463:
With this band, he stops to consider heritage. And at a time when rock 'n' roll was young to begin with.... Interestingly, Garcia does not dominate all the jams here. The baton gets passed around frequently from guitar to horns to keyboards, and the game of musical chairs is executed skillfully, with leads chasing leads, and one instrument following the other. Hand-offs are exchanged generously and gracefully, with a true sense of musical conversation. The thrill of this release is in listening to the interplay, because that's where all the action is."
29:
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delivers the soul with his organ and singing, and Kahn's bass and
Humphrey's drums are steady. It is evident that Jerry loved playing in his side projects as much as he loved to play with the Grateful Dead. The mood is so relaxed and one can almost hear the glasses clinking at the bar, but the music delivers the
462:
On
Jambands.com, Benjy Eisen said, "Like most of his collaborations with the encyclopedic Merl Saunders, this particular Garcia project draws from the music that gave birth to rock n' roll, and really becomes a musical revue in that sense. With the Grateful Dead, Garcia forged new musical boundaries.
470:
magazine, Susan J. Weiand wrote, "Martin Fierro's tasteful contributions on sax and flute are clear and true, and combined with the playing of the unnamed trumpet player add so much texture to the songs. Jerry's voice sounds fresh and youthful, his playing inspired and energetic, while Merl really
28:
451:, and rock selections.... Not surprisingly, the end result of such improvisational mayhem could be a hit-and-miss affair, but for whatever reason, September 1, 1974 yielded a truly awesome, mind-blowing experience, one that rivaled the
1309:
209:
416:, Lindsay Planer wrote, "Within this context, Garcia's predilection and underrated jazz leanings are given plenty of room for some stretched-out exploratory excursions.... For the inclined, 2004's
427:, John Metzger wrote, "Granted, the set lists employed by any of the Garcia-Saunders projects didn't vary tremendously from one show to the next, and each was peppered with an organic blend of
459:
series amounts to being a whirlwind tour de force that far and away surpasses not only the entirety of Jerry Garcia's solo canon, but also many of the
Grateful Dead's own releases."
227:
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306:. Released in August 2005, it contains selections from various concerts, recorded from December 1974 to July 1975, on two CDs. A second LOM album is
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is a no-brainer, while the faithful might liken it unto aural manna for the masses. Curious parties won't leave disappointed, either."
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is a three-CD live album by the Jerry Garcia and Merl
Saunders Band. It contains the complete concert performed at the
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296:. However, later research showed that the name Legion of Mary was only used from December 1974 to July 1975, after
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on drums. At this show, a trumpet player whose identity is no longer known sat in on some of the songs.
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Pure Jerry: Marin
Veterans Memorial Auditorium, San Rafael, California, February 28, 1986
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Pure Jerry: Lunt-Fontanne, New York City, The Best of the Rest, October 15–30, 1987
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replaced Paul
Humphrey as the band's drummer. A recording by that band is
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series of archival concert albums, it was released on
December 28, 2004.
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455:'s own astonishing sojourns.... In essence, the fourth chapter in the
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at the
Grateful Dead Family Discography. Retrieved March 30, 2013.
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Pure Jerry: Merriweather Post
Pavilion, September 1 & 2, 1989
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639:"Keystone Jam" (Jerry Garcia and Merl Saunders Band) – 15:16
826:
DeadBase XI: The
Complete Guide to Grateful Dead Song Lists
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436:
1392:
Well-Matched: The Best of Merl Saunders & Jerry Garcia
475:
fix that Deadheads and other fans can really appreciate."
16:
2004 live album by Jerry Garcia and Merl Saunders Band
1158:
Keystone Companions: The Complete 1973 Fantasy Recordings
828:. Cornish, New Hampshire: DeadBase. pp. 403–405.
824:
Scott, John W.; Dolgushkin, Mike; Nixon, Stu (1999).
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Legion of Mary: The Jerry Garcia Collection, Vol. 1
864:
Legion of Mary: The Jerry Garcia Collection, Vol. 1
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Legion of Mary: The Jerry Garcia Collection, Vol. 1
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Legion of Mary: The Jerry Garcia Collection, Vol. 1
186:
Legion of Mary: The Jerry Garcia Collection, Vol. 1
142:
Legion of Mary: The Jerry Garcia Collection, Vol. 1
793:Pure Jerry 4: Keystone Berkeley, September 1, 1974
489:"Neighbor, Neighbor" (Alton Joseph Valier) – 8:46
1500:
1151:Pure Jerry: Keystone Berkeley, September 1, 1974
811:Pure Jerry: Keystone Berkeley, September 1, 1974
767:Pure Jerry: Keystone Berkeley, September 1, 1974
418:Pure Jerry: Keystone Berkeley, September 1, 1974
248:Pure Jerry: Keystone Berkeley, September 1, 1974
219:Pure Jerry: Keystone Berkeley, September 1, 1974
177:Pure Jerry: Keystone Berkeley, September 1, 1974
133:Pure Jerry: Keystone Berkeley, September 1, 1974
22:Pure Jerry: Keystone Berkeley, September 1, 1974
629:"Wondering Why" (Saunders, Pam Carrier) – 15:53
292:Some earlier sources referred to this band as
1371:All Good Things: Jerry Garcia Studio Sessions
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611:"Soul Roach" (Saunders, Ray Shanklin) – 10:32
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113:Merl Saunders and Jerry Garcia chronology
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848:Jackson, Blair (2005). Liner notes for
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702:mystery artist – trumpet on some tracks
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898:Keystone Berkeley – September 1, 1974
895:Weiand, Susan J. (January 28, 2005).
