Knowledge

Quartet (Harwood play)

Source 📝

235:
concert celebration without the Three Tenors. So his play doesn’t end, it just stops, and we are left with nothing more than the memory of four performances desperately trying to make bricks despite a distinct lack of straw; if Harwood has anything new to tell us about singers who have for different
202:, Paul Taylor described the play as "an unashamed – no, shameless – vehicle for four feisty old troupers whose task is to make us laugh a little, sigh a little and cry a little as they take us into the bittersweet world of facing up to age and mortality." 164:
The setting is a retirement home for musicians. Three elderly former opera-singers, who often worked together, are sitting out on the terrace. Reginald is quietly reading a serious book, but jovial,
231:
concluded: "Harwood seems to have set out with something sad to say about the ravages of age on a profession which largely depends on staying young, but then to have been sidetracked into a sort of
303: 218:
give it everything they've got, breathing vitality into a script that could be an inert embarrassment if performed by less accomplished players."
174:
Is there any chance that these four will ever sing together again? A gala concert is about to take place at the retirement home to celebrate
188:
and one is not. But the play eventually moves to an uncertain conclusion when they don costumes and lip-synch to their own retro recording.
429: 171:
They are about to be joined by newcomer Jean, who was a major star in her day and to whom Reginald was once unhappily married.
237: 434: 168:
Wilfred is chuckling about sex, as he regards Cissy, lying back and listening to music through her headphones.
240:
he seems, like his characters, to have abruptly and irretrievably forgotten what he was going to say. And the
444: 205: 439: 179: 399: 321: 118: 328: 106: 8: 424: 355: 254: 210: 102: 407: 214:
wrote: "the show's heart is in the right place and a cherishable company of senior
114: 341: 271: 228: 198: 141: 385: 275: 259: 175: 130: 98: 91: 68: 29: 418: 368: 267: 223: 149: 134: 122: 215: 279: 263: 232: 178:'s birthday. Three of the four are keen to recreate the third act quartet " 145: 126: 165: 304:"Dustin Hoffman riles Sir Donald Sinden with his comments about new film 153: 184: 110: 137:
as Jean. Following a four-month run it closed on 8 January 2000.
241: 140:
A regional tour from June to August 2010 enjoyed success with
252:
The play was adapted as a film by Harwood himself in 2012.
416: 236:reasons lost their voices and yet are now 278:as Wilfred. The production was filmed at 117:opening at the Albery Theatre (now the 417: 331:, Guildford, by Sheila Connor (2010) 238:going unquietly into that good night 191: 13: 247: 14: 456: 393: 430:British plays adapted into films 262:and the principal cast includes 121:) on 8 September 1999 starring 362: 348: 334: 315: 297: 1: 285: 7: 94:about aging opera singers. 10: 461: 53:8 September 1999 242:rest is a kind of silence 75: 64: 49: 35: 25: 20: 101:, was first directed by 435:Plays by Ronald Harwood 221:Reviewing the play for 180:Bella figlia dell'amore 159: 97:The play, presented by 329:Yvonne Arnaud Theatre 107:Yvonne Arnaud Theatre 445:Plays set in England 411:, 13 September 1999 389:, volume XIX, 1999. 371:, 18 September 1999 359:, 10 September 1999 356:The Daily Telegraph 345:, 10 September 1999 311:The Daily Telegraph 282:, Buckinghamshire. 211:The Daily Telegraph 119:Noël Coward Theatre 103:Christopher Morahan 440:Plays about actors 192:Critical reaction 123:Sir Donald Sinden 83: 82: 76:Original language 452: 372: 366: 360: 352: 346: 338: 332: 319: 313: 301: 258:was directed by 60: 58: 18: 17: 460: 459: 455: 454: 453: 451: 450: 449: 415: 414: 396: 376: 375: 367: 363: 353: 349: 342:The Independent 339: 335: 320: 316: 302: 298: 288: 272:Pauline Collins 250: 248:Film adaptation 229:Sheridan Morley 206:Charles Spencer 199:The Independent 194: 162: 142:Michael Jayston 65:Place premiered 56: 54: 44: 42: 40: 12: 11: 5: 458: 448: 447: 442: 437: 432: 427: 413: 412: 405:by Matt Wolf, 395: 394:External links 392: 391: 390: 386:Theatre Record 374: 373: 361: 347: 333: 314: 295: 294: 287: 284: 276:Billy Connolly 260:Dustin Hoffman 249: 246: 193: 190: 161: 158: 133:as Cecily and 131:Stephanie Cole 99:Michael Codron 92:Ronald Harwood 81: 80: 77: 73: 72: 69:Albery Theatre 66: 62: 61: 51: 50:Date premiered 47: 46: 37: 33: 32: 30:Ronald Harwood 27: 23: 22: 9: 6: 4: 3: 2: 457: 446: 443: 441: 438: 436: 433: 431: 428: 426: 423: 422: 420: 410: 409: 404: 403: 398: 397: 388: 387: 383: 382: 381: 380: 370: 369:The Spectator 365: 358: 357: 351: 344: 343: 337: 330: 326: 325: 318: 312: 308: 307: 300: 296: 293: 292: 283: 281: 277: 274:as Cissy and 273: 269: 268:Tom Courtenay 265: 261: 257: 256: 245: 243: 239: 234: 230: 226: 225: 224:The Spectator 219: 217: 213: 212: 207: 203: 201: 200: 189: 187: 186: 181: 177: 172: 169: 167: 157: 155: 152:as Jean, and 151: 150:Susannah York 147: 143: 138: 136: 135:Angela Thorne 132: 129:as Reginald, 128: 124: 120: 116: 113:prior to its 112: 108: 104: 100: 95: 93: 90:is a play by 89: 88: 78: 74: 70: 67: 63: 52: 48: 38: 34: 31: 28: 24: 19: 16: 406: 401: 384: 379:Bibliography 378: 377: 364: 354: 350: 340: 336: 323: 317: 310: 305: 299: 290: 289: 280:Hedsor House 264:Maggie Smith 253: 251: 233:Three Tenors 222: 220: 209: 204: 197: 196:Writing for 195: 183: 173: 170: 163: 156:as Cecily. 148:as Wilfred, 146:Timothy West 139: 127:Alec McCowen 125:as Wilfred, 96: 86: 85: 84: 15: 154:Gwen Taylor 144:as Reggie, 425:1999 plays 419:Categories 286:References 57:1999-09-08 36:Characters 26:Written by 266:as Jean, 185:Rigoletto 111:Guildford 400:Review: 270:as Reg, 115:West End 71:, London 408:Variety 402:Quartet 324:Quartet 322:Review 306:Quartet 255:Quartet 182:" from 166:priapic 105:at the 87:Quartet 79:English 55: ( 41:Wilfred 21:Quartet 216:thesps 45:Cecily 39:Reggie 291:Notes 176:Verdi 208:for 160:Plot 43:Jean 327:at 244:." 109:in 421:: 309:, 227:, 59:)

Index

Ronald Harwood
Albery Theatre
Ronald Harwood
Michael Codron
Christopher Morahan
Yvonne Arnaud Theatre
Guildford
West End
Noël Coward Theatre
Sir Donald Sinden
Alec McCowen
Stephanie Cole
Angela Thorne
Michael Jayston
Timothy West
Susannah York
Gwen Taylor
priapic
Verdi
Bella figlia dell'amore
Rigoletto
The Independent
Charles Spencer
The Daily Telegraph
thesps
The Spectator
Sheridan Morley
Three Tenors
going unquietly into that good night
rest is a kind of silence

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.