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27:
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143:
with four couples, arranged in the shape of a square, each couple facing the center. One pair was called the "head" couple, the adjacent pairs the "side" couples. A dance figure was often performed first by the head couple and then repeated by the side couples. Terms used in the dance are mostly the same as those in
142:
in which only two couples were used, but two more couples were eventually added to form the sides of a square. The couples in each corner of the square took turns, in performing the dance, where one couple danced, and the other couples rested. The "quadrille des contredanses" was now a lively dance
299:
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304:
302:
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303:
301:
300:
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form contained five different parts, and the
Viennese lengthened it to six different parts. The following table shows what the different parts look like, musically speaking:
74:, a variant of the quadrille, became popular in the late 19th century and was still danced in the 20th century in folk-dance clubs. A derivative found in the Francophone
641:
127:
originated in 17th-century military parades in which four mounted horsemen executed square formations. The word probably derived from the
Italian
195:
178:, the quadrille became a craze. As it became ever more popular in the 19th century it evolved into forms that used elements of the
673:
42:
that was fashionable in late 18th- and 19th-century Europe and its colonies. The quadrille consists of a chain of four to six
204:
283:. This was a figure made by the dance master Trenitz. In the Viennese version of the quadrille both figures were used:
175:
638:
617:
668:
194:", of the constant formation of fresh political alliances with different partners in order to maintain the
107:) 184 × 95mm (7¼ × 3¾in) (inside this dance engagements card is a list of all the dances for the evening –
167:
20:
212:
663:
63:
59:
52:
590:
566:
119:
and quadrille; opposite each dance is a space to record the name of the partner for that dance).
683:
678:
190:
and the
Strauss family) composed for the quadrille. Its popularity made it a metaphor, the "
161:
222:) remained the same, as did the steps and the figures themselves. The parts were called:
8:
149:
104:
586:
56:
582:
256:
613:
606:
517:
191:
157:
26:
578:
287:
became the fourth part, and La
Pastourelle the fifth, making a total of six parts.
272:
was a well-known ballad by the cornet player
Collinet. The finale was very lively.
645:
545:
75:
48:. Latterly the quadrille was frequently danced to a medley of opera melodies.
657:
540:
199:
138:
The dance was introduced in France around 1760: originally it was a form of
535:
530:
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All the parts were popular dances and songs from that time (19th century):
187:
183:
116:
71:
44:
67:
633:
Bob Skiba, "Here, Everybody Dances: Social
Dancing in Early Minnesota",
100:
85:
51:
Performed by four couples in a rectangular formation, it is related to
139:
153:
410:
theme A – theme B – theme A – theme C – theme A – theme B – theme A
268:
was a popular song, the second and third part were popular dances,
567:"Squaring Off: The Forgotten Caller in Cape Breton Square Dancing"
80:
218:
Though new music was composed, the names of the five parts (or
144:
96:
179:
112:
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39:
495:
theme A – theme A – theme B – theme B – theme A – theme A
501:
Part 6 always begins with a two-measure introduction
416:
Part 3 always begins with a two-measure introduction
103:
for 11 January 1887, published by M W & Co Ltd (
312:Thus the quadrille was a very intricate dance. The
290:
605:
260:"Accidents in Quadrille Dancing", 1817 caricature
655:
469:theme A – theme B – theme C – theme B – theme A
358:theme A – theme B – theme A – theme C – theme A
30:Lady Jersey introduces the quadrille to England
174:Reaching English high society in 1816 through
186:. In Germany and Austria dance composers (
564:
294:
255:
95:
25:
84:, and the dance is also still found in
656:
637:, vol. 55, no. 5 (Spring, 1997), 220,
603:
597:
443:theme A – theme B – theme B – theme A
384:theme A – theme B – theme B – theme A
508:All the themes are 8 measures long.
525:Historically related forms of dance
13:
88:as well as old Caribbean culture.
55:. The quadrille also gave rise to
14:
695:
591:10.5921/yeartradmusi.50.2018.0165
583:10.5921/yeartradmusi.50.2018.0165
565:Sparling, Heather (2023-11-22).
291:The quadrille – musical analysis
279:was replaced by another figure;
205:Alice's Adventures in Wonderland
182:, including The Caledonians and
674:Dance forms in classical music
627:
612:. New York: Crown Publishers.
571:Yearbook for Traditional Music
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1:
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7:
511:
10:
700:
91:
21:Quadrille (disambiguation)
18:
135:, hence a small square).
520:, composer of quadrilles
202:lampooned the dance in
64:American square dancing
53:American square dancing
309:
261:
120:
101:Dance engagements card
31:
604:Clarke, Mary (1981).
541:English country dance
448:part 5: Pastourelle (
307:
259:
247:("The Shepherd Girl")
213:The Lobster Quadrille
99:
29:
669:French music history
608:The history of dance
105:Marcus Ward & Co
19:For other uses, see
644:2012-04-03 at the
593:– via JSTOR.
476:always written in
450:always written in
424:always written in
391:always written in
365:always written in
320:part 1: Pantalon (
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308:Quadrille (sample)
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635:Minnesota History
518:Joseph Binns Hart
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192:stately quadrille
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648:
639:available online
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474:part 6: Finale (
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422:part 4: Trénis (
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196:balance of power
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664:European dances
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646:Wayback Machine
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546:Irish set dance
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389:part 3: Poule (
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131:(diminutive of
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76:Lesser Antilles
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277:La Pastourelle
270:La Pastourelle
254:
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245:La Pastourelle
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93:
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60:Square Dancing
15:
9:
6:
4:
3:
2:
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684:Country dance
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363:part 2: Été (
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200:Lewis Carroll
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679:Square dance
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536:Square dance
531:Contra dance
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229:("Trousers")
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188:Josef Lanner
173:
166:
148:
137:
132:
128:
124:
122:
79:
78:is known as
50:
45:contredanses
43:
35:
33:
577:: 165–186.
322:written in
266:Le Pantalon
227:Le Pantalon
198:in Europe.
184:The Lancers
176:Lady Jersey
72:The Lancers
68:New England
57:Cape Breton
658:Categories
619:051754282X
552:References
275:Sometimes
241:(The Hen")
235:("Summer")
215:" (1865).
147:, such as
129:quadriglia
86:Madagascar
285:La Trénis
281:La Trénis
168:arabesque
140:cotillion
125:quadrille
123:The term
36:quadrille
642:Archived
512:See also
314:standard
239:La Poule
220:figures
117:lancers
92:History
81:kwadril
616:
589:
251:Finale
158:croisé
154:chassé
145:ballet
133:quadra
624:p. 97
587:JSTOR
233:L’été
209:'
180:waltz
113:polka
109:valse
40:dance
38:is a
16:Dance
614:ISBN
165:and
162:plié
150:jeté
62:via
34:The
579:doi
339:or
211:s "
66:in
660::
585:.
575:50
573:.
569:.
492:)
466:)
440:)
407:)
381:)
355:)
171:.
160:,
156:,
152:,
115:,
111:,
70:.
622:.
581::
485:4
459:4
433:4
400:8
374:4
348:8
331:4
23:.
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