325:
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1335:Mother McCree's Uptown Jug Champions
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905:magazine. Retrieved March 30, 2013.
651:The Night They Drove Old Dixie Down
41:Jerry Garcia and Merl Saunders Band
13:
632:"People Make the World Go Round" (
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880:Eisen, Benjy (February 4, 2005).
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790:Metzger, John (February 2005).
883:Pure Jerry: Keystone, Berkeley
740:Album coordination: Jeff Adams
734:Second engineer: Robert Gatley
687:– saxophone, flute, percussion
1:
1414:New Riders of the Purple Sage
1385:The Very Best of Jerry Garcia
744:
706:
267:Pure Jerry: Keystone Berkeley
1063:Jerry Garcia / David Grisman
800:. Retrieved March 30, 2013.
725:Research, tape compilation:
666:
661:
7:
871:. Retrieved March 30, 2013.
774:. Retrieved March 30, 2013.
507:, Guillermo Bright) – 12:50
10:
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1439:Jerry Garcia Acoustic Band
1204:Jerry Garcia Acoustic Band
1105:Been All Around This World
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309:Garcia Live Volume Three
281:on saxophone and flute,
159:Merl Saunders chronology
1327:Pre-Grateful Dead bands
1172:Garcia Live Volume Nine
636:, Linda Epstein) – 3:43
199:Jerry Garcia chronology
1241:Side Trips, Volume One
1165:Garcia Live Volume Six
273:on guitar and vocals,
1317:Garcia Live Volume 14
1193:Garcia Live Volume 18
1186:Garcia Live Volume 15
1179:Garcia Live Volume 12
584:I Second That Emotion
1514:Merl Saunders albums
1419:Old & In the Way
721:Betty Cantor-Jackson
712:Executive producer:
577:The Harder They Come
512:Antônio Carlos Jobim
503:"Sitting in Limbo" (
321:Professional ratings
257:Berkeley, California
71:Berkeley, California
1509:Jerry Garcia albums
681:– keyboards, vocals
322:
1378:Garcia Plays Dylan
731:Engineer: Tom Flye
599:Going, Going, Gone
320:
316:Critical reception
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1429:Jerry Garcia Band
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1114:
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1070:Not for Kids Only
986:Run for the Roses
764:Planer, Lindsay.
714:Christopher Sabec
642:"It's Too Late" (
601:" (Dylan) – 14:25
579:" (Cliff) – 13:21
540:Lightnin' Hopkins
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58:September 1, 1974
50:December 28, 2004
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1448:Related articles
1220:Ragged but Right
1144:Keystone Encores
1137:Live at Keystone
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547:Jimmy McCracklin
538:"Someday Baby" (
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798:The Music Box
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697:Paul Humphrey
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685:Martin Fierro
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494:Merl Saunders
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479:Track listing
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453:Grateful Dead
450:
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438:
435:-germinated,
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425:The Music Box
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379:
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376:The Music Box
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329:
326:Review scores
324:
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299:
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287:Paul Humphrey
285:on bass, and
284:
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279:Martin Fierro
276:
275:Merl Saunders
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1363:Compilations
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1287:
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1239:
1232:Howard Wales
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1042:Fire Up Plus
1040:
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943:Jerry Garcia
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673:Jerry Garcia
644:Chuck Willis
620:Sam Phillips
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592:Al Cleveland
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124:Fire Up Plus
122:
67:The Keystone
1455:Discography
1119:Live albums
1077:Shady Grove
979:Reflections
972:Compliments
719:Recording:
505:Jimmy Cliff
492:"Keepers" (
1503:Categories
1007:Hooteroll?
745:References
707:Production
558:Roadrunner
510:"Favela" (
473:Pure Jerry
457:Pure Jerry
261:Pure Jerry
108:Jerry Made
37:Live album
1465:John Kahn
1342:Folk Time
1301:John Kahn
691:John Kahn
667:Musicians
662:Personnel
634:Thom Bell
626:) – 12:51
594:) – 14:35
572:) – 10:15
545:"Think" (
528:) – 22:43
524:"La La" (
519:Bob Dylan
514:) – 13:40
500:) – 11:15
498:John Kahn
431:-penned,
429:Bob Dylan
283:John Kahn
269:features
1488:Category
869:Allmusic
772:Allmusic
657:) – 6:26
646:) – 8:55
553:) – 7:09
542:) – 9:52
521:) – 7:14
414:Allmusic
340:Allmusic
298:Ron Tutt
253:Keystone
55:Recorded
47:Released
39: by
1084:So What
1035:Fire Up
699:– drums
232:(2005)
223:(2004)
214:(2004)
190:(2005)
181:(2004)
172:(2004)
146:(2005)
137:(2004)
128:(1992)
965:Garcia
832:
693:– bass
606:Disc 3
533:Disc 2
484:Disc 1
449:reggae
433:Motown
334:Rating
331:Source
87:Length
1470:Tiger
1402:Bands
1299:With
1251:With
1230:With
1126:With
1052:With
1017:With
996:With
903:Glide
653:" – (
468:Glide
441:blues
104:Label
78:Genre
63:Venue
957:Solo
830:ISBN
560:" (
445:funk
437:jazz
82:Rock
867:at
770:at
618:" (
586:" (
466:In
423:In
412:On
255:in
92:220
1505::
901:,
796:,
779:^
753:^
622:,
590:,
568:,
564:,
549:,
496:,
447:,
443:,
439:,
96:17
935:e
928:t
921:v
852:.
838:.
649:"
614:"
597:"
582:"
575:"
556:"
94::
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