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Purple Haze

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522:, that expanded on a short story published in 1957. In the story set on a distant planet, sunspots produce a "purplish haze" which has a disorienting effect on the inhabitants. An early handwritten draft by Hendrix, titled "Purple Haze – Jesus Saves", uses dream-like imagery where the sense of direction and time is distorted. In an interview on January 28, 1967, before the song was completed, Hendrix was asked how he wrote songs; he responded, "I dream a lot and I put my dreams down as songs. I wrote one called 'First Look Around the Corner' and another called 'The Purple Haze,' which was about a dream I had that I was walking under the sea." He later expressed frustration that he was unable to more fully develop his ideas for the song: 470:, who, as a sound engineer, played an important role in subsequent Hendrix recordings. Hendrix added new vocals and guitar parts between February 3 and 8, 1967. Unlike the conventional techniques used by the Experience to record previous songs, Chandler decided to try out new effects and sounds for "Purple Haze". He enhanced background sounds (some contributed by Redding) by playing them back through headphones, which were moved around the recording microphone, creating "a weird echo". Chandler also used sped-up guitar parts recorded at half-speed (which also raises the 750: 593: 495: 6050: 4943: 741:(ips) played back at 15 ips, is combined with the Octavia, further extending the guitar's upper frequency range. Henderson describes it as "an uncanny piercing tone that takes off, Eastern-sounding beyond the range of the guitar" and, according to Shadwick, "gives the impression that the guitar notes are flying off into the ether." 611: 38: 526:
You know the song we had named 'Purple Haze'? had about a thousand, thousand words ... I had it all written out. It was about going through, through this land. This mythical ... because that's what I like to do is write a lot of mythical scenes. You know, like the history of the wars on
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With 'Purple Haze', Hendrix and I were striving for a sound and just kept going back in , two hours at a time, trying to achieve it. It wasn't like we were there for days on end. We recorded it, and then Hendrix and I would be sitting at home saying, 'Let's try that.' Then we would go in for an hour
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and the song, although Shapiro admits that, at the time, to do so would have been "professional suicide". Chandler, who claimed he was present when Hendrix wrote it, later denied suggestions that Hendrix did so while under the influence of psychedelics. Commenting on the lyrics, Shadwick concludes
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describes Hendrix's guitar tone as "at the razor edge of distort". However, individual notes are still clear, as well as the harmonically more complex chords, even with the use of extreme overdrive for the time. The tension is maintained until the guitar solo, which "arrives as something of a
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and does not include any of the lyrics used in the Experience song. Chandler admitted that in the early stages, he helped Hendrix shape the songs and lyrics to radio single length. Biographer Keith Shadwick comments that although much of the complexity may have been sacrificed, it resulted in
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and recorded by several groups prior to the Experience. Hendrix commented, "That record isn't us. The next one's gonna be different. We're working on an LP which will mainly be our stuff." The group recorded several demos of original material at studios in London, including "Can You See Me",
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After its release, Hendrix offered another explanation: "He likes this girl so much, that he doesn't know what he's in, ya know. A sort of daze, I suppose. That's what the song is all about." This draws on an experience Hendrix had while still in New York, where he felt that a girl was
428:" Chandler claimed that after some more urging, Hendrix wrote the rest of "Purple Haze" in the dressing room of a London club during the afternoon of December 26, 1966, before a gig. In several interviews, Hendrix spoke about writing the song, but did not mention where or when he wrote it. 443:
learned the song in the studio: "Hendrix came in and kind of hummed us the riff and showed Noel the chords and the changes. I listened to it and we went, 'OK, let's do it.' We got it on the third take as I recall." The basic track was recorded in four hours, according to Chandler.
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magazine's "100 Greatest Guitar Songs of All Time" list, which noted that the song "unveiled a new guitar language charged with spiritual hunger and the poetry possible in electricity and studio technology". It also appeared at number 17 on the magazine's
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on guitar against an E played by Redding on bass, followed by the respective octaves. Mitchell on drums comes in for the third measure, when Hendrix introduces the riff that piqued Chandler's interest, and Redding continues playing the octaves in E.
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Redding and Mitchell were not included in the process because Chandler felt that it was more efficient for him and Hendrix to do it alone. To get a better quality recording, Chandler took the four-track tape recorded at De Lane Lea to
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Music critic William Ruhlmann describes "Purple Haze" as having "relentlessly driving, if relatively slow-paced underlying music, which provides a good platform for some of Hendrix's inventive guitar playing". Beginning with its
602: 565:"the music to tell the larger story. Poised effectively between the twin intoxicants of drugs and desire, they could be interpreted to the listener's taste". In concert, Hendrix sometimes substituted lyrics for comic effect; 610: 1326:
for the festival, which he dubbed "Monterey Purple". Although some connected it to "Purple Haze", Stanley disliked the association, feeling that it was "far from inducing haze, would confer upon the user preternatural
1305:", recorded in April 1967 and included as the title track for the Experience's debut album, includes a reference to walking under the sea: "We'll hold hands and then we'll watch the sunrise, from the bottom of the sea". 511:
points out that "Purple Haze" is most likely "a pot-pourri of ideas" which Hendrix developed over time. As a fan of science fiction, he frequently incorporated its imagery in his songwriting. Hendrix read
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in San Francisco, one of the pioneers of the "underground" or progressive radio formats in the US, began playing an acetate pressing of the song before it was released by Track Records in the UK.
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Hot 100, which was two positions higher than Hendrix' single in 1967. In Canada, where Hendrix's single did not reach the charts, Dion's version reached number 72. Also with a new arrangement,
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There are conflicting dates given for the Track single release of "Purple Haze". Shapiro, Roby, and the Jimi Hendrix Encyclopedia list the date as March 17, 1967; McDermott uses March 1, 1967.
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There are also conflicting dates for the Reprise single release. Shapiro, Roby, and Shadwick list it as June 19, 1967; McDermott uses August 16, 1967, one week before the American release of
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technology allowed engineers to record and complete additional parts on the final master. After the basic track was finished, Chandler explained that he and Hendrix developed the song:
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and then he goes right into the blues side. The Octavia has the effect of a sitar, kind of like Ravi Shankar meets B.B. King." During the song's outro, the guitar part recorded at 7½
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and a mix of blues and Eastern modalities, shaped by novel sound processing techniques. Because of ambiguities in the lyrics, listeners often interpret the song as referring to a
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heard Hendrix toying around with a new guitar riff. "I heard him playing it at the flat and was knocked out. I told him to keep working on that, saying, 'That's the next single!
