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1271:, the backing tapes to "5:15" came in late. Townshend stopped the show, grabbed Pridden, who was controlling the mixing desk, and dragged him onstage, shouting obscenities at him. Townshend subsequently picked up some of the tapes and threw them over the stage, kicked his amplifier over, and walked off. The band returned 20 minutes later, playing older material. Townshend and Moon appeared on local television the following day and attempted to brush things off. The Who played two other shows in Newcastle without incident.
683:, reflecting the four members of the Who. These were "Bell Boy" (Moon), "Is It Me?" (Entwistle), "Helpless Dancer" (Daltrey) and "Love Reign O'er Me" (Townshend). Two lengthy instrumentals on the album, the title track and "The Rock" contain the four themes, separately and together. The instrumentals were not demoed but built up in the studio. Who author John Atkins described the instrumental tracks as "the most ambitious and intricate music the group ever undertook."
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1476:, who replaced Entwistle following his death in 2002) along with five additional musicians. The tour included additional video performances, including Moon singing "Bell Boy" from 1974 and Entwistle's bass solo in "5:15" from 2000. After Starkey injured his wrist, session drummer Scott Devours replaced him for part of the tour with minimal rehearsal. The tour progressed, with Devours drumming, to the UK in 2013, ending in a performance at
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780:. Assembling the field recordings in the studio was problematic; at one point, during "I Am the Sea", nine tape machines were running sound effects. According to Nevison, Townshend produced the album single-handedly, adding that "everything started when Pete got there, and everything finished when Pete left". Townshend began mixing the album in August at his home studio in Goring along with Nevison.
1247:(who had played piano on some tracks) to join as a touring member. Daltrey objected to this and believed the Who's performances should only have the four core members. To obtain the required instrumentation without additional musicians, the group elected to employ taped backing tracks for live performance, as they had already done for "
870:. The box set came with a 100-page book including an essay by Townshend about the album sessions, with photos. At the same time, the standard two-CD version was re-released with a selection of the demos as bonus content; some Disc Two tracks were moved to Disc One to accommodate space for these demos. In 2014, the album was released on
582:. Townshend had met up with "Irish" Jack Lyons, one of the original Who fans, which gave him the idea of writing a piece that would look back on the group's history and its audience. He created the character of Jimmy from an amalgamation of six early fans of the group, including Lyons, and gave the character a four-way
49:
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was released to a positive reception in both the UK and the US, but the resulting tour was marred with problems with backing tapes replacing the additional instruments on the album, and the stage piece was retired in early 1974. It was revived in 1996 with a larger ensemble, and a further tour took
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where he did not seem to be able to keep time with the backing tapes. Towards the end of the show, during "Won't Get Fooled Again", he passed out over his drumkit. After a 20-minute wait, Moon reappeared onstage, but after a few bars of "Magic Bus", collapsed again, and was immediately taken to
1176:, possessing a brilliantly written albeit confusing plot, jarring but melodic music, and compassionate lyrics about "Everykid as heroic fuckup, smart enough to have a good idea of what's being done to him and so sensitive he gets pushed right out to the edge anyway". Chris Jones, writing for
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735:. He contributed lead vocals to "Bell Boy", where he deliberately showcased an exaggerated narrative style. For the finale of "Love, Reign O'er Me", Townshend and Nevison set up a large group of percussion instruments, which Moon played before kicking over a set of
672:, loaned his mobile studio for the sessions. Lambert ostensibly began producing the album in May, but missed recording sessions and generally lacked discipline. By mid-1973, Daltrey demanded that Lambert leave the Who's services. The band recruited engineer
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difficult as he was forced to stick to a click track instead of watching the rest of the band. The group only allowed two days of rehearsals with the tapes before touring, one of which was abandoned after
Daltrey punched Townshend following an argument.
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in a hotel. He feels everything in his life has rejected him, steals a boat, and uses it to sail out to a rock overlooking the sea. On the rock and stuck in the rain, he contemplates his life. The ending is left ambiguous as to what happens to Jimmy.
1267:, the band dropped "The Dirty Jobs", "Is It in My Head" and "I've Had Enough" from the set. Both Daltrey and Townshend felt they had to describe the plot in detail to the audience, which took up valuable time on stage. A few shows later in
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Most tracks involved each of the group recording their parts separately; unlike earlier albums, Townshend had left space in his demos for other band members to contribute, though most of the synthesizers on the finished album came from his
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After destroying his scooter and contemplating suicide, he decides to take a train to
Brighton, where he had enjoyed earlier experiences with fellow mods. However, he discovers the "Ace Face" who led the gang now has a menial job as a
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2500 synthesizer and were recorded at home. The only song arranged by the band in the studio was "5:15". According to
Nevison, the ARP 2500 was impossible to record in the studio, and changing sounds was cumbersome due to a lack of
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to be the last great album that the Who recorded. In 2011, he said the group "never recorded anything that was so ambitious or audacious again", and implied that it was the last album to feature good playing by Keith Moon.
590:). Unlike other Who albums, Townshend insisted on composing the entire work, though he deliberately made the initial demos sparse and incomplete so that the other group members could contribute to the finished arrangement.
1348:"Masters of Music" benefit concert, playing most of the album for the first time since 1974. The concert was not billed as the Who, but credited to the three members individually. The performance also included
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4957:"Pete Townshend Plots Short 'Classic Quadrophenia' Tour – Townshend will revisit the Who's famous double album with an orchestra to reach "classical and pop music lovers alike" (by Elias Leight)"
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CD in 1996, featuring a reproduction of the original album artwork. The original mix had been criticised in particular for
Daltrey's vocals being buried, so the 1996 CD was completely remixed by
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leading a two-man/two-woman backing vocal section, and five brass players. During rehearsals, Daltrey was struck in the face by
Glitter's microphone stand, and performed the concert wearing an
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said "I've got to get a new act together… People don't really want to sit and listen to all our past". He had become frustrated that the group had been unable to produce a film of
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featuring a brand-new remix of the entire album by
Townshend and Pridden in 5.1 surround sound as well the 2011 Deluxe Edition stereo remix and the original 1973 stereo LP mix.
866:. Unlike earlier reissues, this set contains two discs of demos, including some songs that were dropped from the final running order of the album, and a selection of songs in
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Townshend became inspired by "Long Live Rock – Rock Is Dead"'s theme and in autumn 1972 began writing material, while the group put out unreleased recordings including "
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was originally released in North
America on 26 October and in the UK on 29 October, but fans found it difficult to find a copy due to a shortage of vinyl caused by the
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ranked it seventh, and found it exemplary of how 1973's best records "fail to reward casual attention. They demand concentration, just like museum and textbook art."
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and spent several weeks during the summer arranging and recording numerous multi-tracked horn parts. Having been forced to play more straightforwardly by Johns on
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re-released the album as a two-CD set in 1985 with the lyrics and text storyline on a thin fold-up sheet but none of the photographs. The album was reissued as a
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1318:– probably because it had bitten back". However, a small selection of songs remained in the set list; live performances of "Drowned" and "Bell Boy" filmed at
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after only two days. Though he is happy to be "one" of the mods, he struggles to keep up with his peers, and his girlfriend leaves him for his best friend.
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from a fan. Just after the show started, the fan collapsed and was hospitalised. Moon's playing, meanwhile, became incredibly erratic, particularly during
2618:, backing vocals, lead vocals on 'Cut My Hair' and 'I'm One', co-lead vocals on 'The Punk and The Godfather', 'I've Had Enough' '5:15', and 'Sea and Sand'
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on 4 October 1973 and was released the next day. It reached No. 20 in the charts. In the US, "Love Reign O'er Me" was chosen as the lead single.
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1303:, was playing at his usual strength. The group began to get used to the backing tapes, and the remainder of gigs for the US tour were successful.
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1472:". The group played the entire album without any guest singers or announcements with the then regular Who line-up (including Starkey and bassist
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but immediately encountered difficulties playing the material live. To achieve the rich overdubbed sound of the album on stage, Townshend wanted
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1972 was the least active year for the Who since they had formed. The group had achieved great commercial and critical success with the albums
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2582:– lead vocals (all except 'Quadrophenia' (instrumental), 'I'm One' (Townshend) and 'The Rock' (instrumental)), co-lead vocals on 'Cut My Hair'
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1541:' first recordings as an official member of the Who. The film was a commercial and critical success, as it conveniently coincided with the
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1521:. The film attempted to portray an accurate visual interpretation of Townshend's vision of Jimmy and his surroundings, and included
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1186:, reviewing the album for its 40th anniversary, said: "Filled with performances packed with life and depth and personality,
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547:, the new work had to be grounded in reality and tell a story of youth and adolescence that the audience could relate to.
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is 90 minutes of the Who at its very best." The album has sold 1 million copies and has been certified
Platinum by the
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The tour continued in
February 1974, with a short series of gigs in France. The final show at the Palais de Sports in
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to let him play drums, and the group closed the show with him. Moon had a day to recover, and by the next show at the
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The tour started on 28 October 1973. The original plan had been to play most of the album, but after the first gig at
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broke down irretrievably during recording and
Lambert had left the band's service by the time the album was released.
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368:(1971), both of which had achieved substantial critical and commercial success. Recording was delayed while bassist
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film, the music was largely relegated to the background, and was not performed by the cast as in a rock opera. The
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set with a gatefold jacket and a booklet containing lyrics, a text version of the story, and photographs taken by
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wrote "rarely have a group succeeded in distilling their essence and embracing a motif as convincingly", while
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454:, but is disillusioned by his parents' attitude towards him, dead-end jobs and an unsuccessful trip to see a
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was played as a stage piece with Moon, who died in 1978. Townshend later said that Daltrey "ended up hating
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543:'s idea of producing a musical soundtrack that could produce a narrative in the same way as a film. Unlike
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as the "most rewarding musical experience of the year". Reaction in the US was generally positive, though
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came with a set of recording notes for reviewers and journalists that explained the basic story and plot.
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605:", fueling rumours of a split in the press. Things were not helped by Daltrey discovering that managers
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named Jimmy. He likes drugs, beach fights and romance, and becomes a fan of the Who after a concert in
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4927:"Pete Townshend's Classic Quadrophenia With Billy Idol Announces U.S. Tour Dates (by Michael Gallucci)"
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at No. 56 in its list of the 100 Greatest British Albums Ever. The album has been ranked at No. 267 on
656:. Work started on building Ramport in November 1972, but five months later it still lacked an adequate
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had large sums of money unaccounted for, and suggested they should be fired, which Townshend resisted.
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over six nights in July 1996. A recording from the tour was subsequently released in 2005 as part of
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in May 1972, including "Is It in My Head" and "Love Reign O'er Me" which were eventually released on
415:
several times, and seen several remixes that corrected some perceived flaws in the original release.
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listed as recorded on 10 November 1971, but probably a misprint; actual year would have been 1972
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The album was preceded by the single "5:15" in the UK, which benefited from a live appearance on
495:, but were struggling to come up with a suitable follow-up. The group recorded new material with
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series of ten gigs. This one-off performance of the rock opera featured guest appearances from
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4897:"The Who: Quadrophenia Live in London – The Sea and the Sand – exclusive footage"
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replacing Glitter during the second half of the tour. 85,000 fans saw the ensemble perform
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A subsequent tour of the US and UK followed, employing most of the same players but with
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392:, as well as Entwistle's layered horn parts. Relationships between the group and manager
17:
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chart, the highest position of any Who album in that country, being kept from No. 1 by
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676:, who had worked with Townshend's associate John Alcock, to assist with engineering.
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worked on films. Because a new studio was not finished in time, the group had to use
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1611:. The band also covered the tracks "Drowned" and "Sea and Sand" on their live album
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Images of England Through Popular Music: Class, Youth and Rock 'n' Roll, 1955–1976
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33 1/3 Revolutions Per Minute – A Critical Trip Through the Rock LP Era, 1955–1999
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that "the Who as a whole have never sounded better" but added, "on its own terms,
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3982:"The Who – Quadrophenia: The Director's Cut | Reviews | Clash Magazine"
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5400:"The Who / Roger Daltrey: A 'Platinum' Sales award for the album Quadrophenia"
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after the British tour, especially Moon. Before the show, he was offered some
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In June 2015, Townshend produced an orchestral version of the album entitled
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Kemp, Mark (2004). "The Who". In Brackett, Nathan; Hoard, Christian (eds.).
