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some of the vibrational energy in the sounded string, with the effect that the second note is generally much quieter than the original. On a low-pitched string that is being bowed on a stopped note, say, at the halfway point of the vibrating string length, the player may left-hand flick the string immediately prior to sounding the deep-pitched open string to help the string "speak". Without the left-hand "flick", there could be a half-second delay in the sounding of the deep fundamental.
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thus, left-hand pizzicato provides a means to intersperse pizzicato notes into rapid passages of bowed notes. The string on which the note is played may be either open or stopped (fingered); the only requirement for using the technique on a stopped string is that the finger stopping the string be lower than the finger plucking the string.
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When a player switches from arco (bowing) to regular pizzicato, the player normally requires a short pause to switch his or her bowing hand into pizzicato position and pluck the string. With left-hand pizzicato, though, a string player can play a pizzicato note immediately following a bowed note;
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manner for several cycles if it is plucked with the fretting finger, because the string is being plucked in a part of the string not usually used for plucking. The result, a slight "quack" sound, may be particularly audible when the interval of the pull-off is large. This transition also consumes
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A pull-off is performed on a string which is already vibrating; when the fretting finger is pulled off (exposing the string either as open or as stopped by another fretting finger "lower" on the same string, with "lower" meaning in a position that is lower in pitch) the note playing on the string
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In a variation of the technique, often called a "flick-off", the pulling-off finger is dragged slightly across the face of the string while performing the pull-off. This results in the string being gently sounded, either by the player's finger callus or by their fretting-finger fingernail. This
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of either a fretted or unfretted instrument. This intermediate- to advanced playing technique is done using the tip of a finger or fingernail on the fretting hand. Pull-offs are done to facilitate the playing of embellishments and
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increases the volume and sustain of the pulled-off note, although the sound of the fretting finger dragging over the string may be audible on both an amplified instrument and on a brightly strung acoustic instrument.
142:. As a result, in acoustic music, pull-offs are primarily used as an embellishment. Performers of plucked instruments tend to use "pull-offs" when playing grace notes, usually in conjunction with multiple
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playing and articulation technique performed by plucking or "pulling" the finger that is grasping the sounding part of a string off the
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70:. Pull-offs may be notated in sheet music or improvised by the performer, depending on the musical style and context.
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pedals are used, which add substantial sustain to the sound. With this type of electronic gear and a powerful
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with the transition from one note to the other sounding gentler and less percussive because the string is not
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period features numerous applications of the technique to bowed string instruments such as the
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changes to the new, longer vibrating length of the string. Pull-offs are performed on both
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In the transition between the initial and final notes, the string may vibrate in an
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again by the typical picking/bowing hand to produce the sound of the second note.
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On most acoustic instruments, this means the second note has little
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A guitarist performs a mixture of pull-offs, hammer-ons, and slides.
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A succession of photos shows a pull-off being performed on guitar.
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and strumming or picking to produce a rapid, rippling effect. In
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210:. In the classical context, the term is referred to as
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178:, pull-offs can even be used to play sustained notes.
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are often performed with overdriven amplifiers and/or
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221:Left-hand pizzicato appears most prominently in
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45:contains both hammer-ons and a pull-off.
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16:Stringed instrument playing technique
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319:. Mel Bay Publications. p. 24.
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134:Acoustic versus electric instruments
98:) and unfretted instruments (e.g.,
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257:. Seeger also invented the term
249:was invented and popularized by
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255:How to Play the 5-String Banjo
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655:Guitar performance techniques
313:Erbsen, Wayne (2010-10-07).
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225:"virtuoso pieces" such as
102:). They are used to sound
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174:nearing the threshold of
316:Southern Mountain Banjo
190:Classical music of the
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74:Performance and effect
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383:Carter Family picking
291:Traum, Happy (1974).
212:left-handed pizzicato
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172:instrument amplifier
186:Left-hand pizzicato
94:instruments (e.g.,
55:stringed instrument
629:Neoclassical metal
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47:
642:
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614:Instrumental rock
508:Alternate picking
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368:Guitar techniques
227:Pablo de Sarasate
164:distortion pedals
152:heavy metal music
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634:Progressive rock
494:Guitar shredding
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403:Guitar harmonics
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293:Bluegrass Guitar
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156:electric guitars
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553:Tremolo picking
538:String skipping
513:Economy picking
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231:Zigeunerweisen
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160:guitar effects
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563:Pick tapping
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253:in his book
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235:24th Caprice
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624:Jazz fusion
609:Heavy metal
599:Power metal
398:Fingerstyle
251:Pete Seeger
208:double bass
168:compression
104:grace notes
68:grace notes
59:fingerboard
518:Hammer-ons
501:Techniques
438:Ska stroke
423:Pick slide
144:hammer-ons
127:inharmonic
33:variation
604:Hard rock
584:Bluegrass
579:Classical
533:Pull-offs
433:Rasgueado
413:Palm mute
408:Hammer-on
273:Hammer-on
260:hammer-on
245:The term
241:Etymology
64:ornaments
649:Category
594:Flamenco
428:Pull-off
388:Chanking
295:, p.25.
267:See also
247:pull-off
176:feedback
162:such as
66:such as
51:pull-off
589:Country
548:Tapping
443:Tapping
418:Picking
279:Sources
140:sustain
92:fretted
572:Genres
528:Legato
372:strums
323:
299:
223:violin
206:, and
196:violin
108:picked
100:violin
204:cello
200:viola
112:bowed
53:is a
31:major
24:G run
619:Jazz
393:Chop
370:and
321:ISBN
297:ISBN
166:and
150:and
148:rock
39:Play
229:'s
110:or
26:in
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49:A
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28:G
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