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before Hendrix helped popularize it. He also used an unconventional fingering technique for the G and A chords. Because Hendrix used his thumb to fret the
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pop chart on August 26, where it spent eight weeks and reached number 65. "Purple Haze" was included as the opening track on the American release of
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or two. That's how it was in those days. However long it took to record one specific idea, that's how long we would book. We kept going in and out.
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Many fans and the press interpret the song as referring to a psychedelic experience due to lines such as "purple haze all in my brain" and
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developed the unit with input from Hendrix. The Octavia doubles the frequency of the sound it is fed, essentially adding an upper octave.
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2000 box set. Live recordings of "Purple Haze" as performed by each of the different Hendrix lineups have been released. These include
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Track Records marked on the box with master tape sent to Reprise Records for its remastering, "DELIBERATE DISTORTION. DO NOT CORRECT."
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named the song to its list of the "100 Most Important American Musical Works of the 20th Century" in 2000. In 2000, it was given a
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release rather than a further racking up of the atmosphere." It is also when Hendrix first introduces the Octavia, coupled with a
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distortion unit. Whitehill describes the solo as "almost sound likes he's playing a blues raga. He starts out playing in the
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After the riff, the verse sections begin, which Shadwick describe as "simplicity itself, consisting of just three chords": E7
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9, or dominant seventh sharp ninth chord, has come to be called the "Hendrix chord" by guitarists and was used primarily in
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ranked "Purple Haze" at number one in its list of the "100 Greatest Guitar Tracks Ever!" The song placed at number two on
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on March 17, 1967, in the United Kingdom. The song features his inventive guitar playing, which uses the signature
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One of Hendrix's most popular songs, "Purple Haze" appears on numerous compilation albums. Some of these include
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Many musicians have recorded their interpretations of the song, making it one of Hendrix's most covered songs.
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alternative rock chart. "Purple Haze" has achieved an unusual level of interest among classical musicians. The
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In interviews, Hendrix usually gave different answers about the development of the song's lyrics. Biographer
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of the G and A chords on the sixth string, his fingers were left in a position to create different chord
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to trap him and he became ill. Shapiro believes that this is reflected in most of the first two verses:
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ranked the song number one on their list of the 20 greatest Jimi Hendrix songs, and in 2021,
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So far, only a crumpled single sheet of ruled yellow tablet paper is on exhibit at the
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and is included on lists of the greatest guitar songs, including at number two by
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ranked the song number two on their list of the 10 greatest Jimi Hendrix songs.
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awarded "Purple Haze" its Gold certification, signifying sales of over 400,000.
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On March 17, 1967, "Purple Haze" was released in the UK as the first single on
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Three months after the UK single release, the Experience performed at the
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Historic Performances Recorded at the Monterey International Pop Festival
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Supremely American: Popular Song in the 20th Century: Styles and Singers
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to create novel effects. The guitar solo features the first use of the
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magazine. In 2004 and 2010, the former ranked it at number 17 on its “
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included an acoustic version with strings on his 1968 comeback album