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To illustrate the four-way split personality of Jimmy, Townshend wrote four
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4519:"Pete Townshend on Quadrophenia, touring with The Who and the Mod revival"
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4008:"The Who: 'Quadrophenia' (Deluxe Edition) – Album review – Music Review"
1782:
Track 5 is titled "The Punk Meets the Godfather" on the American version
601:. Daltrey finished his first solo album, which included the hit single "
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The group started work on the album in 1972 in an attempt to follow up
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and conducted by Robert Ziegler, with instrumentation provided by the
1368:
as the hotel manager. The musical lineup included Townshend's brother
1180:, said "everything great about the Who is contained herein." In 2013,
704:
and over two weeks learned how to play it well enough to be recorded.
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3285:"Forty years ago pictures of Mods and Rockers shocked polite society"
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This article is about The Who's studio album. For the 1979 film, see
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Entwistle recorded his bass part to "The Real Me" in one take on a
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Set "Tipo" on "Album". Then, in the "Artista" field, search "Who".
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recorder. These included waves washing on a Cornish beach and the
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3838:"The Who details massive Quadrophenia: The Directors Cut box set"
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included three additional songs written by Townshend, which were
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758:. The ending of "The Dirty Jobs" includes a musical excerpt from
558:" to keep themselves in the public eye. In the meantime, bassist
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5207:(illustrated ed.). St Ives, N.S.W.: Australian Chart Book.
4449:"Pete Townshend on 'Quadrophenia,' The Who's 'Last Great Album'"
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3903:"Quadrophenia – The Who | Songs, Reviews, Credits, Awards"
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Won't Get Fooled Again: The Who from Lifehouse to Quadrophenia
3869:"The Who to Issue 'Quadrophenia: Live in London' Concert Film"
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4773:"The Who Stage 'Quadrophenia' at Triumphant Brooklyn Concert"
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4281:"The Who's Quadrophenia at 40: Classic Track-By-Track Review"
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whistle of a diesel train recorded near Townshend's house at
701:
384:. The album makes significant use of Townshend's multi-track
56:
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falls short of the mark". In a year-end top albums list for
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The Who & Special Guests: Live at the Royal Albert Hall
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4396:"The Who, 'Quadrophenia' – 500 Greatest Albums of All Time"
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In September 2017, Townshend embarked on a short tour with
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replacing Edmondson, Simon Townshend replacing Gilmour and
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Anyway Anyhow Anywhere – The Complete Chronicle of The Who
5460:"American album certifications – The Who – Quadrophenia"
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4370:"Everything you need to know about The Who's Quadrophenia"
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Work was interrupted for most of 1972 in order to work on
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named Jimmy and his search for self-worth and importance.
5442:"British album certifications – The Who – Quadrophenia"
4079:. Farmington Hills, Michigan: Visible Ink Press. p.
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on drums (his first appearance with the Who), guitarists
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is the only Who album entirely written & composed by
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4742:"The Who: Quadrophenia at the Royal Albert Hall, review"
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4166:
3642:
3630:
3567:
3565:
3552:
3550:
3483:
3471:
3360:
5338:
4979:
4631:
4619:
4607:
4595:
4541:
4495:
3608:
3606:
3604:
3413:
3411:
3252:
2576:, backing vocals, co-lead vocals on 'Is It in My Head?'
1567:
performed a musical based on the original album at the
1336:
In June 1996, Daltrey, Townshend and Entwistle revived
1278:
in San Francisco. The group were nervous about playing
403:
place in 2012. The album made a positive impact on the
27:"I Am the Sea" redirects here. For the Wiley song, see
3941:
Christgau's Record Guide: Rock Albums of the Seventies
1582:, with an additional four-man horn section, performed
1165:
Christgau's Record Guide: Rock Albums of the Seventies
5230:(in German). Hung Medien. Retrieved 6 December 2022.
4163:
3657:
3562:
3547:
3372:
1575:, featuring a cast of 12 backed by an 11-piece band.
1322:
football ground on 18 May were later released on the
1162:
Retrospective reviews were also positive. Writing in
731:, Moon returned to his established drumming style on
5347:(in Dutch). Hung Medien. Retrieved 6 December 2022.
5255:
5022:
3601:
3500:
3459:
3447:
3435:
3423:
3408:
3396:
3348:
3336:
2049:"Doctor Jimmy" (Including John's theme, "Is It Me?”)
1491:, and an orchestra entitled "Classic Quadrophenia".
5121:"Live at Madison Square Garden New Year's Eve 1995"
3324:
3240:
1614:
New Year's Eve 1995 – Live at Madison Square Garden
862:remixed the album, resulting in a deluxe five-disc
808:reached No. 2, being held off the top spot by
407:movement of the late 1970s, and the resulting 1979
5221:
4072:
3529:"Interview with Ron Nevison by Richie Unterberger"
2710:Graham Hughes – front cover design and photography
5350:
3807:"Pete Townshend Announces 'Quadrophenia' Box Set"
3010:
1559:There have been several amateur productions of a
1464:In November 2012, the Who started a U.S. tour of
742:During the album production, Townshend made many
511:and sessions were abandoned. In an interview for
7083:
6406:20th Century Masters – The Millennium Collection
5484:The Who on Record: A Critical History, 1963–1998
4312:Heritage Music & Entertainment Auction #7006
3320:(Media notes). Polydor. pp. 2–4. 531 971-2.
1607:. The recording was later released as a part of
1218:'s list of the 100 greatest albums of all time.
329:, the previous two being the "mini-opera" song "
5147:"Pete Townshend announces classic Quadrophenia"
4998:Rayl, Salley; Henke, James (28 December 1978).
3085:Shipments figures based on certification alone.
1761:Daltrey (verses and chorus), Townshend (bridge)
648:, the group decided to build their own studio,
446:The narrative centres on a young working-class
411:was successful. The album has been reissued on
5544:
5300:
5262:"Offiziellecharts.de – The Who – Quadrophenia"
4866:"Scott Devours: From Here to the Who – Part 3"
4835:"Scott Devours: From Here to the Who – Part 2"
4697:
4685:
4673:
4070:
3141:"The 500 Greatest Albums of All Time: 300-201"
458:. He clashes with his parents over his use of
6688:2001 The Concert for New York City appearance
5983:
5677:
5175:(Media notes). Track Records. 1973. 2657 013.
5149:. The Who (official website). December 2014.
4315:. Heritage Capital Corporation. p. 155.
4071:Graff, Gary; Durchholz, Daniel, eds. (1999).
858:In 2011, Townshend and longtime Who engineer
5357:"Italiancharts.com – The Who – Quadrophenia"
5228:"Austriancharts.at – The Who – Quadrophenia"
3196:
1624:. The album was orchestrated by his partner
1056:
1006:
968:
906:
636:, and several tracks include the instrument
586:, which led to the album's title (a play on
6058:My Generation / The Who Sings My Generation
5582:
3768:"The Who – Quadrophenia – Polydor #5319712"
3595:
3583:
3234:
3110:contained cover versions of the Who songs "
3081:Sales figures based on certification alone.
835:The album was originally released as a two-
644:In order to do justice to the recording of
5990:
5976:
5684:
5670:
5359:. Hung Medien. Retrieved 6 December 2022.
4510:
4075:MusicHound Rock: The Essential Album Guide
3523:
3521:
3519:
3517:
3515:
2642:on "The Dirty Jobs", "5:15", and "Drowned"
1274:The US tour started on 20 November at the
772:, which Nevison recorded while watching a
47:
5563:
5464:Recording Industry Association of America
5414:"French album certifications – The Who"
5345:"Dutchcharts.nl – The Who – Quadrophenia"
4997:
4894:
4739:
4661:
4649:
4562:
4218:
3930:
3651:
3636:
3494:
3477:
3366:
3271:
1295:, an audience member, convinced promoter
1192:Recording Industry Association of America
818:. The album reached No. 2 on the US
7152:Albums recorded at Olympic Sound Studios
5500:
5189:(Media notes). Polydor. 1996. 531 971-2.
5062:
4985:
4637:
4625:
4613:
4601:
4547:
4504:
4367:
3891:
3624:
3312:
3310:
3308:
3306:
3202:
2400:written and recorded on 17 December 1972
1565:Royal Welsh College of Music & Drama
706:
620:
422:
7002:The Rolling Stones Rock and Roll Circus
6533:Live at the Isle of Wight Festival 1970
6399:My Generation: The Very Best of The Who
6174:Live at the Isle of Wight Festival 1970
4574:
4568:
4516:
3897:
3715:
3512:
2770:1973–1974 weekly chart performance for
2442:written and recorded on 1 November 1972
739:, which can be heard on the final mix.
700:sound on the album, Townshend bought a
535:(the abortive project that resulted in
7084:
5528:Before I Get Old: The Story of The Who
5481:
5233:
4770:
4459:from the original on 13 September 2014
4260:from the original on 25 September 2015
4221:"Returning With a Painful Top 30 List"
4172:
4036:
3835:
3804:
3792:
3663:
3571:
3556:
3378:
3165:
3138:
2663:– pre-production, executive production
2519:
2505:
2491:
2316:
2302:
2288:
2274:
2260:
1437:The Who performed Quadrophenia at the
6575:Amazing Journey: The Story of The Who
6276:Amazing Journey: The Story of The Who
5971:
5665:
5564:Neill, Andrew; Kent, Matthew (2002).
5522:
5127:from the original on 25 February 2015
5042:"Quadrophenia gets a Mod-ern staging"
5028:
5010:from the original on 28 December 2014
4863:
4845:from the original on 25 February 2021
4832:
4804:"Scott Devours: From Here to the Who"
4801:
4489:
4477:
4446:
4406:from the original on 19 February 2015
4376:from the original on 11 February 2015
4251:
4245:
4219:Christgau, Robert (13 January 1974).
4200:from the original on 18 February 2015
3926:
3924:
3612:
3506:
3465:
3453:
3441:
3429:
3417:
3402:
3390:
3354:
3342:
3330:
3303:
3246:
2533:
2477:
2463:
2449:
2435:
2421:
2407:
2393:
2379:
2365:
2330:
2246:
2232:
2218:
2204:
2190:
2176:
2162:
2148:
2134:
2091:
2073:
2059:
2045:
2010:
1989:
1971:
1953:
1935:
1886:
1872:
1854:
1840:
1826:
1808:
1768:
1750:
1733:
1719:
1701:
1685:
1636:sang the lead role, supported by the
1340:as a live concert. They performed at
887:
6526:Thirty Years of Maximum R&B Live
5545:McMichael, Joe; Lyons, Jack (2011).
5307:"The Who | Artist | Official Charts"
5199:
5075:from the original on 9 February 2015
4752:from the original on 9 November 2014
4583:from the original on 25 January 2014
4368:Clements, Ashley (29 January 2013).
4291:from the original on 14 January 2015
4278:
4184:
4178:
4135:
3988:from the original on 2 December 2013
3866:
3817:from the original on 4 December 2014
3742:"Quadrophenia – The Who – MCA #6895"
3683:
3535:from the original on 4 December 2014
3171:
2954:1974 year-end chart performance for
2759:
2554:
2141:written and recorded in October 1972
1548:
1229:
719:as one of the album's sound effects.
711:Townshend recorded the whistle of a
5613:"The Who: How We Made Quadrophenia"
5193:
5063:McKeough, Kevin (1 November 1995).
5034:
4967:from the original on 8 October 2017
4937:from the original on 8 October 2017
4575:Perrone, Pierre (24 January 2008).
4190:"The Who Quadrophenia Album Review"
4018:from the original on 18 August 2014
3720:. Palgrave Macmillan. p. 232.
2678:Pete Kameron – executive production
2180:"Fill No. 1 – Get Out and Stay Out"
1946:Daltrey, Townshend (intro and coda)
1652:
1212:the 500 greatest albums of all time
343:in 1965, the story follows a young
13:
5603:
4329:from the original on 18 April 2021
4254:"Review of The Who – Quadrophenia"
3921:
3879:from the original on 18 March 2015
3836:Coplan, Chris (8 September 2011).
