
3055:Latin edition,
3039:
3034:
3033:
3016:
3014:
2987:
2983:
2969:
2967:
2934:
2932:
2928:
2914:
2912:
2910:
2888:
2884:
2870:
2868:
2866:
2858:. p. 174.
2844:
2840:
2826:
2824:
2797:
2793:
2778:10.2307/4144020
2760:
2756:
2746:dell'epoca: il
2731:
2729:
2702:
2698:
2684:
2682:
2680:
2672:. p. 206.
2658:
2654:
2601:
2594:
2577:
2575:
2548:
2544:
2530:
2528:
2526:
2500:
2496:
2484:
2475:
2473:
2466:
2430:
2423:
2388:
2384:
2361:
2357:
2343:
2341:
2339:
2331:. p. 102.
2313:
2309:
2286:
2279:
2265:
2263:
2236:
2229:
2219:
2217:
2202:
2198:
2188:
2186:
2179:Merriam-Webster
2169:
2168:
2164:
2150:
2148:
2121:
2110:
2100:
2098:
2065:
2061:
2047:
2045:
2018:
2014:
1997:
1995:
1988:
1962:
1958:
1944:
1942:
1940:
1932:. p. 101.
1914:
1901:
1887:
1885:
1858:
1854:
1800:
1793:
1774:
1772:
1739:
1737:
1730:
1715:10.2307/4144020
1697:
1686:
1672:
1670:
1668:
1642:
1638:
1628:
1626:
1568:
1555:
1541:
1539:
1537:
1511:
1504:
1497:
1467:
1463:
1449:
1447:
1431:
1427:
1413:
1411:
1391:
1387:
1373:
1371:
1369:
1343:
1328:
1318:
1316:
1309:Bonhams Skinner
1303:
1302:
1298:
1284:
1282:
1254:
1252:
1243:
1220:
1213:
1199:
1197:
1190:
1167:
1158:
1153:
1148:
1147:
1101:
1089:
1087:
1083:
1077:Jean de Tournes
1060:
1038:Riccardo Nobili
1027:
1023:
1017:Bonhams Skinner
1003:
999:
985:
981:
976:
972:
967:
952:Ancient drachma
948:
911:
909:Antoine Le Pois
888:Jean de Tournes
878:
843:
764:
716:Dante Alighieri
712:Ottoman sultans
593:facing that of
572:
548:Book of Genesis
520:
480:
453:
434:
334:
317:
315:Georges Reverdy
301:birth of Christ
251:
239:
236:
235:
234:
186:
160:Media type
144:
129:
99:
76:Georges Reverdy
58:
19:
12:
11:
5:
3167:
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3151:
3146:
3141:
3136:
3131:
3126:
3121:
3107:
3106:
3096:
3083:
3065:
3052:
3038:
3037:External links
3035:
3032:
3031:
2981:
2926:
2908:
2902:. p. 93.
2882:
2864:
2838:
2791:
2754:
2696:
2678:
2652:
2613:(in Spanish).
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2494:
2464:
2421:
2382:
2355:
2337:
2307:
2277:
2227:
2196:
2162:
2108:
2081:Henry III
2059:
2012:
1986:
1980:. p. 47.
1956:
1938:
1899:
1852:
1791:
1728:
1709:(3): 700–705.
1684:
1666:
1660:. p. 95.
1636:
1553:
1535:
1529:. p. 98.
1502:
1495:
1481:. p. 91.
1461:
1425:
1385:
1367:
1326:
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1188:
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1152:
1149:
1146:
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1021:
997:
979:
969:
968:
966:
963:
962:
961:
958:Roman currency
955:
947:
944:
877:
874:
763:
760:
748:Louis XII
728:Edward VI
724:Charles V
704:Attila the Hun
700:Pontius Pilate
696:Judas Iscariot
519:
516:
396:sigillographic
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3099:Portraits of
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3084:
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3077:
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3058:
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2952:Elliot Stock
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531:pars secunda
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389:
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292:
288:Adam and Eve
280:Lyon, France
264:iconographic
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752:Hippocrates
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115:Iconography
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3119:1553 books
3113:Categories
3017:January 1,
2950:. London:
2915:August 30,
2827:January 1,
2772:(3): 722.
2531:August 27,
2476:August 16,
2344:August 29,
2091:1050826580
1945:August 28,
1775:August 25,
1629:August 20,
1591:. Lublin:
1542:August 27,
1374:August 27,
1151:References
1012:et Secunda
918:mentioned
601:anno mundi
542:anno mundi
525:Prima pars
392:numismatic
376:(pictured)
296:Prima pars
284:medallions
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798:cartouche
676:Zoroaster
605:2768 and
410:that had
313:engraver
199:716696497
182:(part II)
134:Publisher
120:Biography
3011:Archived
2964:Archived
2821:Archived
2726:Archived
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2470:Archived
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2302:24229343
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1623:Archived
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708:Muhammad
688:Pericles
672:Hercules
660:Minotaur
640:Jeremiah
620:Ausonius
518:Contents
500:Piedmont
400:intaglio
268:humanist
176:(part I)
100:Spanish
93:Italian
81:Language
3076:Gallica
2960:4700578
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1978:Arthena
1723:4144020
1409:6966263
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632:Abraham
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