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The Experience began recording "Purple Haze" on January 11, 1967, at
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Am I happy or in misery, whatever it is that girl put a spell on me
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The Heart of Rock & Soul: The 1001 Greatest Singles Ever Made
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By January 5, 1967, the Jimi Hendrix Experience's first single, "
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Hendrix on Hendrix: Interviews and Encounters with Jimi Hendrix
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Experience Hendrix: The Best of Jimi Hendrix Transcribed Scores
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The phrase "purple haze" appears in literature, including in
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Notes: indicates a re-release, indicates a live recording
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Purple haze all around, don't know if I'm coming up or down
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guitar effects unit. Acoustical and electronics engineer
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on August 23, 1967. Because of the song's airplay on
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Songs for Groovy Children: The Fillmore East Concerts
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Sales+streaming figures based on certification alone.
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Joel Whitburn Presents: Across The Charts The 1960s
917:. Live performances were also broadcast on German 875:-influenced "51st Anniversary" was included as the 4573:West Coast Seattle Boy: The Jimi Hendrix Anthology 3051: 2894: 2863: 2696: 2246: 2240: 2228: 2162: 1667: 1650: 1638: 1623: 1611: 1535: 1520: 1496: 1461: 1434: 1419: 1388: 1196: 889:. The single entered the charts at number 39 on 6066: 4566:Martin Scorsese Presents the Blues: Jimi Hendrix 4461:Soundtrack Recordings from the Film Jimi Hendrix 2678:(1st. Trade Paperback ed.). New York City: 536:verses that are "simple, focused and striking". 3021: 2836: 2138: 2109: 1952: 1916: 1864: 1767: 1567: 1550: 1455: 1382: 1155:in 1993. Their rendition reached number two on 3155: 2818:(1st. Da Capo Press ed.). New York City: 2473:"Jimi Hendrix's 20 greatest songs of all time" 2444:"Grammy Hall of Fame Awards – Past Recipients" 1976: 5233: 4973: 4078: 3207: 2950: 2929:Black Gold: The Lost Archives of Jimi Hendrix 2648: 2264: 2201: 1704: 569:'scuse me while I kiss the sky" was rendered 4538:Experience Hendrix: The Best of Jimi Hendrix 3546:The Stars That Play with Laughing Sam's Dice 3003:(1st. ed.). San Francisco, California: 1174:have recorded their interpretations and the 1075: 1007:Experience Hendrix: The Best of Jimi Hendrix 489: 3160:. Milwaukee, Wisconsin: Bella Godiva Music/ 3111:. Milwaukee, Wisconsin: Bella Godiva Music/ 3106: 2716: 1964: 1928: 1904: 1887: 1790: 1788: 1786: 1784: 1782: 1780: 1778: 1776: 1110:'s "500 Songs That Shaped Rock and Roll". 713:(G–X–G–G–D–G) is sometimes played with the 390: 5240: 5226: 4980: 4966: 4369:Blue Wild Angel: Live at the Isle of Wight 4085: 4071: 3214: 3200: 36: 16:1967 single by the Jimi Hendrix Experience 6120:Song recordings produced by Chas Chandler 4552:Voodoo Child: The Jimi Hendrix Collection 4411:Machine Gun: The Fillmore East First Show 2739: 1988: 1940: 1742:"Jimi Hendrix "Purple Haze' Lyrics, 1966" 1013:Voodoo Child: The Jimi Hendrix Collection 4739:Power of Soul: A Tribute to Jimi Hendrix 3129: 2998: 2876:(1st. ed.). Boston, Massachusetts: 2213: 2126: 1773: 1596: 1508: 748: 493: 2765: 2526: 2470: 2313:"100 Greatest Guitar Songs of All Time" 1728: 1716: 1269: 1267: 6067: 5974:Perfect as Cats: A Tribute to The Cure 5520:Standing on a Beach/Staring at the Sea 3958:" / "Calling All the Devil's Children" 3187:"Purple Haze" (official audio) on Vevo 3076: 2951:Roby, Steven; Schreiber, Brad (2010). 1825: 1318:on June 18, 1967. Underground chemist 744: 5221: 4961: 4725:Stone Free: A Tribute to Jimi Hendrix 4496:Live & Unreleased: The Radio Show 4475:The Essential Jimi Hendrix Volume Two 4066: 3945:Can You Please Crawl Out Your Window? 3195: 3156:Whitehill, Dave; Rubin, Dave (1992). 2810: 2788: 2667: 2498: 2385:"500 Songs That Shaped Rock and Roll" 2371: 2028:"Jimi Hendrix: Singles 'Purple Haze'" 1849: 1837: 1673: 1152:Stone Free: A Tribute to Jimi Hendrix 1149:recorded it for the various artist's 346:and released as the second single by 6105:Grammy Hall of Fame Award recipients 3049: 2975: 2925: 2843:Hendrix: Setting the Record Straight 2345:"The 500 Greatest Songs of All Time" 2252: 2150: 1794: 1467: 1407: 1264: 871:. Another Hendrix composition, the 775: 291:Experience US singles chronology 245:Experience UK singles chronology 2471:Whatley, Jack (November 27, 2020). 1102:called it the "debut single of the 13: 3079:"Electric Kool-Aid Marketing Trip" 3077:Walker, Michael (March 18, 2011). 2703:JimiHendrix.com (official website) 2651:Jimi Hendrix: Experience the Music 2499:Uitti, Jacob (November 27, 2021). 