3697:from the original on 14 March 2010
2948:
2915:2014 weekly chart performance for
2883:2011 weekly chart performance for
2695:continuity, engineering assistance
576:featured as a drummer in the film
14:
7168:
7147:Albums produced by Pete Townshend
6693:2003 The 46664 Concert appearance
6350:Rarities Volume I & Volume II
5637:
5101:from the original on 4 March 2015
4907:from the original on 29 June 2014
4876:from the original on 27 June 2019
4814:from the original on 27 June 2019
4783:from the original on 13 July 2014
4771:Greene, Andy (15 November 2012).
4740:McCormick, Neil (31 March 2010).
4721:from the original on 29 July 2014
4426:"VH1 greatest albums of all time"
4233:from the original on 15 June 2017
4151:from the original on 19 July 2020
4043:The Encyclopedia of Popular Music
3984:. Clashmusic.com. 19 March 2014.
3774:from the original on 15 July 2017
3748:from the original on 15 July 2017
3175:The New Rolling Stone Album Guide
3153:from the original on 5 April 2019
3139:Barker, Emily (24 October 2013).
2991:
2666:Pete Townshend – pre-production,
1844:"Helpless Dancer" (Roger's theme)
1331:
1234:
1214:. It is also ranked at No. 86 on
1058:
1008:
1001:The Encyclopedia of Popular Music
970:
908:
376:recorded solo albums and drummer
7066:
7065:
5691:
5623:from the original on 5 July 2018
5506:Dear Boy: The Life of Keith Moon
5392:
5362:
5271:
5153:from the original on 7 July 2015
4895:McCormick, Neil (24 June 2014).
4517:Jackson, James (20 April 2009).
4447:Graff, Gary (11 November 2011).
3970:– via robertchristgau.com.
3962:from the original on 10 May 2020
3848:from the original on 8 July 2014
2764:
2106:Quadrophenia: The Director's Cut
1647:
1586:in its entirety as their second
1578:In October 1995, the rock group
1441:on 30 March 2010 as part of the
1380:(who played the bus driver) and
1077:
1072:
1067:
1062:
1057:
1027:
1022:
1017:
1012:
1007:
989:
984:
979:
974:
969:
927:
922:
917:
912:
907:
562:released his second solo album,
36:1973 studio album by the Who
6392:Thirty Years of Maximum R&B
5611:Hughes, Rob (26 October 2016).
5205:Australian Chart Book 1970–1992
5179:
5165:
5139:
5113:
5087:
5056:
4991:
4888:
4857:
4826:
4795:
4764:
4733:
4703:
4440:
4418:
4388:
4361:
4303:
4279:Rose, Caryn (19 October 2013).
4272:
4212:
4129:
4097:
4064:
4030:
4000:
3974:
3909:from the original on 8 May 2014
3860:
3829:
3798:
3760:
3734:
3709:
3691:"The Who Official Band Website"
3669:
3318:Quadrophenia (1996 CD remaster)
3203:Segretto, Mike (2022). "1973".
3100:
2512:between 25 March and 1 May 1973
2152:"Quadrophenia – Four Overtures"
1900:Track 3 includes the intro to "
1644:, Phil Daniels, and Townshend.
1135:gave a more critical response.
7137:Albums produced by Kit Lambert
6969:The Who's Tommy Pinball Wizard
6237:Live at the Fillmore East 1968
4864:Wolff, Sander (12 July 2013).
4833:Wolff, Sander (10 July 2013).
4711:"Tommy and Quadrophenia: Live"
3277:
3209:. Backbeat. pp. 293–294.
3132:
2596:, co-lead vocals on 'Bell Boy'
2350:
2119:
2030:
1920:
1793:
1670:
1494:
1432:
1310:on the 24th was the last time
1239:The band toured in support of
664:. Instead, Townshend's friend
531:would be released in 1975) or
1:
7142:Albums produced by Glyn Johns
6195:Live at the Royal Albert Hall
5446:British Phonographic Industry
5335:. Retrieved 6 December 2022.
5313:. Retrieved 6 December 2022.
5268:. Retrieved 6 December 2022.
5252:. Retrieved 6 December 2022.
5240:"Top RPM Albums: Issue 4976a"
5095:"Live Phish, Vol. 14 – Phish"
4802:Wolff, Sander (9 July 2013).
3125:
2551:Taken from the sleeve notes:
1051:The Rolling Stone Album Guide
572:worked on solo material, and
478:
22:Quadrophenia (disambiguation)
6962:Rock Is Dead—Long Live Rock!
5583:Unterberger, Richie (2011).
5370:"Top 100 Album-Jahrescharts"
5044:. Wales Online. 10 July 2009
4577:"The worst gigs of all time"
3867:Grow, Kory (17 April 2014).
3805:Greene, Andy (2 June 2011).
2939:
2907:
2875:
2861:
2846:
2832:
2820:
2806:
2794:
2546:
1630:Royal Philharmonic Orchestra
1545:movement of the late 1970s.
1529:as the Ace Face. Unlike the
877:
660:that could handle recording
616:
331:A Quick One, While He's Away
7:
6672:1979 Cincinnati human crush
6589:Quadrophenia Live in London
6561:Tommy and Quadrophenia Live
6230:Quadrophenia Live in London
5997:
5841:Tommy and Quadrophenia Live
5834:Quadrophenia Live in London
5250:Library and Archives Canada
5000:"Kenny Jones Joins The Who"
2194:"Quadrophenic – Four Faces"
1426:Tommy and Quadrophenia Live
1356:as the Narrator and Jimmy,
1325:30 Years of Maximum R&B
1168:(1981), Christgau regarded
632:synthesizer extensively on
515:, guitarist and bandleader
382:Ronnie Lane's Mobile Studio
277:Released: October 1973 (US)
264:Released: October 1973 (UK)
111:Ronnie Lane's Mobile Studio
10:
7173:
6983:A Tale of Two Springfields
6869:Ashdown House, Oxfordshire
6547:The Who Special Edition EP
6308:Meaty Beaty Big and Bouncy
6294:Magic Bus: The Who on Tour
6209:View from a Backstage Pass
5733:The Punk and the Godfather
5656:Liner Notes – Quadrophenia
5474:
4698:McMichael & Lyons 2011
4686:McMichael & Lyons 2011
4674:McMichael & Lyons 2011
1861:Daltrey (verses, bridge),
1756:The Punk and the Godfather
1743:(verses), Daltrey (chorus)
1658:All tracks are written by
1552:
1503:
783:
431:takes place on and around
339:(1969). Set in London and
325:. It is the group's third
206:Meaty Beaty Big and Bouncy
26:
15:
7061:
6912:
6861:
6735:
6641:
6605:
6489:
6457:
6285:
6246:
6144:
6049:
6005:
5871:
5850:
5819:
5784:
5710:
5701:
5187:Quadrophenia (CD reissue)
3078:
3063:
3048:
3033:
3018:
3007:
3004:
2969:
2964:
2961:
2932:
2900:
2866:
2851:
2837:
2825:
2811:
2799:
2787:
2780:
2777:
2754:
2726:– remixing (1996 reissue)
2360:
2357:
2354:
2349:
2129:
2126:
2123:
2118:
2040:
2037:
2034:
2029:
1930:
1927:
1924:
1919:
1803:
1800:
1797:
1792:
1680:
1677:
1674:
1669:
1172:as more of an opera than
895:
892:
829:Goodbye Yellow Brick Road
597:'s orchestral version of
539:), and decided to follow
313:by the English rock band
298:
251:
240:
236:
199:
191:
181:
154:
138:
117:
98:
83:
72:26 October 1973
68:
55:
46:
41:
6874:Chapel House, Twickenham
6713:Back to the Who Tour 51!
6582:The Who at Kilburn: 1977
6519:Who's Better, Who's Best
6385:Who's Better, Who's Best
6065:A Quick One / Happy Jack
5374:GfK Entertainment Charts
5323:"The Who Chart History (
5266:GfK Entertainment Charts
3936:"Consumer Guide '70s: W"
3116:Anyway, Anyhow, Anywhere
3093:
1221:Townshend now considers
939:Christgau's Record Guide
439:The original release of
6941:The Boy Who Heard Music
6663:The Who by Numbers Tour
6420:The Ultimate Collection
4931:ultimateclassicrock.com
4048:Oxford University Press
3716:Gildart, Keith (2013).
2812:Canada Top Albums/CDs (
1499:
1119:described the album in
418:
333:" (1966) and the album
6925:Awards and nominations
6763:John "Rabbit" Bundrick
6653:1962–1963 performances
6473:Won't Get Fooled Again
5416:(in French). InfoDisc.
5376:. 1974. Archived from
4105:"The Who: Album Guide"
2675:– executive production
2614:on 'I've Had Enough',
1563:musical. In 2007, the
1555:Quadrophenia (musical)
1386:John "Rabbit" Bundrick
1253:Won't Get Fooled Again
720:
641:
436:
321:on 26 October 1973 by
290:Released: January 1974
20:. For other uses, see
6703:Quadrophenia and More
5617:Classic Rock magazine
5547:The Who: Concert File
5482:Atkins, John (2000).
4662:Neill & Kent 2002
4650:Neill & Kent 2002
4563:Neill & Kent 2002
4252:Jones, Chris (2008).
4145:Tom Hull – on the Web
4141:"Grade List: The Who"
3652:Neill & Kent 2002
3637:Neill & Kent 2002
3495:Neill & Kent 2002
3478:Neill & Kent 2002
3367:Neill & Kent 2002
3272:Neill & Kent 2002
2267:written early in 1972
2239:written in April 1972
1964:Daltrey and Townshend
1879:Daltrey and Townshend
1517:in 1979, directed by
1470:Quadrophenia and More
1421:Madison Square Garden
1100:Critical reaction to
1089:Tom Hull – on the Web
855:and Andy Macpherson.
710:
624:
426:
7107:Track Records albums
7102:1970s concept albums
6773:Steve "Boltz" Bolton
6505:The Kids Are Alright
6322:The Story of The Who
6262:The Kids Are Alright
5065:"Phish Does The Who"
4525:. UK. Archived from
4188:(20 December 1973).
4014:. 23 November 2011.
3946:Ticknor & Fields
3842:Consequence of Sound
3393:, pp. 396, 397.
3182:. pp. 871–873.
3180:Simon & Schuster
2720:, insert photography
2657:The Who – production
2623:Additional musicians
2523:"Love Reign O'er Me"
2169:written in June 1972
1902:The Kids Are Alright
1622:Classic Quadrophenia
1609:Live Phish Volume 14
1443:Teenage Cancer Trust
1364:as the Bell Boy and
1117:Charles Shaar Murray
883:Professional ratings
6596:Lambert & Stamp
6434:The 1st Singles Box
6343:Who's Greatest Hits
5775:Love, Reign o'er Me
4901:The Daily Telegraph
4746:The Daily Telegraph
4676:, pp. 820–821.
4664:, pp. 351–352.
4480:, pp. 425–426.
3899:Unterberger, Richie
3795:, pp. 209–210.
3627:, pp. 345–346.
3001:
2997:Certifications for
2958:
2919:
2887:
2788:Australian Albums (
2774:
2509:"Finale – The Rock"
2369:"Is It in My Head?"
2346:
2115:
2114:CD three: The Demos
2079:Love, Reign o'er Me
2026:
1916:
1858:"Is It in My Head?"
1789:
1666:
1638:London Oriana Choir
1506:Quadrophenia (film)
1360:as the newsreader,
1269:Newcastle upon Tyne
1210:magazine's list of
1122:New Musical Express
884:
427:The second half of
272:Love, Reign o'er Me
18:Quadrophenia (film)
7112:MCA Records albums
7028:Chris Charlesworth
6894:Shepperton Studios
6364:The Who Collection
6286:Compilation albums
6216:Greatest Hits Live
6100:The Who by Numbers
5920:The Who by Numbers
5652:(list of releases)
4492:, p. 247,359.
4117:on 6 February 2011
2996:
2972:Offizielle Top 100
2953:
2914:
2882:
2828:Offizielle Top 100
2778:Chart (1973–1974)
2769:
2345:CD four: The Demos
2344:
2208:"We Close Tonight"
2113:
2024:
1914:
1787:
1664:
1605:Rosemont, Illinois
1513:was revived for a
1352:as the Godfather,
882:
868:5.1 surround sound
725:Gibson Thunderbird
721:
642:
603:Giving It All Away
579:That'll Be the Day
437:
92:May–September 1973
7079:
7078:
6935:Musical equipment
6862:Associated places
6247:Soundtrack albums
6223:Live at Hull 1970
6202:Live from Toronto
6188:Blues to the Bush
5965:
5964:
5863:The Who Tour 1974
5858:The Who Tour 1973
5804:(film soundtrack)
5594:978-1-906002-75-6
5587:. Jawbone Press.
