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514:(full moon) day of in the evening after offering to his shaligramas, Gopala Bhatta put them to rest, covering them with a wicker basket. Late in the night, Gopala Bhatta took a little rest and then, in the early morning went to take bath in the Yamuna river. Returning from his bath, he uncovered the shaligramas in order to render the
522:. In this way Radha Ramana emerged in a perfectly shaped deity form from a sacred fossilized shaligrama stone. Devotees consider this image to be alive and that he grants a chosen family the privilege of assisting him in his daily schedule. In this way "the Lord has granted his wish and the stone was turned into a deity
506:
Gopala Bhatta
Gosvami found twelve shaligramas. It is believed once a wealthy man came to Vrindavana and offered Gopala Bhatta a variety of clothing and ornaments for his shaligramas in charity. However, Gopala Bhatta couldn't use these for his round-shaped shaligramas, so he advised the donor to
299:
biographer
Narahari in a mere four verses (Bhakti Ratnakara 4.315-19). Narahari Chakravarti puzzles over Krishnadasa's near-silence over Gopala Bhatta, concluding that Gopala Bhatta requested his junior, Krishnadasa Kaviraja to be omitted from the book out of humility (1.222-3). Unlike other
487:
After
Chaitanya Mahaprabhu's disappearance Gopala Bhatta Gosvami felt intense separation from Krishna. To relieve his devotee, Krishna is believed to have instructed Gopala Bhatta in a dream: "If you want my darshan (visit) then make a trip to Nepal".
339:
The quaint historic temple of Radha Ramana has recently celebrated its 500th anniversary. It has a steady flow of local worshippers as well as pilgrims from around the world. It is notable for housing the image that is the oldest remaining in
355:
during the seventeenth century, when other images were removed to be hidden in safer places outside the city. Performances of classical Indian devotional music are offered in Radha Ramana temple nightly.
507:
give the deity's decorations to someone else. It is believed that donor refused to take them back and Gopala Bhatta kept the cloths and ornaments with his shaligramas.
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Goswami's sincere service and devotion, Chaitanya
Mahaprabhu initiated him, and ordered him to move to Vrindavana after the death of his parents and perform
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for them, and saw amongst them an image of
Krishna playing a flute. The "Damodara shila" had manifested as the beautiful three-fold bending form of
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The deity Radha Ramana is typically adorned with the following accessories: feather, crown, yellow dress, and shining
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enter his pot. He dropped the silas back into the river, but the silas re-entered his pot when he refilled it.
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and rites. He instructed him to serve his mother and father and always engage in chanting
Krishna's glories.
368:, the primary deities of the temple, Radha Krishna are worshipped as Radha Ramana. The temple belongs to the
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as supreme to one in Radha
Krishna" as Svayam Bhagavan. The dialogue of this conversion is recorded in the
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Prabodhananda
Sarasvati is regarded to have accepted the supremacy of Radha worship from Chaitanya.
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and for a long time accepted vows and regulative principles and performed unlimited austerities."
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a presentation is given, with a reference to the particular verse of the tenth canto of the
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in 1511 and stayed at
Venkata's home. Venkata Bhatta had two brothers, Tirumalla Bhatta and
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and residing with the temple priest
Venkata Bhatta (Chaitanya Charitamrita 2.9.82- 165)
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Brzezinski, J.K. (1992). "Prabodhananda, Hita Harivamsa and the" Radharasasudhanidhi".
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of that order. Venkata Bhatta had a son named Gopala, who was then just a child.
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Bulletin of the School of Oriental and African Studies, University of London
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Bulletin of the School of Oriental and African Studies, University of London
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Brzezinski, J.K. (1992). "Prabodhananda Sarasvati: From Benares to Braj".
499:. Upon dipping his waterpot in the river, he was surprised to see several
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Attending KášášŁáša's image: Caitanya Vaiᚣášava mĹŤrti-sevÄ as devotional truth
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Attending KášášŁáša's image: Caitanya Vaiᚣášava mĹŤrti-sevÄ as devotional truth
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Attending KášášŁáša's image: Caitanya Vaiᚣášava mĹŤrti-sevÄ as devotional truth
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Attending KášášŁáša's image: Caitanya Vaiᚣášava mĹŤrti-sevÄ as devotional truth
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Drawing of the image of Radha Ramana, believed to be a combined form of
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Radha Ramana is an epithet of Krishna, translating as the lover (
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Combined form of Radha Krishna and one of the epithets of Krishna
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At the age of thirty Gopala Bhatta Gosvami came to Vrindavana.
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for the longest continuous period, as Radha Ramana remained in
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describes Chaitanya's south India tour, including his visit to
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of Sri Krishna". As a narrative account of actualized Krishna-
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is dedicated to this form of the deities. According to the
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At Play with Krishna: Pilgrimage Dramas From Brindavan
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263:tradition, this form of the divine couple
1262:. Motilal Banarsidass Pub. pp. 4â5.
172:Learn how and when to remove this message
70:Learn how and when to remove this message
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1365:"identify Radha as the supreme Laksmi.."
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1226:. Abhinav Publications. p. 103.
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495:, Gopala Bhatta bathed in the famous
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110:adding citations to reliable sources
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24:
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366:Shri Swaminarayan Mandir, Junagadh
360:Shri Swaminarayan Mandir, Junagadh
335:The Radha Ramana Temple, Vrindavan
25:
1624:
1384:: "Just to associate with KášášŁáša,
348:during the iconoclastic raids by
1531:Valpey, Kenneth Russell (2006).
1503:Valpey, Kenneth Russell (2006).
1311:Valpey, Kenneth Russell (2006).
1283:Valpey, Kenneth Russell (2006).
764:Other 16000 - 16100 Junior wives
86:
31:
1524:
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1479:Krishna: The Living God of Braj
1223:Krishna: The Living God of Braj
1173:Krishna: The Living God of Braj
937:Associated with Krishna's life
913:48 Kos Parikrama of Kurukshetra
97:needs additional citations for
1482:. Abhinav Pubns. p. 162.
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251:One of the ancient temples of
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1603:Titles and names of Krishna
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1256:Hawley, John C. (1992).
1176:. Abhinav Publications.
1537:. New York: Routledge.
1509:. New York: Routledge.
1317:. New York: Routledge.
1289:. New York: Routledge.
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257:Radha Ramana Temple
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1427:2008-05-17
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253:Vrindavan
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510:On the
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