2278:"100 Greatest Guitar Tracks Ever!" 591: 385:The 500 Greatest Songs of All Time 14: 6146: 6090:The Jimi Hendrix Experience songs 4580:Fire: The Jimi Hendrix Collection 4510:Lifelines: The Jimi Hendrix Story 4432:Los Angeles Forum: April 26, 1969 3956:Come On (Let the Good Times Roll) 3180: 1181: 42:West German single picture sleeve 6049: 6048: 4987: 4942: 4941: 4197:First Rays of the New Rising Sun 4092: 3107:Wheeler, Tom; Gore, Joe (1992). 2353:. No. 963. December 9, 2004 2241:McDermott, Kramer & Cox 2009 2229:McDermott, Kramer & Cox 2009 2163:McDermott, Kramer & Cox 2009 1668:McDermott, Cox & Kramer 1995 1651:McDermott, Kramer & Cox 2009 1639:McDermott, Kramer & Cox 2009 1624:McDermott, Kramer & Cox 2009 1612:McDermott, Cox & Kramer 1995 1536:McDermott, Kramer & Cox 2009 1521:McDermott, Kramer & Cox 2009 1497:McDermott, Kramer & Cox 2009 1435:McDermott, Kramer & Cox 2009 1207: 625:Problems playing this file? See 607: 503:advertisement, September 9, 1967 435:in London. According to drummer 6130:American psychedelic rock songs 4897:Canadian drug charges and trial 4796:Jimmy James and the Blue Flames 4661:Live in Paris & Ottawa 1968 2649:Belmo; Loveless, Steve (1998). 2582: 2555: 2520: 2492: 2464: 2436: 2409: 2377: 2337: 2305: 2270: 2168: 2072: 2046: 2020: 1994: 1734: 1352: 1339: 1330: 1308: 1295: 1276: 4902:Handel & Hendrix in London 2802:. Universal City, California: 1473: 1096:500 Greatest Songs of All Time 584: 1: 6080:Songs written by Jimi Hendrix 4633:Paris 1967/San Francisco 1968 4404:Freedom: Atlanta Pop Festival 2676:: A Biography of Jimi Hendrix 2625:British Phonographic Industry 2601:. January 4, 1969. p. 32 2181:British Phonographic Industry 1422:, Entry for March 17th, 1967. 1367: 933:British Phonographic Industry 5630:Jumping Someone Else's Train 5247: 5148:I'm Your Hoochie Coochie Man 4598:Live at the Oakland Coliseum 3949:Burning of the Midnight Lamp 3607:Burning of the Midnight Lamp 3542:Burning of the Midnight Lamp 3321:Burning of the Midnight Lamp 3109:Fuzz, Feedback & Wah-Wah 3028:Jimi Hendrix: Electric Gypsy 2286:. March 2005. Archived from 2080:"'Purple Haze' Jimi Hendrix" 1322:had made a special batch of 1178:often play it as an encore. 21:Purple Haze (disambiguation) 7: 4801:The Jimi Hendrix Experience 4647:Live at the Isle of Fehmarn 4545:The Jimi Hendrix Experience 2800:The Jimi Hendrix Experience 2747:(Bantam 10/1981 ed.). 2699:"Jimi Hendrix Encyclopedia" 2697:Experience Hendrix (2012). 2501:"Top 10 Jimi Hendrix Songs" 2139:McDermott & Kramer 1992 2110:Shapiro & Glebbeek 1990 1953:Shapiro & Glebbeek 1990 1917:Shapiro & Glebbeek 1990 1865:Shapiro & Glebbeek 1990 1768:Shapiro & Glebbeek 1990 1568:Shapiro & Glebbeek 1990 1551:McDermott & Kramer 1992 1487:did not list running times) 1456:Shapiro & Glebbeek 1990 1383:Shapiro & Glebbeek 1990 1241: 1025:The Jimi Hendrix Experience 348:the Jimi Hendrix Experience 53:the Jimi Hendrix Experience 10: 6151: 4626:Baggy's Rehearsal Sessions 4468:The Essential Jimi Hendrix 3050:Tawa, Nicholas E. (2005). 3025:; Glebbeek, Cesar (1990). 2641: 2390:Rock and Roll Hall of Fame 1977:Whitehill & Rubin 1992 1747:Rock and Roll Hall of Fame 1108:Rock and Roll Hall of Fame 1040:(Gypsy Sun and Rainbows), 977:The Essential Jimi Hendrix 705:. Instead of the usual G 533:Rock and Roll Hall of Fame 18: 6044: 6020:Siouxsie and the Banshees 5948: 5927: 5895: 5877: 5607: 5575: 5550: 5497: 5451: 5393:Kiss Me, Kiss Me, Kiss Me 5342: 5255: 5199: 5183:And the Night Stood Still 5062: 4995: 4937: 4869: 4776: 4753:An Illustrated Experience 4700: 4684: 4589: 4441: 4355:Live at the Fillmore East 4285:The Jimi Hendrix Concerts 4234: 4132: 4100: 4053: 4031: 4009: 3965: 3936: 3896: 3864: 3842: 3820: 3808: 3755: 3733: 3711: 3689: 3648: 3616: 3577: 3555: 3511: 3489: 3477: 3451: 3418: 3381: 3363: 3341: 3297: 3242: 3230: 2265:Belmo & Loveless 1998 2202:Roby & Schreiber 2010 1705:Roby & Schreiber 2010 1230: 1215: 1204: 1193: 1190: 1116:Grammy Hall of Fame Award 1076:Recognition and influence 1043:Live at the Fillmore East 950:. The single entered the 938:For the American single, 849: 833: 819: 805: 791: 781: 774: 771: 768: 639:opening and heavy use of 490:Lyrics and interpretation 332: 295: 290: 286: 249: 244: 230: 216: 193: 177: 142: 119: 104: 81: 58: 47: 35: 30: 6125:American hard rock songs 5169:Abraham, Martin and John 4605:Live at Clark University 4133:Posthumous studio albums 3996:The Star-Spangled Banner 3851:The Star-Spangled Banner 3781:All Along the Watchtower 3639:All Along the Watchtower 3564:All Along the Watchtower 3405:The Star-Spangled Banner 3317:All Along the Watchtower 2999:Shadwick, Keith (2003). 2770:. Milwaukee, Wisconsin: 2768:Jimi Hendrix: The Lyrics 2721:. Milwaukee, Wisconsin: 1253: 414:Third Stone from the Sun 391:Background and recording 87:March 17, 1967 6100:Reprise Records singles 5935:The Cure: 'Reflections' 4924:Unfinished fourth album 4767:Jimi: All Is by My Side 4517:The Ultimate Experience 4503:Cornerstones: 1967–1970 4218:People, Hell and Angels 3889:" / "12 Bar with Horns" 3875:" / "Cat Talkin' to Me" 2766:Hendrix, Janie (2003). 