5575:978-0-7535-1217-3
5556:978-0-85712-737-2
5549:. Omnibus Press.
5537:978-0-85965-083-0
5515:978-1-84449-807-9
5508:. Omnibus Press.
5493:978-0-7864-0609-8
4322:978-1-59967-369-1
3932:Christgau, Robert
3727:978-1-137-38425-6
3091:
3090:
3086:
3082:
2988:
2987:
2981:
2980:
2944:
2943:
2912:
2911:
2880:
2879:
2800:Austrian Albums (
2790:Kent Music Report
2751:
2750:
2707:– special effects
2701:– studio earphone
2688:, special effects
2543:
2542:
2397:"I've Had Enough"
2340:
2339:
2320:"Helpless Dancer"
2101:
2100:
2020:
2019:
1997:" (Keith's theme)
1896:
1895:
1876:"I've Had Enough"
1778:
1777:
1549:Other productions
1439:Royal Albert Hall
1342:Hyde Park, London
1320:Charlton Athletic
1301:Los Angeles Forum
1230:Live performances
1098:
1097:
843:illustrating it.
770:John Philip Sousa
715:near his home in
584:split personality
302:
301:
232:
231:
7164:
7157:Mod (subculture)
7069:
7068:
6879:Holmshurst Manor
6708:The Who Hits 50!
6480:Wire & Glass
6466:Ready Steady Who
6448:The Who Hits 50!
6072:The Who Sell Out
5992:
5985:
5978:
5969:
5968:
5892:The Who Sell Out
5851:Supporting tours
5686:
5679:
5672:
5663:
5662:
5632:
5630:
5628:
5598:
5579:
5560:
5541:
5519:
5497:
5468:
5467:
5456:
5450:
5449:
5438:
5432:
5430:
5417:
5410:
5404:
5403:
5402:. 18 March 2023.
5396:
5390:
5389:
5387:
5385:
5366:
5360:
5354:
5348:
5342:
5336:
5320:
5314:
5304:
5298:
5296:
5294:
5292:
5275:
5269:
5259:
5253:
5237:
5231:
5225:
5219:
5218:
5197:
5191:
5190:
5183:
5177:
5176:
5169:
5163:
5162:
5160:
5158:
5143:
5137:
5136:
5134:
5132:
5117:
5111:
5110:
5108:
5106:
5091:
5085:
5084:
5082:
5080:
5060:
5054:
5053:
5051:
5049:
5038:
5032:
5026:
5020:
5019:
5017:
5015:
4995:
4989:
4983:
4977:
4976:
4974:
4972:
4961:rollingstone.com
4953:
4947:
4946:
4944:
4942:
4923:
4917:
4916:
4914:
4912:
4892:
4886:
4885:
4883:
4881:
4861:
4855:
4854:
4852:
4850:
4830:
4824:
4823:
4821:
4819:
4799:
4793:
4792:
4790:
4788:
4768:
4762:
4761:
4759:
4757:
4737:
4731:
4730:
4728:
4726:
4707:
4701:
4695:
4689:
4683:
4677:
4671:
4665:
4659:
4653:
4647:
4641:
4635:
4629:
4623:
4617:
4611:
4605:
4599:
4593:
4592:
4590:
4588:
4572:
4566:
4560:
4551:
4545:
4539:
4538:
4536:
4534:
4529:on 18 April 2021
4514:
4508:
4502:
4493:
4487:
4481:
4475:
4469:
4468:
4466:
4464:
4444:
4438:
4437:
4435:
4433:
4422:
4416:
4415:
4413:
4411:
4392:
4386:
4385:
4383:
4381:
4365:
4359:
4358:
4352:
4348:
4346:
4338:
4336:
4334:
4307:
4301:
4300:
4298:
4296:
4276:
4270:
4269:
4267:
4265:
4249:
4243:
4242:
4240:
4238:
4216:
4210:
4209:
4207:
4205:
4182:
4176:
4170:
4161:
4160:
4158:
4156:
4133:
4127:
4126:
4124:
4122:
4113:. Archived from
4101:
4095:
4094:
4078:
4068:
4062:
4061:
4046:(4th ed.).
4034:
4028:
4027:
4025:
4023:
4004:
3998:
3997:
3995:
3993:
3978:
3972:
3971:
3969:
3967:
3928:
3919:
3918:
3916:
3914:
3895:
3889:
3888:
3886:
3884:
3864:
3858:
3857:
3855:
3853:
3833:
3827:
3826:
3824:
3822:
3802:
3796:
3790:
3784:
3783:
3781:
3779:
3764:
3758:
3757:
3755:
3753:
3738:
3732:
3731:
3713:
3707:
3706:
3704:
3702:
3687:
3681:
3680:
3673:
3667:
3661:
3655:
3649:
3640:
3634:
3628:
3622:
3616:
3610:
3599:
3596:Unterberger 2011
3593:
3587:
3584:Unterberger 2011
3581:
3575:
3569:
3560:
3554:
3545:
3544:
3542:
3540:
3525:
3510:
3504:
3498:
3492:
3481:
3475:
3469:
3463:
3457:
3451:
3445:
3439:
3433:
3427:
3421:
3415:
3406:
3400:
3394:
3388:
3382:
3376:
3370:
3364:
3358:
3352:
3346:
3340:
3334:
3328:
3322:
3321:
3314:
3301:
3300:
3298:
3296:
3281:
3275:
3269:
3250:
3244:
3238:
3235:Unterberger 2011
3232:
3221:
3220:
3200:
3194:
3193:
3178:(4th ed.).
3169:
3163:
3162:
3160:
3158:
3136:
3119:
3104:
3084:
3080:
3049:United Kingdom (
3002:
2995:
2959:
2952:
2933:Italian Albums (
2920:
2913:
2888:
2881:
2838:Italian Albums (
2775:
2768:
2760:
2632:on "Cut My Hair"
2630:newsreader voice
2555:
2536:
2414:12 November 1972
2352:
2347:
2343:
2333:
2295:15 November 1972
2281:18 November 1972
2183:12 November 1972
2121:
2116:
2112:
2094:
2081:" (Pete's theme)
2032:
2027:
2023:
2013:
1922:
1917:
1913:
1889:
1830:"The Dirty Jobs"
1795:
1790:
1786:
1771:
1672:
1667:
1663:
1653:Original release
1597:Rosemont Horizon
1392:, percussionist
1362:Adrian Edmondson
1358:Trevor MacDonald
1200:magazine placed
1157:Robert Christgau
1110:
1082:
1081:
1080:
1076:
1075:
1071:
1070:
1066:
1065:
1061:
1060:
1032:
1031:
1030:
1026:
1025:
1021:
1020:
1016:
1015:
1011:
1010:
994:
993:
992:
988:
987:
983:
982:
978:
977:
973:
972:
932:
931:
930:
926:
925:
921:
920:
916:
915:
911:
910:
885:
881:
802:OPEC oil embargo
756:Goring-on-Thames
746:with a portable
744:field recordings
717:Goring-on-Thames
317:, released as a
291:
288:
278:
275:
265:
262:
201:
200:
150:
149:
145:
79:
77:
51:
39:
38:
7172:
7171:
7167:
7166:
7165:
7163:
7162:
7161:
7082:
7081:
7080:
7075:
7057:
7043:Bill Curbishley
6976:Who Covers Who?
6955:The Who's Tommy
6908:
6889:Ramport Studios
6857:
6838:Morgan Nicholls
6808:Simon Townshend
6731:
6727:Moving On! Tour
6644:
6637:
6601:
6485:
6453:
6315:Odds & Sods
6281:
6242:
6140:
6045:
6001:
5996:
5966:
5961:
5960:
5867:
5846:
5823:
5821:
5815:
5780:
5706:
5697:
5690:
5640:
5635:
5626:
5624:
5610:
5606:
5604:Further reading
5601:
5595:
5576:
5557:
5538:
5516:
5494:
5477:
5472:
5471:
5458:
5457:
5453:
5440:
5439:
5435:
5428:
5412:
5411:
5407:
5398:
5397:
5393:
5383:
5381:
5380:on 12 June 2018
5368:
5367:
5363:
5355:
5351:
5343:
5339:
5321:
5317:
5311:UK Albums Chart
5305:
5301:
5290:
5288:
5284:Musica e Dischi
5277:
5276:
5272:
5260:
5256:
5238:
5234:
5226:
5222:
5215:
5198:
5194:
5185:
5184:
5180:
5171:
5170:
5166:
5156:
5154:
5145:
5144:
5140:
5130:
5128:
5119:
5118:
5114:
5104:
5102:
5093:
5092:
5088:
5078:
5076:
5069:Chicago Tribune
5061:
5057:
5047:
5045:
5040:
5039:
5035:
5027:
5023:
5013:
5011:
4996:
4992:
4984:
4980:
4970:
4968:
4963:. 6 June 2017.
4955:
4954:
4950:
4940:
4938:
4933:. 6 June 2017.
4925:
4924:
4920:
4910:
4908:
4893:
4889:
4879:
4877:
4870:Long Beach Post
4862:
4858:
4848:
4846:
4839:Long Beach Post
4831:
4827:
4817:
4815:
4808:Long Beach Post
4800:
4796:
4786:
4784:
4769:
4765:
4755:
4753:
4738:
4734:
4724:
4722:
4709:
4708:
4704:
4696:
4692:
4684:
4680:
4672:
4668:
4660:
4656:
4648:
4644:
4636:
4632:
4624:
4620:
4612:
4608:
4600:
4596:
4586:
4584:
4573:
4569:
4561:
4554:
4546:
4542:
4532:
4530:
4515:
4511:
4503:
4496:
4488:
4484:
4476:
4472:
4462:
4460:
4445:
4441:
4431:
4429:
4424:
4423:
4419:
4409:
4407:
4394:
4393:
4389:
4379:
4377:
4366:
4362:
4350:
4349:
4340:
4339:
4332:
4330:
4323:
4309:
4308:
4304:
4294:
4292:
4277:
4273:
4263:
4261:
4250:
4246:
4236:
4234:
4217:
4213:
4203:
4201:
4183:
4179:
4171:
4164:
4154:
4152:
4134:
4130:
4120:
4118:
4103:
4102:
4098:
4091:
4069:
4065:
4058:
4035:
4031:
4021:
4019:
4006:
4005:
4001:
3991:
3989:
3980:
3979:
3975:
3965:
3963:
3956:
3929:
3922:
3912:
3910:
3896:
3892:
3882:
3880:
3865:
3861:
3851:
3849:
3834:
3830:
3820:
3818:
3803:
3799:
3791:
3787:
3777:
3775:
3766:
3765:
3761:
3751:
3749:
3740:
3739:
3735:
3728:
3714:
3710:
3700:
3698:
3689:
3688:
3684:
3675:
3674:
3670:
3662:
3658:
3650:
3643:
3635:
3631:
3623:
3619:
3611:
3602:
3594:
3590:
3582:
3578:
3570:
3563:
3555:
3548:
3538:
3536:
3527:
3526:
3513:
3505:
3501:
3493:
3484:
3476:
3472:
3464:
3460:
3456:, pp. 406.