1965:Wheeler & Gore 1992 1905:Wheeler & Gore 1992 1420:Experience Hendrix 2012 1001:The Ultimate Experience 995:Cornerstones: 1967–1970 342:" is a song written by 68:"51st Anniversary" (UK) 5460:Concert: The Cure Live 5039:Return of the Wanderer 4882:Posthumous discography 4612:Morning Symphony Ideas 4559:The Singles Collection 4334:Live Isle of Wight '70 4101:Original studio albums 3718:Hear My Train A Comin' 3597:Let Me Light Your Fire 3162:Hal Leonard Publishing 3113:Hal Leonard Publishing 3001:Jimi Hendrix: Musician 2874:Jimi Hendrix: Sessions 2393:. 1995. Archived from 2321:. 2003. Archived from 1168:Hampton String Quartet 1164:Meridian Arts Ensemble 1046:(Band of Gypsys), and 1019:The Singles Collection 942:paired the song with " 760: 596: 554: 529: 504: 455: 356:psychedelic experience 6095:Track Records singles 5940:Shows of a Lost World 5442:Songs of a Lost World 5134:Donna the Prima Donna 5018:Suite for Late Summer 4929:Death of Jimi Hendrix 4912:Electric Lady Studios 4760:Becoming Jimi Hendrix 4225:Both Sides of the Sky 3568:Long Hot Summer Night 3158:Octavia & Univibe 2976:Roby, Steven (2012). 2954:Becoming Jimi Hendrix 2926:Roby, Steven (2002). 1316:Monterey Pop Festival 1062:number 49 album) and 948:Monterey Pop Festival 752: 595: 546: 524: 497: 450: 5886:10:15 Saturday Night 5833:The End of the World 5598:Hypnagogic States EP 5386:The Head on the Door 5351:Three Imaginary Boys 4877:Original discography 4746:Room Full of Mirrors 4692:The Cry of Love Tour 4183:Nine to the Universe 3927:Spanish Castle Magic 3923:Like a Rolling Stone 3746:Are You Experienced? 2982:Chicago Review Press 2798:(CD reissue notes). 2717:Hal Leonard (1998). 2674:Room Full of Mirrors 1303:Are You Experienced? 963:underground FM radio 895:and at number 43 on 782:Austria (Hitparade) 764:1967 singles charts 683:9, G, and A. The E7 446:Multitrack recording 19:For other uses, see 5854:Sleep When I'm Dead 5707:Why Can't I Be You? 5651:Charlotte Sometimes 5025:Born to Be with You 4907:Fender Stratocaster 4292:Jimi Plays Monterey 4271:Hendrix in the West 4109:Are You Experienced 3724:(solo acoustic) / " 3531:The Wind Cries Mary 3438:The Wind Cries Mary 3277:The Wind Cries Mary 3225:singles discography 2795:Are You Experienced 2528:Unterberger, Richie 2506:American Songwriter 2267:, pp. 399–412. 2153:, pp. 215–216. 2032:Offiziellecharts.de 1919:, pp. 146–148. 1795:Ruhlmann, William. 1347:Are You Experienced 1187: 1127:American Songwriter 959:Are You Experienced 944:The Wind Cries Mary 765: 756:Are You Experienced 745:Releases and charts 617:17 seconds of intro 433:De Lane Lea Studios 369:Grammy Hall of Fame 361:Are You Experienced 274:The Wind Cries Mary 73:The Wind Cries Mary 6110:Dion DiMucci songs 6005:The Magazine Spies 5904:The Cure in Orange 5805:Strange Attraction 5777:Friday I'm in Love 5742:Fascination Street 5658:The Hanging Garden 5488:Bestival Live 2011 4531:South Saturn Delta 4397:Miami Pop Festival 4313:Live at Winterland 4211:Valleys of Neptune 4204:South Saturn Delta 4176:Midnight Lightning 4116:Axis: Bold as Love 3873:Valleys of Neptune 3033:St. Martin's Press 2590:"Cash Box - Japan" 2290:on August 10, 2020 1301:The Hendrix song " 1289:Great Expectations 1186: 1160:Modern Rock Tracks 1072:number 39 album). 1065:Miami Pop Festival 1034:(the Experience), 763: 761: 709:(G–D–G–B–D–G), a G 665:diabolus in musica 655:(sometimes called 597: 540:attempting to use 520:Philip José Farmer 518:, a 1966 novel by 505: 377:and number one by 113:February 3–8, 1967 98:June 19, 1967 (US) 6062: 6061: 5784:A Letter to Elise 5584:The Peel Sessions 5513:Japanese Whispers 5358:Seventeen Seconds 5215: 5214: 5092:Lovers Who Wander 5053:Son of Skip James 5011:Lovers Who Wander 4955: 4954: 4791:Lonnie Youngblood 4590:Official bootlegs 4482:The Singles Album 4362:Live at Woodstock 4123:Electric Ladyland 4060: 4059: 4049: 4048: 3887:Love or Confusion 3833:Night Bird Flying 3804: 3803: 3764:Crosstown Traffic 3661:Night Bird Flying 3586:Crosstown Traffic 3473: 3472: 3328:Crosstown Traffic 3306:Up from the Skies 3148:978-0-89820-175-8 3031:. New York City: 2991:978-1-61374-322-5 2968:978-0-306-81910-0 2932:. New York City: 2918:978-0-87930-938-1 2907:. New York City: 2895:McDermott, John; 2864:McDermott, John; 2845:. New York City: 2837:McDermott, John; 2732:978-0-7935-9144-2 2669:Cross, Charles R. 2165:, pp. 40–41. 2006:austriancharts.at 1641:, pp. 35–36. 1523:, pp. 27–29. 1479:From original US 1239: 1238: 1234: 1037:Live at Woodstock 983:The Singles Album 865: 864: 739:inches per second 612: 562:psychedelic drugs 439:, he and bassist 336: 335: 328: 327: 282: 281: 6142: 6052: 6051: 6015:Shelleyan Orphan 5949:Related articles 5721:Just Like Heaven 5414:Wild Mood Swings 5314:Matthieu Hartley 5242: 5235: 5228: 5219: 5218: 4982: 4975: 4968: 4959: 4958: 4945: 4944: 4870:Related articles 4861:Monika Dannemann 4856:Kathy Etchingham 4383:Live at Monterey 4376:Live at Berkeley 4306:Band of Gypsys 2 4087: 4080: 4073: 4064: 4063: 4001: 3818: 3817: 3723: 3524:51st Anniversary 3487: 3486: 3410: 3266:51st Anniversary 3255:51st Anniversary 3240: 3239: 3216: 3209: 3202: 3193: 3192: 3175: 3152: 3126: 3103: 3101: 3099: 3073: 3057: 3046: 3018: 2995: 2972: 2947: 2922: 2905:Ultimate Hendrix 2891: 2860: 2833: 2807: 2785: 2762: 2741:Henderson, David 2736: 2713: 2711: 2709: 2693: 2664: 2636: 2635: 2633: 2631: 2617: 2611: 2610: 2608: 2606: 2594: 2586: 2580: 2579: 2571: 2559: 2553: 2552: 2550: 2548: 2524: 2518: 2517: 2515: 2513: 2496: 2490: 2489: 2487: 2485: 2468: 2462: 2461: 2459: 2457: 2440: 2434: 2433: 2431: 2429: 2413: 2407: 2406: 2404: 2402: 2381: 2375: 2369: 2363: 2362: 2360: 2358: 2341: 2335: 2334: 2332: 2330: 2309: 2303: 2299: 2297: 2295: 2274: 2268: 2262: 2256: 2250: 2244: 2238: 2232: 2226: 2217: 2211: 2205: 2199: 2193: 2192: 2190: 2188: 2172: 2166: 2160: 2154: 2148: 2142: 2136: 2130: 2124: 2113: 2107: 2096: 2095: 2093: 2091: 2076: 2070: 2069: 2067: 2065: 2050: 2044: 2043: 2041: 2039: 2024: 2018: 2017: 2015: 2013: 1998: 1992: 1986: 1980: 1974: 1968: 1962: 1956: 1950: 1944: 1938: 1932: 1931:, pp. 3–14. 1929:Hal Leonard 1998 1926: 1920: 1914: 1908: 1902: 1891: 1888:Hal Leonard 1998 1885: 1868: 1862: 1853: 1847: 1841: 1835: 1829: 1823: 1814: 1813: 1811: 1809: 1792: 1771: 1765: 1759: 1758: 1756: 1754: 1738: 1732: 1726: 1720: 1714: 1708: 1702: 1696: 1695: 1693: 1691: 1677: 1671: 1665: 1654: 1648: 1642: 1636: 1627: 1621: 1615: 1609: 1600: 1594: 1571: 1565: 1554: 1548: 1539: 1533: 1524: 1518: 1512: 1506: 1500: 1494: 1488: 1477: 1471: 1465: 1459: 1453: 1438: 1432: 1423: 1417: 1411: 1405: 1386: 1380: 1362: 1356: 1350: 1343: 1337: 1334: 1328: 1312: 1306: 1299: 1293: 1280: 1274: 1271: 1232: 1216:United Kingdom ( 1188: 1185: 1049:Live at Berkeley 1031:Live at Monterey 931:. In 2022, the 777: 766: 762: 691:rhythm and blues 688: 687: 682: 681: 672: 671: 614: 613: 594: 580: 576: 572: 568: 559: 427: 399:", backed with " 297: 296: 251: 250: 235: 221: 189: 188: 184: 151:Psychedelic rock 110:January 11, 1967 94: 92: 63: 40: 28: 27: 6150: 6149: 6145: 6144: 6143: 6141: 6140: 6139: 6065: 6064: 6063: 6058: 6040: 5967:I'm a Cult Hero 5944: 5923: 5891: 5873: 5861:The Perfect Boy 5756:Pictures of You 5693:In Between Days 5686:The Caterpillar 5665:Let's Go to Bed 5616:Killing an Arab 5603: 5571: 5546: 5493: 5447: 5338: 5324:Phil Thornalley 5309:Michael Dempsey 5275:Roger O'Donnell 5251: 5246: 5216: 5211: 5195: 5162:Johnny B. Goode 5127:Come Go with Me 5106:Love Came to Me 5071:Lonely Teenager 5058: 4991: 4986: 4956: 4951: 4933: 4865: 4831:Michael Jeffery 4778: 4772: 4702: 4696: 4680: 4675:Live in Cologne 4585: 4445: 4443: 4442:Anthologies and 4437: 4299:Johnny B. Goode 4278:More Experience 4230: 4141:The Cry of Love 4128: 4096: 4091: 4061: 4056: 4045: 4042:" / "Trash Man" 4027: 4005: 3999: 3972:"Somewhere" / " 3961: 3932: 3912:Johnny B. Goode 3907:" / "Touch You" 3892: 3860: 3838: 3814: 3811: 3800: 3751: 3729: 3721: 3707: 3698:Johnny B. Goode 3685: 3644: 3612: 3573: 3551: 3507: 3483: 3480: 3469: 3447: 3427:Johnny B. Goode 3414: 3408: 3377: 3359: 3337: 3293: 3236: 3233: 3226: 3220: 3183: 3178: 3172: 3149: 3139:Record Research 3123: 3097: 3095: 3070: 3060:Scarecrow Press 3043: 3015: 2992: 2969: 2944: 2934:Billboard Books 2919: 2888: 2857: 2830: 2782: 2759: 2733: 2707: 2705: 2690: 2661: 2644: 2639: 2629: 2627: 2619: 2618: 2614: 2604: 2602: 2592: 2588: 2587: 2583: 2569: 2561: 2560: 2556: 2546: 2544: 2525: 2521: 2511: 2509: 2497: 2493: 2483: 2481: 2469: 2465: 2455: 2453: 2442: 2441: 2437: 2427: 2425: 2415: 2414: 2410: 2400: 2398: 2383: 2382: 2378: 2370: 2366: 2356: 2354: 2343: 2342: 2338: 2328: 2326: 2325:on May 30, 2008 2311: 2310: 2306: 2293: 2291: 2276: 2275: 2271: 2263: 2259: 2251: 2247: 2239: 2235: 2227: 2220: 2212: 2208: 2200: 2196: 2186: 2184: 2174: 2173: 2169: 2161: 2157: 2149: 2145: 2137: 2133: 2125: 2116: 2108: 2099: 2089: 2087: 2078: 2077: 2073: 2063: 2061: 2052: 2051: 2047: 2037: 2035: 2026: 2025: 2021: 2011: 2009: 2000: 1999: 1995: 1987: 1983: 1975: 1971: 1963: 1959: 1951: 1947: 1939: 1935: 1927: 1923: 1915: 1911: 1903: 1894: 1886: 1871: 1863: 1856: 1848: 1844: 1836: 1832: 1824: 1817: 1807: 1805: 1793: 1774: 1766: 1762: 1752: 1750: 1740: 1739: 1735: 1727: 1723: 1715: 1711: 1703: 1699: 1689: 1687: 1679: 1678: 1674: 1666: 1657: 1649: 1645: 1637: 1630: 1622: 1618: 1610: 1603: 1595: 1574: 1566: 1557: 1549: 1542: 1534: 1527: 1519: 1515: 1507: 1503: 1495: 1491: 1481:Reprise Records 1478: 1474: 1466: 1462: 1454: 1441: 1433: 1426: 1418: 1414: 1406: 1389: 1381: 1374: 1370: 1365: 1357: 1353: 1344: 1340: 1335: 1331: 1313: 1309: 1300: 1296: 1284:Charles Dickens 1281: 1277: 1272: 1265: 1256: 1244: 1198:Certified units 1184: 1080:In March 2005, 1078: 940:Reprise Records 914:Top of the Pops 837:Record Retailer 747: 735:Mixolydian mode 726:David Henderson 685: 684: 679: 678: 669: 668: 632: 631: 623: 621: 620: 619: 618: 615: 608: 605: 598: 592: 587: 578: 574: 570: 566: 557: 553: 550: 492: 460:Olympic Studios 425: 393: 323: 314: 305: 277: 268: 259: 231: 217: 186: 182: 181: 90: 88: 59: 43: 24: 17: 12: 11: 5: 6148: 6138: 6137: 6132: 6127: 6122: 6117: 6115:The Cure songs 6112: 6107: 6102: 6097: 6092: 6087: 6082: 6077: 6060: 6059: 6057: 6056: 6045: 6042: 6041: 6039: 6038: 6037: 6036: 6029: 6017: 6012: 6007: 6002: 5997: 5992: 5987: 5982: 5977: 5970: 5963: 5958: 5952: 5950: 5946: 5945: 5943: 5942: 5937: 5931: 5929: 5925: 5924: 5922: 5921: 5914: 5907: 5899: 