3452:
3448:
3440:
3436:
3428:
3424:
3416:
3409:
3401:
3397:
3389:
3385:
3377:
3373:
3365:
3361:
3353:
3349:
3341:
3337:
3329:
3325:
3316:
3315:
3304:
3294:
3292:
3289:The Independent
3283:
3282:
3278:
3270:
3253:
3245:
3241:
3233:
3224:
3217:
3201:
3197:
3190:
3170:
3166:
3156:
3154:
3137:
3133:
3128:
3123:
3122:
3112:I Can't Explain
3105:
3101:
3096:
3083:
3064:United States (
3012:Certified units
2994:
2989:
2970:German Albums (
2951:
2949:Year-end charts
2927:
2895:
2841:Musica e Dischi
2826:German Albums (
2782:
2767:
2757:
2752:
2646:
2549:
2544:
2534:
2341:
2331:
2222:"You Came Back"
2110:
2102:
2092:
2021:
2011:
1897:
1887:
1779:
1769:
1655:
1650:
1592:musical costume
1569:Sherman Theatre
1557:
1551:
1535:film soundtrack
1508:
1502:
1497:
1435:
1384:, keyboardists
1382:Geoff Whitehorn
1344:as part of the
1334:
1237:
1232:
1108:
1078:
1073:
1068:
1063:
1039:MusicHound Rock
1028:
1023:
1018:
1013:
990:
985:
980:
975:
928:
923:
918:
913:
880:
791:Top of the Pops
786:
650:Ramport Studios
619:
481:
421:
409:film adaptation
294:
289:
282:
281:
276:
269:
268:
263:
256:
255:
227:
224:Odds & Sods
218:
209:
147:
143:
142:
75:
73:
64:
37:
32:
25:
12:
11:
5:
7170:
7160:
7159:
7154:
7149:
7144:
7139:
7134:
7132:The Who albums
7129:
7124:
7119:
7114:
7109:
7104:
7099:
7094:
7077:
7076:
7074:
7073:
7062:
7059:
7058:
7056:
7055:
7050:
7045:
7040:
7035:
7030:
7025:
7020:
7018:Richard Barnes
7015:
7010:
7005:
6998:
6993:
6986:
6979:
6972:
6965:
6958:
6951:
6944:
6937:
6932:
6927:
6922:
6916:
6914:
6910:
6909:
6907:
6906:
6901:
6899:Tara, Chertsey
6896:
6891:
6886:
6881:
6876:
6871:
6865:
6863:
6859:
6858:
6856:
6855:
6850:
6845:
6843:Chris Stainton
6840:
6835:
6833:Reggie Grisham
6830:
6828:Pino Palladino
6825:
6820:
6815:
6810:
6805:
6803:Danny Thompson
6800:
6795:
6790:
6785:
6780:
6778:Simon Phillips
6775:
6770:
6765:
6760:
6755:
6750:
6745:
6743:Mitch Mitchell
6739:
6737:
6733:
6732:
6730:
6729:
6724:
6715:
6710:
6705:
6700:
6698:2006–2007 tour
6695:
6690:
6685:
6680:
6675:
6665:
6660:
6655:
6649:
6647:
6639:
6638:
6636:
6635:
6630:
6628:John Entwistle
6625:
6623:Pete Townshend
6620:
6615:
6609:
6607:
6603:
6602:
6600:
6599:
6592:
6585:
6578:
6571:
6564:
6557:
6554:Live in Boston
6550:
6543:
6536:
6529:
6522:
6515:
6508:
6501:
6493:
6491:
6487:
6486:
6484:
6483:
6476:
6469:
6461:
6459:
6458:Extended plays
6455:
6454:
6452:
6451:
6444:
6437:
6430:
6423:
6416:
6409:
6402:
6395:
6388:
6381:
6374:
6367:
6360:
6353:
6346:
6339:
6332:
6325:
6318:
6311:
6304:
6297:
6289:
6287:
6283:
6282:
6280:
6279:
6272:
6265:
6258:
6250:
6248:
6244:
6243:
6241:
6240:
6233:
6226:
6219:
6212:
6205:
6198:
6191:
6184:
6177:
6170:
6163:
6156:
6148:
6146:
6142:
6141:
6139:
6138:
6131:
6124:
6117:
6110:
6103:
6096:
6089:
6082:
6075:
6068:
6061:
6053:
6051:
6047:
6046:
6044:
6043:
6038:
6033:
6028:
6026:John Entwistle
6022:
6021:
6018:Pete Townshend
6014:
6006:
6003:
6002:
5995:
5994:
5987:
5980:
5972:
5963:
5962:
5959:
5958:
5951:
5944:
5937:
5930:
5923:
5916:
5909:
5902:
5895:
5888:
5881:
5873:
5872:
5869:
5868:
5866:
5865:
5860:
5854:
5852:
5848:
5847:
5845:
5844:
5837:
5829:
5827:
5820:Live albums w/
5817:
5816:
5814:
5813:
5805:
5797:
5788:
5786:
5782:
5781:
5779:
5778:
5771:
5764:
5757:
5750:
5743:
5736:
5729:
5722:
5714:
5712:
5708:
5707:
5702:
5699:
5698:
5689:
5688:
5681:
5674:
5666:
5660:
5659:
5653:
5639:
5638:External links
5636:
5634:
5633:
5607:
5605:
5602:
5600:
5599:
5593:
5580:
5574:
5561:
5555:
5542:
5536:
5520:
5514:
5502:Fletcher, Tony
5498:
5492:
5478:
5476:
5473:
5470:
5469:
5451:
5433:
5405:
5391:
5361:
5349:
5337:
5315:
5299:
5270:
5254:
5232:
5220:
5213:
5192:
5178:
5164:
5138:
5112:
5086:
5055:
5033:
5031:, p. 510.
5021:
4990:
4988:, p. 535.
4978:
4948:
4918:
4887:
4856:
4825:
4794:
4763:
4732:
4702:
4700:, p. 823.
4690:
4688:, p. 822.
4678:
4666:
4654:
4652:, p. 346.
4642:
4640:, p. 369.
4630:
4628:, p. 363.
4618:
4616:, p. 362.
4606:
4604:, p. 361.
4594:
4567:
4565:, p. 336.
4552:
4550:, p. 360.
4540:
4509:
4507:, p. 359.
4494:
4482:
4470:
4439:
4417:
4387:
4360:
4321:
4302:
4271:
4244:
4211:
4177:
4175:, p. 209.
4162:
4128:
4096:
4089:
4063:
4057:978-0195313734
4056:
4029:
3999:
3973:
3954:
3920:
3890:
3859:
3828:
3797:
3785:
3759:
3733:
3726:
3708:
3682:
3668:
3666:, p. 192.
3656:
3654:, p. 334.
3641:
3639:, p. 331.
3629:
3617:
3615:, p. 414.
3600:
3598:, p. 203.
3588:
3586:, p. 186.
3576:
3574:, p. 181.
3561:
3559:, p. 206.
3546:
3511:
3509:, p. 412.
3499:
3497:, p. 329.
3482:
3480:, p. 324.
3470:
3468:, p. 410.
3458:
3446:
3444:, p. 405.
3434:
3432:, p. 400.
3422:
3420:, p. 413.
3407:
3405:, p. 399.
3395:
3383:
3381:, p. 177.
3371:
3369:, p. 315.
3359:
3357:, p. 396.
3347:
3345:, p. 395.
3335:
3333:, p. 419.
3323:
3302:
3291:. 3 April 2004
3276:
3274:, p. 317.
3251:
3249:, p. 420.
3239:
3237:, p. 232.
3222:
3215:
3195:
3188:
3164:
3130:
3129:
3127:
3124:
3121:
3120:
3098:
3097:
3095:
3092:
3089:
3088:
3076:
3075:
3072:
3069:
3061:
3060:
3057:
3054:
3046:
3045:
3042:
3039:
3031:
3030:
3027:
3024:
3016:
3015:
3009:
3006:
2993:
2992:Certifications
2990:
2986:
2985:
2979:
2978:
2975:
2967:
2966:
2963:
2950:
2947:
2945:
2942:
2941:
2938:
2930:
2929:
2924:
2910:
2909:
2906:
2901:Dutch Albums (
2898:
2897:
2892:
2878:
2877:
2874:
2864:
2863:
2860:
2849:
2848:
2845:
2835:
2834:
2831:
2823:
2822:
2819:
2809:
2808:
2805:
2797:
2796:
2793:
2785:
2784:
2779:
2766:
2763:
2758:
2756:
2753:
2749:
2748:
2744:
2743:
2737:
2736:(1996 reissue)
2727:
2721:
2711:
2708:
2702:
2696:
2689:
2679:
2676:
2670:
2664:
2658:
2648:
2644:
2643:
2636:Chris Stainton
2633:
2620:
2619:
2600:Pete Townshend
2597:
2583:
2577:
2566:John Entwistle
2553:
2548:
2545:
2541:
2540:
2537:
2531:
2530:
2527:
2524:
2521:
2517:
2516:
2513:
2510:
2507:
2503:
2502:
2499:
2496:
2495:"Doctor Jimmy"
2493:
2489:
2488:
2485:
2482:
2479:
2475:
2474:
2471:
2468:
2465:
2461:
2460:
2457:
2454:
2451:
2447:
2446:
2443:
2440:
2439:"Sea and Sand"
2437:
2433:
2432:
2429:
2428:in August 1972
2426:
2423:
2419:
2418:
2415:
2412:
2409:
2405:
2404:
2401:
2398:
2395:
2391:
2390:
2387:
2384:
2381:
2377:
2376:
2373:
2370:
2367:
2363:
2362:
2359:
2358:Recording date
2356:
2353:
2342:
2338:
2337:
2334:
2328:
2327:
2324:
2321:
2318:
2314:
2313:
2310:
2307:
2304:
2300:
2299:
2296:
2293:
2290:
2286:
2285:
2282:
2279:
2276:
2272:
2271:
2268:
2265:
2262:
2258:
2257:
2254:
2251:
2248:
2244:
2243:
2240:
2237:
2234:
2230:
2229:
2226:
2223:
2220:
2216:
2215:
2212:
2209:
2206:
2202:
2201:
2198:
2195:
2192:
2188:
2187:
2184:
2181:
2178:
2174:
2173:
2170:
2167:
2164:
2160:
2159:
2156:
2153:
2150:
2146:
2145:
2142:
2139:
2136:
2132:
2131:
2128:
2127:Recording date
2125:
2122:
2111:
2109:
2103:
2099:
2098:
2095:
2089:
2088:
2085:
2082:
2075:
2071:
2070:
2067:
2066:(instrumental)
2064:
2061:
2057:
2056:
2053:
2050:
2047:
2043:
2042:
2039:
2036:
2033:
2022:
2018:
2017:
2014:
2008:
2007:
2004:
1998:
1991:
1987:
1986:
1983:
1980:
1973:
1969:
1968:
1965:
1962:
1955:
1951:
1950:
1947:
1944:
1937:
1933:
1932:
1929:
1926:
1923:
1912:
1911:
1910:
1894:
1893:
1890:
1884:
1883:
1880:
1877:
1874:
1870:
1869:
1866:
1863:John Entwistle
1859:
1856:
1852:
1851:
1848:
1845:
1842:
1838:
1837:
1834:
1831:
1828:
1824:
1823:
1820:
1817:
1810:
1806:
1805:
1802:
1799:
1796:
1785:
1784:
1783:
1776:
1775:
1772:
1766:
1765:
1762:
1759:
1752:
1748:
1747:
1744:
1741:Pete Townshend
1738:
1735:
1731:
1730:
1727:
1726:(instrumental)
1724:
1723:"Quadrophenia"
1721:
1717:
1716:
1713:
1710:
1703:
1699:
1698:
1695:
1690:
1689:"I Am the Sea"
1687:
1683:
1682:
1679:
1676:
1673:
1660:Pete Townshend
1656:
1654:
1651:
1649:
1646:
1553:Main article:
1550:
1547:
1504:Main article:
1501:
1498:
1496:
1493:
1474:Pino Palladino
1434:
1431:
1398:Billy Nicholls
1346:Prince's Trust
1333:
1332:1996–1997 tour
1330:
1284:tranquillisers
1265:Stoke-on-Trent
1245:Chris Stainton
1236:
1235:1973–1974 tour
1233:
1231:
1228:
1104:was positive.
1096:
1095:
1092:
1084:
1083:
1054:
1046:
1045:
1042:
1034:
1033:
1004:
996:
995:
966:
958:
957:
954:
946:
945:
942:
934:
933:
904:
898:
897:
894:
890:
889:
879:
876:
785:
782:
698:string section
668:, bassist for
626:Pete Townshend
618:
615:
560:John Entwistle
517:Pete Townshend
480:
477:
433:Brighton Beach
420:
417:
370:John Entwistle
353:Pete Townshend
300:
299:
296:
295:
293:
292:
279:
266:
252:
249:
248:
238:
237:
234:
233:
230:
229:
220:
211:
197:
196:
189:
188:
185:
179:
178:
177:
176:
166:
158:
152:
151:
140:
136:
135:
134:
133:
128:
121:
115:
114:
100:
96:
95:
94:
93:
90:
85:
81:
80:
70:
66:
65:
60:
53:
52:
44:
43:
35:
9:
6:
4:
3:
2:
7169:
7158:
7155:
7153:
7150:
7148:
7145:
7143:
7140:
7138:
7135:
7133:
7130:
7128:
7127:Rock musicals
7125:
7123:
7120:
7118:
7115:
7113:
7110:
7108:
7105:
7103:
7100:
7098:
7095:
7093:
7090:
7089:
7087:
7072:
7064:
7063:
7060:
7054:
7051:
7049:
7048:Track Records
7046:
7044:
7041:
7039:
7036:
7034:
7031:
7029:
7026:
7024:
7023:Dougal Butler
7021:
7019:
7016:
7014:
7011:
7009:
7006:
7004:
7003:
6999:
6997:
6994:
6991:
6987:
6984:
6980:
6978:
6977:
6973:
6971:
6970:
6966:
6964:
6963:
6959:
6957:
6956:
6952:
6950:
6949:
6945:
6943:
6942:
6938:
6936:
6933:
6931:
6928:
6926:
6923:
6921:
6918:
6917:
6915:
6911:
6905:
6902:
6900:
6897:
6895:
6892:
6890:
6887:
6885:
6882:
6880:
6877:
6875:
6872:
6870:
6867:
6866:
6864:
6860:
6854:
6851:
6849:
6848:Scott Devours
6846:
6844:
6841:
6839:
6836:
6834:
6831:
6829:
6826:
6824:
6821:
6819:
6816:
6814:
6811:
6809:
6806:
6804:
6801:
6799:
6796:
6794:
6791:
6789:
6786:
6784:
6781:
6779:
6776:
6774:
6771:
6769:
6766:
6764:
6761:
6759:
6756:
6754:
6753:Chris Townson
6751:
6749:
6746:
6744:
6741:
6740:
6738:
6734:
6728:
6725:
6723:
6721:
6716:
6714:
6711:
6709:
6706:
6704:
6701:
6699:
6696:
6694:
6691:
6689:
6686:
6684:
6681:
6679:
6676:
6673:
6669:
6666:
6664:
6661:
6659:
6656:
6654:
6651:
6650:
6648:
6646:
6640:
6634:
6631:
6629:
6626:
6624:
6621:
6619:
6618:Roger Daltrey
6616:
6614:
6611:
6610:
6608:
6606:Discographies
6604:
6598:
6597:
6593:
6591:
6590:
6586:
6584:
6583:
6579:
6577:
6576:
6572:
6570:
6569:
6568:The Vegas Job
6565:
6563:
6562:
6558:
6556:
6555:
6551:
6549:
6548:
6544:
6542:
6541:
6537:
6535:
6534:
6530:
6528:
6527:
6523:
6521:
6520:
6516:
6514:
6513:
6509:
6507:
6506:
6502:
6500:
6499:
6495:
6494:
6492:
6488:
6482:
6481:
6477:
6475:
6474:
6470:
6468:
6467:
6463:
6462:
6460:
6456:
6450:
6449:
6445:
6443:
6442:
6441:Greatest Hits
6438:
6436:
6435:
6431:
6429:
6428:
6424:
6422:
6421:
6417:
6415:
6414:
6413:Encore Series
6410:
6408:
6407:
6403:
6401:
6400:
6396:
6394:
6393:
6389:
6387:
6386:
6382:
6380:
6379:
6378:Two's Missing
6375:
6373:
6372:
6371:Who's Missing
6368:
6366:
6365:
6361:
6359:
6358:
6354:
6352:
6351:
6347:
6345:
6344:
6340:
6338:
6337:
6333:
6331:
6330:
6326:
6324:
6323:
6319:
6317:
6316:
6312:
6310:
6309:
6305:
6303:
6302:
6298:
6296:
6295:
6291:
6290:
6288:
6284:
6278:
6277:
6273:
6271:
6270:
6266:
6264:
6263:
6259:
6257:
6256:
6252:
6251:
6249:
6245:
6239:
6238:
6234:
6232:
6231:
6227:
6225:
6224:
6220:
6218:
6217:
6213:
6211:
6210:
6206:
6204:
6203:
6199:
6197:
6196:
6192:
6190:
6189:
6185:
6183:
6182:
6178:
6176:
6175:
6171:
6169:
6168:
6167:Join Together
6164:
6162:
6161:
6157:
6155:
6154:
6153:Live at Leeds
6150:
6149:
6147:
6143:
6137:
6136:
6132:
6130:
6129:
6125:
6123:
6122:
6118:
6116:
6115:
6111:
6109:
6108:
6104:
6102:
6101:
6097:
6095:
6094:
6090:
6088:
6087:
6083:
6081:
6080:
6076:
6074:
6073:
6069:
6067:
6066:
6062:
6060:
6059:
6055:
6054:
6052:
6050:Studio albums
6048:
6042:
6039:
6037:
6034:
6032:
6029:
6027:
6024:
6023:
6020:
6019:
6015:
6013:
6012:
6011:Roger Daltrey
6008:
6007:
6004:
6000:
5993:
5988:
5986:
5981:
5979:
5974:
5973:
5970:
5957:
5956:
5952:
5950:
5949:
5945:
5943:
5942:
5938:
5936:
5935:
5931:
5929:
5928:
5924:
5922:
5921:
5917:
5915:
5914:
5910:
5908:
5907:
5903:
5901:
5900:
5896:
5894:
5893:
5889:
5887:
5886:
5882:
5880:
5879:
5878:My Generation
5875:
5874:
5870:
5864:
5861:
5859:
5856:
5855:
5853:
5849:
5843:
5842:
5838:
5836:
5835:
5831:
5830:
5828:
5826:
5818:
5811:
5810:
5806:
5803:
5802:
5798:
5795:
5794:
5790:
5789:
5787:
5783:
5776:
5772:
5769:
5765:
5762:
5758:
5755:
5751:
5748:
5744:
5741:
5737:
5734:
5730:
5727:
5723:
5720:
5716:
5715:
5713:
5709:
5705:
5700:
5696:
5695:
5687:
5682:
5680:
5675:
5673:
5668:
5667:
5664:
5657:
5654:
5651:
5647:
5646:
5642:
5641:
5622:
5618:
5614:
5609:
5608:
5596:
5590:
5586:
5581:
5577:
5571:
5567:
5562:
5558:
5552:
5548:
5543:
5539:
5533:
5529:
5525:
5521:
5517:
5511:
5507:
5503:
5499:
5495:
5489:
5486:. McFarland.
5485:
5480:
5479:
5465:
5461:
5455:
5447:
5443:
5437:
5431:
5424:
5420:
5415:
5409:
5401:
5395:
5379:
5375:
5372:(in German).
5371:
5365:
5358:
5353:
5346:
5341:
5334:
5333:
5328:
5326:
5319:
5312:
5308:
5303:
5286:
5285:
5280:
5279:"Classifiche"
5274:
5267:
5264:(in German).
5263:
5258:
5251:
5247:
5246:
5241:
5236:
5229:
5224:
5216:
5214:0-646-11917-6
5210:
5206:
5202:
5196:
5188:
5182:
5174:
5168:
5152:
5148:
5142:
5126:
5122:
5116:
5100:
5096:
5090:
5074:
5070:
5066:
5059:
5043:
5037:
5030:
5025:
5009:
5005:
5004:Rolling Stone
5001:
4994:
4987:
4986:Fletcher 1998
4982:
4966:
4962:
4958:
4952:
4936:
4932:
4928:
4922:
4906:
4902:
4898:
4891:
4875:
4871:
4867:
4860:
4844:
4840:
4836:
4829:
4813:
4809:
4805:
4798:
4782:
4778:
4777:Rolling Stone
4774:
4767:
4751:
4747:
4743:
4736:
4720:
4716:
4712:
4706:
4699:
4694:
4687:
4682:
4675:
4670:
4663:
4658:
4651:
4646:
4639:
4638:Fletcher 1998
4634:
4627:
4626:Fletcher 1998
4622:
4615:
4614:Fletcher 1998
4610:
4603:
4602:Fletcher 1998
4598:
4582:
4578:
4571:
4564:
4559:
4557:
4549:
4548:Fletcher 1998
4544:
4528:
4524:
4520:
4513:
4506:
4505:Fletcher 1998
4501:
4499:
4491:
4486:
4479:
4474:
4458:
4454:
4450:
4443:
4427:
4421:
4405:
4401:
4400:Rolling Stone
4397:
4391:
4375:
4371:
4364:
4356:
4344:
4328:
4324:
4318:
4314:
4313:
4306:
4290:
4286:
4282:
4275:
4259:
4256:. BBC Music.
4255:
4248:
4232:
4228:
4227:
4222:
4215:
4199:
4195:
4194:Rolling Stone
4191:
4187:
4181:
4174:
4169:
4167:
4150:
4146:
4142:
4138:
4132:
4116:
4112:
4111:
4110:Rolling Stone
4106:
4100:
4092:
4090:1-57859-061-2
4086:
4082:
4077:
4076:
4067:
4059:
4053:
4049:
4045:
4044:
4039:
4038:Larkin, Colin
4033:
4017:
4013:
4009:
4003:
3987:
3983:
3977:
3961:
3957:
3951:
3947:
3943:
3942:
3937:
3933:
3927:
3925:
3908:
3904:
3900:
3894:
3878:
3874:
3873:Rolling Stone
3870:
3863:
3847:
3843:
3839:
3832:
3816:
3812:
3811:Rolling Stone
3808:
3801:
3794:
3789:
3773:
3769:
3763:
3747:
3743:
3737:
3729:
3723:
3719:
3712:
3696:
3692:
3686:
3678:
3672:
3665:
3660:
3653:
3648:
3646:
3638:
3633:
3626:
3625:Fletcher 1998
3621:
3614:
3609:
3607:
3605:
3597:
3592:
3585:
3580:
3573:
3568:
3566:
3558:
3553:
3551:
3534:
3531:(Interview).