5897: 5893: 5892: 5890: 5889: 5881: 5879: 5875: 5874: 5872: 5871: 5864: 5857: 5850: 5843: 5836: 5829: 5822: 5815: 5808: 5801: 5794: 5787: 5780: 5773: 5766: 5759: 5752: 5745: 5738: 5731: 5728:Hot Hot Hot!!! 5724: 5717: 5710: 5703: 5696: 5689: 5682: 5675: 5668: 5661: 5654: 5647: 5640: 5633: 5626: 5623:Boys Don't Cry 5619: 5611: 5609: 5605: 5604: 5602: 5601: 5594: 5587: 5579: 5577: 5576:Extended plays 5573: 5572: 5570: 5569: 5562: 5554: 5552: 5548: 5547: 5545: 5544: 5537: 5530: 5523: 5516: 5509: 5506:Boys Don't Cry 5501: 5499: 5495: 5494: 5492: 5491: 5484: 5477: 5470: 5463: 5455: 5453: 5449: 5448: 5446: 5445: 5438: 5431: 5424: 5417: 5410: 5403: 5400:Disintegration 5396: 5389: 5382: 5375: 5368: 5361: 5354: 5346: 5344: 5340: 5339: 5337: 5336: 5334:Boris Williams 5331: 5326: 5321: 5319:Pearl Thompson 5316: 5311: 5306: 5300: 5299: 5296:Reeves Gabrels 5292: 5285: 5278: 5271: 5264: 5256: 5253: 5252: 5245: 5244: 5237: 5230: 5222: 5213: 5212: 5210: 5209: 5203: 5201: 5197: 5196: 5194: 5193: 5186: 5179: 5172: 5165: 5158: 5151: 5144: 5137: 5130: 5123: 5116: 5109: 5102: 5095: 5088: 5081: 5074: 5066: 5064: 5060: 5059: 5057: 5056: 5049: 5042: 5035: 5028: 5021: 5014: 5007: 4999: 4997: 4993: 4992: 4985: 4984: 4977: 4970: 4962: 4953: 4952: 4950: 4949: 4938: 4935: 4934: 4932: 4931: 4926: 4921: 4914: 4909: 4904: 4899: 4894: 4889: 4884: 4879: 4873: 4871: 4867: 4866: 4864: 4863: 4858: 4853: 4848: 4843: 4838: 4833: 4828: 4823: 4818: 4813: 4811:Mitch Mitchell 4808: 4803: 4798: 4793: 4788: 4782: 4780: 4777:Related people 4774: 4773: 4771: 4770: 4763: 4756: 4749: 4742: 4735: 4728: 4721: 4714: 4711:Rainbow Bridge 4706: 4704: 4698: 4697: 4695: 4694: 4688: 4686: 4682: 4681: 4679: 4678: 4671: 4668:Live at Woburn 4664: 4657: 4654:Burning Desire 4650: 4643: 4636: 4629: 4622: 4619:Live in Ottawa 4615: 4608: 4601: 4593: 4591: 4587: 4586: 4584: 4583: 4576: 4569: 4562: 4555: 4548: 4541: 4534: 4527: 4520: 4513: 4506: 4499: 4492: 4485: 4478: 4471: 4464: 4457: 4449: 4447: 4439: 4438: 4436: 4435: 4428: 4421: 4414: 4407: 4400: 4393: 4386: 4379: 4372: 4365: 4358: 4351: 4344: 4337: 4330: 4323: 4316: 4309: 4302: 4295: 4288: 4281: 4274: 4267: 4260: 4253: 4246: 4243:Band of Gypsys 4238: 4236: 4232: 4231: 4229: 4228: 4221: 4214: 4207: 4200: 4193: 4186: 4179: 4172: 4165: 4158: 4151: 4148:Rainbow Bridge 4144: 4136: 4134: 4130: 4129: 4127: 4126: 4119: 4112: 4104: 4102: 4098: 4097: 4090: 4089: 4082: 4075: 4067: 4058: 4057: 4054: 4051: 4050: 4047: 4046: 4044: 4043: 4035: 4033: 4029: 4028: 4026: 4025: 4013: 4011: 4007: 4006: 4004: 4003: 3988: 3977: 3969: 3967: 3963: 3962: 3960: 3959: 3952: 3940: 3938: 3934: 3933: 3931: 3930: 3919: 3908: 3900: 3898: 3894: 3893: 3891: 3890: 3883: 3880:Bleeding Heart 3876: 3868: 3866: 3862: 3861: 3859: 3858: 3846: 3844: 3840: 3839: 3837: 3836: 3824: 3822: 3815: 3813:(1997–present) 3812: 3809: 3806: 3805: 3802: 3801: 3799: 3798: 3777: 3759: 3757: 3753: 3752: 3750: 3749: 3737: 3735: 3731: 3730: 3715: 3713: 3709: 3708: 3706: 3705: 3693: 3691: 3687: 3686: 3684: 3683: 3664: 3652: 3650: 3646: 3645: 3643: 3642: 3620: 3618: 3614: 3613: 3611: 3610: 3593: 3581: 3579: 3575: 3574: 3572: 3571: 3559: 3557: 3553: 3552: 3550: 3549: 3538: 3527: 3515: 3513: 3509: 3508: 3506: 3505: 3493: 3491: 3484: 3481: 3478: 3475: 3474: 3471: 3470: 3468: 3467: 3455: 3453: 3449: 3448: 3446: 3445: 3434: 3422: 3420: 3416: 3415: 3413: 3412: 3397: 3385: 3383: 3379: 3378: 3376: 3375: 3374:" / "Izabella" 3372:Stepping Stone 3367: 3365: 3361: 3360: 3358: 3357: 3345: 3343: 3339: 3338: 3336: 3335: 3324: 3313: 3310:One Rainy Wish 3301: 3299: 3295: 3294: 3292: 3291: 3280: 3269: 3258: 3246: 3244: 3237: 3234: 3231: 3228: 3227: 3219: 3218: 3211: 3204: 3196: 3190: 3189: 3182: 3181:External links 3179: 3177: 3176: 3170: 3153: 3147: 3131:Whitburn, Joel 3127: 3121: 3104: 3084:New York Times 3074: 3069:978-0810852952 3068: 3047: 3041: 3023:Shapiro, Harry 3019: 3013: 3005:Backbeat Books 2996: 2990: 2973: 2967: 2948: 2942: 2923: 2917: 2909:Backbeat Books 2892: 2886: 2861: 2855: 2834: 2829:978-0306809019 2828: 2808: 2786: 2780: 2763: 2757: 2737: 2731: 2714: 2694: 2688: 2680:Hyperion Books 2665: 2659: 2645: 2643: 2640: 2638: 2637: 2612: 2581: 2554: 2519: 2491: 2463: 2435: 2408: 2397:on May 2, 2007 2376: 2374:, p. 178. 2364: 2336: 2304: 2269: 2257: 2245: 2233: 2218: 2216:, p. 116. 2206: 2204:, p. 184. 2194: 2167: 2155: 2143: 2131: 2129:, p. 176. 2114: 2112:, p. 528. 2097: 2086:(in Norwegian) 2071: 2058:dutchcharts.nl 2045: 2019: 1993: 1991:, p. 104. 1989:Henderson 1981 1981: 1969: 1957: 1955:, p. 146. 1945: 1943:, p. 103. 1941:Henderson 1981 1933: 1921: 1909: 1892: 1869: 1867:, p. 144. 1854: 1852:, p. 302. 1842: 1840:, p. 191. 1830: 1828:, p. A23. 1815: 1772: 1770:, p. 147. 1760: 1733: 1721: 1719:, p. 131. 1709: 1707:, p. 158. 1697: 1672: 1655: 1643: 1628: 1616: 1601: 1572: 1570:, p. 149. 1555: 1540: 1525: 1513: 1501: 1489: 1472: 1470:, p. 193. 1460: 1458:, p. 148. 1439: 1424: 1412: 1387: 1385:, p. 526. 