3530:
3524:
3522:
3520:
3518:
3516:
3508:
3503:
3496:
3491:
3489:
3487:
3479:
3474:
3467:
3462:
3455:
3450:
3443:
3438:
3431:
3426:
3419:
3414:
3412:
3404:
3399:
3392:
3387:
3380:
3375:
3368:
3363:
3356:
3351:
3344:
3339:
3332:
3327:
3319:
3313:
3311:
3309:
3307:
3290:
3286:
3280:
3273:
3268:
3266:
3264:
3262:
3260:
3258:
3256:
3248:
3243:
3236:
3231:
3229:
3227:
3218:
3216:9781493064601
3212:
3208:
3207:
3199:
3191:
3189:0-7432-0169-8
3185:
3181:
3177:
3176:
3168:
3152:
3148:
3147:
3142:
3135:
3131:
3117:
3113:
3109:
3103:
3099:
3087:
3077:
3073:
3070:
3067:
3062:
3058:
3055:
3052:
3047:
3043:
3040:
3037:
3032:
3028:
3025:
3022:
3017:
3013:
3008:Certification
3003:
3000:
2984:
2976:
2973:
2968:
2962:Chart (1974)
2960:
2957:
2946:
2936:
2931:
2925:
2923:Chart (2014)
2922:
2921:
2918:
2904:
2903:Album Top 100
2899:
2893:
2891:Chart (2011)
2890:
2889:
2886:
2873:
2871:
2865:
2858:
2854:
2850:
2843:
2842:
2836:
2829:
2824:
2817:
2816:
2810:
2803:
2798:
2791:
2786:
2776:
2773:
2765:Weekly charts
2762:
2761:
2747:
2741:
2740:Richard Evans
2738:
2735:
2731:
2728:
2725:
2722:
2719:
2718:art direction
2715:
2714:Ethan Russell
2712:
2709:
2706:
2703:
2700:
2697:
2694:
2691:Ron Fawcus –
2690:
2687:
2683:
2680:
2677:
2674:
2671:
2669:
2668:sound effects
2665:
2662:
2659:
2656:
2655:
2654:
2653:
2649:
2647:
2641:
2637:
2634:
2631:
2627:
2626:
2625:
2624:
2617:
2613:
2609:
2605:
2601:
2598:
2595:
2591:
2587:
2584:
2581:
2580:Roger Daltrey
2578:
2575:
2571:
2567:
2564:
2563:
2562:
2561:
2557:
2556:
2552:
2538:
2535:Total length:
2532:
2528:
2525:
2522:
2518:
2514:
2511:
2508:
2504:
2500:
2497:
2494:
2490:
2486:
2483:
2480:
2476:
2472:
2470:20 March 1973
2469:
2466:
2462:
2458:
2456:in March 1970
2455:
2452:
2448:
2444:
2441:
2438:
2434:
2430:
2427:
2424:
2420:
2416:
2413:
2410:
2406:
2402:
2399:
2396:
2392:
2388:
2385:
2382:
2378:
2374:
2372:30 April 1972
2371:
2368:
2364:
2348:
2335:
2332:Total length:
2329:
2325:
2322:
2319:
2315:
2311:
2308:
2305:
2301:
2297:
2294:
2291:
2287:
2283:
2280:
2277:
2273:
2269:
2266:
2263:
2259:
2255:
2252:
2250:"Joker James"
2249:
2245:
2241:
2238:
2235:
2231:
2227:
2224:
2221:
2217:
2213:
2210:
2207:
2203:
2199:
2196:
2193:
2189:
2185:
2182:
2179:
2175:
2171:
2168:
2166:"Cut My Hair"
2165:
2161:
2157:
2154:
2151:
2147:
2143:
2140:
2138:"The Real Me"
2137:
2133:
2117:
2108:track listing
2107:
2096:
2093:Total length:
2090:
2086:
2083:
2080:
2076:
2072:
2068:
2065:
2062:
2058:
2054:
2051:
2048:
2044:
2028:
2015:
2012:Total length:
2009:
2005:
2003:
1999:
1996:
1992:
1988:
1984:
1981:
1978:
1974:
1970:
1966:
1963:
1960:
1956:
1952:
1948:
1945:
1942:
1938:
1934:
1918:
1909:
1908:
1907:My Generation
1903:
1899:
1898:
1891:
1888:Total length:
1885:
1881:
1878:
1875:
1871:
1867:
1864:
1860:
1857:
1853:
1849:
1846:
1843:
1839:
1835:
1832:
1829:
1825:
1821:
1818:
1815:
1811:
1807:
1791:
1781:
1780:
1773:
1770:Total length:
1767:
1763:
1760:
1757:
1753:
1749:
1745:
1742:
1739:
1737:"Cut My Hair"
1736:
1732:
1728:
1725:
1722:
1718:
1714:
1711:
1708:
1704:
1700:
1696:
1694:
1693:Roger Daltrey
1691:
1688:
1684:
1668:
1662:
1661:
1648:Track listing
1645:
1643:
1639:
1635:
1631:
1627:
1626:Rachel Fuller
1623:
1618:
1616:
1615:
1610:
1606:
1602:
1598:
1594:
1593:
1589:
1585:
1581:
1576:
1574:
1570:
1566:
1562:
1556:
1546:
1544:
1540:
1536:
1532:
1528:
1525:as Jimmy and
1524:
1520:
1516:
1512:
1507:
1492:
1490:
1486:
1481:
1479:
1478:Wembley Arena
1475:
1471:
1467:
1462:
1460:
1456:
1452:
1448:
1444:
1440:
1430:
1428:
1427:
1422:
1418:
1414:
1410:
1405:
1403:
1399:
1395:
1394:Jody Linscott
1391:
1387:
1383:
1379:
1378:David Gilmour
1375:
1371:
1367:
1363:
1359:
1355:
1351:
1347:
1343:
1339:
1329:
1327:
1326:
1321:
1317:
1313:
1309:
1304:
1302:
1298:
1294:
1289:
1285:
1281:
1277:
1272:
1270:
1266:
1261:
1258:
1254:
1250:
1246:
1242:
1227:
1224:
1219:
1217:
1213:
1209:
1208:
1207:Rolling Stone
1203:
1199:
1198:
1193:
1189:
1185:
1184:
1179:
1175:
1171:
1167:
1166:
1160:
1158:
1154:
1153:
1148:
1144:
1143:
1142:Rolling Stone
1138:
1134:
1133:
1129:, writing in
1128:
1124:
1123:
1118:
1114:
1107:
1103:
1093:
1091:
1090:
1086:
1085:
1055:
1053:
1052:
1048:
1047:
1043:
1041:
1040:
1036:
1035:
1005:
1003:
1002:
998:
997:
967:
965:
964:
960:
959:
955:
953:
952:
948:
947:
943:
941:
940:
936:
935:
905:
903:
900:
899:
891:
888:Review scores
886:
875:
873:
872:Blu-ray Audio
869:
865:
861:
856:
854:
850:
846:
842:
841:Ethan Russell
838:
833:
831:
830:
825:
821:
817:
816:
811:
807:
804:. In the UK,
803:
799:
795:
793:
792:
781:
779:
778:Regent's Park
775:
771:
767:
763:
762:
761:The Thunderer
757:
753:
749:
745:
740:
738:
737:tubular bells
734:
730:
726:
718:
714:
709:
705:
703:
699:
695:
690:
684:
682:
677:
675:
671:
667:
663:
659:
655:
651:
647:
639:
635:
631:
627:
623:
614:
612:
608:
604:
600:
596:
591:
589:
588:schizophrenia
585:
581:
580:
575:
571:
570:Roger Daltrey
567:
566:
565:Whistle Rymes
561:
557:
553:
552:Join Together
548:
546:
542:
538:
534:
530:
526:
522:
518:
514:
510:
506:
502:
499:collaborator
498:
494:
493:
488:
487:
476:
473:
467:
465:
461:
457:
453:
449:
444:
442:
434:
430:
425:
416:
414:
410:
406:
401:
397:
395:
391:
390:sound effects
387:
383:
379:
375:
374:Roger Daltrey
371:
367:
366:
361:
356:
354:
350:
346:
342:
338:
337:
332:
328:
324:
323:Track Records
320:
316:
312:
309:is the sixth
308:
307:
297:
286:
280:
273:
267:
260:
254:
253:
250:
247:
246:Quadrophenia
243:
239:
235:
226:
225:
221:
217:
216:
212:
208:
207:
203:
202:
198:
194:
190:
186:
184:
180:
174:
170:
167:
164:
161:
160:
159:
157:
153:
141:
137:
132:
129:
127:
124:
123:
122:
120:
116:
112:
108:
104:
101:
97:
91:
89:May–June 1972
88:
87:
86:
82:
71:
67:
63:
58:
54:
50:
45:
40:
34:
30:
29:See Clear Now
23:
19:
7092:Quadrophenia
7000:
6974:
6967:
6960:
6953:
6946:
6939:
6930:Band members
6748:Julian Covey
6719:
6645:performances
6594:
6587:
6580:
6573:
6566:
6559:
6552:
6545:
6538:
6531:
6524:
6517:
6512:Quadrophenia
6510:
6503:
6496:
6478:
6471:
6464:
6446:
6439:
6432:
6427:Then and Now
6425:
6418:
6411:
6404:
6397:
6390:
6383:
6376:
6369:
6362:
6355:
6348:
6341:
6334:
6327:
6320:
6313:
6306:
6299:
6292:
6274:
6269:Quadrophenia
6267:
6260:
6253:
6235:
6228:
6221:
6214:
6207:
6200:
6193:
6186:
6181:BBC Sessions
6179:
6172:
6165:
6158:
6151:
6133:
6128:Endless Wire
6126:
6119:
6112:
6105:
6098:
6093:Quadrophenia
6092:
6091:
6084:
6077:
6070:
6063:
6056:
6041:Kenney Jones
6016:
6009:
5953:
5948:Endless Wire
5946:
5939:
5932:
5925:
5918:
5913:Quadrophenia
5912:
5911:
5904:
5897:
5890:
5883:
5876:
5839:
5832:
5825:Quadrophenia
5824:
5809:Quadrophenia
5807:
5801:Quadrophenia
5799:
5793:Quadrophenia
5791:
5754:Sea and Sand
5694:Quadrophenia
5693:
5692:
5645:Quadrophenia
5643:
5625:. Retrieved
5616:
5584:
5565:
5546:
5527:
5505:
5483:
5454:
5436:
5426:
5422:
5418:
5408:
5394:
5382:. Retrieved
5378:the original
5364:
5352:
5340:
5331:
5324:
5318:
5302:
5289:. Retrieved
5287:(in Italian)
5282:
5273:
5257:
5243:
5235:
5223:
5204:
5195:
5186:
5181:
5173:Quadrophenia
5172:
5167:
5155:. Retrieved
5141:
5129:. Retrieved
5123:. AllMusic.
5115:
5103:. Retrieved
5097:. AllMusic.
5089:
5077:. Retrieved
5068:
5058:
5046:. Retrieved
5036:
5024:
5012:. Retrieved
5003:
4993:
4981:
4969:. Retrieved
4960:
4951:
4939:. Retrieved
4930:
4921:
4909:. Retrieved
4900:
4890:
4878:. Retrieved
4869:
4859:
4847:. Retrieved
4838:
4828:
4816:. Retrieved
4807:
4797:
4785:. Retrieved
4776:
4766:
4754:. Retrieved
4745:
4735:
4723:. Retrieved
4705:
4693:
4681:
4669:
4657:
4645:
4633:
4621:
4609:
4597:
4585:. Retrieved
4570:
4543:
4531:. Retrieved
4527:the original
4522:
4512:
4485:
4473:
4461:. Retrieved
4452:
4442:
4430:. Retrieved
4420:
4408:. Retrieved
4399:
4390:
4378:. Retrieved
4363:
4333:10 September
4331:. Retrieved
4311:
4305:
4293:. Retrieved
4284:
4274:
4262:. Retrieved
4247:
4235:. Retrieved
4224:
4214:
4202:. Retrieved
4193:
4180:
4153:. Retrieved
4144:
4131:
4119:. Retrieved
4115:the original
4108:
4099:
4074:
4066:
4042:
4032:
4020:. Retrieved
4011:
4002:
3990:. Retrieved
3976:
3964:. Retrieved
3939:
3911:. Retrieved
3905:. AllMusic.
3893:
3881:. Retrieved
3872:
3862:
3850:. Retrieved
3841:
3831:
3819:. Retrieved
3810:
3800:
3788:
3776:. Retrieved
3770:. AllMusic.
3762:
3750:. Retrieved
3744:. AllMusic.
3736:
3717:
3711:
3699:. Retrieved
3685:
3671:
3659:
3632:
3620:
3591:
3579:
3537:. Retrieved
3502:
3473:
3461:
3449:
3437:
3425:
3398:
3386:
3374:
3362:
3350:
3338:
3326:
3317:
3293:. Retrieved
3288:
3279:
3242:
3205:
3198:
3173:
3167:
3155:. Retrieved
3144:
3134:
3107:
3106:Ironically,
3102:
3079:
3021:Music Canada
2999:Quadrophenia
2998:
2982:
2956:Quadrophenia
2955:
2917:Quadrophenia
2916:
2885:Quadrophenia
2884:
2869:
2839:
2813:
2772:Quadrophenia
2771:
2745:
2651:
2650:
2645:
2628:Jon Curle –
2622:
2621:
2559:
2558:
2550:
2498:27 July 1972
2484:3 March 1973
2411:"Fill No. 2"
2309:25 July 1972
2306:"Dirty Jobs"
2253:in July 1972
2236:"Get Inside"
2225:in July 1972
2211:in July 1972
2197:in July 1972
2105:
2000:Daltrey and
1959:Sea and Sand
1905:
1816:" (At least)
1657:
1621:
1619:
1612:
1590:
1584:Quadrophenia
1583:
1577:
1561:Quadrophenia
1560:
1558:
1539:Kenney Jones
1530:
1523:Phil Daniels
1519:Franc Roddam
1515:film version
1511:Quadrophenia
1510:
1509:
1482:
1466:Quadrophenia
1465:
1463:
1451:Eddie Vedder
1436:
1424:
1417:Quadrophenia
1416:
1406:
1354:Phil Daniels
1350:Gary Glitter
1338:Quadrophenia
1337:
1335:
1323:
1316:Quadrophenia
1315:
1312:Quadrophenia
1311:
1305:
1288:Quadrophenia
1287:
1280:Quadrophenia
1279:
1273:
1262:
1257:Quadrophenia
1256:
1249:Baba O'Riley
1241:Quadrophenia
1240:
1238:
1223:Quadrophenia
1222:
1220:
1205:
1202:Quadrophenia
1201:
1195:
1188:Quadrophenia
1187:
1181:
1173:
1170:Quadrophenia
1169:
1163:
1161:
1150:
1147:Quadrophenia
1146:
1140:
1130:
1120:
1106:Melody Maker
1105:
1102:Quadrophenia
1101:
1099:
1087:
1049:
1037:
999:
961:
949:
937:
857:
834:
827:
819:
813:
806:Quadrophenia
805:
798:Quadrophenia
797:
796:
789:
787:
759:
748:reel-to-reel
741:
733:Quadrophenia
732:
728:
722:
713:diesel train
685:
678:
662:Quadrophenia
661:
646:Quadrophenia
645:
643:
634:Quadrophenia
633:
598:
592:
577:
563:
549:
544:
536:
532:
528:
525:film version
520:
513:Melody Maker
512:
508:
505:Quadrophenia
504:
496:
490:
484:
482:
468:
460:amphetamines
456:psychiatrist
445:
441:Quadrophenia
440:
438:
429:Quadrophenia
428:
413:compact disc
400:Quadrophenia
399:
398:
386:synthesizers
363:
359:
357:
349:Quadrophenia
348:
334:
319:double album
311:studio album
306:Quadrophenia
305:
304:
303:
245:
222:
215:Quadrophenia
214:
213:
204:
57:Studio album
42:Quadrophenia
33:
7122:Rock operas
7117:Mod revival
7097:1973 albums
7038:Chris Stamp
7033:Kit Lambert
7013:Kim McLagan
6853:Zak Starkey
6823:Frank Simes
6798:J. J. Blair
6793:Brian Kehew
6788:Steve White
6758:Scot Halpin
6490:Filmography
6357:The Singles
6301:Direct Hits
6145:Live albums
6114:Face Dances
6107:Who Are You
6036:Doug Sandom
5934:Face Dances
5927:Who Are You
5885:A Quick One
5822:majority of
5785:Adaptations
5726:Cut My Hair
5719:The Real Me
5524:Marsh, Dave
5201:Kent, David
5048:11 February
5014:25 November
4911:25 November
4410:10 February
4380:11 February
4372:. GigWise.
4351:|work=
4204:11 February
4186:Kaye, Lenny
4173:Atkins 2000
4012:Digital Spy
3793:Atkins 2000
3664:Atkins 2000
3572:Atkins 2000
3557:Atkins 2000
3379:Atkins 2000
2734:remastering
2705:Rod Houison
2699:Bob Pridden
2686:engineering
2682:Ron Nevison
2673:Chris Stamp
2661:Kit Lambert
2574:brass/horns
2570:bass guitar
2526:10 May 1972
2467:"Is It Me?"
1707:The Real Me
1543:mod revival
1495:Adaptations
1459:Tom Meighan
1433:2010s tours
1413:P. J. Proby
1374:Zak Starkey
1366:Stephen Fry
1297:Bill Graham
1293:Scot Halpin
1139:, wrote in
1113:Chris Welch
963:Digital Spy
860:Bob Pridden
845:MCA Records
810:David Bowie
674:Ron Nevison
666:Ronnie Lane
658:mixing desk
640:many times.
611:Chris Stamp
607:Kit Lambert
595:Lou Reizner
541:Frank Zappa
405:mod revival
394:Kit Lambert
372:and singer
285:The Real Me
7086:Categories
7053:Shel Talmy
6990:In Concert
6818:Loren Gold
6813:Jon Button
6768:Tim Gorman
6722:& More
6658:Tommy Tour
6633:Keith Moon
6160:Who's Last
6086:Who's Next
6031:Keith Moon
5906:Who's Next
5658:– fan site
5568:. Virgin.
5530:. Plexus.
5423:and click
5131:9 February
5105:9 February
5079:27 January
5029:Marsh 1983
4903:. London.
4787:27 January
4756:27 January
4748:. London.
4725:9 February
4587:26 January
4490:Marsh 1983
4478:Marsh 1983
4463:28 January
4295:28 January
4264:28 January
3955:089919026X
3883:27 January
3852:27 January
3821:27 January
3778:26 January
3752:26 January
3613:Marsh 1983
3539:26 January
3507:Marsh 1983
3466:Marsh 1983
3454:Marsh 1983
3442:Marsh 1983
3430:Marsh 1983
3418:Marsh 1983
3403:Marsh 1983
3391:Marsh 1983
3355:Marsh 1983
3343:Marsh 1983
3331:Marsh 1983
3247:Marsh 1983
3126:References
3074:1,000,000
2802:Ö3 Austria
2730:Bob Ludwig
2724:Jon Astley
2652:Production
2594:percussion
2586:Keith Moon
2481:"Bell Boy"
2425:"Wizardry"
2264:"Ambition"
2063:"The Rock"
2038:Lead vocal
2002:Keith Moon
1928:Lead vocal
1915:Side three
1801:Lead vocal
1678:Lead vocal
1642:Billy Idol
1603:suburb of
1485:Billy Idol
1468:, dubbed "
1409:Billy Idol
1291:hospital.
1276:Cow Palace
1194:. In 2000
1137:Lenny Kaye
1127:Dave Marsh
853:Jon Astley
849:remastered
824:Elton John
774:brass band
729:Who's Next
638:overdubbed
574:Keith Moon
537:Who's Next
509:Who's Next
501:Glyn Johns
497:Who's Next
492:Who's Next
479:Background
378:Keith Moon
365:Who's Next
327:rock opera
195:chronology
76:1973-10-26
7008:No Plan B
6948:Lifehouse
6783:Jon Carin
6736:Musicians
6683:2000 tour
6678:1980 tour
6668:1979 tour
6643:Tours and
6336:Hooligans
6121:It's Hard
5941:It's Hard
5812:(musical)
5332:Billboard
5325:Billboard
4971:8 October
4941:8 October
4523:The Times
4453:Billboard
4353:ignored (
4343:cite book
4285:Billboard
4137:Hull, Tom
3071:Platinum
3026:Platinum
2965:Position
2928:position
2896:position
2870:Billboard
2853:UK Albums
2783:position
2608:keyboards
2547:Personnel
2453:"Drowned"
2383:"Anymore"
2292:"I'm One"
2025:Side four
1819:Townshend
1634:Alfie Boe
1588:Halloween
1489:Alfie Boe
1480:in July.
1447:Pearl Jam
1390:Jon Carin
1328:box set.
1183:Billboard
1178:BBC Music
878:Reception
820:Billboard
654:Battersea
628:used the
617:Recording
568:, singer
533:Lifehouse
126:Hard rock
7071:Category
6996:Double O
6904:The Wick
6884:Quarwood
5768:Bell Boy
5621:Archived
5526:(1983).
5504:(1998).
5203:(1993).
5151:Archived
5125:Archived
5099:Archived
5073:Archived
5008:Archived
4965:Archived
4935:Archived
4905:Archived
4874:Archived
4843:Archived
4812:Archived
4781:Archived
4750:Archived
4719:Archived
4715:AllMusic
4581:Archived
4457:Archived
4404:Archived
4374:Archived
4327:Archived
4289:Archived
4258:Archived
4231:Archived
4198:Archived
4149:Archived
4139:(n.d.).
4040:(2007).
4016:Archived
3986:Archived
3960:Archived
3934:(1981).
3907:Archived
3877:Archived
3846:Archived
3815:Archived
3772:Archived
3746:Archived
3695:Archived
3533:Archived
3295:27 April
3151:Archived
3059:100,000
3044:100,000
3034:France (
3029:100,000
3019:Canada (
1995:Bell Boy
1865:(chorus)
1788:Side two
1665:Side one
1632:. Tenor
1455:Kasabian
1402:eyepatch
902:AllMusic
776:play in
630:ARP 2500
452:Brighton
341:Brighton
183:Producer
131:art rock
113:, London
84:Recorded
69:Released
59: by
6913:Related
6613:The Who
5999:The Who
5761:Drowned
5740:I'm One
5704:The Who
5650:Discogs
5475:Sources
5421:THE WHO
5419:Select
5384:2 April
5157:12 June
4880:27 June
4849:27 June
4818:27 June
4432:20 June
4226:Newsday
4155:19 July
3966:9 March
3701:12 July
3114:" and "
3108:Pin Ups
3014:/sales
3005:Region
2604:guitars
2560:The Who
2323:in 1973
2155:in 1973
2084:Daltrey
2052:Daltrey
1982:Daltrey
1977:Drowned
1904:" from
1847:Daltrey
1833:Daltrey
1814:I'm One
1712:Daltrey
1601:Chicago
1599:in the
1595:at the
1573:Cardiff
1251:" and "
1152:Newsday
864:box set
815:Pin Ups
784:Release
752:doppler
694:patches
554:" and "
472:bellboy
464:dustman
315:the Who
242:Singles
228:(1974)
219:(1973)
210:(1971)
193:The Who
187:The Who
107:Ramport
103:Olympic
74: (
62:the Who
6329:Phases
5796:(film)
5627:4 July
5591:
5572:
5553:
5534:
5512:
5490:
5429:
5291:27 May
5211:
4533:20 May
4319:
4237:5 June
4121:19 May
4087:
4054:
4022:19 May
3992:19 May
3952:
3913:19 May
3724:
3213:
3186:
3157:1 June
2983:
2755:Charts
2746:
2693:mixing
2361:Length
2278:"Punk"
2130:Length
2041:Length
1931:Length
1804:Length
1681:Length
896:Rating
893:Source
681:themes
139:Length
99:Studio
6920:Songs
6720:Tommy
6718:2017
6498:Tommy
6255:Tommy
6079:Tommy
5899:Tommy
5711:Songs
5327:200)"
4428:. VH1
3677:"BPI"
3094:Notes
3056:Gold
3041:Gold
2640:piano
2616:cello
2612:banjo
2590:drums
2539:57:14
2355:Title
2336:43:38
2124:Title
2097:21:04
2035:Title
2016:20:27
1925:Title
1892:19:41
1798:Title
1774:20:40
1675:Title
1580:Phish
1531:Tommy
1527:Sting
1370:Simon
1174:Tommy
1132:Creem
1109:'
956:10/10
951:Clash
766:march
702:cello
670:Faces
599:Tommy
556:Relay
545:Tommy
529:Tommy
521:Tommy
486:Tommy
360:Tommy
336:Tommy
244:from
169:Track
163:Track
156:Label
119:Genre
5747:5:15
5629:2018
5589:ISBN
5570:ISBN
5551:ISBN
5532:ISBN
5510:ISBN
5488:ISBN
5386:2022
5293:2022
5209:ISBN
5159:2015
5133:2015
5107:2015
5081:2015
5050:2023
5016:2014
4973:2017
4943:2017
4913:2014
4882:2019
4851:2019
4820:2019
4789:2015
4758:2015
4727:2015
4589:2015
4535:2009
4465:2015
4434:2021
4412:2015
4382:2015
4355:help
4335:2017
4317:ISBN
4297:2015
4266:2015
4239:2017
4206:2015
4157:2020
4123:2014
4085:ISBN
4081:1227
4052:ISBN
4024:2014
3994:2014
3968:2019
3950:ISBN
3915:2014
3885:2015
3854:2015
3823:2015
3780:2015
3754:2015
3722:ISBN
3703:2010
3541:2015
3297:2024
3211:ISBN
3184:ISBN
3159:2020
3066:RIAA
3036:SNEP
2935:FIMI
2926:Peak
2894:Peak
2781:Peak
2529:5:10
2515:7:57
2501:7:28
2487:5:03
2473:4:37
2459:4:14
2445:4:13
2431:3:10
2417:1:30
2403:6:21
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2326:2:16
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2270:0:00
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2006:4:56
1985:5:28
1967:5:02
1949:5:01
1941:5:15
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1868:3:44
1850:2:34
1836:4:30
1822:2:38
1764:5:11
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1729:6:14
1715:3:21
1697:2:09
1500:Film
1453:and
1388:and
1308:Lyon
764:, a
609:and
489:and
419:Plot
388:and
362:and
259:5:15
175:(US)
165:(UK)
109:and
6135:Who
5955:WHO
5648:at
5245:RPM
3146:NME
3051:BPI
2977:25
2940:60
2908:87
2872:200
2867:US
2857:OCC
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2815:RPM
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2506:11.
2492:10.
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2303:13.
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1921:No.
1794:No.
1671:No.
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1044:4/5
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