1371: 1369: 1366: 1364: 1363: 1351: 1338: 1329: 1320:Owsley Stanley 1307: 1294: 1275: 1262: 1255: 1252: 1251: 1250: 1243: 1240: 1237: 1236: 1228: 1227: 1224: 1221: 1213: 1212: 1209: 1206: 1202: 1201: 1195: 1192: 1183: 1182:Certifications 1180: 1176:Kronos Quartet 1104:Album Rock Era 1077: 1074: 881:Paul McCartney 863: 862: 860: 857: 847: 846: 844: 841: 831: 830: 828: 825: 817: 816: 814: 811: 803: 802: 800: 797: 789: 788: 786: 783: 779: 778: 773: 770: 746: 743: 622: 616: 606: 601: 600: 599: 590: 589: 588: 586: 583: 547: 515:Night of Light 491: 488: 437:Mitch Mitchell 392: 389: 334: 333: 330: 329: 326: 325: 316: 307: 293: 292: 288: 287: 284: 283: 280: 279: 270: 261: 247: 246: 242: 241: 236: 228: 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5345: 5343:Studio albums 5341: 5335: 5332: 5330: 5327: 5325: 5322: 5320: 5317: 5315: 5312: 5310: 5307: 5305: 5304:Andy Anderson 5302: 5301: 5298: 5297: 5293: 5291: 5290: 5286: 5284: 5283: 5282:Perry Bamonte 5279: 5277: 5276: 5272: 5270: 5269: 5265: 5263: 5262: 5258: 5257: 5254: 5250: 5243: 5238: 5236: 5231: 5229: 5224: 5223: 5220: 5208: 5205: 5204: 5202: 5198: 5191: 5187: 5184: 5180: 5177: 5173: 5170: 5166: 5163: 5159: 5156: 5152: 5149: 5145: 5142: 5138: 5135: 5131: 5128: 5124: 5121: 5117: 5114: 5110: 5107: 5103: 5100: 5096: 5093: 5089: 5086: 5082: 5079: 5078:Runaround Sue 5075: 5072: 5068: 5067: 5065: 5061: 5055: 5054: 5050: 5048: 5047: 5043: 5041: 5040: 5036: 5034: 5033: 5029: 5027: 5026: 5022: 5020: 5019: 5015: 5013: 5012: 5008: 5006: 5005: 5004:Runaround Sue 5001: 5000: 4998: 4994: 4990: 4983: 4978: 4976: 4971: 4969: 4964: 4963: 4960: 4948: 4940: 4939: 4936: 4930: 4927: 4925: 4922: 4920: 4919: 4915: 4913: 4910: 4908: 4905: 4903: 4900: 4898: 4895: 4893: 4890: 4888: 4887:List of 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MCAD-11602. 2805: 2801: 2797: 2796: 2791: 2787: 2783: 2781:0-634-04930-5 2777: 2773: 2769: 2764: 2760: 2758:0-553-01334-3 2754: 2750: 2746: 2742: 2738: 2734: 2728: 2724: 2720: 2715: 2704: 2700: 2695: 2691: 2689:0-7868-8841-5 2685: 2681: 2677: 2675: 2670: 2666: 2662: 2660:1-896522-45-9 2656: 2652: 2647: 2646: 2626: 2622: 2616: 2600: 2599: 2591: 2585: 2577: 2576: 2568: 2566: 2558: 2543: 2542: 2537: 2535: 2529: 2523: 2508: 2507: 2502: 2495: 2480: 2479: 2474: 2467: 2451: 2450: 2445: 2439: 2424: 2423: 2418: 2412: 2396: 2392: 2391: 2386: 2380: 2373: 2368: 2352: 2351: 2350:Rolling Stone 2346: 2340: 2324: 2320: 2319: 2318:Rolling Stone 2314: 2308: 2302: 2289: 2285: 2284: 2279: 2273: 2266: 2261: 2255:, p. 75. 2254: 2249: 2243:, p. 61. 2242: 2237: 2231:, p. 60. 2230: 2225: 2223: 2215: 2214:Shadwick 2003 2210: 2203: 2198: 2183: 2182: 2177: 2171: 2164: 2159: 2152: 2147: 2141:, p. 51. 2140: 2135: 2128: 2127:Whitburn 2008 2123: 2121: 2119: 2111: 2106: 2104: 2102: 2085: 2081: 2075: 2059: 2055: 2049: 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806:Netherlands ( 804: 801: 798: 795: 790: 787: 784: 780: 767: 758: 757: 751: 742: 740: 736: 732: 727: 722: 720: 719:passing notes 716: 712: 708: 704: 700: 696: 692: 675: 666: 662: 658: 654: 650: 646: 642: 638: 630: 628: 604: 582: 563: 552: 545: 543: 537: 534: 528: 523: 521: 517: 516: 510: 509:Harry Shapiro 502: 501: 496: 487: 485: 481: 477: 473: 469: 465: 461: 454: 449: 447: 442: 438: 434: 429: 423: 422:Chas Chandler 419: 415: 411: 406: 405:Billy Roberts 402: 398: 388: 386: 382: 381: 376: 375: 374:Rolling Stone 370: 365: 363: 362: 357: 353: 352:Hendrix chord 349: 345: 341: 331: 321: 317: 312: 308: 303: 299: 298: 294: 289: 285: 275: 271: 266: 262: 257: 253: 252: 248: 243: 240: 239:Chas Chandler 237: 234: 229: 226: 223: 220: 219:Songwriter(s) 215: 209: 206: 203: 200: 199: 198: 196: 192: 180: 176: 171: 168: 166: 163: 162: 161: 157: 154: 152: 149: 148: 147: 145: 141: 135: 132: 129: 126: 125: 124: 122: 118: 112: 109: 108: 107: 103: 97: 86: 85: 84: 80: 74: 70: 67: 66: 65: 62: 57: 54: 50: 46: 39: 34: 31:"Purple Haze" 29: 26: 22: 6085:1967 singles 6031: 6024: 5972: 5961:Band members 5916: 5909: 5902: 5896:Video albums 5840:The Only One 5819:Wrong Number 5763:Never Enough 5596: 5589: 5582: 5564: 5557: 5551:Remix albums 5539: 5532: 5525: 5518: 5511: 5504: 5498:Compilations 5486: 5479: 5472: 5465: 5458: 5440: 5433: 5426: 5421:Bloodflowers 5419: 5412: 5405: 5398: 5391: 5384: 5377: 5370: 5363: 5356: 5349: 5329:Lol Tolhurst 5294: 5289:Jason Cooper 5287: 5280: 5273: 5268:Simon Gallup 5266: 5261:Robert Smith 5259: 5175: 5099:Little Diane 5085:The Wanderer 5051: 5044: 5037: 5030: 5023: 5016: 5009: 5002: 4989:Dion DiMucci 4916: 4851:Leon Hendrix 4846:Alan Douglas 4821:Eddie Kramer 4806:Noel Redding 4765: 4758: 4751: 4744: 4737: 4730: 4723: 4718:Jimi Hendrix 4716: 4709: 4703:and tributes 4673: 4666: 4659: 4652: 4645: 4638: 4631: 4624: 4617: 4610: 4603: 4596: 4578: 4571: 4564: 4557: 4550: 4543: 4536: 4529: 4522: 4515: 4508: 4501: 4494: 4489:Kiss the Sky 4487: 4480: 4473: 4466: 4459: 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Index

Purple Haze (disambiguation)

Single
the Jimi Hendrix Experience
B-side
The Wind Cries Mary
Studio
De Lane Lea
Olympic
Genre
Psychedelic rock
hard rock
heavy metal
proto-metal
Label
Track
Reprise
Songwriter(s)
Jimi Hendrix
Producer(s)
Chas Chandler
Hey Joe
The Wind Cries Mary
Hey Joe
Foxey Lady
Jimi Hendrix
the Jimi Hendrix Experience
Hendrix chord
psychedelic experience
Are You Experienced

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